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By admin, on May 12th, 2021

Panasonic GH5 Mark II vs Panasonic S5 – A general Specification comparison between the two to find out the major difference. As we all know Panasonic GH5 Mark II camera features almost the same major core specification as we have in the GH5.
Get Panasonic S5 from B&H Store | Amazon.com
Get Panasonic GH5 Mark II from B&H Store
Lens Mount |
Micro Four Thirds |
Leica L |
Camera Format |
Micro Four Thirds (2x Crop Factor) |
Full-Frame (1x Crop Factor) |
Sensor Resolution |
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888) |
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel |
Maximum Resolution |
5184 x 3888 |
6000 x 4000 |
Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 2:1, 3:2, 4:3, 16:9, 65:24 |
Sensor Type |
MOS |
CMOS |
Sensor Size |
17.3 x 13 mm |
35.6 x 23.8 mm |
Image File Format |
JPEG, Raw |
JPEG, Raw |
Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
Panasonic S5 uses a better Sensor
As we can see the sensor size is the main difference between these two cameras. The Panasonic S5 full-frame sensor will deliver exceptional images as well as more details and depth in videos with better low-light performance. Both cameras feature sensor-shift IS (5.5 Stops without OIS Lens / 6.5 Stops with Dual IS), so you will get stability support while you are shooting still images and videos.
As usual with the help of a Fullframe sensor, we will get a boosted ISO range inside the Panasonic S5 Camera.
ISO Sensitivity |
Auto, 200 to 25600 (Extended: 100 to 25600) |
Auto, 100 to 51200 (Extended: 50 to 204800) |
Shutter Speed |
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
1 to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second |
Mechanical Shutter
1/8000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Second
0 to 30 Minute
Electronic Shutter
1/8000 to 60 Second
0 to 60 Second in Bulb Mode
1/16000 to 1/25 Second in Movie Mode |
Metering Method |
Center-Weighted Average, Multiple, Spot |
Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot |
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps) |
-5 to +5 EV (1/3 EV Steps) |
Metering Range |
0 to 18 EV |
0 to 18 EV |
White Balance |
Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set |
Continuous Shooting |
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP |
Mechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 30 fps at 8 MP |
Interval Recording |
Yes |
Yes |
Self-Timer |
2/10-Second Delay |
2/10-Second Delay |
Panasonic S5 shoots DCI 4k
The S5 also gets a significant update in 4K DCI and ProRes RAW support. So, if you are buying up the latest Panasonic S5 then for sure you will get DCI 4k videos with your camera. Another most important fact we have to admit the Panasonic S5 does a full sensor readout, that’s is 24.2MP full-frame CMOS sensor with no AA filter; Full-frame oversampled will give you massive details while creating 4k videos with your camera compared to a M4/3 sensor-based GH5 Mark II camera.
Recording Modes |
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] |
H.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p/50p [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/180p [20 to 28 Mb/s] |
External Recording Modes |
4:2:2 10-Bit |
4:2:2 10-Bit |
Video Encoding |
NTSC/PAL |
NTSC/PAL |
Audio Recording |
Built-In Microphone (Stereo)
External Microphone Input |
Built-In Microphone (Stereo)
External Microphone Input |
Audio File Format |
AAC, Dolby Digital 2ch |
AAC, Linear PCM |
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Panasonic GH5 Mark II vs Panasonic S5, Autofocus Performance
Panasonic S5 arrived with a massive DFD AF upgrade the AF performance of the camera drastically improved compared to even S1 camera. Even the GH5 Mark II arrived with an upgraded AF algorithm, both are winners and have Panasonic latest DFD tech inside them.
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S) |
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
Autofocus Points |
Contrast Detection: 225 |
Contrast Detection: 225 |
Autofocus Sensitivity |
-4 to +18 EV |
-6 to +20 EV |
One major upgrade you will notice that Panasonic GH5 Mark II is now using the same battery as the S5 camera. So, the battery performance of the GH series camera now improved.
Physical
Battery |
1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh |
1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh |
Dimensions (W x H x D) |
5.5 x 3.9 x 3.4″ / 138.5 x 98.1 x 87.4 mm |
5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm |
Weight |
size 138.5x 98.1×87.4mm, weight 647g (body only), |
1.57 lb / 714 g (Body with Battery and Memory)
1.39 lb / 630 g (Body Only) |
Panasonic GH5 Mark II vs Panasonic S5 – Verdict
Panasonic GH5 Mark II isn’t giving us enough reason to recommend you for video purposes. The GH5 Mark II update gives us a strong hint that Panasonic wants its existing consumer base to move into the S series aka the Fuullframe series.
Get Panasonic S5 from B&H Store | Amazon.com
Get Panasonic GH5 Mark II from B&H Store
More comparison here Panasonic GH5 Mark II vs Panasonic GH5
By admin, on May 11th, 2021

Full specifications of Panasonic GH5 Mark II camera leaked today, the sensor and major video specs remain almost the same and we are not able to spot any major upgrade in Panasonic GH5 Mark II camera for photographers or cinematographers.

Take a look at the Major leaked specification
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By admin, on May 10th, 2021

Panasonic GH5 Mark II Major specification leaked, the camera will feature the same 20MP M4/3 sensor as GH5. Take a look at the Major Specs below
Panasonic GH5 Mark II Major Specification
- Panasonic “LUMIX DC-GH5M2” has 20.33 million effective pixels,
- 4K60p video,
- 3.68 million dots
- 120fps compatible EVF,
- DMW-BLK22 battery,
- size 138.5x 98.1×87.4mm, weight 647g (main unit only),
- US price It will cost $ 1697 ($ 2297 for the 12-60mm kit)
So, finally, we came to know the successor Panasonic GH5 is GH5 Mark II and not GH6. We will post more update as soon as we get more images and specifications.
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Source
By admin, on February 3rd, 2021

TNC-exclusive A list of New M4/3 sensors that may get used in upcoming MFT cameras. All the sensor you can see below are new, upcoming Panasonic GH6, GX10, and many more cameras may use some of the new sensors for improving video resolution.
New 4/3 Sensore list with higher resolution
S/No |
Pixels |
Res. |
Chroma |
Size |
Max FPS |
Shutter Type |
IMX492LQJ-C |
47.08MP |
8192×5556 |
Color |
4/3″ |
24.17 |
Rolling |
IMX530-AAQJ-C |
24.55MP |
5328×4608 |
Color |
4/3″ |
98 |
Global |
IMX540-AAQJ-C |
24.55MP |
5328×4608 |
Color |
4/3″ |
34.9 |
Global |
Sensor Already in use
Now the list of that sensor which already being used in some of the most popular Micro Four third cameras made by Panasonic
IMX294CJK-C |
10.71MP |
3728×2814 |
Color |
4/3″ |
60 |
Rolling |
IMX367LQA-C |
19.66MP |
4416×4428 |
Color |
4/3″ |
43 |
Global |
IMX387LQA-C |
16.88MP |
5456×3076 |
Color |
4/3″ |
40.4 |
Global |
Sony IMX594CAR sensor deleted from Sony database. Sony deleted the IMX 594CQR a 41.2MP 4/3 format sensor from their database which was surfaced in Sep 2019.
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By admin, on February 2nd, 2021

As per the latest rumors coming, the Panasonic GX10 camera is expected to arrive in Q4 of 2021. As per the latest rumors surfaced over the web the prototypes of the camera do exist in the wild. No further details available about the core specification of the camera, we will update you soon as we get any new updates.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumors
By admin, on November 3rd, 2020

Panasonic 85mm F1.8 Lens is a perfect portrait companion for the Panasonic S series of full-frame camera. As usual, the lens has a perfect focal length of 85mm and an F1.8 aperture for creating dramatic depth in your images. The price of the lens is $599. (B&H Store | Amazon.com) Sample images and more updates to be published soon.

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source NCtwitter
By admin, on October 13th, 2020

Panasonic BGH1 Camera at B&H Store
Panasonic BGH1 camera images and the full specification is now available. The camera looks like a perfect competitor of Canon recently announced the Canon C70 cinema camera. Take a look at few more images and the Specification PDF link mentioned below.
Panasonic BGH1 Press Release
(Press text details translated from Japanese )
Customizability that flexibly responds to the needs of professional video production sites, from multi-cameras to conventional shooting styles
LUMIX’s first innovative box-style body is packed with the advanced video performance cultivated in the LUMIX GH series. Becoming a trend
A wide range of professionals by laying out a highly expandable interface for professional use on the body to support a certain multi-camera shooting
We support the video production site in all directions. Third-party monitors, recorders, microphones, rigs, tripods, gimbals, drones, operations
By linking with ration equipment, etc., we provide a high degree of customization that meets the needs of users. Compact one-man
We can handle a wide range of tasks, from shooting to shooting sites in teams that require the operation of multiple units.
Excellent video performance that inherits the genealogy of the GH series
10.2M Live MOS Sensor and dual native ISO technology provide high-sensitivity image quality High-sensitivity effective pixels 10.2M Live MOS
A sensor is used to achieve beautiful depiction even in low-light environments. In addition, “Dual Natu” equipped with two dedicated circuits for each pixel.
Equipped with “Dual ISO technology”. When setting high ISO sensitivity where noise is amplified, “Low ISO sensitivity circuit” and “Low noise / high ISO sensitivity circuit”
By switching between the two systems, it is possible to record more natural and beautiful still images and videos with reduced noise. The highest ISO sensitivity for regular use is ISO51200,
The extended ISO sensitivity achieves ISO204800, expanding the possibilities of shooting range.
Full video recording mode such as Panasonic’s Micro Four Thirds standard’s first Cinema4K 60p 10bit video recording
60p 10bit recording has been achieved in Cinema4K (4096 x 2160) mode. Suppresses the rolling shutter distortion phenomenon even for fast-moving subjects
However, you can shoot natural and smooth images, and record high-definition and immersive videos. 10bit with 64 times more information than 8-bit recording
The recording gives you more gradation and subtle nuances of gradation, giving you more freedom in editing and grading. For 8-bit recording
It is possible to internally record 4: 2: 2 10bit recording on the SD card, which has twice the color information and 128 times the amount of information as a whole.
It also supports ALL-Intra recording, and high bit-rate recording up to 400 Mbps supports advanced non-linear editing. HDMI output is 4: 2: 2 10bit
4K 60p video output is possible, and a high-quality 4K video can be recorded to an external recorder. Also 4: 3 aspect anamorphic
It is equipped with a full range of video recording modes that meet the needs of professional video production sites, such as 4K anamorphic video recording that supports lenses.
Unlimited recording time in all recording modes
With a heat dissipation structure equipped with a high-precision heat dissipation simulation and a heat dissipation fan, it is within the guaranteed operating temperature in all video recording modes.
Achieved unlimited recording time. By enabling long-time shooting, uncut shooting for more than 30 minutes, documentary shooting, etc.
We respond to the trust of a wide range of professional shooting sites.
13-stop V-Log L with excellent highlight resistance
This unit has a wide dynamic range of 13 stops with excellent highlight resistance. Fine details from dark areas to highlight areas
It enables a high degree of freedom in color grading when editing video production. When shooting V-Log L, the image after applying the LUT is externally displayed.
You can check the finished look with the V-Log view assist function displayed on the screen. Also, the smell of post production
However, the LUMIX G series that supports V-Log L, the Panasonic cinema camera VariCam that supports V-Log, and the full-size single-lens camera. You can perform consistent picture-making video editing in combination with videos shot with the LUMIX S series.
Video look that pursues unified picture creation with the cinema camera VariCam Cine-like D2 / V2
Pictures of Panasonic cinema cameras VariCam and S1H without log shooting or color grading in post production
By utilizing Cine-like Gamma, which reproduces a look that reflects the idea of making, it is possible to create impressive pictures in a cinema-like manner.
You can select “Cine-like D2” that prioritizes dynamic range and “Cine-like V 2” that emphasizes contrast from photo styles.
Real-time recognition AF with improved tracking accuracy by supporting head recognition and strengthening the recognition function
By adding “head recognition” of the human body to the automatic recognition algorithm that applies deep learning, which is an advanced technology in the AI field, it becomes a person.
Equipped with real-time recognition AF with enhanced AF tracking performance. Even in a moving subject or a scene where the face of a person is hidden
The camera automatically determines the shooting intention based on the position, size, and angle of view of the head and human body, and keeps focusing while suppressing background omission. Human face
“Face / pupil recognition AF” that detects and automatically focuses on the eyes and “head recognition” makes it possible to continue recognizing even small faces in the distance.
I did. The combination of enhanced “human body recognition AF” and “face / pupil recognition AF” realizes more accurate AF tracking for people. Also, “movement
Since it is also equipped with “object recognition AF”, it demonstrates high focus performance even for animals.
Equipped with a double SD card slot
Equipped with two SD card slots according to the shooting application. 1st to 2nd SD memory car when capacity is full
Since it is possible to set “relay recording” to switch to the switch, “backup recording” to record simultaneously with two SD memory cards, etc.
You can select the most suitable recording method for shooting. The SD memory card is compatible with UHS-II Video Speed Class 90.
Equipped with BNC terminals (3 units) and LAN terminals (PoE + compatible) for the first time as LUMIX
Three BNC terminals and PoE + compatible LAN to control multiple cameras during multi-camera shooting and realize efficient operation
Equipped with a terminal and HDMI terminal.
-BNC terminal: Supports 3G-SDI output, time code (TC IN / OUT), and Genlock input 3G-SDI is capable of FHD 60p 4: 2: 2 10bit external output.
In addition to long-distance cable routing, cable disconnection can be prevented. HDMI is capable of 4K 60p 4: 2: 2 10bit external output. With HDMI
Since it also supports simultaneous output from 3G-SDI, you can record video or monitor by using both 3G-SDI and HDMI terminals together or properly.
The degree of freedom of the game is improved. In addition, the time code (TC IN / OUT) automatically records information on hours, minutes, seconds, and the number of frames, making it an efficient video edition.
Supports collection. The Genlock input matches the frame phase, so for example, you can switch and shoot high-speed subjects with multiple cameras.
It enables highly accurate synchronization even when using. Advanced operation in multi-camera shooting by using time code and Genlock input together
Realize the session.
-LAN terminal: PoE + compatible, control multiple cameras from a PC Connect to a PoE + (Power over Ethernet) compatible device to connect the LAN cable
The power supply used is also possible.
Multiple units (up to 12) can be controlled from one PC
You can control the camera from your computer by connecting this unit to your computer using a hub and LAN cable. In line with the release of this machine
You can install the dedicated software “LUMIX Tether for Multicam” to be released on your computer and check the live view on your computer screen.
I will. It is also possible to change settings such as the specified camera aperture, shutter speed, ISO sensitivity, and white balance.
You can smoothly make detailed settings when shooting with the Luci camera. It is also possible to perform the same control via a USB cable.
-“VFR (Variable Frame Rate)” that can record smooth slow motion and sharp quick motion images
-Abundant assist functions convenient for movie shooting “Zebra pattern” “Spot brightness meter” “Brightness level setting”
・ “Anamorphic desk ease display” that allows you to check the finished image after shooting anamorphic
・ Remote shooting function by smartphone application “LUMIX Sync”
-Easy pairing with a smartphone, “Bluetooth (R) 4.2” that can be connected to the camera at all times with energy saving
・ “Wi-Fi (R) 2.4 GHz” that allows wireless connection
・ “Low temperature resistant design” of -10 ℃ that can be used even in cold regions
・ 11 “screw holes (tripod mounting part)” that can be expanded by attaching rigs, cages, tripods, etc.

Pansonic BGH1 Full specification PDF here
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