Panasonic teaser image of the upcoming full frame compact camera
With the tagline of the “totally unexpected” camera coming on May 23, Panasonic is teasing the announcement of a new Lumix camera.
Well, that is not new to you guys, we have mentioned several times in the past week that Panasonic is about to release a new full-frame compact camera, and soon after that, camera core specs and a re-branded body the Leica Dlux 8. We also have rumors related to a Panasonic entry-level full-frame mirrorless camera with an L-mount.
Panasonic registered two new cameras supporting 5.1/2.4G wireless on Women’s Day 2024. We are expecting one of the models Panasonic S1 Mark II, as you know we have been waiting for Panasonic S1 Mark II for a long time.
The other registered camera is expected to be a Panasonic S1R Mark II, with a higher resolution sensor. Lets hope for the best.
Update: The total number of unreleased models are P2303A, P2302A, and P2304A.
One of them is also considered to be Panasonic GH7
Recently announced Panasonic 28-200mm F4-7.1 MACRO OIS [B&H Store] does not have outstanding optical performance. Take a look at what Petapixel said about this lens
The new Panasonic 28-200mm f/4-7.1 Macro OISsuper zoom is clearly designed to be a jack-of-all-trades that doesn’t really excel in any optical categories. It’s also fairly slow, which limits its usefulness in darker situations.
petapixel
Take a look at the Major Points of the Review
Weighing only 413g, this lens is extremely lightweight, yet it maintains an easy-to-handle 67mm filter diameter. The downside of its compact size is that the aperture value is relatively dark at F4-7.1, which can pose a problem when shooting in low-light conditions.
The lens barrel is small, resulting in simple controls that are well-crafted. The zoom ring has a suitable weight, preventing the lens from extending when you carry it around.
The image stabilization is highly effective, allowing handheld shooting at 200mm even with a slow shutter speed. The balance of the lens is also commendable.
The autofocus (AF) performs well, swiftly focusing from long to short distances.
There is a ghosting issue when shooting against the light, with colored speckled ghosts appearing at any aperture value. While this effect might look interesting for video, it’s quite noticeable and often undesirable for most still shots.
The lens flares are dim and lack drama. Overall, this lens does not perform well when shooting into the sun, so it’s advisable to avoid shooting directly into the sun or other bright light sources if possible.
The close-up performance is excellent, allowing 1:2 shooting at the wide-angle end. However, the working distance at this point is so short that you could almost touch the subject. If you prefer to maintain a working distance, 200mm provides sufficient magnification for close-up photography.
The resolution is decent, with good center detail at 28mm. However, it improves significantly if you stop down, so it’s recommended to do so whenever possible. The 200mm end yields similar results to the 28mm, but the edges are even softer. Due to strong distortion correction, the corners are soft regardless of the aperture.
Despite being a dark lens, it can blur the background at close range. There is some vignetting in the bokeh, but there is no onion ring blur. However, there is pronounced bubble bokeh, which makes the background blur quite busy.
Focus breathing is almost non-existent at 200mm, and very slight at 28mm.
The 28-200mm F4-7.1 is designed as an all-purpose zoom and does not excel in any particular category. Also, due to the large F value, there are limitations when using it in low-light conditions. However, it meets its portability and convenience goals, making it very appealing. It’s also a handy video lens and a macro lens, and these two features make it a sensible choice for those seeking a versatile lens for the L mount. In this respect, I believe this lens is useful despite its shortcomings.
Should you buy this lens? Perhaps. The 28-200mm F4-7.1 may be a good option if you prioritize convenience over performance.
The Panasonic S1 was announced at Photokina 2018 and the shipping of the camera started in March 2019. Now it’s 2024, people are still waiting for the update of S1, there have been more than 5 years aka a huge gap. Now, finally, we have some good news related to the successor of S1 / Panasonic S1 Mark II, take a look at the specifications of the upcoming camera.
Panasonic S1 Mark II Specification
rewrite the core specification, 34MP stacked sensor
Slim, sealed magnesium body
Built-in Fan (no overheating in direct sunlight at 50º C)
Built-in ND filter
Video: 6k 120, 4k 120 no crop
Improved IBIS
Improved autofocus with AI chip
Improved battery life
Improved dynamic range for video and photo.
Improved low-light performance
Price around $3,000
No AA filter
The rumored specifications are being circulated over the internet and they are not coming from a reliable source, so take it with a grain of salt. We will post updates as soon as we get the latest information about the upcoming cameras.
According to the latest rumors the Panasonic Lumix S1R Mark II will arrive soon, take a look at the set of information coming straight out from rumor mills
Pansonic S1 Mark II Rumors summary
Japanese e-commerce companies have de-listed the Lumix S1R, Panasonic’s high-pixel model, now on the discontinued list.
retail outlets have officially removed the Lumix S1R from their shelves.
Interestingly, Panasonic has just registered a new high-end model in China.
There are rumors that this new model, yes we are talking about the Panasonic S1R Mark II, may be released in the second half of next year.
Take a look at the set of Expected Core specs we are expecting from the upcoming camera, the Lumix S1R Mark II
Panasonic G9 II is a successor of the original Panasonic G9 which was announced 6 years ago, After a long gap of time Panasonic finally decided to upgrade its still photography dedicated camera, the G9. Yes, we do have video series like the GH6 dedicated to Cinematographers, and on the other side, we have the G9. The Major key ingredient to this update is the newly developed 25MO M4/3 Format Sensor with 779 Hybrid Phase AF points. With the implementation of the new Phase AF technology, the camera AF system now upscaled and does AF more quickly and precisely, either you are shooting a human, bird animal, or car the AF system does its job.
Panasonic G9 Mark II Major Features
25MP CMOS sensor
5-axis in-body image stabilization (CIPA-rated to 8 stops)
On-sensor phase detection (779 points)
3″, 1.84M-dot fully articulating touchscreen
3.86M-dot OLED electronic viewfinder with 0.8x magnification
60 fps burst shooting with AF-C and electronic shutter (10 fps mechanical)
100MP handheld high-res mode
Up to 5.8K Open Gate 4:2:0, C4K 4:2:2 10-bit, with V-Log
ProRes 422 and 422 HQ recording to SSD
Full-size HDMI
390 shots per charge battery life, using LCD
USB-C power delivery, external SSD support
Dual UHS-II card slot
Wi-Fi + Bluetooth
The Panasonic will be available from early November with a recommended price of $1899 body-only. This is a $200 price increase from the launch price of its predecessor, the G9.
Get a Panasonic G9 Mark II Camera from the B&H Store
New Sensor and New Engine Boasting Outstanding Photographic Performance
PDAF technology implemented in LUMIX G Series for the First Time
Flagship Micro Four Thirds Model for Still Images with Improved High-Speed Performance and Ergonomics
Newark, NJ (September 12, 2023) – Panasonic is proud to announce the launch of the LUMIX G9II digital mirrorless camera, equipped with a new sensor and Phase Detection Auto-Focus (PDAF) technology. The LUMIX G9II is the first camera in the Micro Four Thirds LUMIX G Series to feature PDAF technology.
In line with the growing need to produce highly creative artwork and photography using diverse methods, this new model creates high-resolution, high-quality images and rich colors straight out of camera. Furthermore, with a new auto-focus technology that combines Panasonic’s accumulated expertise in recognition technology with PDAF, and a high-speed burst shooting mode that ensures decisive moments are always captured, this new model boasts significantly improved power and high-speed performance. The camera supports photographers from various fields using a system that can be combined with the compact and lightweight LUMIX G Micro Four Thirds lenses for ultimate flexibility.
The new 25.2-megapixel Live MOS Sensor and new engine produce high-resolution images in outstanding quality with rich color tones, while the hybrid PDAF technology enables accurate auto-focus and high-speed tracking of fast-moving subjects. Moreover, burst shooting at 60 fps in AFC mode and SH pre-burst recording*1 that begins before the shutter is released ensures that the decisive moment is always captured, even with dynamically moving subjects.
LUMIX’s popular image stabilization system is further improved, combining 8-stop*2 B.I.S. (Body Image Stabilizer), 7.5-stop*3 5-axis Dual I.S. 2, and advanced Active I.S. for incredible video image stabilization. Together, these functions provide even greater support for handheld shooting of dynamic scenes that would previously have been difficult to capture. In addition, creators can enjoy enhanced monochrome photo styles with new LEICA Monochrome and REAL TIME LUT for preferred color settings. Through this next-generation digital mirrorless camera, Panasonic intends to respond to the needs of creators who are pursuing methods of creative expression that go beyond the boundaries of photography and videography.
Main features
1. Equipped with a new sensor, new engine, and the first PDAF implementation in LUMIX G Series for outstanding photographic performance and high-speed response
New 25.2-megapixel Live MOS Sensor for high resolution and high-speed response (13+ stop*4 V-Log/V-Gamut, Dynamic Range Boost*5)
New engine that achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video
Use of new AI-powered recognition technology (developed using deep learning technology) for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes for improved precision in subject recognition
2. Advanced high-speed performance to ensure decisive moments is always captured
Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments
SH pre-burst recording*1 that can begin shooting up to 1.5 seconds before the shutter is released and take approximately 113 consecutive shots
Robust image stabilization system with 8-stop*2 B.I.S. (Body Image Stabilizer), 7.5-stop*3 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S.
Highly-mobile camera system combined with the compact, lightweight, and diverse range of LUMIX G Series lenses
3. New modes expand the possibilities of creative photography
REAL TIME LUT function enabling personalized color expression through use of LUT files
Enhanced monochrome mode with newly added LEICA Monochrome for deep black-white contrasts
Hand-held 100-megapixel High Resolution mode and Live View Composite mode to expand the range of photographic options
4. A launching point for video creation
4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) enables flexible framing options for various social media formats
4:2:0 10 bit C4K/4K 120p/100p enables slow motion videos
Apple ProRes*6 video, which delivers high image quality at low compression, reducing the load on the computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.
Recording and playback are supported using an external SSD via USB
Active I.S. Technology corrects shake when shooting on the move
Pricing and Availability:
The LUMIX G9II will be available at valued channel partners in early November for $1899.99 MSRP.
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