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By admin, on May 15th, 2025
Which one is the Best Camera for Recording Video – Panasonic Lumix S1 II vs. Nikon Z6 III? this the the most asked question in my DM and mailbox from the day of the announcement of the Panasonic S1 II camera. I wish I had a one-size-fits-all all answer, but there just isn’t one…
Why Panasonic S1 II better, and what about the Nikon Z6 III?
Panasonic Lumix DC-S1 II’s video capabilities “surpass” the Nikon Z6III in its broader range of video features, such as Open Gate recording (6K/30p, 5.1K/60p) and as we all know that the open gate recording is not available in the Nikon Z6 III camera., extensive monitoring tools (vectorscope, anamorphic lens support and in camera desqueez), although we all know that now Nikon has also included waveform support, timecode in their camera but some specical features that may fall under the “must have” list of a PRO cinematographer may be absent in the Z6 III. So, it actually at the end depend on users what they want from the camera and the budget boundaries are.
and let’s explore the 4 K high frame rate mode, in the 4K/120p with a smaller crop (1.17x vs. Z6III’s APS-C). However, there are some features that only the Nikon Z6 III has at this moment, the Z6III can record 6K/60p in N-Raw, which the S1II cannot, as its 6K is limited to 30fps and internal NRAW, which is about to arrive in S1 II in paid firmware update section. The S1II’s strengths lie in its creative flexibility and toolset, but the Z6III’s 6K/60p capability gives it an edge for high-frame-rate, high-resolution video.
| Feature / Spec |
Panasonic Lumix DC-S1II |
Nikon Z6III |
| Price |
$3197 – B&H Store |
$2096 – B&H Store |
| 6K Recording |
6K/30p (Open Gate), 5.9K/60p (16:9), 5.1K/60p (Open Gate) |
6K/60p (N-Raw) |
| High-Frame-Rate Video |
4K/120p with 1.17x crop |
4K/120p with APS-C crop (~1.5x) |
| Rolling Shutter Performance |
~12.8ms |
~9.4ms (better for fast motion) |
| Recording Formats |
ProRes, ProRes RAW, internal 10-bit |
N-Raw, ProRes RAW (via external) |
| Internal fan |
Yes |
No |
| Monitoring Tools |
Vectorscope, waveform, anamorphic desqueeze, LUTs, timecode |
Waveform and timecode available
(No vectorscope or anamorphic tools) |
| Audio Features |
24 Bit standard Audio input
32-bit float audio support with XLR |
Standard audio support
no XLR option |
| Creative Flexibility |
High (Open Gate, multiple aspect ratios, pro tools) |
Moderate (focus on resolution and frame rate) |
| Crop at 4K/120p |
1.17x |
APS-C crop (~1.5x) |
| Overall Advantage |
Better for filmmakers, flexible workflows |
Superior for 6K/60p high-res, high-speed video |
When buying a camera for filmmaking or wedding cinematography, here’s an oversimplified way to look at it:
See, we have three major factors supporting the Panasonic S1 II camera, and here they are: Open Gate modes, advanced monitoring tools, and a less severe crop at 4K/120p, which provide creative flexibility for PRO filmmakers. However, I don’t overlook the Z6III’s ability to record 6K/60p in N-Raw, a significant advantage for users needing high-resolution, high-frame-rate video without cropping. The S1II’s 6K is capped at 30fps, and while it offers 5.9K/60p and 5.1K/60p, these don’t directly match the Z6III’s 6K/60p capability. The Z6III’s edge in 6K/60p while noting the S1II’s strengths in other areas, ensuring accuracy and relevance.
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By admin, on May 12th, 2025
We have already published the leaked images of the Panasonic S1E II; now, it’s time for the full specifications.
Panasoinic LUMIX S1IIE (Official Text)
Elevate your storytelling with the new CinemaScope 4K 60p aspect ratio, delivering a cinematic view without any cropping. With the intuitive operation of the S1 series, including the LUMIX S1RII and S1II, the S1IIE enhances creative exploration with ease. Both models feature advanced AF precision and new ‘Urban Sports’ recognition, and 8.0-stop in-body stabilization for steady shooting.
Panasonic LUMIX S1E II Specification
Main Features
- Adopts a 24.2MP sensor that inherits the performance characteristics of the LUMIX SSII
- Realizing high image quality in a variety of shooting condition
- Supports 6K 30p (3:2) open gate video recording
- V-Log allows video recording with a dynamic range of over 14 stops
- Experience blackout-free shooting with the electronic shutter mode “SH/SH PRE” for high-speed continuous shooting at up to 30 frames per second and the extended continuous shooting mode “H+” at approximately 10 frames per second using a mechanical shutter
- 14+ stops of dynamic range V-LOG
- Full frame 6K30p OG, 6K60p 2.4:1, 4K30p 16:9/17:9, 4K60p 2.4:1
- APS-C 3.3K 50p 4:3, 4K60p 16:9/17:9
- S&Q 4K 2.4:1 60fps, FHD 180fps
- 120Hz 5.76 million dot EVF
- 779 points Phase AF
- Dual Native ISO 100/640 5-
- Axis image stabilization 8 stops at center, 7 stops at periphery
- 1/8000s mechanical shutter
- 30fps continuous shooting with electronic shutter, 10fps mechanical shutter
Second-generation S1 series, the LUMIX S1IIE maintains the acclaimed design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored to various shooting conditions. It incorporates notable features from the S1II, positioning itself as a comprehensive tool for creative projects. Notably, the LUMIX S1IIE introduces a new Cinemascope (2.4:1) video format available in various frame rates, including uncropped 60p. Panasonic anticipates that the LUMIX S1IIE will be the preferred choice for those seeking improvements in ergonomic design and refined engineering.
LUMIX S1IIE
- Cinemascope 4K60p aspect ratio
– Delivers a cinematic view without cropping for improved storytelling
- The S1 series’ intuitive operability makes creative exploration
easy
- Advanced AF precision and new “Urban Sports” recognition
- Equipped with 8.0-stop in-body image stabilization
- Award-winning design and ergonomics on the S1II and S1RII
- Equipped with a 24.2MP sensor inspired by the features of the LUMIX S5II
- Equipped with the outstanding features of the S1II, it is a comprehensive tool for creativity
- Introduces new Cinemascope (2.4:1) video format available in a variety of frame rates including non-cropped 60p
Improved core performance to unlock new creative possibilities
- Real-time recognition redefined:
On-chip phase detection AF improves eye and face detection, and enhances AI-enabled people tracking accuracy.
- Equipped with new AF recognition for “urban sports” –
accurately captures dynamic movements such as breakdancing, skateboarding, and parkour
- 8.0-stop in-body image stabilization (BIS)
- Newly developed No-Crop EIS video distortion correction has been improved
- By using the separately sold software update key DMW-SFU3A, ARRI LogC3 will become available for the first time on the S Series.
- Supports internal recording of 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B cards.
The image sensor appears the same as the S5II’s 24MP CMOS. There may not be any major improvements in image quality or rolling shutter performance, but CFexpress (high bitrate internal recording), improved AF, image stabilization, and video functions are likely to be its strengths.
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Source Webio E8M
By admin, on April 18th, 2025
Panasonic has started distributing firmware update Ver.1.4 for the ” LUMIX S9 “. It appears to fix some bugs and be a minor update.
- Fixed a problem where some settings would revert to the default settings after updating the firmware to Ver.1.3.
- Fixed a bug in recording gain settings.
- Fixed an issue where the password authentication prompt would not appear when connecting to Wi-Fi.
Improved operational stability.
Panasonic S9 is selected as the best content creator camera by TIPA., The camera, after the V1.1 update, has become one of the best cameras for professionals.
Click here to download the update
By admin, on March 25th, 2025
The LUMIX DC-S1R Mark II is a mirrorless camera from the LUMIX S series, announced at the end of February 2025. It is equipped with a newly developed 44MP BSI sensor and a processor that supports high-speed processing using L2 technology. It supports 40 frames per second continuous shooting and 8K 30p video recording. As an alternative to expensive stacked CMOS sensors, it has high-speed performance.
At the same time, it is significantly smaller and lighter than the previous model, and the selling price, at least in North America, is cheaper. Furthermore, it has a high-resolution EVF and a tilt + vari-angle monitor, but the body size is close to that of the S5II.
Key points of Panasonic S1R II Test Results
- According to the Photons to Photos test results, NOISE REDUCTION is applied to RAW from ISO 6400 onwards, which results in higher test scores, but caution is advised if you value detail over noise. The results are very similar to DPReview’s studio scene test.
- On the other hand, unlike the previous model, which applied noise reduction even at base ISO, it seems that the noise reduction process is not applied at low ISOs. If you are shooting stars, etc., it seems that there will be no problem if you keep the ISO up to around 5000.
- While the peak values ​​are lower than other high-resolution sensors, the difference in performance is not surprising, and in comparison, the results are better from ISO 6400 onwards (thanks to noise reduction).
| Maximum PDR |
Low Light ISO |
Low Light EV |
| S1RII |
11.08 |
8139 |
11.35 |
| S1R |
11.37 |
4522 |
10.50 |
| α7R V |
11.70 |
5244 |
10.71 |
| α1 II |
11.61 |
5768 |
10.85 |
| α1 |
11.36 |
5215 |
10.70 |
| R5 II |
11.45 |
4846 |
10.60 |
| R5 II ES |
10.92 |
4392 |
10.46 |
| Z 7II |
11.60 |
4157 |
10.38 |
| Z9 |
11.30 |
4144 |
10.37 |
- Please note that the DC-S1R only performs better where the noise reduction is performed on the RAW data.
Lumix S1R II Rolling Shutter Exposed: The 48p Trick You Need to Know
Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes
This article, “Panasonic S1R II Dynamic Range Test Results – Photons to Photos,” was first published on TheNewCamera.com.
source www.photonstophotos.net
By admin, on March 18th, 2025
According to the latest rumors, Panasonic is gearing up for a major product camera announcement in April 2025. The information comes from a reliable SAR YT channel. It is expected to be a direct competitor of the Sony FX3 camera, featuring the same compact body style without an electronic viewfinder. The news is not limited to this camera—based on past registrations done by Panasonic, three more cameras are expected to arrive from Panasonic in the next few months.
Confirmed Information: What We Know So Far
- Panasonic’s next camera is coming in April 2025.
- The upcoming camera is a full-frame L-mount camera designed specifically for videographers and professional cinematographers.
- It will not include an electronic viewfinder. The design is plain and simple, similar to the Sony FX3 camera, but Panasonic also has a box-style cinema camera. I doubt whether they are preparing for their next box-style camera announcement.
Let’s Talk About Some Unconfirmed Information
- The sensor is the same as the one seen in the Nikon Z6 Mark III camera—a partially stacked 24-megapixel CMOS sensor.
- The source also mentioned that instead of a 26MP partially stacked sensor, it can also use a Sony-manufactured full-frame type CMOS sensor of 24MP resolution, providing faster readout speed to minimize rolling shutter issues.
The sensor details are unconfirmed at this moment; however, we will update this portion as soon as we get the latest information related to the same.
Lumix S1R II Rolling Shutter Exposed: The 48p Trick You Need to Know
Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes
It’s Not a Panasonic S1H II Camera
It has been very clearly mentioned that the upcoming camera is not a Panasonic S1H Mark II camera. Yes, it is coming, and it is expected to arrive later this year, but the April announcement is not the S1H.
It has been explicitly mentioned that three new Panasonic cameras are coming, and they are expected to arrive soon. Some of them may even appear before summer. Just like the next camera announcement in April, based on industry insights, between April and July 2025, we will have one more fixed-lens compact camera from Panasonic. Although the exact name remains unclear, it may be a true successor to the Panasonic LX100 Mark II camera.
Now, due to a huge surge in demand, the Panasonic S1R Mark II camera, which has been announced recently, is facing shipping delays. However, even in this situation, Panasonic is ready to announce new products one after another without any delay.
Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com
📢 Published on: March 18, 2025
📝 By: The New Camera Editorial Team Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
This article, “Panasonic’s Major Camera Announcement in April 2025,” was first published on TheNewCamera.com.
By admin, on February 25th, 2025
Panasonic announced a new S1 R Mark II camera that features a brand new 44-megapixel sensor, the camera features the recently developed Panasonic L2 processing engine that allows users to capture handheld images up to 177 megapixels with the help of sensor-shift image stabilization technology.
Panasonic S1R Mark II Major Features
- 44.3MP BSI CMOS sensor
- L2 processing engine
- 8K video recording with 14-stop dynamic range
- Improved Open Gate: up to 8.1K/7.2K (firmware update)
- Internal 5.8K recording in Apple ProRes RAW via CFexpress Type B
- Real-time Phase Hybrid AF with AI tracking (faces/eyes)
- Approx. 40 fps continuous shooting with SH pre-burst mode
- 8.0 stops IBIS; 7.0 stops in telephoto (Dual IS 2)
- Advanced EIS for distortion correction without cropping
- Tiltable and swivel screen
- Direct LUT installation via LUMIX Lab mobile app
- New LUMIX Flow app for streamlined workflow
- Integration with Frame.io and Capture One tethering support
Other than that, the camera is very capable of recording 8K video up to 30 frames per second with 14 stops of dynamic range. It also provides 5.8K internal recording in Apple ProRes and ProRAW format directly to a CF Express Type B card. The now features sensor stability IBIS up to 8 stops when combined with dual IS lenses.
The camera features a tiltable and variable display screen that enables creators to use this camera in their workflow, and also with the Lumix Lab app you can directly install LUTs in the camera with integration of third-party software like Frame.io. The workflow of professionals now become much easier.
Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com
Specification comparison Panasonic S1R Mark II vs Panasonic S1 H vs Panasonic S1R
| Specification |
S1R II |
S1H |
S1R |
| Model |
S1R II |
S1H |
S1R |
| Sensor Resolution |
44 MP |
24.2 MP |
47.3 MP |
| Sensor Type |
Full-frame CMOS |
Full-frame CMOS |
Full-frame CMOS |
| Shutter Speed (Mechanical) |
1/8000 to 60 sec |
1/8000 to 60 sec |
1/8000 to 60 sec |
| Shutter Speed (Electronic) |
1/32000 to 60 sec |
1/32000 to 60 sec |
1/32000 to 60 sec |
| Continuous Shooting Speed (Mechanical) |
10 fps |
9 fps |
9 fps |
| Continuous Shooting Speed (Electronic) |
40 fps |
9 fps |
9 fps |
| Image Stabilization |
8 stops |
6.5 stops |
6.5 stops |
| Video Capabilities |
Open gate, 8.1K/7.2K Open Gate (via update), 1.5 seconds pre-capture |
6K 24p, 5.9K 30p, 4K 60p, 10-bit color, V-Log/V-Gamut |
4K 60p, 6K PHOTO mode (stills) |
| Price (approximate) |
$3,500 |
$3,500 to $4,000 |
$3,700 |
Panasonic S1R Mark II Official Press Release
Panasonic is proud to introduce the LUMIX S1RII, the latest high-resolution full-frame mirrorless camera in the LUMIX S series.
Equipped with a newly developed 44.3MP BSI CMOS sensor and a high-performance L2 processing engine, this camera delivers impressive photos and videos with the natural colour reproduction acclaimed in LUMIX cameras.
With revolutionary video performance, it is the first LUMIX camera to record 8K video with a 14‑stop dynamic range, expanding your creative possibilities.
The popular Open Gate function has been improved to now record 6.4K—and even 8.1K/7.2K via a future firmware update.
As the first camera in the LUMIX S Series, it supports internal 5.8K recording in Apple ProRes RAW HQ/ProRes RAW format using a CFexpress Type B card, enabling high‑quality video recording with minimal setup without the need for external devices or cables, and providing greater mobility for solo shooting and small‑scale productions.
The improved Real‑time Phase Hybrid AF, now with AI tracking, quickly and accurately detects people’s eyes and faces, and tracks movements smoothly.
With continuous shooting at approximately 40 fps and AF tracking, dynamic subjects can be captured with incredible accuracy and ease. SH pre‑burst mode starts shooting even before you fully press the shutter button, ensuring you don’t miss a shot.
The LUMIX S1RII achieves 8.0 stops of in‑body image stabilization—and 7.0 stops in the telephoto range thanks to Dual IS 2 technology.
Advanced video stabilization includes EIS distortion correction without cropping, reducing peripheral distortion while maintaining the original angle of view. The newly designed, compact body with a tiltable and swivel screen adapts to any working style, making it an excellent choice for those seeking both mobility and creative freedom.
The LUMIX S1RII will be compatible with the LUMIX Lab mobile app, which allows LUTs to be installed directly in the camera, streamlining the post‑production process.
A new LUMIX Flow app will also be introduced to optimize workflow for a variety of projects—such as short films, documentaries, music videos, and corporate promotional materials—offering features from storyboarding and recording to file organization. Additionally, the camera integrates with third‑party software such as Frame.io, and for the first time in a LUMIX camera, supports tethering via Capture One, aiding creators in diverse production situations.
Guided by our philosophy of developing technology that inspires creative passion, the LUMIX S1RII is a next‑generation mirrorless camera built for creators who want to realize their unique vision.
Newly developed matrix and next-generation processor
- It uses a newly developed full-frame BSI CMOS sensor with a resolution of approximately 44.3 MP.
- It features a 177MP (approx.) Handheld High-Resolution mode that precisely captures image detail and depth.
- It offers high-resolution recording that faithfully reproduces texture and fine detail, and for the first time in a LUMIX camera, supports 8K 30p *2 recording  with 14 stops *1  of dynamic range.
- Supports internal recording at 5.8K in Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B card.
Improved core performance
- Redefined Real-time Phase Detection Hybrid AF with improved eye and face detection and precise AI-based tracking.
- Improved 8.0-stop *3  in-body image stabilization (BIS) and newly developed EIS video distortion correction without cropping, which stabilizes the image while maintaining the original angle of view.
- High resolution and high-speed continuous shooting, offering high-speed shooting
- approx. 40 fps *4  with the electronic shutter mode “SH”, and approx. 10 fps *4  with the extended mechanical shutter mode “H+ (High Speed ​​Plus)”, allowing you to shoot without having the preview image black out after taking a picture.
Advanced applications that support the production process
Compatibility with Capture One makes it the first LUMIX camera to work seamlessly
with the professional photo editing software commonly used in studio photography.
- Frame.io compatibility enables a seamless transition from recording to editing, as well as cloud file sharing and team collaboration.
- LUMIX Lab app support makes it easy to transfer, edit and personalise the colour of photos and videos, enabling seamless smartphone integration and sharing on social media.
- Support for the new LUMIX Flow app, which helps you create storyboards, control footage while shooting on set, and automatically organize data after shooting, streamlining the video production process.
- LUMIX Mode: Helps you create a storyboard, control footage while shooting on set, and automatically organize data after shooting, streamlining the video production process.
- Smartphone Mode: Enables video creation, such as scriptwriting and editing short fiction, documentaries, or dance films, using only your smartphone.
- External Monitor: Allows you to use your smartphone as an external monitor while recording, allowing you to quickly change and adjust camera settings right on your mobile device.
New DMW-BG2 battery holder
Panasonic introduces the new DMW-BG2 battery grip, designed to make holding the S1RII more comfortable when shooting vertically. The battery in the grip can be swapped while the camera is on. The grip also provides additional support by powering the camera when shooting in more demanding modes.
Additional information:
*1 When Dynamic Range Expansion (Log) is enabled.
*2 8.1K/7.2K Open Gate recording will be available via a software update scheduled for 2025.
*3 8.1K / 7.2K RAW HDMI output will be available via a software update scheduled for 2025.
*4 The continuous shooting speed may become slower depending on various conditions such as the lens in use, aperture, and shutter speed.
*5 Center: 8.0-deg; Peripheral: 7.0-deg. Based on CIPA 2024 standard [Yaw/Pitch/Roll direction: Focus distance f=60 mm when S-R2060 lens is used. 5-axis.]
*6 Center: 7.0-deg; Peripheral: 7.0-deg. Based on CIPA 2024 standard [Yaw/pitch/roll direction: focusing distance f=105 mm when S-R24105 lens is used. 5-axis.]
By admin, on December 17th, 2024
Panasonic silently updated its camera in the past due to the display screen supply line production issue (see here). Again, they faced the same problem with the G90 camera, so this time they had to make a bit more significant update and re-launch it as a brand-new camera.
So this time, they have not only updated the screen but also upscaled all possible core specifications. Possible for that particular price range with the available resources.
The first major update you will notice this time is the display screen, which is now 1.84 Million dots, The resolution of the screen is somewhere around 1.4 million dots. The electronic viewfinder of the camera remains the same with 2.36 million dot resolution, which is quite reasonable within the price range.
The sensor and image processor of the camera remain the same, but we do have some minor updates all over the body. So let’s discuss that.
We have Single card slots, which are compatible with UHS-II cards, a headphone port, a micro-HDMI port, and a USB-C port, and with that port, you can now also charge your battery.
The menu system has been slightly upscaled to make it better. Now it looks very similar to the new S5 II and S5 IIX cameras.
Unfortunately, we are getting the same 20-megapixel sensor of the G90 or G95 camera with the DFD autofocusing system, which clearly means the autofocus will be slow and will include a lot of focus hunting in low-light situations. Thanks to the new image sensors of Panasonic introduced in the Panasonic GH7 camera, which now has 25-megapixel resolution and hybrid autofocusing points. The same technology exists in the full-frame S5 II and S5 IIX cameras, which now use a hybrid phase-detection autofocus sensor of 24MP resolution.
So, that’s a very welcome upgrade Panasonic has done recently with their new range of cameras, but the older series with DFD autofocusing systems remains in its place.
Let’s talk about the video recording capability of the camera. With the recently announced Panasonic G97, you can record 4K videos up to 30 frames per second and Full HD videos up to 120 frames per second.
The best thing about the Panasonic G97 camera is the built-in 5-stop image stabilization system, which is very, very effective while shooting video on the go. It manages the camera shake that most professional cameras are not able to handle even with their 7-8 stops of IBIS.
But again, the issue with the 4K recording is a 1.25x crop, even at 4K 30 frames per second. So, if you are using a 16mm lens, the resulting output will be somewhere around 20mm. If you want to create vlogs with the camera, you have to buy a lens like a 9mm F1.7 aperture lens, which is also not too expensive and can be used for day-to-day vlogging purposes.
Other upgrades include Bluetooth, which has been upscaled to 5.0 from 4.2, and with the help of the upscaled Bluetooth chip, you can now synchronize your camera with the Lumix Sync app. With the help of the app, you can try new LUTs as well as transfer your images seamlessly on the go.
More or less, it was the need of the time to refresh the display screen of the camera due to production line issues coming out from the display makers. But Panasonic made a smart move to update the overall core specifications of the camera and made it slightly more usable for today’s generation at a budget price range.
Panasonic G97 Major Features
- 20.3MP Digital Live MOS Sensor
- Venus Engine Processor
- New USB-C Power and Data Connectivity
- Bluetooth 5.0 Low Energy (LE)
- 2.4 GHz Wi-Fi Connectivity
- UHD 4K Video Recording at 30p (8-bit 4:2:0)
- External UHD 4K Recording via micro-HDMI (4:2:2 8-bit)
- Pre-Installed V-Log L for Flat Gamma Recording
- Slow Motion Video Recording at 60 fps in Full HD
- 5-Axis Sensor-Shift Image Stabilization
- Dual I.S. 2 with Compatible Lenses (Up to 5 Stops)
- 3.0″ 1.84m-Dot OLED Rear Touchscreen (Free-Angle Tilt and Swivel)
- 0.74x 2.36m-Dot OLED Live Viewfinder (LVF)
- Advanced DFD (Depth-From-Defocus) Autofocus System
- 49-Area Autofocus with Face/Eye Detection
- ISO Sensitivity up to ISO 25600
- Continuous Shooting at 9 fps (AF-S) and 6 fps (AF-C)
- 4K PHOTO Modes: Burst, Pre-Burst, and Burst (S/S)
- Magnesium Alloy Body with Splash and Dust Resistance
Additional Features:
- Battery Life: Approx. 290 shots (Standard) or 1,050 shots (Power Save LVF Mode)
- Focus Peaking and Touch MF Assist (20x Magnification)
- Electronic Shutter: Up to 1/16,000 sec
- Mechanical Shutter: Up to 1/4000 sec
- Live View Composite Recording
- Photo Style Modes (e.g., Vivid, Monochrome, Cinelike D)
- Filter Modes (e.g., Retro, High Key, Cross Process)
Comparison Table: Panasonic G97 vs G95
| Features |
Panasonic G97 |
Panasonic G95 |
Differences Highlighted |
| Design |
|
|
|
| Dimensions (W x H x D) |
130.4 x 93.5 x 77.4 mm |
130.4 x 94.3 x 77.1 mm |
G97 is slightly shorter in height (-0.8 mm). |
| Weight (Body Only) |
478 g |
536 g |
G97 is 58 g lighter. |
| Material |
Magnesium Alloy |
Magnesium Alloy |
No difference. |
| Monitor |
3.0” OLED, 1.84M dots, Articulating |
3.0” OLED, 1.24M dots, Articulating |
G97 has a higher-resolution display. |
| EVF Resolution |
2.36M dots, OLED |
2.36M dots, OLED |
No difference. |
| Viewfinder Magnification |
0.74x |
0.74x |
No difference. |
| Ports |
Micro-HDMI, USB-C, Headphone, Mic |
Micro-HDMI, USB 2.0, Headphone, Mic |
G97 upgraded to USB-C. |
| Bluetooth |
5.0 |
4.2 |
G97 has Bluetooth 5.0 (faster sync). |
| Battery Life |
Approx. 290 shots |
Approx. 290 shots |
No difference. |
| Photography Features |
|
|
|
| Sensor |
20.3 MP (4/3” MOS) |
20.3 MP (4/3” MOS) |
Same sensor resolution. |
| ISO Range (Photo) |
200–25,600 (Ext: 100–25,600) |
200–25,600 (Ext: 100–25,600) |
No difference. |
| Image Stabilization |
5-axis Sensor-Shift IS |
5-axis Sensor-Shift IS |
No difference. |
| Continuous Shooting |
9 fps (30 RAW, 600 JPEG) |
9 fps (30 RAW, unlimited JPEGs) |
G95 has unlimited JPEG buffer. |
| Metering Range |
0–18 EV |
0–18 EV |
No difference. |
| White Balance |
Auto, Presets, Custom |
Auto, Presets, Custom |
No difference. |
| Aspect Ratios |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
No difference. |
| Videography Features |
|
|
|
| Internal Recording |
4K @ 30/24 fps (UHD, 100 Mbps) |
4K @ 30/24 fps (UHD, 100 Mbps) |
No difference. |
| 1080p Recording |
60/30 fps (20–28 Mbps) |
60/30 fps (20–28 Mbps) |
No difference. |
| Slow Motion |
1080p @ 120 fps |
1080p @ 120 fps |
No difference. |
| Crop Factor (4K) |
1.25x |
1.25x |
No difference. |
| External Recording |
DCI 4K via Micro-HDMI |
4K UHD via Micro-HDMI |
G97 offers DCI 4K output. |
| Recording Limit |
No limit |
No limit |
No difference. |
| Built-in Microphone |
Stereo |
Stereo |
No difference. |
| Audio Ports |
Mic + Headphone |
Mic + Headphone |
No difference. |
| Bluetooth and Wi-Fi |
BT 5.0, Wi-Fi 4 (802.11n) |
BT 4.2, Wi-Fi 4 (802.11n) |
G97 has Bluetooth 5.0. |
| Image Sync App |
Yes (Lumix Sync) |
Yes (Lumix Sync) |
No difference. |
Panasonic G97 Press Release
Panasonic Announces Two New Cameras:
Compact Micro Four Thirds LUMIX G97 and Pocket-Sized Travel Zoom LUMIX ZS99
Newark, N.J. (December 16, 2024) – Panasonic is pleased to introduce two new cameras to its LUMIX lineup: the Micro Four Thirds G97 and Travel Zoom ZS99.
The new LUMIX G97 and ZS99 offer a wide range of updated photo and video features to bring excellent image quality and usability to enthusiasts, photographers, and videographers alike.
LUMIX continues to develop its lineup to satisfy the needs of a wide range of creators and continually deliver value, innovation, and reliability to its customers.
LUMIX ZS99: New Pocket-sized Travel 30x Zoom Camera
Compact and feature-packed, the LUMIX ZS99 travel zoom camera is perfect for capturing life’s adventures.
Powerful 30x zoom in a pocket-sized body
Equipped with a 24-720mm LEICA DC lens*1, the LUMIX ZS99 offers 30x optical zoom and up to 60x with iZoom so that you can capture everything from sweeping landscapes to intricate details with stunning clarity.
With in-built 5-Axis HYBRID O.I.S.+, you can enjoy high-quality videos even at full zoom.
Unmissable Moments in 4K
Record high-quality 4K video at 30p or capture quick bursts of 4K PHOTO at 30fps to ensure you never miss a moment. Additionally, its ability to capture HD high-speed video at 120fps adds creative flexibility for slow-motion shots.
Packed with travel-ready features
A tiltable 1,840k-dot touchscreen makes creative angles easy, while USB Type-C charging ensures you’re always powered up on the go.
Easy image sharing
Connect instantly with built-in Bluetooth® v5.0*2 and Wi-Fi, plus a dedicated Send Image button for seamless transfers to your smartphone.
Price and availability
The new LUMIX ZS99 will be available in black (DC-ZS99E-K) and silver (DC-ZS99E-S) in mid-February 2025 for $499.99 at valued channel partners.
*1 35mm camera equivalent.
*2 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc., and any use of such marks by Panasonic Corporation is under license. Other trademarks and trade names are those of their respective owners.
LUMIX G97: New Compact Hybrid Micro Four Thirds Camera
The new LUMIX G97 camera balances high performance and simplicity, giving creators the tools to elevate their photography and video skills.
Superb picture quality
The 20.3MP CMOS sensor, combined with the high-performance Image processor, delivers superb image quality with vibrant colors and sharp details.
Equipped with LUMIX Photo Style feature, users can fine-tune their images with a variety of color effect options, ensuring every shot matches your creative vision.
The Live View Composite feature is also included, providing the ability to combines multiple exposures in real time to create stunning light trails, star trails, or illuminated scenes without overexposing the background.
Smooth performance
The LUMIX G97’s 5-stop 5-axis Dual I.S.2*1 system ensures unrivalled stability, so your photos and videos remain sharp even in challenging conditions.
With 4K PHOTO capabilities, you can capture bursts of high-resolution photos at 30fps, ensuring you never miss a fleeting moment. The perfect shot from burst footage makes this feature ideal for fast-moving subjects or spontaneous scenes.
Versatile video features
Record in crisp 4K at 30p with no time limitations*2, experiment with slow-motion (max.4x) or quick-motion (max.8x) in FHD, and create cinematic content with 12-stops of V-Log L. Dedicated headphone and microphone jacks ensure total audio control while recording.
Intuitive operation and reliable design
With a 1,840k-dot free-angle LCD and 2,360k-dot OLED Live View Finder*3, the LUMIX G97 makes it easy to frame and focus your shots accurately, even in bright conditions.
The durable dust/splash-resistant*4Â construction is ideal for everyday creators looking for a camera that can reliably handle a variety of situations.
Built-in Bluetooth® v5.0 and Wi-Fi make sharing and remote control effortless, while USB Type-C charging adds convenience.
Price and availability
The new LUMIX G97 will be available in late February 2025 for $849.99 for a 12-60mm lens kit (DC-G97MK) at valued channel partners.
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