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Nikon Zf Press Release | Full Specification

Nikon finally announced the long rumored Nikon Zf Camera, the camera features lot of new features, although the sensor remains same as of the Nikon Z6 Mark II camera. Take a look at the Major set of features of the camera

Key specifications

  • 24MP full-frame BSI CMOS sensor
  • In-body image stabilization rated up to 8EV
  • Dedicated Monochrome mode
  • Up to 14fps continuous shooting (JPEG), 11 fps Raw
  • AF system with tracking and recognition of 9 subject types
  • 4K/60 video from 6K capture with 10-bit N-Log recording
  • 32-shot high-res mode to give 96MP images
  • SD and MicroSD card slots

The camera is available B&H  $1996 | B&H Store with 24-70mm Lens


Nikon Zf Press Release

THE NIKON Z f: INNOVATION THAT DRIVES CREATIVITY

MELVILLE, NY (September 20, 2023) Today Nikon announced the release of the Z f, a full-frame mirrorless camera that harmonizes a timeless aesthetic with the best of Nikon’s next-gen camera technology, derived directly from the acclaimed Z 8 and flagship Z 9. At first glance, the Z f is a definitive statement in functional design that ignites the desire to craft an image. Looking closer, it’s a veritable powerhouse of modern performance fueled by the EXPEED 7 processing engine that enables an enhanced AF system, impressive speed and astounding low-light capability. The new processing power also adds incredible new features such as pixel-shift shooting, the most advanced in-body stabilization of any Z series camera, plus the addition of a dedicated monochrome mode.

“It’s exciting to see the leaps in innovation that propelled the Z 9 trickling down, making the latest technology and features more accessible than ever before inside the Z f, a camera which is a beautiful marriage of form and function,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Z f is more than a means to simply capturing an image; using the camera is an experience unto itself, one which not only sparks creativity, but also elevates the user’s intent with its advanced performance and feature set.”

Technology Forward
The Z f is equipped with the EXPEED 7 image-processing engine, enhancing response time, burst speed and AF performance, while adding new features to create an entirely new category of Z series full-frame mirrorless. The 24.5-megapixel full frame BSI CMOS sensor effortlessly captures stunning colors and incredible definition with minimal noise and stellar dynamic range, even in challenging light. This well-balanced sensor is paired with an AF system that offers 3-D Tracking plus subject detection developed with Deep Learning technology, detecting and locking on to 9 different types of subjects. Similar to the Nikon Z 8, the camera finds people, dogs, cats, birds, cars, motorcycles, bicycles, trains and planes. It can even detect the world’s smallest1 size of a face in the frame — approx. 3% of the frame’s longest side. The AF system uses 299 AF points in Auto Area AF, covering 96% of the horizontal axis of the frame, making it easy to lock on and track a subject, even near the edge of the viewfinder. When the inspiration hits to go fully manual, the Z f uses Eye/Face-Detection in MF mode, recognizing the eye and allowing users to magnify the area on the screen to nail critical focus.

With the additional processing power, the Z f achieves 5-axis in-camera vibration reduction (VR) image stabilization equivalent to an 8.0-stop2 increase in shutter speed, the best among Nikon Z series cameras. The Z f is also the world’s first camera3 to support focus-point VR4, which minimizes blurring at the focus point rather than the center of the frame, even when subject is positioned near the edge of the viewfinder. The camera is also capable of high-speed continuous shooting at approx. 14 frames per second, or up to 30 frames per second5, when High-Speed Frame Capture+ (C30) is set. To ensure no shot is missed, the camera is also capable of using the Pre-Release function to start recording before the shutter is fully pressed.6 What’s more, the additional processing power in combination with the BSI sensor improves low-light performance, raising the standard ISO range from 100 to 64,000. In challenging light, even fine details and textures come out sharp and clear with rich saturation, while mid-tones, where noise tends to increase, come out much cleaner than before.

For those who want the ultimate in fidelity while reducing moiré, false colors and noise for immersive depth, the Z f is the first Nikon camera capable of pixel-shift shooting7 to create images up to 96 megapixels. Ideal for landscape, architecture and commercial artists, the system works by subtly shifting the image sensor position when capturing between 4, 8, 16 or 32 RAW (NEF) files, acquiring more accurate color information and massive resolution.

Forever Iconic

The heart of the Z f is “fusion”- an idea embedded in the name while paying homage to important models through Nikon’s history. It represents the fusion of past, present and future. With an iconic exterior design reminiscent of the FM2, the Z f links Nikon’s heritage of innovation and precision craftsmanship. The magnesium-alloy body is durable and features a glossy finish, which is adorned with a classic Nikon logo. The characters on the mechanical dials for shutter speed, ISO and exposure compensation are all etched, and provide the user with satisfying tactile response, while the feel of the shutter-release button was given meticulous consideration.

Black and white capture is an ageless medium, one that lets the user see a different perspective and explore the principles of light in new ways. The Z f includes a physical switch to engage a dedicated B&W photo mode, which enables multiple monochromatic Picture Controls. In addition to the sharp, dynamic and higher-contrast “Monochrome” mode in Picture Control, the new “Flat Monochrome” mode reproduces tones with a smooth gradation from shadow to light, rich in mid-tones for a warm, soft impression. The new “Deep Tone Monochrome” mode expresses high-contrast and highlights by bringing more emphasis to dark tones, keeping mid-tones dark and with fewer blocked shadows.

Primary features of the Zf

Full-frame 24.5-megapixel BSI CMOS sensor combined with the new EXPEED 7 Processing engine for amazing fidelity and image quality paired with stellar processing power.
Excellent AF tracking capability with 3D-tracking mode for photographers and dedicated Subject-tracking AF in video mode.

With up to 299 points in Auto-area AF, the range of coverage and number of focus points used in Auto-area AF mode have been increased for better focus acquisition performance with distant or moving subjects.

The first full-frame Z-series mirrorless camera to be equipped with a vari-angle touchscreen monitor.

Starlight view mode boosts display brightness for users to visually confirm composition in extremely dark scenes. It also achieves sharp focus with the low-light limit extendable down to -10 EV.8

Video frame rates and resolutions up to 4K UHD 30 oversampled from 6K,9 as well as 4KUHD 60P (DX-mode) and 1080/120P with recording times up to 125 minutes.10

The first Nikon camera to feature video recording in shutter-priority auto mode, letting the user select the shutter speed, while the camera adjusts the aperture and ISO.

In-camera, 10-bit H.265 recording, allowing users to record full-scale video directly to the camera without the need for an external recorder.

The first Z-series camera to support Touch Fn for adjustment of camera settings while framing pictures in the viewfinder. The user is now able to move the focus point via the LCD screen while looking through the viewfinder.

Supports the merging of NEF (RAW) images shot with pixel shift shooting to create a highly detailed image up to 96 megapixels.

Fast shooting, with up 14 fps bursts plus High-Speed Frame Capture+ (C30), which achieves high-speed continuous shooting at up to 30 fps. Pre-Release Capture is also available, buffering the images before the shutter is fully depressed.

Advanced features for dedicated portrait photographers include the skin softening function and a portrait impression balance function for users to better achieve the portraits they intended. Rich Tone Portrait Picture Control is a new setting that better captures details of the subject’s complexion.

Equipped with two memory card slots, one compatible with widely available UHS II SD cards and the other compatible with Micro SD cards.

Rugged and reliable construction, with magnesium alloy on the front and top covers, for maximum durability with minimal weight. The camera is engineered with high dust- and drip-resistance,11 effective sealing on the exterior cover joints, shutter-release button and vari-angle mechanism. Additionally, an electro-conductive coat that keeps the surface clean from dust and a fluorine coat that makes for easier cleaning.

In addition to the basic black body, the Z f lets users express their own style through six different color options. These premium exteriors render the embossed artificial leather sections of the camera — covering the grip and all around to the rear of the folding camera monitor — in three rich, expressive standard colors (Indigo Blue, Sepia Brown, Bordeaux Red) and three deep, warm natural colors (Sunset Orange, Moss Green, Stone Gray), rendered with individually matching surface textures. These colors will be sold in limited quantity and will be sold exclusively through the Nikon Store.

Price and Availability

The new Nikon Z f will be available in mid- October 2023 for a suggested retail price of $1999.95* for the body only, with the retro-styled NIKKOR Z 40mm f/2.0 SE for an SRP of $2239.95*, or with a NIKKOR Z 24-70mm F/4 S lens for an SRP of $2599.95*. The additional color options will be available as body-only for an SRP of $2099.95* exclusively from the Nikon Store. Nikon is working with SmallRig to develop a custom grip bracket, which will be available at a later date. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit Nikonusa.com

Nikon Zf Fulll Specification Download PDF

 

 

Nikon Zf Camera Announcement on 20th Sep [More Confirmations]

On September 8, 2023, we were one of the first websites to tell you that the Nikon Z retro camera would be released on September 20th. Finally, the day is almost upon us and we are expecting the Nikon ZF camera announcement from Nikon on September 20th.

Nikon Zf Updated Core Specification

  • Black camera body
  • 24.4 MP BSI-CMOS sensor
  • Expeed 7 processor
  • Weight: 700g (inc. battery, the Z5 is 590g, the Z6II is 615g )
  • Dimensions: 144mm x 101mm
  • Up to 30fps (JPG/HEIF)
  • High Extended Shooting for RAW and HEIF
  • 4k 60 video CROP
  • 10-bit H.265 HEVC video (SDR/HLG/N-log)
  • 1080 120p
  • USB C PD (fast-charging technology based on the USB-C standard)
  • ISO 100-64,000 (for comparison the Z6II ISO range is 100-51,200)
  • AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
  • Shutter selection options: Mechanical / Electronic Front-Curtain / Auto
  • AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
  • New feature related to AF
  • EN-EL15 battery
  • The Z f logo is moved to the left (the Zfc has it on the right)
  • Dual memory card slots (SD+MicroSD) – this is probably why the first reports came out with only one memory card slot, the second slot could
  • be hidden and be used just like the internal memory on some cameras
  • Pixel Shift: new high-res mode will be implemented for the first time in a Nikon mirrorless camera
  • August-September announcement, shipment before the end of 2023
  • Improved autofocus compared to Z5/Z6II
  • A few different lens kits/bundles will be available in the $2,000-$2,500 price range
  • Price for body only: $1,999
  • One of the bundles will be with the Nikkor Z 40mm f/2 (SE) lens (no new lens will be introduced with the Zf)
  • Very similar (but improved) design/layout from the Nikon Zfc
  • Small LCD screen on top for aperture display
  • New 3rd function on the sub lever of the shutter speed dial (besides photo/video) for B&W mode (B&W/Photo/Movie)
  • Has a little grip/bump like the Nikon Df (see the mockup pictures)
  • Better build quality compared to the Nikon Zfc
  • Fully articulating screen
  • Magnesium Alloy body
  • Size: 144mm x 101mm x 57mm

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Panasonic G9 II vs Sony A6700

Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.

We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.

 

1. Panasonic G9 Mark II, has a large body but is useful for Photographers

Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs  493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.

When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.

Sensor Size Micro Four Thirds Sony E APS-C Format Sensor
Sensor Resolution Actual: 26.52 Megapixel
Effective: 25.21 Megapixel
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor 17.3 x 13 mm (Four Thirds) MOS 23.3 x 15.5 mm (APS-C) CMOS
Crop Factor 2x 1.5x
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

2. More Customizable Controls and Dial in Panasonic G9 Mark II

The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.

3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II

Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.

4. APS-C vs M4/3 Format Sensor

When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.

5. Pixel Shift Hand Held High Resolution Mode in Sony

High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.

Standard Shooting Condition

Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]

In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld

High-Resolution Sample 2

ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.

 

Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Mechanical Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/8000 to 30 Seconds
Bulb/Time Mode Bulb Mode Bulb Mode
ISO Sensitivity Photo
100 to 25,600 (Extended: 50 to 25,600)
Video
100 to 12,800 (Extended: 50 to 12,800)
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode
Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
Metering Method Center-weighted average, Highlight Weighted, Multiple, Spot Center-weighted average, Multi-Zone, Spot
Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range 0 to 18 EV -3 to 20 EV
White Balance 2500 to 10,000K
Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
2500 to 9900K
Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG)
Electronic Shutter
Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/5/10-Second Delay

6. The burst speed and Pre-Shooting Buffer

The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for.   When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: 779 Photo
Phase Detection: 759
Video
Phase Detection: 495
Autofocus Sensitivity -4 to +18 EV -3 to +20 EV

 

7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable

One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.

While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.

Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers

Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.

However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.

Get Panasonic G9 Mark II from B&H Store | amazon.com

Get a Sony A67o0 camera from B&H Store | Amazon.com

 

Internal Recording Modes H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s]
ProRes 422/ProRes 422 HQ
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s]
XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s]
XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes 4:2:2 10-Bit via USB
5728 x 3024 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Fast-/Slow-Motion Support Yes Yes
Gamma Curve HDR-HLG, Panasonic V-Gamut, Panasonic V-Log HDR-HLG, S Cinetone, Sony S-Log 3
Recording Limit None None
Broadcast Output NTSC/PAL NTSC/PAL
IP Streaming None None
Built-In Microphone Type Stereo Stereo
Audio Recording MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio
XAVC: 2-Channel 16-Bit 48 kHz LPCM Audio

8. Best Camera for Video

The Sony A6700 comes with a host of impressive features:

  • Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
  • UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
  • Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
  • The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
  • User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
  • AI Autoframing for content creators.
  • The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.

Panasonic G9 Mark II Features

  • DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
  • AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
  • Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
  • Real Time LUT video recording to streamline your workflow and color grading.
  • Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
  • Larger Body the same heatsink unit as of the Panasonic S5 Mark II.

Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700

The Panasonic G9 Mark II camera is highly usable for professional cinematography work. These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.

For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.

The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.

One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.

Get Panasonic G9 Mark II from B&H Store | amazon.com

Get a Sony A67o0 camera from B&H Store | Amazon.com

 

Media/Memory Card Slot Dual Slot: SD/SDHC/SDXC (UHS-II) Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI (Unspecified Signal) Output 1 x Micro-HDMI (Unspecified Signal) Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O 1 x USB-C Input/Output 1 x USB-C Input/Output
Other I/O 1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input) 1 x USB-C (Shared with Power Input)
Wireless 2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible Yes: Android & iOS
App Name: LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control
*As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control
*As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.) GPS
*Via Connected Smartphone
GPS
*Via Connected Smartphone

 

 

Battery Type 1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots) 1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount 1 x Hot Shoe 1 x Intelligent Hot Shoe
Tripod Mounting Thread 1 x 1/4″-20 Female (Bottom) 1 x 1/4″-20 Female (Bottom)
Material of Construction Magnesium Alloy Magnesium Alloy
Dimensions (W x H x D) 5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions) 4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight 1.4 lb / 658 g (With Battery, Recording Media)
1.3 lb / 575 g (Body Only)
1.1 lb / 493 g (With Battery, Recording Media)
0.9 lb / 411 g (Body Only)

Get Panasonic G9 Mark II from B&H Store | amazon.com

Get a Sony A67o0 camera from B&H Store | Amazon.com

 

Panasonic G9 II Images and Full Specification Leaked

Panasonic G9 II, boasts a new 25.2 million pixel image sensor and a new engine, above all the image plane phase-detection AF guarantees sharp, precise focus, while the 60fps AFC continuous shooting. The camera also features up to 8.0 stops of image stabilization and 4K/4 K 60p 4:2:2 10bit recording and comes with a pre-installed V-Log, providing more flexibility for post-production. The camera also supports C4K/4K 10bit 120p/100p, enabling super slow-motion video capture. More Details below

Panasonic G9 II Specification

  • New 25.2 million pixel image sensor
  • new engine
  • Image plane phase detection AF
  • 60fps AFC continuous shooting
  • 8.0 stops of image stabilization
  • 7.5 steps Dual IS
  • C4K/4K 60p 4:2:2 10bit
  • V-Log
  • 1.84 million dot tilt free angle monitor
  • 3.68 million dot OLED viewfinder
  • Dustproof and splashproof
  • Capable of continuous shooting for 3 seconds without blackout
  • Pre-continuous shooting function
  • ~AFS 75fps
  • LEICA Monochrome with L2 technology
  • Real-time LUT
  • C4K/4K 10bit 120p/100p
  • 8 direction joystick
  • Wifi
  • Bluetooth
  • Lineup covering from 16mm to 1600mm (35mm format equivalent)

Stay tuned more updates coming

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source asobinet.com

 

Sony A9 III Surfaced, Announcement Soon

Sony A9 III registered on Sep 4, 2023. This camera supports 5.1G, which usually means it’s a mid-range to high-end camera. Based on Sony previous announcement patterns we are expecting the arrival of the Sony A9 III camera sometime between Nov to Jan 2023.

Sony Cameras registration vs. official announcement date

– ZV-E1 was registered on December 12th and announced on March 29th (3.5 months)
– ZV-1II was registered on February 2nd and announced on May 23rd (3.5 months) –
α6700 was registered on February 16th and announced on July 12th (4 months)
– α7CII and α7CR were registered on June 12th and announced on August 29th (2.5 months)

Take a look at the set of rumored specifications of the Sony A9 III camera

Sony A9 III Specification [Rumored]

  • 50MP Full-Frame Exmor RS BSI CMOS Sensor
  • Up to 60 fps Shooting, ISO 50-102400
  • 8K 30p and 4K 120p Video in 10-Bit
  • 3.7 m-Dot EVF (Blackout free)
  • 759-Pt. Fast Hybrid AF, Real-time Eye AF
  • 5-Axis SteadyShot Image Stabilization
  • Dual CFexpress Type A/SD Card Slots

Stay tuned we will post an update as soon as we get an update

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

source SAR.com

Sony BURANO - A New Sony CineAlta Camera Coming

Sony to announce a new CneAlta Series camera BURANO. The camera is made for pro filmmakers, CineD Team has an early access to this camera, look what they have said

we are encouraging you to join us on September 12th at the camera release time for an exclusive interview featuring the camera and its capabilities with my colleague Nino and a senior Sony representative.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

Best Zoom Lens for Fuji X-Mount

Sigma announces a new wildlife and sports photography lens for the Fuji X-mount, the 100-400mm f5-6.3 DG DN OS lens. This lens is perfect for those who are waiting for a budget-oriented sports photography lens in the Fuji X-mount.

Best Zoom Lens for Fuji X-Mount – Sigma 100-400mm f5-6.3 DG DN OS lens

  • APS-C | f/5 to f/29
  • 150-600mm (Full-Frame Equivalent)
  • Aperture Range: f/5 to f/29
  • One FLD Element, Four SLD Elements
  • Stepping Motor AF System
  • OS Image Stabilization
  • AFL Button and Zoom Limiter Switch
  • Compatible with Optional Tripod Socket
  • Dust- and Splash-Resistant Construction
  • Rounded 9-Blade Diaphragm

Get the Lens from B&H Store | Amazon.com

The reason we are saying it’s budget-oriented is that a 100-400mm lens available for under $1000 is kind of a budget thing, without a doubt.

In addition to the 100-400mm lens, Sigma also announced a 23mm f1.4 lens for the X-mount. It is highly usable for those who create content inside their room. Check out here at B&H Store