Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.
We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.
1. Panasonic G9 Mark II, has a large body but is useful for Photographers
Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs 493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.
When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor
17.3 x 13 mm (Four Thirds) MOS
23.3 x 15.5 mm (APS-C) CMOS
Crop Factor
2x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
2. More Customizable Controls and Dial in Panasonic G9 Mark II
The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.
3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II
Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.
4. APS-C vs M4/3 Format Sensor
When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.
5. Pixel Shift Hand Held High Resolution Mode in Sony
High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.
Standard Shooting Condition
Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]
In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld
High-Resolution Sample 2
ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 25,600 (Extended: 50 to 25,600) Video
100 to 12,800 (Extended: 50 to 12,800)
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter
Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
6. The burst speed and Pre-Shooting Buffer
The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for. When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 779
Photo
Phase Detection: 759 Video
Phase Detection: 495
Autofocus Sensitivity
-4 to +18 EV
-3 to +20 EV
7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable
One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.
While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.
Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers
Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.
However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.
H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s] ProRes 422/ProRes 422 HQ
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via USB
5728 x 3024 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
The Sony A6700 comes with a host of impressive features:
Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
AI Autoframing for content creators.
The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.
Panasonic G9 Mark II Features
DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
Real Time LUT video recording to streamline your workflow and color grading.
Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
Larger Body the same heatsink unit as of the Panasonic S5 Mark II.
Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700
The Panasonic G9 Mark II camera is highly usable for professional cinematography work.These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.
For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.
The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.
One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input)
1 x USB-C (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
GPS
*Via Connected Smartphone
Battery Type
1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions)
4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight
1.4 lb / 658 g (With Battery, Recording Media)
1.3 lb / 575 g (Body Only)
1.1 lb / 493 g (With Battery, Recording Media)
0.9 lb / 411 g (Body Only)
Panasonic G9 II, boasts a new 25.2 million pixel image sensor and a new engine, above all the image plane phase-detection AF guarantees sharp, precise focus, while the 60fps AFC continuous shooting. The camera also features up to 8.0 stops of image stabilization and 4K/4 K 60p 4:2:2 10bit recording and comes with a pre-installed V-Log, providing more flexibility for post-production. The camera also supports C4K/4K 10bit 120p/100p, enabling super slow-motion video capture. More Details below
Panasonic G9 II Specification
New 25.2 million pixel image sensor
new engine
Image plane phase detection AF
60fps AFC continuous shooting
8.0 stops of image stabilization
7.5 steps Dual IS
C4K/4K 60p 4:2:2 10bit
V-Log
1.84 million dot tilt free angle monitor
3.68 million dot OLED viewfinder
Dustproof and splashproof
Capable of continuous shooting for 3 seconds without blackout
Pre-continuous shooting function
~AFS 75fps
LEICA Monochrome with L2 technology
Real-time LUT
C4K/4K 10bit 120p/100p
8 direction joystick
Wifi
Bluetooth
Lineup covering from 16mm to 1600mm (35mm format equivalent)
Sony A9 III registered on Sep 4, 2023. This camera supports 5.1G, which usually means it’s a mid-range to high-end camera. Based on Sony previous announcement patterns we are expecting the arrival of the Sony A9 III camera sometime between Nov to Jan 2023.
Sony Cameras registration vs. official announcement date
– ZV-E1 was registered on December 12th and announced on March 29th (3.5 months)
– ZV-1II was registered on February 2nd and announced on May 23rd (3.5 months) –
α6700 was registered on February 16th and announced on July 12th (4 months)
– α7CII and α7CR were registered on June 12th and announced on August 29th (2.5 months)
Take a look at the set of rumored specifications of the Sony A9 III camera
Sony A9 III Specification [Rumored]
50MP Full-Frame Exmor RS BSI CMOS Sensor
Up to 60 fps Shooting, ISO 50-102400
8K 30p and 4K 120p Video in 10-Bit
3.7 m-Dot EVF (Blackout free)
759-Pt. Fast Hybrid AF, Real-time Eye AF
5-Axis SteadyShot Image Stabilization
Dual CFexpress Type A/SD Card Slots
Stay tuned we will post an update as soon as we get an update
Sony to announce a new CneAlta Series camera BURANO. The camera is made for pro filmmakers, CineD Team has an early access to this camera, look what they have said
we are encouraging you to join us on September 12th at the camera release time for an exclusive interview featuring the camera and its capabilities with my colleague Nino and a senior Sony representative.
Sigma announces a new wildlife and sports photography lens for the Fuji X-mount, the 100-400mm f5-6.3 DG DN OS lens. This lens is perfect for those who are waiting for a budget-oriented sports photography lens in the Fuji X-mount.
Best Zoom Lens for Fuji X-Mount – Sigma 100-400mm f5-6.3 DG DN OS lens
The reason we are saying it’s budget-oriented is that a 100-400mm lens available for under $1000 is kind of a budget thing, without a doubt.
In addition to the 100-400mm lens, Sigma also announced a 23mm f1.4 lens for the X-mount. It is highly usable for those who create content inside their room. Check out here at B&H Store
The Sony A7CR camera has been announced. The camera features a 61-megapixel sensor that we have seen in the Sony A7R IV and the Sony A7R V camera. However, the good thing is that it is much more advanced than the Sony A7R IV and comes in the same price range. To protect the sales of the Sony A7 R IV, Sony has given it only a single card slot option, a lower-resolution electronic viewfinder, and an EFCS shutter with no mechanical. To compensate for this, we are getting a much more advanced autofocusing system and also a slight improvement in the video performance of the camera.
High-speed continuous shooting at up to 10 fps with AF/AE tracking
Long battery life with the Z-series battery
Sony A7CR Press Release
Including the Alpha 7C R with 61MPi High-Resolution Sensor and the Alpha 7C II with the latest still image and video performance
SAN DIEGO, CA. August 29, 2023 – Today, Sony Electronics announces the release of two new additions to the Alpha 7C series of compact full-frame interchangeable lens cameras, the Alpha 7C II (model ILCE-7CM2) and Alpha 7C R (model ILCE-7CR). The Alpha 7C II is equipped with a full-frame image sensor with approximately 33.0 effective megapixels and features the latest still image and video functions and performance in a compact and lightweight design (approximately 4.88 in wide x 2.8 in high x 2.5 in deep and weighs approximately 18.1 oz.) It is the second-generation version of the Alpha7 C, which is celebrated for its combination of performance and features in a compact size, perfect for a wide range of shooting scenarios such as travel and street photography.
The Alpha 7C R is a new compact full-frame interchangeable lens camera, boasting the high-resolution and rich gradation performance of a full-size image sensor with approximately 61.0 effective megapixels, the same sensor found in the Alpha 7R V, into a compact and lightweight body (similar size and weight as the Alpha 7C IIii , approximately 18.2 oz). In addition to daily snapshots, it easily realizes high-quality image capture in a wide variety of settings, such as portrait, wildlife, and landscape photography, meeting the expectations of creative work with mobility.
Both models are equipped with the same AI-processing unit and BIONZ XR® processors found in Sony’s newest interchangeable lens cameras such as the Alpha 7R V and Alpha 6700. Real-time Recognition AF recognizes a wide variety of subjects with high accuracy, and 5-axis in-body mage stabilization provides a 7.0 stepiv shooting advantage when capturing stills. In terms of video performance, both models support high-quality 4:2:2 10-bit video recording up to 4K60piii, and both models support Sony’s acclaimed S- CinetoneTM color science for rich cinematic video. In addition, they have Active Mode in-body image stabilization, AI-based auto-framing, digital-audio interface support, and other features that support high- quality video shooting.
“At Sony, we’re committed to continually raising the bar and elevating standards for content creators. With the introduction of the Alpha 7C II and Alpha 7C R models, we’re offering an innovative solution that serves creators in both photography and videography. This fresh addition to their toolkit ensures top-tier imagery and visual performance across our state-of-the-art imaging devices. By fusing advanced technology with user-friendly design, we’re empowering content creators to realize their artistic vision like never before,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics.
As the demand for sending and sharing captured content on social media networks has increased, more creators are looking for a combination of compact size and high imaging performance in mirrorless interchangeable lens cameras. With the introduction of the Alpha 7C II and Alpha 7C R, which achieve high mobility and high-quality image expression in a compact size, Sony responds to the wide range of image expressions sought by creators.
Main Features of the Alpha 7C II
Equipped with a full-frame back-illuminated Exmor R® CMOS sensor with approximately 33.0 effective megapixels and the latest BIONZ XR® image processing engine to achieve high imaging performance. For capturing either still images or movies, users can easily enjoy high-quality image capture in a wide range of scenes such as travel and daily snapshots.
Compared to the Alpha 7 IV which is approximately 5.1 inches x 3.8 inches x 3.2 inches and weighs approximately 1.54 lbs, the Alpha 7C II is approximately 22% lighter and has approximately 45% less volume.
The standard ISO sensitivities range from 100 to 51200 for both still images and movies (expanded ISO 50 to 204800 for still images), enabling high-sensitivity, noise-free shooting.
Main Features of the Alpha 7C R
Equipped with a full-frame back-illuminated Exmor R® CMOS sensor with approximately 61.0 effective megapixels and the latest BIONZ XR® image processing engine to achieve high-resolution and high-definition imaging performance.
Compared to the Alpha 7R V which is approximately 5.25 inches x 3.875 inches x 3.25 inches and weighs approximately 1.6 lbs, the Alpha 7C R is approximately 29% lighter and has approximately 53% less volume.
The standard ISO sensitivity ranges from 100 to 32000 for both still images and movies (expanded ISO 50 to 102400 for still images).
In addition, with 7.0-stepiv optical 5-axis in-body image stabilization, even slight blurring at the 1- pixel level is detected and corrected.
Equipped with Pixel Shift Multi Shooting that combines multiple images on a PC to create an ultra-high resolution image.
By combining with the grip extension GP-X2 included with the Alpha 7C Rv, you can shoot comfortably with a stable hold even when shooting for long periods of time or using a telephoto lens.
Common Features of the Alpha 7C II and Alpha 7C R
1. Compact size and high mobility
Both models are easy to handle and easy to carry. Compact size (both models are approximately 4.88 in wide x 2.8 in high x 2.5 in deep) and weighi approximately 18.1 oz for the Alpha 7C II and approximately 18.2 oz for the Alpha 7C R. When combined with the wide-angle zoom lens, FE 16-35mm F2.8 GM II, announced today, it achieves the excellent image expression and high-speed AF that are unique to the G MasterTM series, with the brightness of F2.8 at full zoom range. The user can choose their favorite lens from Sony’s extensive E-mount series of more than 70 lenses and enjoy a variety of image expressions in both still images and movies.
2. AF performance with improved subject recognition performance thanks to the built-in AI processing unit
Equipped with the same AI-processing unit as the Alpha 7R V, which recognizes subjects with high accuracy with Real-time Recognition AF. For example, when taking a picture of a person, even if the subject strikes a complicated pose or their face is hidden, human-pose estimation technology can be used to capture and track the subject with high accuracy. In addition to the existing tracking capabilities for people and animals already found in the Alpha 7C series, it is now possible to recognize birds, insects, cars, trains, and airplanes as subjects in the new models.
3) Advanced video performance
The Alpha 7C II and Alpha 7C R condense high-resolution and detailed video data equivalent to 7K and 6K, respectively, and can output high-quality 4K video. Equipped with S-Log3, which supports a wide latitude of 14+ stopsvi, it renders rich gradation with little overexposure and underexposure even in scenes with contrast. Also, in Log shooting mode, the LUT imported by the user can be displayed on the camera monitor image, allowing the user to shoot while checking the finished image in post-production. In addition, it is equipped with S-CinetoneTM, a unique Sony feature which can create a cinematic look straight out of the camera without post-processing. Based on Sony’s Cinema Line technology, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color and deliver cinematic quality. It also features Creative Look, which allows you to easily change the look and feel of video and still images.
4) Operability and connectivity
Equipped with a touch-operable vari-angle LCD monitor, intuitive operation with the latest touch menu supports comfortable shooting. In addition to the new front dial that allows the user to assign their favorite functions, the still image/movie/S&Q switch dial, and an XGA high-resolution viewfinder, etc., the camera is easy to use. The camera is equipped with a 7.0-stepiv optical 5-axis in-body image stabilization to support stable camera work.
In terms of connectivity, the camera is compatible with the smartphone application Creators’ Appvii that uploads videos and still images taken with the camera to a cloud service, while allowing remote camera operation and image transfer from the camera to mobile devices. By the end of September 2023, Sony plans to support a new version of the software development kit Camera Remote SDK that enables remote operation and settings adjustments.
5) Designed with environmentally friendly principles in mind
Over the past 11 years, Sony has replaced approximately 395 tonsviii of virgin plastic with recycled plastic in digital cameras and digital video cameras. Recycled materials, including SORPLASTMix, are used for the camera body, reducing environmental impact without sacrificing functionality. In addition to being equipped with Sony’s Screen Reader functionx that reads menus and video playback screens aloud to assist operations, a new menu Magnify Display function has been added to support the creative activities of a variety of creators.
Pricing and Availability
The new Alpha 7C II will be available in Fall 2023 at a variety of Sony’s authorized dealers: Camera only: MSRP $2199.99 USD, $2999.99 CAN
Camera w/ 28-60mm lens: MSRP $2499.99 USD, $3399.99 CAN
The new Alpha 7C R will be available in Fall 2023 at a variety of Sony’s authorized dealers: Camera only: MSRP $2999.99 USD, $4099.99 CAN
The new GP-X2 extension will be available in Fall 2023 at a variety of Sony’s authorized dealers for MRSP $159.99 USD, $214.99 CAN.
Viltrox today announced its Viltrox 28mm F1.8 STM lens for Nikon Z Mount (already available for Sony E-Mount). The lens is made for full-frame cameras and features excellent optics for excellent performance. One of the best parts of the lens design is that it features a dedicated aperture ring.
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