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By admin, on July 26th, 2023
Sony ZV-E10 Mark II OR Sony ZV-E20 is expected to arrive before October 2023. According to the latest rumors coming out from the rumor mill, an accessory maker accidentally published the ZV-E20 accessory in their product catalog list. But unfortunately, the rumor mill did not publish any supporting images or screenshots to verify the information they have published , so take it with a grain of salt.
UPDATE @ 26 July 2023
Finally, we have the image of the accessory maker that accidentally leaked the name of the Sony ZV-E20 camera. The accessory maker is C-Frog, which specializes in making waterproof cases for cameras. So, finally, we do have a strong lead. Now we have to wait for further confirmation.”
We will publish more updates as soon as they become available to us.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
source addict
By admin, on July 25th, 2023
According to the latest rumors coming from the rumor mill, Sony is about to announce two different full-frame mirrorless cameras of the Sony A7C series.
The first camera is the Sony A7C Mark II. The camera will feature the same 33-megapixel sensor that we have seen in the Sony A7 IV camera. Not only this, we published its core specifications several months ago and you can look at the specifications of the upcoming Sony A7C Mark II camera once again.
Sony A7C Mark II Rumored Specification
- 33MP Full-Frame Exmor R CMOS Sensor
- BIONZ XR & AI Processing Unit
- Up to 10 fps Shooting, ISO 100-51200
- 4K 60p Video in 10-Bit, S-Cinetone
- 2.36m-Dot EVF
- 3″ 1.03m-Dot Vari-Angle Touchscreen LCD
- 759-Pt. Fast Hybrid AF, Real-time Eye AF
- Focus Breathing Compensation
- 5-Axis SteadyShot Image Stabilization
- Creative Looks and Soft Skin Effect
- 4K 15p UVC/UAC Streaming via USB Type-C
The next camera on the list is Sony A7CR. The Sony A7CR camera is rumored to feature a 61-megapixel full-frame sensor from the Sony A7R V camera with the same AI features that we have seen in the A7R V camera. But this time, we will have enhanced video core specifications and since it’s coming under the A7C series, we do hope and expect the A7CR camera will record 8K up to 30fps internally, and possibly in upcoming future updates it can be raised up to 60fps internal recording.
Sony A7CR Rumored Specification
- 61MP Full-Frame Exmor R BSI CMOS Sensor
- BIONZ XR & AI Processing Unit
- AI-Based Real-Time Tracking AF System
- 8K 24p, 8K 30p
- 8K 60p (With firmware update)
- 4K 16-Bit Raw Output; S-Log3/S-Cinetone
- 3.2″ 4-Axis Multi-Angle Touchscreen LCD
- 8-Stop 5-Axis Image Stabilization
- Dual CFexpress Type A/SD Card Slots
These are the initial set of rumors we have about these two upcoming cameras. The expected arrival date of these cameras is somewhere around the early fall of 2023, most probably in September of 2023.
Stay tuned and we will publish more updates as soon as they become available to us.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
source SAR.com
By admin, on July 25th, 2023
Now we have confirmation that the Tamron 35-150mm F2-2.8 lens is coming out soon. The development announcement was made by Tamron Japan, and the lens will officially arrive at the end of August 2023 or early September 2023.
The lens is said to be Nikon’s first Z-mount zoom lens that features an F2 aperture, and of course, it’s coming from third-party lens maker Tamron.
Undoubtedly, wedding photographers who use Nikon Z-mount system cameras will buy this lens without a doubt since it’s a perfect combination of price and features. Although we do have a 28-70mm f2.0 lens in Canon’s RF mount, unfortunately, the price is too high when compared to third-party rebranded lenses like we have in the Z-mount. That’s why it’s also very important for Canon to reconsider their decision about locking their mount since we are not able to enjoy affordable high-quality third-party lenses released under the RF mount.
Nikon 35-150mm F2-2.8 Development Announcement
Tamron announces the development of 35-150mm F/2-2.8 Di III VXD (Model A058) for “Nikon Z mount system.” World’s first* mirrorless zoom lens with maximum wide-open aperture of F2
July 25, 2023, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the development of the 35-150mm F/2-2.8 Di III VXD (Model A058), a fast-aperture telephoto zoom lens for Nikon Z mount cameras.
PRODUCT NAME |
35-150mm F/2-2.8 Di III VXD (Model A058)For Nikon Z mount (35mm full-frame) |
DATE OF LAUNCH |
Launch Planned in the Fall, 20231 |
* Among the zoom lenses for Nikon Z mount cameras (As of June 2023: TAMRON)
1 The lens for Sony E-mount previously launched October 28, 2021.
Product Overview
The 35-150mm F2-2.8 covers wide-angle through telephoto and is ideal for both travel and portrait photography. It is the first* zoom lens for Nikon Z mount cameras to have a maximum wide-open aperture of F2. With this focal range, you can enjoy shooting magnificent views and large buildings at 35mm and dynamic close-up shots at 150mm. With high-level performance under a wide variety of shooting conditions, this fast lens is ideal for trips aimed at creating photographic works. In addition, by incorporating the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism, the lens features a very high-speed and high-precision autofocus for a fast-aperture lens. It also incorporates a new design in the pursuit of enhanced operability and ergonomic convenience.
Incorporating the most frequently used focal lengths from wide-angle and standard to medium telephoto and telephoto all within this single lens enables seamless shooting without the need to swap lenses, which is beneficial especially when shooting portraits where a sense of rhythm is particularly important. This helps the user capture outstanding shots without missing the fleeting expressions of the model.
Product Features
- The world’s first F2-2.8 fast-aperture zoom lens
Versatile zoom range provides seamless shooting from wide-angle 35mm to telephoto 150mm
3. Outstanding optical performance throughout the zoom range
4. Fast, quiet VXD linear motor mechanism for high-speed and high-precision autofocus
5. Expanded versatility with excellent close-range shooting performance
6. TAMRON Lens UtilityTMexpands the possibilities of still photography and video shooting
7. Moisture-Resistant Construction, Fluorine Coating, and Hood Locking Mechanism for greater convenience
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold under the license agreement with Nikon Corporation.
By admin, on July 19th, 2023
So let’s compare Fuji X S20 camera against the Sony a6700, and find out the best camera for you. Take a look at the detailed specification comparison below.
1. Design Comparison
Overall the weight of the camera is approximately the same, we have only a 3-gram difference in body weight. The design is different as you can notice, Fuji film has a centered viewfinder loaded with more dials and customizable buttons on the top end of the camera.
One additional advantage we have in the Fuji X S20 camera is the presence of a joystick on the rear side of the camera that helps a photographer to jump over the menus or the autofocus points quickly, that is to quickly alter the settings during the shoot. The Sony is weather-sealed so you don’t have to worry while taking it out in outdoor locations.
If you talk about ports then both of them feature a micro HDMI output port, 3.5 mm microphone input port, a 3.5 mm headphone jack, and a USB-C type connection port. The transfer speed of the Sony a6700 camera is 10 Gbps whereas with the Fuji X S20, we are limited to 5 Gbps.
The location of EVF is also a very important thing if you consider it, but it’s completely subjective. On Sony, we have it on the extreme left side, and on Fuji, we have it in the center like we have in traditional DSLRs so it depends if you are already a user of a DSLR or Mirrorless camera that features a viewfinder in the center then you have to think twice before buying the Sony a6700 camera but if you are someone who is completely new then you can start with either Sony or Fuji.
The resolution of the electronic viewfinder of both cameras is exactly the same but the refresh rate of Sony is 120 fps and the higher magnification is 0.70x whereas the refresh rate of Fuji X S20 is 100 fps and magnification of 0.62x, so they are almost identical. None of them have a big difference between them in terms of EVF.
Both cameras feature Vari-angle display screens that can be used for content creation as well as low and high-angle shots but with Fuji, we have a higher resolution screen of 1.84 million dots whereas Sony remains limited to its previous generation displays of 1.04 million dots. The good news is now we have an updated menu in the Sony camera so we don’t have to struggle while setting up our shot.
One of the most noticeable things about the Fuji X S20 camera is a dedicated V-Log menu on the top end dial of the camera and when a content creator switches to that menu, the camera opens up a customized menu interface for content creators which is extremely simplified and features product showcase modes.
Both cameras feature a single card slot. Although, for the Sony a6700 camera, you have to use a V90 card to avoid overheating and with the Fuji, since it supports an external fan, you can work with a bit slower card too.
2. The internal core difference between the two cameras
The one has a huge trusted 26-megapixel APS-C sensor of the X-Trans pattern and the other is Sony’s newly developed 26-megapixel CMOS BAYER Pattern sensor. If you are going to compare the two against each other then what we will find is that the Fuji X S20 is able to perform better in low light environments compared to Sony’s a6700 camera.
As you can see, we are comparing the two cameras, Fuji X-T4 against the Fuji X S20 camera. We have picked the X-T4 since the X S20 camera samples are not available yet and as the X-T4 uses the same 26 MP APS-C X-Trans CMOS sensor as of Fuji’s X S20, that’s why we have used it here.
3. IMAGE QUALITY TEST (HIGH ISO vs BASE ISO Test)
credit dpreview.com
HIGH ISO TEST – (above) clearly visible that the color block of Fuji is well more preserved at ISO 51200 compared to Sony A6700 at ISO 51200. Now if you clearly look at the different sets of image samples captured by both paired with best-of-the-class lenses, you will notice that the Fuji X S20 camera sensor (X-T4 also uses the same 26MP X-Trans sensor) is able to preserve a bit more details when compared to the Fuji X-T4 camera at HIGH ISO TEST.
4. BASE ISO TEST (ISO 100)
credit dpreview.com
And things become completely wild when you compare the base ISO, then you will find that the Sony a6700 camera is able to capture a bit more detail at several positions of the sample image when compared to the Fuji X S20 camera. Okay, from the tests, it’s obvious that at a higher ISO range, Fuji is better, and at base ISO, possibly the range from 100 to 800 or 1600 ISO, Sony’s new a6700 camera is better.
So from the image quality test, it is very clear that if you are an outdoor photographer or street shooter photographer that does most of his or her work, probably 90% in natural light, then it’s more recommended to buy a Fuji X S20 camera and have better low light performance with 26 MP X-Trans CMOS Sensor. And for those who work in controlled light environments like wedding photographers or portrait shooters who work 90% under controlled light environments, for them, the a6700 is highly recommended based on the initial tests results of both the camera
It’s not recommended to focus on the ISO range of both cameras, as we have already mentioned the higher ISO test. Even though the Sony a6700 has a higher expandable ISO range on paper, it doesn’t perform as well during actual tests. Therefore, it’s better to consider the image samples rather than just the ISO numbers.
|
Sony A6700 |
FUJIFILM X-S20 |
Sensor Resolution |
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128) |
Effective: 26.1 Megapixel |
Image Sensor |
23.3 x 15.5 mm (APS-C) CMOS |
23.5 x 15.6 mm (APS-C) CMOS |
Crop Factor |
1.5x |
1.5x |
Image Stabilization |
Sensor-Shift, 5-Stops |
Sensor-Shift, 7-Stops |
5. IMAGE STABILIZATION (5 Stops vs 7 Stops IBIS)
We have two different image stabilization modes here, one is for stills and the other is for video. For now, let’s begin with the stills part. If you are a photographer, then you will find that the Fuji X S20 camera is able to give you 7 stops of sensor-shift image stabilization feature compared to Sony’s a6700 camera which remains limited to 5 stops of image stabilization. It has been years after the announcement of Sony a6600 camera which also had the same 5 stops of IBIS inside the camera body, so we were hoping for some scaling in the IBIS part of the camera.
In the video, we have gyro-based image stabilization support inside the Sony a6700 camera, so having gyro-based image stabilization in a camera means a lot to a person who is mostly shooting videos @outdoors. And on the other side, we do not have any gyroscopic image stabilization in Fuji. So, if you move too much and create daily content for your channel better to have a camera with gyroscopic data.
Now, one more thing to be noted before we end this discussion is that Sony has introduced a new blur correction feature that works at the pixel level and delivers exceptional-quality of details. And to show that, I have tested it against the Fuji X-T4 camera and a few more. This blur correction algorithm is already running inside the Sony a6700 camera and that’s why possibly your images are able to resolve more details at the base ISO range.
Best AutoFocus – Sony A6700 vs Fuji X-S20
|
Sony A6700 |
Fuji X-S20 |
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF |
Continuous-Servo AF, Manual Focus, Single-Servo AF |
Autofocus Points |
Photo
Phase Detection: 759
Video
Phase Detection: 495 |
Contrast Detection, Phase Detection: 117 |
6. AUTOFOCUS
The A6700 and X-S20 both have hybrid autofocus systems that use a combination of contrast and phase detection points to focus quickly and accurately. The Sony has 759 phase-detection points that cover 93% of the sensor area, while the Fuji has up to 425 points that cover 99% of the sensor surface. Both cameras are great at recognizing and tracking subjects, including people, animals, birds, insects, and vehicles. Sony goes even further with its dedicated processing chip for deep learning subject detection capabilities, at least in theory.
7. AI AF is a Clear Advantage – Sony A6700
Yes, the new AI processor does help with autofocus. It uses a movement prediction algorithm to calculate human body movements and easily track moving subjects, particularly organic movements. This is an improvement over the previous a6600 camera and even its latest competitors, as none of them have an AI chip like Sony in this price range.
8. Tracking the face of a butterfly – Sony A6700
That’s the biggest advantage that I see in the new update of the chip. The camera is able to track the face of butterflies, insects, as well as moving cars and planes very easily. So that’s the biggest advantage associated with the new AI chip. Although the burst speed is locked, the continuous shooting of the camera is limited to 11 FPS, that’s another issue. But yes, the camera is able to track 3D objects at the next level, which is an amazing thing and we should appreciate that.
Exposure Control – Sony A6700 vs Fuji X-S20
Shutter Type |
Electronic Shutter, Mechanical Focal Plane Shutter |
Electronic Shutter, Mechanical Focal Plane Shutter |
Shutter Speed |
Mechanical Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/8000 to 30 Seconds |
Mechanical Shutter
1/4000 to 900 Seconds in Manual Mode
Electronic Shutter
1/32000 to 900 Seconds in Manual Mode |
Bulb/Time Mode |
Bulb Mode |
None |
ISO Sensitivity |
Photo
100 to 32,000 (Extended: 50 to 102,400)
Video
100 to 32,000 |
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
125 to 12,800 in Manual, Auto Mode (Extended: 25,600) |
Metering Method |
Center-Weighted Average, Multi-Zone, Spot |
Average, Center-Weighted Average, Multi, Spot, TTL 256-Zones |
Exposure Compensation |
-5 to +5 EV (1/3, 1/2 EV Steps) |
-5 to +5 EV (1/3 EV Steps) |
White Balance |
2500 to 9900K
Presets: Auto |
2500 to 10,000K
Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
Continuous Shooting |
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG) |
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 256 Frames (JPEG) / 28 Frames (Raw)
Mechanical Shutter
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / 35 Frames (Raw) |
9. Continuous shooting speed (11 vs 30 fps)
The biggest drawback of the recently announced Sony a6700 camera is its limited continuous shooting speed of 11 FPS. Approximately 10 years ago, Sony announced the a6000 camera which was also limited to 11 frames per second. After 10 years of gap, we have the flagship APS-C Sony mirrorless camera which is again limited to 11 frames per second. So, I am not able to understand the concept behind this. If anyone from Sony can explain why they are locking the burst speed of the camera, it would be a great thing for us.
Despite being the world’s best artificial intelligence APS-C mirrorless camera, the burst speed remains limited to 11 FPS. And that’s why we are not able to directly recommend this camera to wildlife and sports photographers.
The Fuji X S20 camera is able to shoot 8 frames per second with the help of a mechanical shutter and up to 30 frames per second with the help of an electronic shutter. While shooting at 30 frames per second, you are limited to a 1.25x crop. If you want to enjoy the full resolution, you have to shift your burst speed to 20 frames per second. At 20 fps, the camera doesn’t crop.
Furthermore, the X-S20 is equipped with a Pre-Shot mode that enables the capture of fast and unpredictable action even before the shutter button is fully pressed.
10. VERDICT: Which camera should have photographer buy?
The Fuji X-S20 camera features more customized dials on the body as well as a joystick controller for quickly changing the settings. Moreover, inside we have a 7-stop sensor-shift image stabilization unit, a sensor that performs better in low-light environments, as well as a burst speed with continuous shooting up to 30 frames per second. If you combine all these features together, then undoubtedly for outdoor usage like street photography, shooting landscapes, or shooting shots outdoors without using external lights, it is highly recommended that one should use the Fuji X S20 camera. And for sports and wildlife photographers, we highly recommend getting the Fuji X S20 camera for getting proper results.
For those who work in controlled light environments and don’t require a body that allows them to quickly alter the settings Sony A6700 camera is te best choice. Also note that, Sony a6700 camera’s sensor-shift image stabilization is also weak compared to X-S20 as well its continuous shooting speed is also very limited. Considering all these factors together, it is highly recommended to use the Sony a6700 camera in controlled light environments to get the proper output.
On one side, the camera is not able to shoot 11 fps and beyond, and on the other side, the camera is able to shoot 4K up to 120 frames per second, which not even the Fuji X S20 camera can do.
Video Specification comparison between Sony A6700 vs Fuji X-S20 Camera
|
Sony A6700 |
Fuji X-S20 |
Internal Recording Modes |
XAVC HS 4:2:2/4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 280 Mb/s]
XAVC S 4:2:2/4:2:0 8/10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 280 Mb/s]
XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s] |
H.264 ALL-Intra/H.264 Long GOP/H.265/H.265 Long GOP/MOV/MP4/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 360 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 360 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [50 to 360 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [360 Mb/s] |
External Recording Modes |
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps |
Raw/ProResRAW 12-Bit via HDMI
6240 x 4160 up to 29.97 fps |
Recording Limit |
None |
None |
Audio Recording |
2-Channel 16-Bit 48 kHz LPCM Audio |
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: AAC Audio |
11. BEST CAMERA FOR VIDEO (SONY VS FUJI)
The Sony a6700 camera is able to shoot up to 4K at 120 FPS with a 1.58x crop, which Fuji is not able to do. On the other hand, Fuji is able to record 6.2K open-gate video at 3:2 format and 5.2K videos at 30 frames per second in 16:9 format. Again, the Sony a6600 camera is not able to shoot resolutions higher than 4K. So these are the initial resolution limitations and frame rate limitations we have with these two cameras.
When it comes to video profiles and gamma curves, the A6700 really stands out with its Picture Profiles, which it inherited from Sony’s cinema cameras. These include HLG, S-Log2, S-Log3, and S-Cinetone, giving you tons of options for customization. You can even load custom Look-Up-Table (LUT) profiles onto the camera. The X-S20 has the F-Log2 profile and the Eterna film simulation mode, which gives your footage a unique cinematic look.
Both cameras can record internally in 10-bit 4:2:2, but the Sony A6700 has a higher bitrate of 600Mbps compared to the X-S20’s 360Mbps when using All-Intra compression.
Plus, the X-S20 has the added bonus of being able to output 12-Bit RAW via HDMI. This means that if you pair it with an external recorder, you can get an even wider dynamic range and more color data.
12. VERDICT: Which one Should you buy for the video?
One of the key features of the Fuji camera is its ability to cool down by itself. You can even add an external fan to the camera, which doubles the recording time of the Fuji X-S20. This makes it an ideal choice for recording long podcasts or for wedding cinematography and videography. On the other hand, the Sony A6700 camera has a magnesium alloy body that helps dissipate heat, but it does not have an active cooling mechanism. If you live near the equator and plan to use your camera for longer video recordings, you should be aware of potential overheating issues. However, if you plan to use your camera in an air-conditioned environment, either of these two cameras would be a good choice.
Physical Interface Compared
Media/Memory Card Slot |
Single Slot: SD/SDHC/SDXC (UHS-II) |
Single Slot: SD/SDHC/SDXC (UHS-I) [2 TB Maximum] |
Video I/O |
1 x Micro-HDMI Output |
1 x Micro-HDMI Output |
Audio I/O |
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input |
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output |
Power I/O |
1 x USB-C Input/Output |
1 x USB-C Control/Monitor/Tether |
Other I/O |
1 x USB-C (Shared with Power Input) |
2.4 GHz Wi-Fi (802.11a/b/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) |
Mobile App Compatible |
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control
*As of July, 2023: Check with manufacturer for the most up-to-date compatibility |
Yes: Android & iOS
App Name: FUJIFILM XApp
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
*As of May, 2023: Check with manufacturer for the most up-to-date compatibility |
Camera with Best Display Screen
Size |
3.0″ |
3″ |
Resolution |
1,030,000 Dot |
3 x 2 (1,840,000 Dot) |
Display Type |
Articulating Touchscreen LCD |
Free-Angle Tilting Touchscreen LCD |
13. Battery Life
When it comes to battery life, the X-S20 has the upper hand over the A6700. While the A6700 can take around 570 photos per charge using the LCD screen and about 550 with the viewfinder, the X-S20 can snap around 750 shots in normal mode and even up to 800 in Economy mode. So, if you’re looking for a camera that can keep up with you on a long day of shooting, the X-S20 might be the way to go.
14. Latest Price
Fuji Film X-S20 – Camera $1299 [Body Only B&H] [Amazon.com] | 15-45mm Lens $1399 [B&H Store] [Amazon.com]
Sony A6700 Camera Latest Price Check here B&H Store,
By admin, on July 17th, 2023
According to the latest rumors from the “how to fly” Twitter handle, the Tamron 35-150mm lens will arrive under the Nikon Z branding very soon, possibly next week. We can expect an announcement.
The Tamron 35-150mm F2-2.8 is one of the most popular lenses, and I have been getting a lot of queries on my website and YouTube channel about when this lens is coming. Finally, we have the answer, and once it arrives, Z-mount FX users who are associated with wedding and portrait photography will surely buy this lens.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live news + Nikon Rumors 24X7
source how to fly Twitter
By admin, on July 12th, 2023
Sony has announced the a6700 camera, which features the same sensor as seen in Sony’s FX30 camera. The most interesting part of this announcement is that it will have the same AI processing unit as seen in the Sony A7R V camera, paired with the Bionz XR image processor.
The camera is able to record uncropped 4K 60 frames per second video and also has the ability to record 4K videos up to 120 frames per second with a crop.
You are able to record all frame rates in all resolutions at 10-bit internally. You also get support for Hybrid Log Gamma (HLG), S-Log2, and S-Log3 in the Sony a6700 camera.
This is one of the best APS-C cameras that Sony has ever announced. We will bring more updates soon, including comparisons against the Canon R7, Fuji X-T5, and Fuji X-S20.
Sony A6700 Press Release
FOR IMMEDIATE RELEASE
Sony Introduces the α6700 Mirrorless Camera: Unleashing the Power of Creativity
[New Delhi, 12 JULY 2023] – Sony, a leading innovator in the world of imaging technology, proudly presents the Sony α6700 Mirrorless Camera, a remarkable synthesis of Sony’s acclaimed Cinema Line innovations, α-series still-image rendering quality, and groundbreaking advancements in AI-based recognition technology. Crafted exclusively for ambitious content creators, the α6700 combines powerful and versatile imaging capabilities with a compact and lightweight design, making it the ultimate tool for the multi-hyphenate creative.
Unleash Your Vision with the Latest Innovations
At the core of the Sony α6700 lies the combination of the state-of-the-art 26.0MP back-illuminated Exmor R CMOS sensor and the revolutionary BIONZ XR processor. This advanced imaging system, previously introduced in the FX30 Digital Cinema Camera, enables the α6700 to deliver stunning 10-bit UHD 4K imagery at up to 120 frames per second (fps) and achieve an impressive continuous shooting rate of 11 fps with autofocus and auto exposure. With the ability to capture up to 59 compressed raw still images in bursts, photographers can seize every moment with unrivaled speed and precision.
Immerse Yourself in Cinematic Video
The Sony α6700 brings the best of Sony’s Cinema Line series to everyday content creators and aspiring filmmakers. Its powerful sensor and processor combination enables:
- Full pixel readout from the 6K sensor, resulting in high-quality UHD 4K video with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing.
- UHD 4K recording at frame rates up to 120p and full HD recording up to 240p, utilizing full 1:1 pixel readout without binning.
- Recording in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats, ensuring consistent performance and exceptional quality at bitrates up to 600 Mb/s.
- Extended recording times of more than two hours in 4K 30p or over 40 minutes at 4K 60p on a 128GB card.
- Slow & Quick (S&Q) mode, allowing users to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, providing unparalleled flexibility in controlling motion.
- S-Cinetone, a feature inherited from Sony’s professional Cinema Line cameras such as the VENICE, delivers distinct colors and natural-looking skin tone rendering, providing visually stunning results.
- The S-Log3 and S-Gamut3.Cine Gamma Curves expand the dynamic range to more than 14 stops, offering increased post-production flexibility and seamless integration with other Sony Cinema Line cameras.
- Creative Looks that can be applied during recording, minimizing the need for extensive editing and allowing content creators to establish a specific mood effortlessly.
- User-created LUTs and presets, enabling accurate monitoring and previewing of footage with customizable looks directly on the camera’s monitor, EVF, or HDMI output.
- Instant time-lapse settings with framerate, recording, light, and interval customization, empowering users to capture captivating time-lapse sequences effortlessly.
Revolutionary AI-Powered Autofocus and Image Stabilization
The Sony α6700 sets a new standard for autofocus and image stabilization, thanks to its innovative AI Processing Unit. Leveraging the power of AI, the camera’s autofocus system features 759 phase detection points, covering an impressive 93% of the image area. Combined with AI-powered subject recognition and real-time tracking, the autofocus system ensures seamless handling and exceptional clarity in any shooting conditions. Additional autofocus features include focus bracketing, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.
The AI Processing Unit also enhances framing capabilities, recognizing and tracking subjects during video recording. This allows users to adjust tracking speed and sensitivity, perform auto-cropping to focus on a subject, make touch-adjustments to the tracked subject, and customize framing location.
When it comes to image stabilization, the α6700’s pixel-level 5-axis optical image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video. With precision detection and control down to a single pixel, this algorithmically optimized system ensures sharp and blur-free images. The AI Processing Unit further enhances communication between the camera body and the lens, resulting in stable framing even with adapted lenses, offering photographers the freedom to explore their creativity without limitations.
Unleash Your Creativity with Advanced Rendering
The Sony α6700 provides a wide range of color renderings and compressions, allowing stills photographers to achieve optimal image quality and storage management. With the introduction of the High Efficiency Image File format, available in 4:2:0 and 4:2:2 options, and the choice between Compressed and Lossless Compressed options when shooting raw, photographers have greater control over their final results. The AI Processing Unit aids in achieving better exposure results in Auto mode, improving reliability by 20% compared to the previous generation, and making algorithmic adjustments for skin tone, backlit situations, and white balance. Moreover, photographers can utilize the same Creative Looks presets available in video mode and create their own configurations with eight adjustable parameters. The α6700 also introduces the stills-designed Hybrid Log-Gamma mode, offering accurate dynamic range when tethered to select monitors and televisions for optimal viewing of still images.
Crafted for Creativity and Connectivity
The Sony α6700 boasts a thoughtfully designed body that not only enhances handling and stability but also offers a range of connectivity options:
- USB output function with UVC/UAC control via a computer enables seamless streaming applications and broadcasts with 4K video at 15 or 30 fps or full HD at 30 or 60 fps.
- Built-in 802.11a/b/g/n/ac Wi-Fi facilitates instant sharing of imagery to mobile devices for direct online sharing to social networks, email, and cloud storage sites, supporting both 2.4 GHz and 5 GHz bands.
- Connection to the Creators’ Cloud central cloud platform via a smartphone app allows easy sharing, media storage, cloud-based editing, and collaboration.
- Integrated 3.5mm headphone and microphone ports provide greater control over audio during video recording, while the Multi-Interface Shoe functions as a digital audio interface.
- The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright and high-resolution means for eye-level monitoring, featuring a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
- The side-opening, vari-angle 3.0″ 1.03m-dot LCD touchscreen allows shooting from high, low, and front-facing angles, expanding creative possibilities.
- The camera accepts the high-capacity Z battery rechargeable lithium-ion battery, providing approximately 570 stills or 120 minutes of video recording per charge when using the LCD screen.
- In addition to the battery, the α6700 can also be powered via a USB connection to a computer or mobile battery, offering added convenience and flexibility.
- The robust magnesium alloy body ensures durability and is sealed against dust and moisture, protecting the camera in challenging shooting environments.
- A redesigned grip enhances handling and stability, making long shooting sessions comfortable and facilitating quick access to main control buttons and dials.
Price and Availability
The Sony a6700 will be available from the end of July 2023 with a list price of $1399 B&H Store, body only, $1499 with the 16-50mm F3.5-5.6 OSS power zoom or $1799 with the 18-135mm F3.5-5.6 OSS.
About Sony
Sony Corporation is a leading manufacturer of audio, video, imaging, and information technology products. With a passion for innovation and a commitment to delivering top-quality products, Sony strives to inspire and fulfill the curiosity of people around the globe.
By admin, on July 11th, 2023
According to the latest rumors we have from the rumor mill, the Fujifilm GFX 100 medium format camera is expected to arrive on September 12th, 2023. This is not the first time we are reporting about an upcoming Fujifilm medium format camera, check back for more Fuji Rumors here. Take a look at the details we have about Fuji’s Next announcement
Fuji New Model Code Details
- FF230002
- 5.8GHz/5.1GHz/2.4GHz
- ≤20ppm
- 5725-5850MHz 5150-5350MHz 2400-2483.5MHz
- 2023-06-19
List of Fuji Camera Model Codes
- FF200001: X-S10
- FF200002: X-E4
- FF200003: GFX100S
- FF210001: GFX50SII
- FF210005: X-T30II
- FF220001: X-T5Get Ready for Fuji’s Next Big Thing: A New Medium Format Camera
- FF210003: X-H2
- FF210002: X-H2S
- FF220002: X-S20
- FF230001: unknown
- FF210004: FT-XH File Transmitter
Not only medium format cameras, but we are also expecting the update of the X-Pro3 camera this year. So most probably, we may see a Fujifilm X-Pro IV camera with a 40-megapixel sensor. Stay tuned more updates coming.
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