Viltrox’s new AF20mm F2.8 FE image is not available online. It is a full-frame autofocus lens that can be used on Sony E-mount mirrorless cameras. It uses an optical structure of 10 elements in 8 groups and 7 aperture blades. Recently, with a Focusing distance 0.19m, 52mm filter interface, the lens features an STM focus motor, an internal focusing system, a lens size of approximately 64.8*59.5mm, a weight of less than 189 grams, priced at only $899, and is expected to be officially released in late October.
First, let’s look at the body design of the two cameras. The Nikon ZF features a retro body design with extensive manual controls. So, if you’re a photographer, the Nikon ZF is highly recommended, especially from a design perspective.
What I love about the Nikon ZF, apart from its extensive manual control, is the placement of the electronic viewfinder and its higher resolution. Not only does the EVF have a higher resolution, but the display of the camera also features a higher resolution compared to Sony’s A7 C Mark II.
You might feel that the hand grip isn’t as perfect as you’d expect in a modern camera. With the ZF, you can buy an external hand grip at a very reasonable price if you feel the need.
Unfortunately, the Sony A7 C Mark II features a single card slot. In contrast, the Nikon ZF has a MicroSD card slot along with a UHSII SD card slot. As a photographer, you get an extra slot to save your JPEG files if you wish to.
Both cameras lack a joystick, but in the Nikon ZF, you have the option to use your display screen as a touchpad for selecting or moving autofocus points while looking at the viewfinder.
That’s another interesting feature that we have inside the Nikon ZF camera. Overall, design-wise, I highly recommend that if you are a photographer, you should go with the Nikon ZF camera.
Lens Mount
Nikon Z
Sony E
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.5 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis | 8 Stops
Sensor-Shift, 5-Axis | 7 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
Now let’s look at the internal core specifications of both cameras:
1. 24 megapixels versus 33 megapixels
As we all know, the Nikon ZF camera uses a 24-megapixel APS-C sensor from the Nikon Z6 Mark II camera and the Sony Mark II camera uses the sensor from Sony’s A7 IV.
Does this resolution difference matter that much? Should we change our minds and forget about the design preferences that we are getting with the Nikon ZF camera?
To find out, we have compared images from the Nikon Z6 Mark II camera with those from the Sony A7 IV and tried to find out the difference between the two.
Side by Side Comparison
We are comparing two images side by side. On one side, we have the Nikon Z6 Mark II camera, and on the other, we have the Sony A7 IV. These two cameras were chosen for comparison because the Nikon ZF camera uses the same sensor as the Nikon Z6 Mark II, and the Sony A7C Mark II uses the same sensor as the Sony A7 IV.
From the two images, it is quite clear that the Sony A7 IV camera’s 33-megapixel sensor captures slightly more detail. Therefore, those who are using the Sony A7 Mark II camera will certainly observe more detail compared to the Nikon Z6 Mark II.
2. Multi-Shot 96 MP High-Resolution Images
One of the major key differences between the two is that the recently announced Nikon ZF camera can capture 96-megapixel high-resolution images. However, these images should be taken with a tripod. Once the shot is done, it should be uploaded to the Nikon NX software to merge all the images. This means that the camera will not merge the images; it will only capture them. It’s also not recommended to use a handheld when capturing 96-megapixel resolution images.
Before we jump in and discuss the different aspects of the auto-focusing system or perhaps the continuous burst speed of a camera, it’s a fact of the matter, and it’s also visible from the comparisons that we have done with the images, that the Sony A7C Mark II camera is able to capture slightly more details compared to the Nikon ZF.
The Nikon ZF does offer 96-megapixel images, but with the condition that you have to use your camera on a tripod. This means that if you are a studio photographer, the Nikon ZF camera will undoubtedly be of great help to you. However, for general purpose photography, the Sony A7 will capture slightly more detail compared to the Nikon ZF. This is the difference between the two.
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Full-Time Servo, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 273
Photo
Contrast Detection, Phase Detection: 759 Video
Phase Detection: 627
Autofocus Sensitivity
-10 to +19 EV
-4 to +20 EV
3. Auto Focusing
Let’s discuss the auto-focusing system of both cameras. For the first time, we are seeing the auto-focusing algorithms of the Nikon Z8 and Nikon Z9 in a camera under $2000.
If we compare the auto-focusing points, on one side we have 759 in the Sony A7C Mark II, and on the other side, in the Nikon ZF, we have only 273. At the same time, being a Sony camera, we have no doubt about the focusing capabilities of the Sony A7C Mark II.
The Nikon ZF’s auto-focusing has very much improved and now has the ability to track 9 different types of subjects or objects in its tracking mode. So more or less, both cameras are the best in their own class.
Mechanical Shutter
1/8000 Up to 30 Seconds in Manual Mode
1/8000 Up to 4 Seconds in Shutter Priority Mode Electronic Shutter
1/8000 to 30 Seconds in Manual Mode
1/8000 to 4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
Bulb/Time Mode
Bulb Mode, Time Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 64,000 in Manual Mode (Extended: 5 0 to 204,800) Video
100 to 51,200 in Manual Mode (Extended: 204,800)
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
4. Burst Speed
The continuous burst speed of both cameras is quite different. The Nikon ZF is able to shoot up to 15 frames per second with a mechanical shutter, and while shooting with the mechanical shutter, you will not have any rolling effect with the camera up to 15 FPS. After 15 FPS, the electronic shutter gets activated and now with the electronic shutter, you can shoot up to 30 frames per second.
With the Sony A7C Mark II camera, the maximum burst speed of the camera is limited to 11 frames per second with a mechanical shutter. Although you do get a higher resolution sensor at 33MP, if you are a wildlife photographer, then without a doubt, I would recommend you to go with the Nikon ZF camera since you have two options: one is a faster mechanical shutter with 15 FPS and the other is the electronic shutter with a speed up to 30 frames per second.
5. Upto – 10 EV AF sensitivity in Nikon ZF
One key factor to consider before making a decision is the low-light focusing capability of the cameras. The Nikon ZF camera is able to focus up to -10 EV at an aperture of f1.2, making its focusing capability in near-dark situations best in its class. On the other hand, the Sony A7C Mark II camera has an auto-focus sensitivity of -2 EV. This information could be crucial depending on your photography needs.
6. Nikon Zf uses a Touchscreen as a Touchpad
Another advantage of the Nikon ZF camera is that you can use your touchscreen as a trackpad while looking through the viewfinder. This means you can focus on your subject while looking at the electronic EVF, and at the same time, you can use your touchscreen display as a trackpad to move your auto-focusing points. With the Sony A7C Mark II camera, this is not possible as it neither has the touch and track capability of the Nikon ZF nor a joystick controller on the rear side of the camera.
Verdict – Best Camera for Photographers
If you consider all factors, not only image quality but also body design, higher resolution, and the advanced features of the Nikon Z8 and Nikon Z9 cameras, such as the out-of-focus system with -10ev autofocus sensitivity, the ability to use the touchscreen as a touchpad for shifting autofocus points, and the ability to shoot at a continuous speed of up to 15 frames per second with a mechanical shutter and up to 30 frames per second with an electronic shutter, then without a doubt, the Nikon Z8 and Z9 are better cameras compared to the Sony Alpha 7C mark II.
If image quality is your primary concern and other factors such as the design, focusing part of the camera, or the dual card slot are less important to you, and you desire a camera that provides slightly more detail, then the Sony Alpha 7C Mark II is highly recommended. This camera is known for its exceptional image quality, boasting a 33.0MP full-frame Exmor R back-illuminated CMOS sensor. It also offers excellent autofocus and is compact in size. However, it’s always important to consider all aspects of a camera before making a decision.
Internal Recording Modes
UHD 4K (3840 x 2160) at 23.98/25/30.00 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
External Recording Modes
None
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Recording Limit
Up to 125 Minutes
None
IP Streaming
Yes
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
7. Best Camera for Video
When comparing the video capabilities of the Nikon ZF and Sony Alpha 7C Mark II, both cameras can record oversampled 4K videos at 24 and 30 fps. However, the Sony Alpha 7C Mark II, with its 33-megapixel full-frame sensor, is expected to provide slightly more detail in video quality.
In the 4K 60 fps video mode, both cameras crop at 1.5x, meaning that the 4K 60fps is recorded in APS-C format.
The recording time limit for the Sony Alpha 7C Mark II is unlimited, while the Nikon ZF has a recording time limit of 125 minutes in 4K. This is more than sufficient unless you plan to use your mirrorless camera as a security camera.
Both cameras are capable of recording 10-bit videos internally.
The Nikon ZF has a pre-shooting buffer that you can set to timings like 30 seconds, 1 minute, or 1 minute and 30 seconds.
The Sony Alpha 7C Mark II has some videography features absent in the Nikon ZF, such as AI auto framing and a gyroscopic image stabilization mechanism. These features make the Sony Alpha 7C Mark II more helpful for content creators due to its AI autofocusing and auto-framing techniques.
Both cameras feature very angle-displays, making them suitable for professional-level content creation.
Verdict – Best Camera for Video
In terms of video resolution, both cameras capture the same video resolution. So, if you’re a photographer as well as a content creator, it might be better to go with the Nikon ZF. However, if you’re solely focused on content creation and prefer a Sony camera, then the Sony Alpha 7C Mark II would be a good choice.
1 x 1/8″ / 3.5 mm TRS Stereo Microphone (Plug-in Power) Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O
None
1 x USB-C Input/Output
Other I/O
1 x USB-C Input/Output
1 x USB-C Data Input/Output (Shared with Power Input)
Mobile App Compatible
Yes: Android & iOS *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Adjust Settings, Remote Control *As of August 2023: Check with the manufacturer for the most up-to-date compatibility
One of the most important things that you will notice is that the camera is able to have two SD card slots, one is micro SDHC and the other is UHS-II standard.
Display Size
3.2″
3″
Resolution
2,100,000 Dot
1,036,800 Dot
Display Type
Articulating Touchscreen LCD
Tilting Touchscreen LCD
One of the good things associated with the Nikon ZF camera is that you will get a higher resolution display as well as a higher resolution that really helps a photographer if they would like to have a better experience and better shooting experience with a camera.
Type
Built-In Electronic
Built-in electronic (OLED)
Size
0.5″
0.39″
Resolution
3,690,000 Dot
2,359,296 Dot
Eye Point
21 mm
22 mm
Coverage
100%
Approx. 0.7x
Magnification
Approx. 0.8x
-4 to +3
Flash
Built-In Flash/Light
No
No
Maximum Sync Speed
1/250 Second
1/160 Second
Flash Compensation
-3 to +1 EV (1/3 EV Steps)
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
iTTL
Shoe Mount
General
Battery Type
1 x EN-EL15c Rechargeable Lithium-Ion
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 530 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.7 x 4.1 x 1.9″ / 144 x 103 x 49 mm
4.9 x 2.8 x 2.5″ / 124 x 71.1 x 63.4 mm
Weight
22.2 oz / 630 g (Body Only)
1.1 lb / 514 g (With Battery, Recording Media)
15.1 oz / 429 g (Body Only)
Finally, the Nikon ZF camera has arrived at almost the same announcement price as the Z6 Mark II. For those who were waiting for the Z6 Mark 3 camera update, this can be a perfect replacement for the Z6 Mark II camera.
The sensor isn’t new; it is the same sensor that we have seen in the Nikon Z6 Mark II camera. However, we do have a brand new image processor that enables many new features that we have seen in the Nikon Z8 or Z9 camera.
10 Brand New Features of Nikon Z8 Camera
Ability to create 100-megapixel images from the pixel shift mode: With the large full-frame sensor and amazing low light capability, the camera also features a pixel shift shooting mode. However, unlike Panasonic, Nikon doesn’t claim it’s a handheld pixel shift shooting mode, so you have to use it carefully with the help of a tripod or a monopod. Also, you have to merge them in NX Software, once the images are shot.
Upto 8 stops of image stabilization mechanism: The Nikon ZF is one of the first Nikon mirrorless cameras under the $2000 price range that offers an image stabilization mechanism of 8 stops, which is now on par with the Canon R6 Mark II camera and better than the recently announced Sony A7 C2. But, it’s more advanced since, The IBIS center can be shifted with the AF point in the Photo Mode. Traditionally all the cameras IBIS is most effective in the center of the image and not in the corners.
With the introduction of the Expeed 7 image processor and a new artificial intelligence autofocus system, the camera is now able to track 9 different types of subjects with its improved 3D tracking mechanism. The AF system is directly coming from Nikon Z8 and Nikon Z9.
Now, with the help of a new image processor and improved image recording algorithms, noise is much more controlled, and you can expand the camera’s ISO range up to 20,4800. The standard ISO range goes up to 64,000.
The high-efficiency compression format is now added to the Nikon ZF camera that was first introduced in the Nikon Z9.
Burst rate or continuous shooting speed: With the help of a mechanical shutter, you can get up to 15 frames per second, and with an electronic shutter, you get 30 frames per second limited to Jpeg. One more thing to be added is that the camera now supports pre-burst options. In JPG-only C30 mode, the camera uses a video stream to capture 30 frames per second images to store pre-burst data inside the camera. Since the sensor is same as the Nikon Z6 II we recommend you keep yourself limited to a Mechanical shutter to avoid the rolling shutter effect.
Highly detailed black and white mode: This gives you a chance to select mono profiles including a low contrast flat mono profile as well as a deep tone mono. The deep tone mono enhances the red color details in the scene. BW mode can be quickly selected from the top dial of the camera.
The camera can shoot 4K videos up to 60 frames per second but in crop mode of 1.5 X (that is in DX mode). When you are recording 4K videos up to 24 frames per second or 30 frames per second, the camera uses a 6K oversampled file to generate 4K videos up to 30 fps. So you will get highly detailed video footage from your camera if you are using your camera up to 4K at 30 FPS.
The first Nikon Camera Under $2000 Range to have a 2.1 Million dot Full articulating Display screen, Content creators now can easily buy this camera without having a second thought in their brains.
First Nikon Camera Under the $2000 Price range to have AF sensitivity up to – 10 Stops @ F1.2 Aperture, so literally you Lock AF in near about dark environment with bright aperture-based lenses.
During initial tests, Digital Photography Review team members found that the rolling shutter of the Nikon ZF camera is at 22 milliseconds in 4K at 30p capture which is exactly similar to Panasonic S5 Mark II camera. One thing to note is that it’s not only a coincidence; Panasonic also shoots 4K at 60fps video in crop mode (that is in 1.5 x DX crop mode).
The Nikon ZF camera has a body design similar to the Nikon FM2, with extensive manual control and a small LCD on top to show the current aperture value. The camera looks extremely amazing from its design perspective. Since it’s an FM2 design-based camera, technically you don’t get a hand grip. A Micro SD card slot was added to make it more compact and also to give photographers dual cars slot option, so you have one USH II SD and one USH I Micro SD card slot.
On September 8, 2023, we were one of the first websites to tell you that the Nikon Z retro camera would be released on September 20th. Finally, the day is almost upon us and we are expecting the Nikon ZF camera announcement from Nikon on September 20th.
Nikon Zf Updated Core Specification
Black camera body
24.4 MP BSI-CMOS sensor
Expeed 7 processor
Weight: 700g (inc. battery, the Z5 is 590g, the Z6II is 615g )
Dimensions: 144mm x 101mm
Up to 30fps (JPG/HEIF)
High Extended Shooting for RAW and HEIF
4k 60 video CROP
10-bit H.265 HEVC video (SDR/HLG/N-log)
1080 120p
USB C PD (fast-charging technology based on the USB-C standard)
ISO 100-64,000 (for comparison the Z6II ISO range is 100-51,200)
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
Shutter selection options: Mechanical / Electronic Front-Curtain / Auto
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
New feature related to AF
EN-EL15 battery
The Z f logo is moved to the left (the Zfc has it on the right)
Dual memory card slots (SD+MicroSD) – this is probably why the first reports came out with only one memory card slot, the second slot could
be hidden and be used just like the internal memory on some cameras
Pixel Shift: new high-res mode will be implemented for the first time in a Nikon mirrorless camera
August-September announcement, shipment before the end of 2023
Improved autofocus compared to Z5/Z6II
A few different lens kits/bundles will be available in the $2,000-$2,500 price range
Price for body only: $1,999
One of the bundles will be with the Nikkor Z 40mm f/2 (SE) lens (no new lens will be introduced with the Zf)
Very similar (but improved) design/layout from the Nikon Zfc
Small LCD screen on top for aperture display
New 3rd function on the sub lever of the shutter speed dial (besides photo/video) for B&W mode (B&W/Photo/Movie)
Has a little grip/bump like the Nikon Df (see the mockup pictures)
SIRUI, a third-party lens maker announced 3 new lenses for Fuji X-Mount, these lenses were announced on IBC 2023 and CineD team was lucky to have a closer look at these lenses.
SIRUI Announces 3 F1.2 Lens
Sirui Sniper 23mm f/1.2
– 30cm minimum focus
– about 400g weight
– about $350
Sirui Sniper 33mm f/1.2
– 40cm minimum focus
– about 400g weight
– about $350
Sirui Sniper 56mm f/1.2
– 60cm minimum focus
– about 400g weight
– about $350
Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.
We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.
1. Panasonic G9 Mark II, has a large body but is useful for Photographers
Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs 493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.
When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor
17.3 x 13 mm (Four Thirds) MOS
23.3 x 15.5 mm (APS-C) CMOS
Crop Factor
2x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
2. More Customizable Controls and Dial in Panasonic G9 Mark II
The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.
3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II
Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.
4. APS-C vs M4/3 Format Sensor
When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.
5. Pixel Shift Hand Held High Resolution Mode in Sony
High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.
Standard Shooting Condition
Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]
In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld
High-Resolution Sample 2
ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 25,600 (Extended: 50 to 25,600) Video
100 to 12,800 (Extended: 50 to 12,800)
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter
Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
6. The burst speed and Pre-Shooting Buffer
The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for. When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 779
Photo
Phase Detection: 759 Video
Phase Detection: 495
Autofocus Sensitivity
-4 to +18 EV
-3 to +20 EV
7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable
One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.
While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.
Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers
Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.
However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.
H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s] ProRes 422/ProRes 422 HQ
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via USB
5728 x 3024 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
The Sony A6700 comes with a host of impressive features:
Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
AI Autoframing for content creators.
The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.
Panasonic G9 Mark II Features
DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
Real Time LUT video recording to streamline your workflow and color grading.
Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
Larger Body the same heatsink unit as of the Panasonic S5 Mark II.
Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700
The Panasonic G9 Mark II camera is highly usable for professional cinematography work.These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.
For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.
The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.
One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input)
1 x USB-C (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
GPS
*Via Connected Smartphone
Battery Type
1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions)
4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight
1.4 lb / 658 g (With Battery, Recording Media)
1.3 lb / 575 g (Body Only)
1.1 lb / 493 g (With Battery, Recording Media)
0.9 lb / 411 g (Body Only)
(ASIA PACIFIC, 13 September 2023) — Sony is pleased to announce the new BURANO camera as part of the CineAlta lineup – the company’s top line of digital cinema cameras. The new BURANO features a sensor that matches the colour science of the VENICE 2 and is specially designed for single-camera operators and small crews. This camera combines exceptional image quality with high mobility and is the world’s first digital cinema camera with a PL-Mount to feature in-body image stabilisation. In addition, the compact housing includes for the first time both a thinner-than-before electronically variable ND filter structure alongside the optical image stabilisation mechanism, a technological feat never achieved previously. When removing the PL lens mount, the camera can be used with E-mount lenses and supports fast hybrid AF and subject recognition AF, even perfect for fast-moving subjects.
Main Features: Powerful 8.6K Full-Frame Sensor Using the widely appreciated colour science of the VENICE cameras, BURANO features an 8.6K full-frame sensor that shares most of the VENICE 2 specifications enabling it to work alongside that camera in all types of productions. The sensor features dual base ISO of 800 and 3200 and 16 stopsof latitude to produce stunning images even in the most challenging lighting conditions.
Like all cameras in Sony’s full-frame Cinema Line, BURANO will have the ability to shoot at full-frame, Super 35, and also features a de-squeeze function for anamorphic lenses. It can film at frame rates including up to 8K at 30 frames per second, 6K at 60 frames per second or 4K at 120 frames per second.
BURANO features a compact and lightweight body for high mobility, approximately 32mm shorter and 1.4kg lighter than the VENICE 2 camera. BURANO is housed in a rugged magnesium chassis, making it suitable for filming in the most challenging environments. The camera and accessory packaging bags materials are made primarily of plant-based cellulose instead of plastic as part of Sony’s efforts to be environmentally conscious. Moreover, a moulded pulp cushion is used on the camera as the cushioning material, thus not using expanded polystyrene.
Built In Optical Image Stabilisation BURANO is the world’s first digital cinema camera with PL-mount to support in-body image stabilisation. With a newly developed image stabilisation mechanism and control algorithm that leverages the advanced image stabilisation technology cultivated in the Alpha™ series of mirrorless interchangeable-lens cameras, unwanted camera shake, such as movement from shooting handheld or walking, can be corrected when shooting with an E-mount or PL-mount lens.
Variable ND Filter for added control and exposure optimisation. BURANO is equipped with an electronic variable ND filter from 0.6 to 2.1, enabling easy adjustments in various lighting conditions. In addition, the electronic variable ND filter allows control of the depth of field with the iris and adjusts to the optimum exposure without changing the depth of field.
E-mount lenses for an increased choice More than 70 E-mount lenses can use the excellent image stabilisation function cultivated with Alpha™, as well as Fast Hybrid AF that combines the benefits of phase detection and contrast detection method and are also compatible with high-precision Subject Recognition AF using AI. Using an E-mount lens further reduces the weight and size of the camera.
Updated Body Design for greater ergonomics BURANO also includes design improvements based on feedback from the filmmaking community. For example, all menu buttons are positioned on the camera operator’s side. Additionally, tally lamps are placed in three locations to make it easier for the surrounding crew to check the shooting status. The 3.5-inch multi-function LCD monitor can be used as a viewfinder, for touch focus, or menu control. The BURANO also comes equipped with an optional robust T-handle, viewfinder arm, two 3-pin XLR audio inputs, and a headphone terminal (stereo minijack), convenient for solo operation.
Recording Formats for added workflow flexibility. The BURANO can record from HD to 8K depending on the resolution, aspect ratio, and codec. BURANO supports multiple internal recording formats, such as the new XAVC H for 8K, which uses the MPEG-H HEVC/H.265 high compression efficiency codec. Other recording formats include XAVC and X-OCN LT. X-OCN is Sony’s original compressed RAW format that can capture information shot with 16-bit linear data, which gives filmmakers more freedom in post for colour grading. X-OCN LT can reduce file transfer time and storage size load, making post-production workflows more efficient than standard versions of RAW data.
BURANO is also equipped with two new CF express Type B memory card slots and supports VPG400, which can sustain high bitrate writing of video data, including X-OCN LT 8K. Sony will also be releasing new compatible CFexpress Type B memory cards, CEB-G1920T (1920 GB)/ CEB-G960T (960 GB).
Versatile and Efficient Production Ecosystem BURANO supports various log recording modes including S-Gamut3 and S-Gamut.Cine, which are colour spaces that cover a colour gamut exceeding BT.2020 and DCI-P3. BURANO can reproduce the same colour as all cameras in Sony’s Cinema Line, including the VENICE 2. This allows filmmakers to match cameras within the line.
BURANO comes with four new cinematic looks: Warm, Cool, Vintage, Teal, and Orange, in addition to supporting industry standard s709 and 709 (800%) Look Up Tables (LUTs).
Furthermore, like the VENICE series amongst others, BURANO can be used for virtual production using large screen LED displays such as Sony’s Crystal LED VERONA. The camera also features gen-lock.
Sony will be releasing separately the GP-VR100 Grip remote control for the BURANO’s main unit, to control the zoom lever and recording start / stop button, particularly useful in solo shooting set ups.
BURANO will support the S700 protocol over ethernet and a 1.5x de-squeeze display function when using anamorphic lens in July 2024 or later. Further updates based on user feedback and suggestions will be rolled out in the future.
Continuous enhancement of Cinema Line in both hardware and software Cinema Line is a series of camera products for content creators, which delivers not only the coveted cinematographic look cultivated through extensive experience in digital cinema production, but also the enhanced operability and reliability that meet discerning creators’ various needs. Set to continuously evolve, Cinema Line currently includes the high end CineAlta cameras VENICE, VENICE 2, BURANO, as well as the various FX models and the unique FR7 PTZ camera. From a software perspective, the newly launched mobile app, Monitor & Control , part of the Sony Creators’ Cloud can be used with the FX3, FX30 amongst others. The app, designed with visual creators in mind, enables wireless video monitoring, support for high-precision exposure determination using false colour and waveform monitors, and intuitive focus operation of compatible cameras, on the screen of a smartphone or tablet. BURANO will also be compatible with this app.
Availability The BURANO, CFexpress Type B memory cards, CEB-G1920T (1920 GB)/ CEB-G960T (960 GB) and new GP-VR100 Grip remote control (sold separately) will be available in Asia Pacific from March 2024 or later.
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