7Artisans is Testing the Second AF Lens, the image leaked by a BETA tester in a web forum. They have just announced the “AF 50mm F1.8” for the full-frame lens, and they are also preparing a second AF lens. The lens is not revealed, and the F value part is hidden by a mosaic as you can see in the image. From the angle of view, does it look like similar to a 35mm or 50mm? the lens attached to an APS-C Camera (Sony ZV-E10).
source 7Artisans staff has posted the second AF lens on xiaohongshu[.]com.
Finally, Fuji X100 VI cameras visited the Photons Photo Lab. We now have the camera’s dynamic range (DR) test score. Let’s look at how the latest Fuji X100 VI camera has scored and how it compares against the previous generation of Fuji X100 V cameras.
Maximum PDR
low light ISO
low light EV
X100VI
10.44
3287
10.04
X100V
10.44
3728
10.22
X100F
10.29
3826
10.26
GR III
10.52
3862
10.27
X-T5
10.43
2230
9.48
So, as you can see the Dynamic range test score of the Fuji X-100 VI camera looks slightly better than the Fuji X100 V camera. At the same time due to lower sensors the low-light performance of the Fuji x-100 V camera is better compared to the latest X 100 VI.
The other major advantage you will notice is not visible in the chart, which is the major resolution difference between the two cameras.
Leica today announced the Leica SL3 camera with a 60 MP full-frame sensor, ISO ranges from 50 to 100,000, to get ultra-clear lowlight shots with the camera. Video recording capability of recording 8K video at 30 frames per second (fps). On-sensor hybrid phase-detect autofocus system with 215 AF zones as well as 5-axis IBIS system on the board. Take a look at the Major specifications of the camera.
Shipping of Leical SL3 will start from March – 14 – 2024 | You can expect the arrival of SL3 in your country on or before March – 14 – 2024.
Leica SL3 Press Release
The new mirrorless full-frame system camera from Leica pushes the boundaries of image quality, durability and versatility to new heights.
Wetzlar, March 7, 2024. In 2015, Leica Camera AG introduced the SL-System, uniquely combining the two worlds of photography and videography. From the beginning, Leica has focused on partnering with its users and the photographic community to ensure that their products achieve exceptional standards. The result is a system which meets the highest requirements in image quality, manufacturing quality, and ease of handling. Now, the long-established company presents the next generation of the mirrorless full- frame system: the Leica SL3.
The rigorous demands of professional photographers have long served as a benchmark and inspiration for the development of the system, in particular the Leica SL3. The result is an extremely versatile camera, offering unprecedented image quality in both photography and videography. The Leica SL3 combines state-of-the-art technology, extraordinary design, and masterful manufacturing – more compact, lighter, and even more user-friendly than its preceding model. The new functions of the Leica SL3 are based on an ongoing dialogue with professionals, which is highly valued and cultivated by the company in the ever-changing world of photography.
At the core of the Leica SL3, you can find the BSI CMOS full-frame sensor with Triple Resolution Technology, which is safely protected in a solid all-metal body with elegant leather. To meet a variety of photographic requirements, the sensor records files in DNG or JPEG format with a resolution of either 60, 36 or 18 MP. In each case, the full sensor surface is used. Together with the dynamic range expanded to 15 f-stops and the impressive ISO range from 50 to 100,000, the SL3 delivers remarkably detailed images in outstanding quality – in all light conditions.
With phase detection (PDAF), depth mapping (Object Detection AF), and contrast recognition (Contrast Detection AF), the innovative autofocus system of the SL3 combines the strengths of three technologies to create razor-sharp pictures even in dim light. In addition, intelligent subject recognition supports the photography of dynamic scenes.
The lens bayonet, which is based on the L-Mount standard developed by Leica, facilitates the use of outstanding lenses from all of the Leica camera systems. Additionally, it is compatible with a diverse array of ultra-wide to super-telephoto zoom lenses offered by L-Mount alliance partners. Therefore, the lens bayonet guarantees extensive system compatibility for the Leica SL3. Specifically, the exceptional potential of the renowned Leica M-Lenses is fully harnessed, thanks to the unique design of the image sensor and an external light sensor. The integrated in-body image stabilization further broadens the scope of application for M-Lenses.
The EyeRes® viewfinder of the Leica SL3 is equipped with an elaborately manufactured optical system made of glass lenses. It always shows the subject crystal clear with up to 120 frames per second and a resolution of 5.76 million pixels. The live preview enables full control over the exposure and composition of images even before releasing the shutter. Another new feature is the tiltable 3-inch high-res touchscreen with a high-quality tilting mechanism. Even more creative possibilities can be achieved thanks to its additional viewing angles.
Videos are recorded in a resolution of up to 8K, supported by efficient codecs such as H.265 and ProRes by Apple. A dedicated time code interface allows for professional image and sound synchronization on set. Throughout this process, the new Maestro- IV processor with L2 technology easily handles the vast amounts of data, resulting in pictures with magnificent color rendering as well as excellent noise performance.
Another highlight is the new user interface of the Leica SL3. Every optimization is aimed at enhancing user comfort such as ergonomics, tactile feel, and menu navigation. As a result, the grip, button layout, and overall camera design have been refined to further promote intuitive handling. The updated, streamlined icon and menu design offer a clear structure, facilitating even easier navigation. The distinct separation of photo and video modes proves especially beneficial as it is aided by a specific color code for differentiation: red for photo mode and yellow for video mode.
Furthermore, the camera’s main functions can be completely adapted to individual needs. The freely assignable FN keys and the optimized touch interaction in the menu add to the intuitive and comfortable operation of the camera. When photographing and filming, the Leica SL3’s user interface aligns itself in landscape or portrait format, depending on the camera position. Thanks to the convenient handling, improved ergonomics, robust design, and IP54 certification, photographers can focus on capturing the shot in any weather and environment. At the same time, the new Leica SL3 is noticeably lighter and more compact than its predecessors and is even more comfortable to use.
The Leica user experience undergoes continuous refinement. Regular firmware updates, influenced by valuable customer feedback, are seamlessly delivered to the SL3 through the Leica FOTOS app. This ensures the camera stays current and future-proof in a user-friendly manner.
The camera’s new interface and improved connectivity ensure a seamless professional workflow. There are slots for the memory cards CFexpress type B and UHS-II-SD, a USB- C port for high-speed data transmission, tethering, and power supply as well as a full- size HDMI 2.1 output for external monitors or recording equipment. Additionally, Bluetooth and Wi-Fi with MIMO technology ensure a stable and fast connection to the Leica FOTOS app. As a certified Apple “Made for iPhone® and iPad®” accessory, the Leica SL3, together with the included USB-C cable, enables a direct connection to Apple products.
The new BP-SCL6 battery, along with the separately available double charger, offers ample capacity. This dual charger allows for the simultaneous and faster charging of two batteries. The double charger and the additional battery are available individually or as an attractive set. Moreover, the accessories within the SL-System now include a new handgrip and a DC coupler. The DC coupler can be inserted into the camera’s battery slot to ensure a continuous power supply via USB-C. The new carrying strap with an innovative attachment and a hard-wearing wrist strap for the hand grip have also been specially designed for everyday professional photography use.
Leica Camera AG has taken the SL-System to a new level. With an optimized design, efficient user interface, and the versatile L-Mount bayonet, the Leica SL3 is a highly modern, intuitive full-frame camera with outstanding image quality. It combines precision, the best materials, and unprecedented manufacturing quality “Made in Germany”. Robust and reliable, it masters every challenge in photo- and videography, setting new standards in terms of user comfort and a seamless professional workflow with extended interfaces, improved connectivity, and useful accessories.
The Leica SL3 is now available globally at all Leica Stores, the Leica Online Store, and authorized dealers. The retail price will be $6,995.
That’s amazing News, finally, we will have Z Mount Red Cameras with fulltime AF support, let’s wait for that.
Nikon to Acquire US Cinema Camera Manufacturer RED.com, LLC
Accelerating Expansion in Professional Digital Cinema Camera Market
March 7, 2024
TOKYO – Nikon Corporation (Nikon) hereby announces its entry into an agreement to acquire 100% of the outstanding membership interests of RED.com, LLC (RED) whereby RED will become a wholly-owned subsidiary of Nikon, pursuant to a Membership Interest Purchase Agreement with Mr. James Jannard, its founder, and Mr. Jarred Land, its current President, subject to the satisfaction of certain closing conditions thereunder.
Since its establishment in 2005, RED has been at the forefront of digital cinema cameras, introducing industry-defining products such as the original RED ONE 4K to the cutting-edge V-RAPTOR [X] with its proprietary RAW compression technology. RED’s contributions to the film industry have not only earned it an Academy Award but have also made it the camera of choice for numerous Hollywood productions, celebrated by directors and cinematographers worldwide for its commitment to innovation and image quality optimized for the highest levels of filmmaking and video production.
This agreement was reached as a result of the mutual desires of Nikon and RED to meet the customers’ needs and offer exceptional user experiences that exceed expectations, merging the strengths of both companies. Nikon’s expertise in product development, exceptional reliability, and know-how in image processing, as well as optical technology and user interface along with RED’s knowledge in cinema cameras, including unique image compression technology and color science, will enable the development of distinctive products in the professional digital cinema camera market.
Nikon will leverage this acquisition to expand the fast-growing professional digital cinema camera market, building on both companies’ business foundations and networks, promising an exciting future of product development that will continue to push the boundaries of what is possible in film and video production.
Overview of RED.com, LLC
Company name
RED.com, LLC
Head office location
Foothill Ranch, California, U.S.A.
Representatives
Jarred Land, President
Foundation
2005 (Establishment)
Number of employees
Approximately 220
Business
Design, development, manufacture, sales, and provision of services of professional digital cinema cameras
Recently announced Panasonic 28-200mm F4-7.1 MACRO OIS [B&H Store] does not have outstanding optical performance. Take a look at what Petapixel said about this lens
The new Panasonic 28-200mm f/4-7.1 Macro OISsuper zoom is clearly designed to be a jack-of-all-trades that doesn’t really excel in any optical categories. It’s also fairly slow, which limits its usefulness in darker situations.
petapixel
Take a look at the Major Points of the Review
Weighing only 413g, this lens is extremely lightweight, yet it maintains an easy-to-handle 67mm filter diameter. The downside of its compact size is that the aperture value is relatively dark at F4-7.1, which can pose a problem when shooting in low-light conditions.
The lens barrel is small, resulting in simple controls that are well-crafted. The zoom ring has a suitable weight, preventing the lens from extending when you carry it around.
The image stabilization is highly effective, allowing handheld shooting at 200mm even with a slow shutter speed. The balance of the lens is also commendable.
The autofocus (AF) performs well, swiftly focusing from long to short distances.
There is a ghosting issue when shooting against the light, with colored speckled ghosts appearing at any aperture value. While this effect might look interesting for video, it’s quite noticeable and often undesirable for most still shots.
The lens flares are dim and lack drama. Overall, this lens does not perform well when shooting into the sun, so it’s advisable to avoid shooting directly into the sun or other bright light sources if possible.
The close-up performance is excellent, allowing 1:2 shooting at the wide-angle end. However, the working distance at this point is so short that you could almost touch the subject. If you prefer to maintain a working distance, 200mm provides sufficient magnification for close-up photography.
The resolution is decent, with good center detail at 28mm. However, it improves significantly if you stop down, so it’s recommended to do so whenever possible. The 200mm end yields similar results to the 28mm, but the edges are even softer. Due to strong distortion correction, the corners are soft regardless of the aperture.
Despite being a dark lens, it can blur the background at close range. There is some vignetting in the bokeh, but there is no onion ring blur. However, there is pronounced bubble bokeh, which makes the background blur quite busy.
Focus breathing is almost non-existent at 200mm, and very slight at 28mm.
The 28-200mm F4-7.1 is designed as an all-purpose zoom and does not excel in any particular category. Also, due to the large F value, there are limitations when using it in low-light conditions. However, it meets its portability and convenience goals, making it very appealing. It’s also a handy video lens and a macro lens, and these two features make it a sensible choice for those seeking a versatile lens for the L mount. In this respect, I believe this lens is useful despite its shortcomings.
Should you buy this lens? Perhaps. The 28-200mm F4-7.1 may be a good option if you prioritize convenience over performance.
According to the latest information, Sony will soon announce a 24-70mm f/2.0 lens. Sources of the rumor mill indicate that Sony aims to create a true competitor to Canon’s 28-70mm f/2.0 lens.
The price of this lens is expected to be around $3000, which aligns with the cost of Canon’s RF 28-70mm f/2.0 | B&H Store.
However, the exact announcement date for this lens remains unknown.
We have listed the top-selling cameras in the USA based on the latest stats we have from the online US stores. These stats may differ from the offline retail stores in the USA.
So finally, we have the updated list of top-selling cameras in the USA for March 2024. The major change we’ve noticed in this list is dropping OUT of the Hasselblad 907X 100 C camera body from the top 15 list. It had made some space in the previous list, but unfortunately, we no longer have that camera in the top 15 list.
The next super entry, made by the Panasonic G9 Mark 2 camera, moved to number 6 from its previous rank of 15th on the February list.
The rest of the cameras in the list are moving up and down step-by-step from their competitors. However, there’s still a big surprise: the Canon R5 camera sales are going very well in the United States of America, despite of that fact that Canon R5 mark II is exected to arrive this year.
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