Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.
We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.
1. Panasonic G9 Mark II, has a large body but is useful for Photographers
Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs 493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.
When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor
17.3 x 13 mm (Four Thirds) MOS
23.3 x 15.5 mm (APS-C) CMOS
Crop Factor
2x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
2. More Customizable Controls and Dial in Panasonic G9 Mark II
The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.
3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II
Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.
4. APS-C vs M4/3 Format Sensor
When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.
5. Pixel Shift Hand Held High Resolution Mode in Sony
High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.
Standard Shooting Condition
Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]
In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld
High-Resolution Sample 2
ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 25,600 (Extended: 50 to 25,600) Video
100 to 12,800 (Extended: 50 to 12,800)
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter
Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
6. The burst speed and Pre-Shooting Buffer
The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for. When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 779
Photo
Phase Detection: 759 Video
Phase Detection: 495
Autofocus Sensitivity
-4 to +18 EV
-3 to +20 EV
7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable
One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.
While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.
Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers
Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.
However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.
H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s] ProRes 422/ProRes 422 HQ
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via USB
5728 x 3024 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
The Sony A6700 comes with a host of impressive features:
Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
AI Autoframing for content creators.
The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.
Panasonic G9 Mark II Features
DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
Real Time LUT video recording to streamline your workflow and color grading.
Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
Larger Body the same heatsink unit as of the Panasonic S5 Mark II.
Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700
The Panasonic G9 Mark II camera is highly usable for professional cinematography work.These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.
For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.
The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.
One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input)
1 x USB-C (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
GPS
*Via Connected Smartphone
Battery Type
1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions)
4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight
1.4 lb / 658 g (With Battery, Recording Media)
1.3 lb / 575 g (Body Only)
1.1 lb / 493 g (With Battery, Recording Media)
0.9 lb / 411 g (Body Only)
Fuji GFX100 II features a newly redesigned sensor, the readout speed of the sensor is now 2X improved, microlenses to upscale the image quality are updated as well, and the sensor is now paired up with the company’s latest ‘X Processor 5’ chip to deliver a range of features, many of which were first seen on the X-H2 cameras. With the introduction of the new image processor IBIS performance is also improved upto 8 Stops.
Fuji GFX 100 II Major Features
102MP BSI CMOS 44x33mm medium format sensor
AI-derived subject recognition AF system
In-body image stabilization rated at 8EV
Continuous shooting at up to 8fps
Extensive video options including 8K and anamorphic support
9.44M dot OLED EVF
Waveform and Vectorscope display for video
Direct record to SSD
Camera to cloud support
IPTC metadata
The Fujifilm GFX100 II will be available from September 2023 at a suggested price of $7499.
Fujifilm Bolsters its Flagship Camera Lineup with Launch of FUJIFILM GFX100 II Mirrorless Digital Camera
VALHALLA, N.Y., September 12, 2023 – FUJIFILM North America Corporation today announced the introduction of FUJIFILM GFX100 II digital camera (GFX100 II), a new flagship addition to the GFX System’s family of mirrorless digital cameras. Incorporating a 55mm large-format image sensor1 – which is nearly 1.7x larger than the 35mm image sensors found in full-frame cameras – GFX100 II produces images with broad dynamic range at a very shallow depth-of-field.
GFX100 II includes a newly developed, 102-megapixel high-speed image sensor and Fujifilm’s latest 5th generation X-Processor 5 image processing engine, which doubles the signal readout speed compared to the current model2. This in turn provides unique benefits to image makers, especially in the areas of high-speed, continuous shutter mode, autofocus (AF) and video.
“Imaging professionals rely on FUJIFILM GFX System cameras and lenses to take their bestimages to another level,” said Victor Ha, vice president, Electronic Imaging Division and Optical Device Division, FUJIFILM North America Corporation. “GFX100 II is another incredible design and engineering feat for Fujifilm. We’re incredibly excited to see the new creative heights that will be achieved with this camera when it gets into the hands of our photographers and filmmakers.”
GFX100 II utilizes Fujifilm’s latest high-speed image sensor, along with its advanced image processing engine to deliver Artificial Intelligence (AI) based subject-detection autofocus (AF), which was most recently featured in the FUJIFILM X-H2S mirrorless digital camera. Developed with Deep Learning technology and updated with the latest prediction AF algorithm, GFX100 II now incorporates AI based subject-detection AF to quickly track and detect animals, birds, vehicles, and other fast-moving objects like insects and drones3, and it automatically keeps them in focus so that photographers can concentrate on framing their images and waiting for the perfect moment to make their image.
Burst shooting performance has been increased from the current4 5.0 frames per second to 8.0 frames per second5, expanding the GFX100 II’s application across various genres, including fashion, commercial, landscape, sports, and photojournalism. An expanded buffer memory4 extends seamless burst capabilities for those once-in-a-lifetime moments.
GFX100 II’s new sensor also provides enhanced capabilities for video production. The ability to internally record Apple ProRes 4:2:2, 10-bit video at 4K/60p and 8K/30p is a major first for GFX System cameras. With the use of an optional, third-party GF to PL lens adapter, multiple video recording formats can be natively accommodated on GFX100 II, making the FUJINON PREMISTA 35mm lens and Anamorphic (35mm) cinema lenses easily adaptable for various uses including cinematic applications. Additionally, GFX100 II supports three Apple ProRes codecs, i.e., Apple ProRes 422 HQ, Apple ProRes 422 and Apple ProRes 422 LT. When recording in Apple ProRes, the camera can also output h.264 and Apple ProRes 422 Proxy files, which can streamline workflows overall from production to post-production.
GFX100 II also features Ethernet, HDMI Type A, and USB-C terminals for enhanced external device connectivity. Dual card slots support one CFExpressTM Type B and one SD card. CFExpressTM Type B cards are required to access the GFX100 II’s enhanced video performance features. Production workflows are additionally streamlined with the camera’s native, accessory free integration for Frame.io Camera to Cloud, which seamlessly delivers files directly to the cloud, and Atomos AirGluTM BT, which allows timecode on GFX100 II to be accurately jammed and synchronized across various compatible accessories, audio recorders, and other hardware and software products that are commonly used in video production.
GFX100 II includes a total of 20 Film Simulation modes, including the new REALA ACE mode, which is based on Fujifilm’s color negative film, offering a neutral color reproduction suitable for all subject types. Additionally, Fujifilm’s innovation of the pixel structure has enabled the use of ISO80 as a standard sensitivity. When the sensor sensitivity is set at
ISO80, the camera can make images with incredible dynamic range and noise levels that are lower than previous GFX100 and GFX100S models. The new sensor’s photosites have been optimized to increase light use efficiency at the sensor’s edges, thus improving both image quality at the edges of the photo, and AF accuracy over the previous, GFX100 and GFX100S models.
Hardware enhancements include a five-axis, in-body image stabilization (IBIS) that provides up to 8-stops of image stabilization, as well as 1.0x viewfinder magnification, and a high- magnification, high-definition 9.44-million-dot EVF. The camera’s new design also features a large, sub-LCD, tilted top panel, and a fashionably textured grip.
Optional Accessories
FUJIFILM VG-GFX II Vertical battery grip (VG-GFX II) accommodates two NP-W235 batteries for extended image- and video-making opportunities.
FUJIFILM FAN-001 Cooling fan (FAN-001) allows for extended video filming in high temperatures.
FUJIFILM EVF-TL1 EVF tilt adapter (EVF-TL1) provides diverse shooting angles while using the viewfinder.
Pricing and Availability
GFX100 II is expected to be available in early fall 2023 at a Manufacturer’s Suggested Retail Price of $7,499.95 USD and $10,124.99 CDN. The pricing for the optional accessories is expected to be as follows:
VG-GFXII – $499.95 USD and $679.99 CDN
Panasonic G9 II is a successor of the original Panasonic G9 which was announced 6 years ago, After a long gap of time Panasonic finally decided to upgrade its still photography dedicated camera, the G9. Yes, we do have video series like the GH6 dedicated to Cinematographers, and on the other side, we have the G9. The Major key ingredient to this update is the newly developed 25MO M4/3 Format Sensor with 779 Hybrid Phase AF points. With the implementation of the new Phase AF technology, the camera AF system now upscaled and does AF more quickly and precisely, either you are shooting a human, bird animal, or car the AF system does its job.
Panasonic G9 Mark II Major Features
25MP CMOS sensor
5-axis in-body image stabilization (CIPA-rated to 8 stops)
On-sensor phase detection (779 points)
3″, 1.84M-dot fully articulating touchscreen
3.86M-dot OLED electronic viewfinder with 0.8x magnification
60 fps burst shooting with AF-C and electronic shutter (10 fps mechanical)
100MP handheld high-res mode
Up to 5.8K Open Gate 4:2:0, C4K 4:2:2 10-bit, with V-Log
ProRes 422 and 422 HQ recording to SSD
Full-size HDMI
390 shots per charge battery life, using LCD
USB-C power delivery, external SSD support
Dual UHS-II card slot
Wi-Fi + Bluetooth
The Panasonic will be available from early November with a recommended price of $1899 body-only. This is a $200 price increase from the launch price of its predecessor, the G9.
Get a Panasonic G9 Mark II Camera from the B&H Store
New Sensor and New Engine Boasting Outstanding Photographic Performance
PDAF technology implemented in LUMIX G Series for the First Time
Flagship Micro Four Thirds Model for Still Images with Improved High-Speed Performance and Ergonomics
Newark, NJ (September 12, 2023) – Panasonic is proud to announce the launch of the LUMIX G9II digital mirrorless camera, equipped with a new sensor and Phase Detection Auto-Focus (PDAF) technology. The LUMIX G9II is the first camera in the Micro Four Thirds LUMIX G Series to feature PDAF technology.
In line with the growing need to produce highly creative artwork and photography using diverse methods, this new model creates high-resolution, high-quality images and rich colors straight out of camera. Furthermore, with a new auto-focus technology that combines Panasonic’s accumulated expertise in recognition technology with PDAF, and a high-speed burst shooting mode that ensures decisive moments are always captured, this new model boasts significantly improved power and high-speed performance. The camera supports photographers from various fields using a system that can be combined with the compact and lightweight LUMIX G Micro Four Thirds lenses for ultimate flexibility.
The new 25.2-megapixel Live MOS Sensor and new engine produce high-resolution images in outstanding quality with rich color tones, while the hybrid PDAF technology enables accurate auto-focus and high-speed tracking of fast-moving subjects. Moreover, burst shooting at 60 fps in AFC mode and SH pre-burst recording*1 that begins before the shutter is released ensures that the decisive moment is always captured, even with dynamically moving subjects.
LUMIX’s popular image stabilization system is further improved, combining 8-stop*2 B.I.S. (Body Image Stabilizer), 7.5-stop*3 5-axis Dual I.S. 2, and advanced Active I.S. for incredible video image stabilization. Together, these functions provide even greater support for handheld shooting of dynamic scenes that would previously have been difficult to capture. In addition, creators can enjoy enhanced monochrome photo styles with new LEICA Monochrome and REAL TIME LUT for preferred color settings. Through this next-generation digital mirrorless camera, Panasonic intends to respond to the needs of creators who are pursuing methods of creative expression that go beyond the boundaries of photography and videography.
Main features
1. Equipped with a new sensor, new engine, and the first PDAF implementation in LUMIX G Series for outstanding photographic performance and high-speed response
New 25.2-megapixel Live MOS Sensor for high resolution and high-speed response (13+ stop*4 V-Log/V-Gamut, Dynamic Range Boost*5)
New engine that achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video
Use of new AI-powered recognition technology (developed using deep learning technology) for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes for improved precision in subject recognition
2. Advanced high-speed performance to ensure decisive moments is always captured
Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments
SH pre-burst recording*1 that can begin shooting up to 1.5 seconds before the shutter is released and take approximately 113 consecutive shots
Robust image stabilization system with 8-stop*2 B.I.S. (Body Image Stabilizer), 7.5-stop*3 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S.
Highly-mobile camera system combined with the compact, lightweight, and diverse range of LUMIX G Series lenses
3. New modes expand the possibilities of creative photography
REAL TIME LUT function enabling personalized color expression through use of LUT files
Enhanced monochrome mode with newly added LEICA Monochrome for deep black-white contrasts
Hand-held 100-megapixel High Resolution mode and Live View Composite mode to expand the range of photographic options
4. A launching point for video creation
4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) enables flexible framing options for various social media formats
4:2:0 10 bit C4K/4K 120p/100p enables slow motion videos
Apple ProRes*6 video, which delivers high image quality at low compression, reducing the load on the computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.
Recording and playback are supported using an external SSD via USB
Active I.S. Technology corrects shake when shooting on the move
Pricing and Availability:
The LUMIX G9II will be available at valued channel partners in early November for $1899.99 MSRP.
If you compare the Sony A74 versus the Sony A7C II, let me tell you one thing very clearly. The Sony A7C II camera features the same 33-megapixel full-frame CMOS sensor, Even the AF system of the Sony A7C II camera is much more advanced due to the presence of dedicated artificial intelligence CHIP inside, compared to the Sony A74 camera. Now, we all know that if a baseline product/product with a lower price range has as many special features as its higher-end body, then for sure it will cut off the sales of the A74.
To protect it, Sony added some layers of features and design cannibalization, which now depends upon us. Does this crippling hurt the camera’s core, or can we buy it despite the standard crippling done over Sony A7C II to save the Sony A7 IV sales? Which we will explain in this article.
Lens Mount
Sony A7C II
Sony A7 IV
Sensor Resolution
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 7 Stops
Sensor-Shift, 5.5 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
1. DUAL CARD SLOT
From the design point of view, there is a basic design difference between the two. The Sony A7C II camera has only a single card slot compatible with UHS-II V90 cards, while the Sony A7 IV camera features dual card slots in which you can have UHS-II and CFexpress in the other.
2. Full-size HDMI in Sony A7 IV
The other biggest advantage I see in the Sony A7 IV camera is the presence of a full-size HDMI port, which is missing in the Sony A7C II camera.
3. Anti-Dust Shutter in Sony A7IV
The Sony A7 IV camera also features an anti-dust settling mechanism that covers the sensor and protects it. In the Sony A7C II camera, we have an EFCS shutter, so due to the absence of a fully functional mechanical shutter, we do not have such a feature in this camera.
4. Display Difference
On the display side, the Sony A7 IV has a slightly higher resolution electronic viewfinder (3690k dotvs2360k dot) with a better magnification ratio, as well as a slightly higher resolution LCD screen (1.440k dots vs. 1.030k). The position of the viewfinder is also different in both cameras.
The rest of the things are the body controls. The Sony A7 IV camera has a bit more advanced features, such as a joystick controller on the rear side and a center-placed viewfinder, which generally helps a photographer a bit more in handling a camera and using it while composing a perfect shot
5. Size Difference
As you can see, the Sony A7C Mark II camera is more compact, whereas the A7 IV is a bit bulky. Due to the nature of construction and the type of series they belong to, both have their design interface. So, design-wise, for a professional photographer, undoubtedly the Sony A7 IV camera looks more promising.
6. Heat Sink
Heat Sink According to initial reports, the heat sink mechanism of the Sony A7C Mark II camera is slightly better at dissipating heat from the body in an outward direction. This is one of the biggest reasons why Sony skipped the CF express card in the A7C Mark II camera. With the use of a UHS-II V90 card (See V90 Cards at Amazon), you can record 4K at all resolutions without any major issues.
Does The Absence Of Full Mechanical Shutter Affect The Performance Of The Camera? It all depends upon your usage. If you want to capture portraits at a very high shutter speed which is somewhere around 1/4000 of a second up to 1/8000 of a second in that very specific scenario most cameras with mechanical shutters are not open to some of these special situations then undoubtedly, the A7C Mark II camera’s EFCS (Electronic Front Curtain Shutter) is very usable.
1/4000 to 30 Seconds
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
100 to 51,200 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
Up to 10 fps at 33 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG)
7. Dedicated AI CHIP
AI Chip The introduction of a dedicated artificial intelligence chip inside this camera has improved its overall performance significantly. Specifically, when we talk about autofocus performance, the 3D object tracking has improved greatly.
Continuous Shooting Speed The biggest improvement that we might see between these two cameras is their ability to track moving subjects while using burst mode. Both feature 10 frames per second continuous burst speed, but now the autofocus performance of the A7C Mark II camera is much improved compared to the Sony A74.
The buffer size of the Sony A74 camera remains larger, one of the biggest reasons being its ability to adopt a CF express-type card slot. The memory of the A7C Mark II camera is slightly limited to 100 frames.
8. IBIS
Image Stabilization With the introduction of the A7 Mark II camera, Sony also introduced a brand new sensor-shift image stabilization mechanism which is very helpful for photographers. Now, the overall IBIS support goes up to 7 stops, and in the Sony A74 camera, it is limited to 5.5 stops.
So if you’re a handheld photographer then undoubtedly, the A7C Mark II camera will help you a lot with its autofocus performance and ability to capture more stable images and footage.
Sony A7C II
Sony A7 IV
Internal Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080p) at 23.98/50/59.94 fps
HD (1920 x 1080i) at 50/59.94 fps
AI AUTO FRAMING
Yes
NO
Enhanced AI AF
Yes (Dedicated AI CHIP)
NO
IBIS VIDEO
7 STOPS / GYRO Support
5.5 Stops Gyro Support
Gamma Curve
HDR-HLG, Sony S-Log 2, Sony S-Log 3
S Cinetone, Sony S-Log 3
Recording Limit
None
None
Broadcast Output
NTSC/PAL
NTSC/PAL
IP Streaming
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
9. Videographics Difference Between Both The Cameras
Resolution-wise both cameras feature exactly the same video resolution, Record in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s.
With the introduction of the AI chip in Mark II camera tracking performance has improved significantly in videography. The camera is able to track moving subjects from afar and even eye detection is now much more accurate even in animals and insects while you are creating your video.
10. User Uploadable LUT and AI Framing
Other big differences like in professional cameras we have user-uploadable LUTs (Look-Up Tables). With this feature, you are able to control output in a much better way optimizing your workflow as desired.
Auto Framing With introduction of dedicated AI chip we also have an opportunity for artificial intelligent auto framing.
Enhanced Heat Sink Unit As I have said in this post, The A7C Mark II camera’s heat dissipation system is now much more improved and distributes heat effectively.
11. Price Difference vs Features Difference
If you compare the price and specifications we are getting with the Sony A7C Mark II camera it’s much more compared to the set of features that we are getting with the A74. If you want to have the same set of features with the A74 camera body you have to wait for the Sony A75 camera announcement. Otherwise, we highly recommend you get the Sony A7C Mark II camera while looking at its core specification and price ratio.
Panasonic G9 II, boasts a new 25.2 million pixel image sensor and a new engine, above all the image plane phase-detection AF guarantees sharp, precise focus, while the 60fps AFC continuous shooting. The camera also features up to 8.0 stops of image stabilization and 4K/4 K 60p 4:2:2 10bit recording and comes with a pre-installed V-Log, providing more flexibility for post-production. The camera also supports C4K/4K 10bit 120p/100p, enabling super slow-motion video capture. More Details below
Panasonic G9 II Specification
New 25.2 million pixel image sensor
new engine
Image plane phase detection AF
60fps AFC continuous shooting
8.0 stops of image stabilization
7.5 steps Dual IS
C4K/4K 60p 4:2:2 10bit
V-Log
1.84 million dot tilt free angle monitor
3.68 million dot OLED viewfinder
Dustproof and splashproof
Capable of continuous shooting for 3 seconds without blackout
Pre-continuous shooting function
~AFS 75fps
LEICA Monochrome with L2 technology
Real-time LUT
C4K/4K 10bit 120p/100p
8 direction joystick
Wifi
Bluetooth
Lineup covering from 16mm to 1600mm (35mm format equivalent)
Sony A9 III registered on Sep 4, 2023. This camera supports 5.1G, which usually means it’s a mid-range to high-end camera. Based on Sony previous announcement patterns we are expecting the arrival of the Sony A9 III camera sometime between Nov to Jan 2023.
Sony Cameras registration vs. official announcement date
– ZV-E1 was registered on December 12th and announced on March 29th (3.5 months)
– ZV-1II was registered on February 2nd and announced on May 23rd (3.5 months) –
α6700 was registered on February 16th and announced on July 12th (4 months)
– α7CII and α7CR were registered on June 12th and announced on August 29th (2.5 months)
Take a look at the set of rumored specifications of the Sony A9 III camera
Sony A9 III Specification [Rumored]
50MP Full-Frame Exmor RS BSI CMOS Sensor
Up to 60 fps Shooting, ISO 50-102400
8K 30p and 4K 120p Video in 10-Bit
3.7 m-Dot EVF (Blackout free)
759-Pt. Fast Hybrid AF, Real-time Eye AF
5-Axis SteadyShot Image Stabilization
Dual CFexpress Type A/SD Card Slots
Stay tuned we will post an update as soon as we get an update
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