Sony A9 III camera sample images. Finally, we have the official sample images of the Sony A9 III camera. Let’s analyze the sample images and see how the new 24.6-megapixel sensor performs with the global shutter technology. The sensor is able to preserve a good amount of the range in the images and its slow-motion performance is perfect
So we have 8 images coming straight out from the Sony A9 III camera. Let’s analyze a special one that we see in the list, captured at 1/16000 of a second. This is not normal for a general mirrorless camera, as it doesn’t have that much shutter range. So let’s look at what this image looks like and see if the camera can preserve sharpness at 1/16000.
At 100% scale, you can see every bit of the image is very expressive, and the details of the image are very well preserved.
Now in the second image, you can see an action sequence captured at a shutter speed of 1/6400 of a second. Even after that, the details in the eyes are intact, as you can see in the 100% scaled image below.
When we lift the shadows of the JPEG file, all the details are available, If RAWs are available then it will be at a completely different latitude. Even if we try to apply the shadows in the available Jpeg file, the result is phenomenal. We have a lot of details hidden in the shadows, a lot of color information that is there, and if exposed correctly, it can be a true HDR image. So the capability of the 24.6-megapixel global shutter sensor is very clearly visible in the sample images, as stated by Sony.
SONY A9 III SAMPLE IMAGE 3
Download High Res Samples From Here
Lens name
FE 24-70mm F2.8 GM II
Lens focal Length
24 mm
35mm equivalent focal length
24 mm
Shutter speed
1/6400 sec.
F number
F2.8
Exposure correction value
+0.0 EV
Exposure program
Manual exposure
Metering mode
Multi segment
ISO
640
White balance settings
Auto white balance
In this third sample image, you can see swimmers running on the beach side with the sun opposite to the camera. The image was captured at a very high shutter speed of 1/6400 of a second, with an aperture of f/2.8, a focal length of 24mm, and a 24-72.8 G Master Mark 2 lens. First, we have to see the image at 100% scale, and you can see the surface is on point. But the most interesting part of this image is when you look up and left, and then you will see the result
Sample image 3 @ 100% scale
Now, let’s take a look at the 3rd sample image of the Sony A9 III camera. The JPEG files of these sample images can preserve a lot more detail in completely shadowed areas. If raw samples were available, you can just imagine the level of shadow details we can pull from that file. BTW, the JPEG files are capable of preserving a lot of details that are visible in the sample images. This is a testament to the capability of the 24.6-megapixel global shutter sensor of the Sony A9 III camera.
Its showtime, see the amount of details visible at 100% scale in completely dark areas captured behind the sun. It can be processed, more details can be re-constructed with AI tools, while seeing all these, I can assure you Sony A9 III 24.6 MP sensor does have a very good DR range without a doubt. And soon we will publish the test results too as they become available to us.
Sony has finally announced the Sony a9 III camera, which is the world’s first camera to feature a global shutter sensor. The camera boasts a brand new 24.6-megapixel full-frame stacked sensor. With the help of dual BIONZ X image processors, which are 8 times faster than the predecessor Sony A92, is up to 120 frames per second with full-time autofocus and auto-exposure support, and blackout-free shooting. The Sony A9 Mark III camera is the world’s first camera to feature a maximum shutter speed of 1/80000th of a second and flash sync at any shutter speed. The overall design of the camera, including the hand grip, is made for professionals. The camera’s electronic viewfinder has a refresh rate of 120 frames per second, and on the rear side, we have a four-axis multi-angle LCD screen, the same as that seen in the A7R5
Sony A9 III Specifications
24.6MP Full-Frame Global Shutter Sensor
Up to 120 fps Cont. Shooting with AF/AE
Pre-Capture Function; Speed Boost Button
Flash Sync at up to 1/80,000 Sec.
4K 120p 10-bit Video
S-Log3 & S-Cinetone
759-Point Phase-Detect AF with Tracking
8-Stop 5-Axis In-Body Image Stabilization
9.44m-Dot EVF with 240 fps Refresh Rate
3.2″ 2.1m-Dot 4-Axis Touchscreen LCD
Dual CFexpress Type A/SD Card Slots
The Alpha 9 III camera is available for pre-order on Nov. 8, 2023, at a variety of Sony’s authorized dealers, for a suggested retail price of USD 5,999.99
Sony Electronics Releases the Alpha 9 III; the World’s First Full-Frame Camera with a Global Shutter System
The next-generation Alpha 9 III captures all decisive moments with up to 120 frames per second of high-speed shooting, distortion-free and blackout-free images, and flash sync at all shooting speeds
SAN DIEGO- Nov. 7, 2023 – Sony Electronics today introduced the Alpha 9 III cameras equipped with the world’s first full-frame global shutter image sensor.
The newly developed global shutter image sensor exposes and reads all pixels simultaneously, unlike a rolling shutter sensor that records images sequentially from the top row of pixels to the bottom. The impressive global shutter full-frame image sensor enables the camera to shoot at burst speeds of up to 120 frames per second with no rolling shutter distortion or camera blackout. This innovative sensor is combined with Sony’s most advanced AF (autofocus) system to date – boasting AI autofocus with up to 120 times AF/AE focus calculations per second. With the added ability to sync flash at all shooting speeds, the Alpha 9 III opens up a new world of possibilities for professional photographers to capture every decisive moment.
“The Alpha 9 III full-frame camera is a landmark achievement for the industry,” says Yang Cheng, Vice President, of Imaging Solutions, Sony Electronics. “Designed with the needs and demands of professional photographers in mind, every single update to this camera – from the sensor to even the size to the button layouts and menu functions – has been made to address specific input and feedback from our community. We have listened and are thrilled to bring the new capabilities of the Alpha 9 III to market—capabilities which allow photographers to capture things they’ve never been able to capture before.” Cheng continued, “For professionals everywhere, they can achieve even more dynamic expressions when the Alpha 9 III is combined with our rich lineup of lenses, in particular with the new 300mm F2.8 G Master OSS – the world’s lightest large-aperture telephoto lens.”
Features of the Alpha 9 III Full-Frame Camera
A New Dimension of Still Image Performance Created by the World’s First Global Shutter Image Sensor
The Alpha 9 III is equipped with the newly developed, world’s first global shutter full-frame stacked CMOS image sensor with approximately 24.6 effective megapixels and built-in memory. Combined with the latest image processing engine BIONZ XR®, the Alpha 9 III achieves blackout-free Continuous Shooting Speed with AF/AE tracking of up to approximately 120 fps. The Alpha 9 III is supplied with high-density focal plane phase-detection AF. A designated AI processing unit uses Real-time Recognition AF to recognize a wide variety of subjects with high precision. By combining the high-speed performance of up to 120 fps with highly accurate subject recognition performance, it is possible to easily photograph scenes and moments that cannot be seen with the naked eye. The AI processing unit in the Alpha 9 III supports movies as well as still photography with accurate subject form and movement recognition. Real-time Recognition AF and Real-time Tracking provide a significant improvement in human eye recognition performance, allowing the camera to automatically recognize, track, and focus on the eyes of a specified subject. The Alpha 9 III is equipped with 8.0 stops of optical 5-axis in-body image stabilization, allowing for high-quality image rendering.
Shutter speed is freed from the limitations of conventional mechanical shutter image sensors and achieves a maximum shutter speed of 1/80,000 second (1/16,000 second during continuous shooting)vii, making it possible to capture at high speed without any distortion. When a compatible Sony flash is attached, such as the HVL-F60RM2 and HVL-F46RM (sold separately), it is possible to synchronize the flash and take pictures at all shutter speeds up to 1/80,000 second. Previously, if the user released the shutter at a speed faster than the flash’s synchronization speed, the amount of light would drop sharply. Still, with the full-speed flash synchronization function, it’s now possible to photograph scenes that could not be easily captured with conventional technology. Also, when shooting stills or movies under LED lighting, the Hi Frequency Flicker function can significantly reduce high-frequency flicker problems by allowing the shutter speed to be finely adjusted to match the flicker frequency while viewing the monitor.
The Alpha 9 III features selectable release lag modes which allows the user to prioritize release lag or viewfinder/monitor displayix. The newly developed Pre-Capture function allows the camera to continuously record up to one second before the shutter is released, making it easy to capture moments that would otherwise be missed. When selected, the Continuous Shooting Speed Boostx function allows the user to change to a faster, preset speed set by the user at any time during shooting, and enhanced burst stamina ensures that important moments are reliably captured due to a large buffer memory and increased overall system speed allow up to approximately 390 Fine JPEG images xi to be captured in one continuous 30 fps xii burst.
Customizable focus areas have been expanded to include from XS to XL in addition to the previous S, M, and L sizes. The Preset Focus/Zoom function allows preset focus and zoom settings to be memorized in the camera for quick recall when needed. In addition to the existing custom white balance frame size, the user can now select other sizes as needed which allows for fine white balance adjustment after an image has been composed. The Alpha 9 III has upgraded features such as the latest AF algorithms to achieve high AF precision down to light levels as low as EV-5 in AF-S mode (ISO 100 equivalent, F2.0 lens), AF tracking for continuous shooting at F22xiv and a composite RAW shooting function that gives the ability to combine multiple consecutive images into a high-quality composite.
2. Advanced Video Performance Without Distortion
The global shutter image sensor provides distortion-free image expression for videos as well as still images. For example, the user can shoot images of nearby scenery from a fast-moving vehicle such as a car or fast-moving subjects with ease. This camera is the first in the Alpha™ series to be able to record 4K 120p high-frame-rate video without cropping, allowing the user to shoot at the angle of view intended. It is also possible to shoot high-resolution 4K 60p videos with 6K oversampling.
The Alpha 9 III has S-Cinetone™, a unique Sony feature that can create a cinematic look straight out of the camera without post-processing. S-Cinetone was created through the development of the VENICE high-end cinema camera and makes human skin tones and subjects stand out beautifully, creating natural highlights. The Alpha 9 III has the latest video performance including rich gradation performance and S-Log3, and when in Log shooting mode, it can reflect and display the user’s favorite imported LUT (lookup table). The Alpha 9 III is compatible with the mobile app “Monitor & Control” for video creators.
3. Operability and Reliability for Professionals
Sony has listened to the voices of professional photographers and created operability and reliability that support professional users. The shape of the grip is improved and ergonomically designed so that it can be easily held in the palm to avoid straining the user even when wearing a telephoto lens or using it for long periods.
The VG-C5 vertical grip (sold separately), provides the same operability and versatility as when shooting horizontally; the user can comfortably support long shooting sessions. The grip and shutter button area share the same design as the main body, allowing image capture without feeling uncomfortable, with the same operability as the camera. The Alpha 9 III is equipped with a 4-axis multi-angle LCD monitor that can be operated by touch, allowing for intuitive operation using the latest touch menu. The electronic viewfinder uses a 9.44 million-dot Quad XGA OLED and achieves high visibility with the same brightness as the Alpha 7R V and a magnification of approximately 0.90x. Also, a custom button is placed on the front of the camera, and the continuous shooting speed can be changed by operating the custom button assigned with Continuous Shooting Speed Boost with the finger holding the grip, allowing for highly immediate operations. It supports professional photographers when shooting in all environments.
4. High-Speed Workflow and Scalability to Support Immediate Delivery
New features for the Alpha 9 III include a playback image filter that allows the user to efficiently select a large number of images using high-speed continuous shooting and a function menu that can be used even during image playback, strongly supporting professional workflows from shooting to delivery.
The “Playback Function Menu” can be assigned in advance, so the user can perform protection, smartphone transfer, File transfer protocol, etc. during image playback. The user can select images narrowed down with a playback filter and play them from the function menu, allowing for quick delivery of specific images. The camera has a dedicated microphone for voice memos on the back, and positioning the built-in microphone near the user’s mouth allows clear recording of audio even in noisy environments. The recorded audio data can be transferred via FTP along with the images. The camera allows the user to set up to 20 presets from the International Press Telecommunications Council (IPTC), an international consultative body in which news organizations from various countries participate.
The Alpha 9 III can transfer data up to twice as fast as the Alpha 9 II. 5 GHz communication offers maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments. The Alpha 9 III allows stills and movies to be recorded to memory media in numerous ways including the two media slots that support CFexpress Type A cards as well as UHS-I and UHS-II SD cards.
It is compatible with the professional mobile application “Transfer & Tagging” which speeds up the image delivery workflow, and the “Remote Camera Tool” which allows remote shooting of PCs using wired LAN. Also, Sony plans to support a new version of Camera Remote SDK, a software development kit that allows remote camera operation and changing shooting settings, in Spring 2024.
In addition, the Alpha 9 III is scheduled to support functional enhancements such as FTP operability, relay playback, and C2PAxv format support xvi through a camera software update xvii.
Firmware Updates for the Alpha 1 and Alpha 7S III Models
In addition to the release of Alpha 9 III, Sony has announced new firmware updates for the Alpha 1 and Alpha 7S III full-frame mirrorless cameras xvii. The new software will provide both models with some of Sony’s latest imaging technologies including the highly requested Focus Breathing Compensation feature, IPTC and FTP workflow enhancement, and C2PA format support. The firmware will also update the Alpha 1 with Relay Playback, and the Alpha 7S III with DCI 4K 24.00P shooting format. The camera software update will be available in Spring 2024.
Pricing and Availability
The Alpha 9 III camera is available for pre-order on Nov. 8, 2023, at a variety of Sony’s authorized dealers, for a suggested retail price of USD 5,999.99 and $8,299.99 CAN.
The VG-C5 vertical grip is available for pre-order on Nov. 8, 2023, at a variety of Sony’s authorized dealers, for a suggested retail price of USD 399.99 and $549.99 CAN.
The Canon MC2 Camera App is currently being tested by Canon China. The app is capable of controlling up to 20 professional video cameras at once. The initial version of the app was tested by Canon China and made available on the Apple Store (soon globally become available) In addition to this, Canon is also expected to announce the MC2 camera app for Android users.
Canon MC2 app Press Release
On November 3, 2023, Canon (China) Co., Ltd. released the camera mobile remote application MC2, which can effectively simplify the multi-camera workflow and provide support for a variety of camera and control all-in-one machines, professional cameras and RC-IP100 camera and control all-in-ones. The machine controller provides free firmware upgrades.
New mobile application makes it easy for one person to control multiple cameras
With the increasing picture quality requirements and the diversification of shooting equipment for video content such as radio and television programs, live broadcasts, large-scale events, and performances, efficiently setting up and managing a large number of shooting equipment at the shooting site has become an important task to ensure the smooth completion of the shooting. one. Canon’s*1 camera mobile remote application MC2 can simultaneously control a variety of cameras equipped with Canon’s own XC protocol, including EOS C300 Mark III, EOS C500 Mark II, EOS C70, and XF605. It can achieve up to 20 cameras at the same time. Connection and control meet the needs of a single person to manage multiple cameras at the same time, and can improve the work process and further improve work efficiency. At the same time, users can remotely browse the current shooting screen in real time through MC2, and can easily check the camera status and set camera shooting parameters. Currently, the application supports user interface languages in English and Japanese, is adapted to the iOS 16 operating system, and users can download it for free through the APP Store.
The Sandmarc Creator Grip Created out of industrial grade aluminum, the SANDMARC Creator Grip has an ergonomic design turning the iPhone into a camera-like experience, with mount attachments for lighting, microphone, and SSD drives.
Creator GripKey features:
Industrial Grade Aluminum
Ergonomic design with shutter button
Designed for all iPhone models
Dual mounts for lights, mic & SSD drives
Tripod & SANDMARC Lens Compatible
SANDMARC introduces Creator Grip for iPhone – Press Release
San Diego, California — SANDMARC, a brand specializing in designing products for photographers, filmmakers and travelers, launching its latest product, the Creator Grip: An ergonomic handle crafted from precision-engineered industrial aluminum that turns the iPhone to a sophisticated camera.
Camera Ergonomics
Attach your iPhone to the Creator Grip for vertical or horizontal shots. Designed with ergonomics in mind, you use your iPhone camera in landscape and portrait mode. Begin shooting with a simple tap of the Bluetooth shutter button located under where your thumb rests. Make it through any adventure or long shoots with ease with a design that adapts to hand.
Industrial Grade Aluminum
While most grips in the market are made of plastic, the Creator Grip is CNC machined for better stability and durability. The grip is built to last.
Versatile Setup
Need enhanced lighting or audio? Built to mount gear, the Creator Grip encompasses all you need to create high quality content on-the-go. Hand-held and compact, easily attach a microphone or light to enhance your shots.
The Creator Grip is designed with a hot shoe mount on the top and bottom to attach external SSD drives. New iPhone 15 Pro filmmakers can seamlessly film cinematic content without a heavy rig setup.
Tripod Compatible
Quickly go from hand-held to tripod stand within seconds with the 1/4″ tripod mount. Once attached, swiftly maneuver your iPhone from horizontal to vertical for your desired angle. Time lapses, portraits, and long exposure photography are all possible with the Creator Grip.
Nikon Z9 Now Can Track Birds and Airplanes – The latest firmware from the Nikon firmware version is 4.10 this particular firmware enables flying birds and aeroplane tracking in the Nikon z9 camera. A similar type of update is also planned for the Nikon z8 which will arrive next year
Let’s compare the two full-frame cameras that fall almost in the same price range: the Nikon ZF and the Nikon Z6 Mark II. We will try to find out the best camera for you according to the core differences between them and the body design type.
Apart from the basic specs differences, in the design part, the Nikon ZF camera is a kind of retro-style camera with extensive manual controls. The look of the camera is really brilliant and very attractive for a professional photographer. Without a doubt, if you have to compare the look of both cameras, ZF is a clear winner.
Feature
Nikon ZF Camera
Nikon Z6 Mark II Camera
Display Screen
Vari-angle-adjustable
Tilting
Top LCD Display Screen
Mini Display
Large
Full Size HDMI
Yes
No
Black and White Mode
Dedicated black and white mode with two different options: Flat mono and Deep tone mono
Normal black and white mode
Memory Card Slots
Dual card memory slots with one slot for UHS-II and the other for MicroSD UHS-I
Dual card memory slots with one slot for CF Express Type B cards and the other for UHS-II cards
1. VLOGGERS FRIENDLY
The Nikon ZF camera features a vari-angle-adjustable display screen on the rear side of the camera. This screen not only helps photographers to have compositional freedom, but it is also very helpful for content creators who create online content for YouTube, Instagram, or TikTok.
In contrast, the Nikon Z6 Mark II camera has a tilting display screen on the rear side of the camera, which is not as helpful for content creators. It also limits the compositional freedom of a photographer. feature that is absent in the Nikon ZF camera is the top LCD display screen that you find in the Nikon Z6 Mark II. The Nikon ZF has a smaller display screen that shows the aperture value of the lens when the camera is on. This could be a consideration depending on your specific needs and preferences in a camera.
2. BLACK AND WHITE
Dedicated black and white mode present in the Nikon ZF camera. Now, what is so important about this black and white mode or the monochrome of the Nikon ZF camera? The Nikon ZF camera monochrome profile features two different options: one is Flat mono and the other is Deep tone mono. The Deep tone mono accentuates red details in the scene. Both of them can be used in stills as well as in video footages. So, it is not just a normal black and white mode that we see in a normal Nikon camera. It does have profiles and in the future, we may have more profiles added to the mono through updates.”
3. MEMORY CARD SLOTS
The Nikon ZF camera and the Nikon Z6 Mark II camera both have dual card memory slots. However, in the Nikon ZF camera, due to the compact design, engineers have included a Micro SD card slot. So, one card slot is for UHS-II, and the other card slot is for MicroSD UHS-I. This is highly suitable for photographers for keeping a backup file.
In the Nikon Z6 Mark II camera, we have two different card slots. One accepts CF Express Type B cards and the other is designed for UHS-II cards. Now it depends on you whether you want to invest in CF Express Type B cards or you want to invest in UHS-I and Micro SD cards. The latter could be a more affordable option for you if you are a photographer.
Feature
Nikon ZF
Nikon Z6 Mark II
Sensor
24-megapixel FX format full-frame CMOS sensor
24-megapixel FX format full-frame CMOS sensor
Image Processor
Uses the advanced Expeed 7 image processor, same as in the Nikon Z9 flagship camera
Uses an older image processor
High-Efficiency RAW
First NIKON camera in this price range to feature high-efficiency RAW compression, allowing shooting in 10-bit HEIF format, an alternative to standard 8-bit JPEG images
Does not have this feature
High-Resolution Mode
Features a multi-shot pixel shift high-resolution mode, able to capture images up to 96 megapixels with the help of its advanced image stabilization system
Does not have this feature
Image Stabilization
Very advanced, uses an AI algorithm to optimize the performance of the sensor-shift image stabilization unit. The IS system moves along with the autofocus point of the camera, offering off-center image stabilization support
Does not offer off-center image stabilization support
4. SENSOR OF BOTH THE CAMERA
Both the Nikon ZF and the Nikon Z6 Mark II cameras feature the same 24-megapixel FX format full-frame CMOS sensor. However, the biggest difference is created by the image processor used in both cameras. The Nikon ZF features a very advanced image processor, the Expeed 7, which is the same image processor being used in the Nikon Z9 flagship camera.
5. High-Efficiency RAW
After the Nikon Z9 and Nikon Z8, the Nikon ZF camera is the first camera to feature high-efficiency RAW compression, which is possible with the introduction of the new Expeed 7 image processor inside the camera. The high-efficiency RAW format allows a photographer to shoot 10-bit in HEIF format, which is a perfect alternative to the standard 8-bit JPEG images.
6. A 96 MP HIGH-RESOLUTION MODE
The Nikon ZF camera features a multi-shot pixel shift high-resolution mode. With the help of its advanced image stabilization system, the camera is able to capture higher resolution images up to 96 megapixels, which is certainly not possible with the Nikon Z6 Mark II camera
7. iMAGE STABILIZATION ATTACHED WITH AF POINT
The image stabilization of the latest Nikon ZF camera is very advanced and uses an artificial intelligence algorithm to optimize the overall performance of the sensor-shift image stabilization unit. The camera’s IS system moves along with the autofocus point of the camera, so the center of stability moves along with the subject in focus. Currently, no other camera offers off-center image stabilization support like the Nikon ZF does.
Feature
Nikon ZF
Nikon Z6 Mark II
Autofocus System
Uses the latest Expeed 7 image processor and advanced AI autofocus algorithms. Able to track a wide variety of animals and vehicles. The autofocus system covers approximately 96% of the horizontal axis of the image area3. The AF sensitivity extends down to -10EV.
Uses an older image processor. Recognition is limited to humans and animals. The autofocus system covers approximately 90% of the sensor area.
AF Sensitivity
Able to autofocus up to -10 EV, allowing it to shoot in nearly dark environments.
Autofocus sensitivity is limited to -4.5 EV4.
Continuous Shooting Speed
Maximum shooting speed is 30 fps in C30 mode. Able to capture RAW files of any type up to 14 fps.
Maximum shooting speed is 14 fps for 12-bit RAW images and 10 fps for 14-bit RAW images.
8. Autofocus
Both cameras feature the same sensor with the same number of hybrid autofocusing points, but the big difference is the type of image processor used in each camera. The Nikon ZF camera uses the latest Expeed 7 image processor. Not only is the image processor new, but the camera also uses advanced artificial intelligence autofocus algorithms that are being used in the Nikon Z9 and Nikon Z8 cameras. The same artificial intelligence AF algorithm is being implemented in the Nikon ZF camera, so the 3D object tracking has improved a lot compared to the Nikon Z8. Now, the camera is able to track a wide variety of animals including birds as well as vehicles like cars, motorbikes, and planes. The Nikon Z6 Mark II camera’s recognition is limited to humans and animals only
9. AF SENSITIVITY LIKE NO OTHER
The autofocus sensitivity of the Nikon ZF camera is the best among all Nikon mirrorless cameras right now. The Nikon ZF is able to autofocus up to -10 EV, whereas the Nikon Z6 Mark II’s autofocus sensitivity is limited to -4.5 EV. This clearly indicates that the Nikon ZF camera is able to shoot in nearly dark environments, which is not possible with the Z6 Mark II. The sensitivity of the Nikon ZF is not only the best in its class, but it is also similar to today’s flagship cameras.
10. CONTINUOUS SHOOTING SPEED
The maximum shooting speed of the Nikon ZF camera is 30 frames per second. To achieve this speed, you have to put your camera in C30 mode where it records video at 30 frames per second and you are able to extract any frame that you like. C30 mode is available in the burst mode of the camera. In contrast, the Nikon ZF camera is able to capture RAW files of any type up to 14 frames per second, whereas the Nikon Z6 Mark II camera is able to capture 14-bit RAW images up to 10 frames per second and 12-bit RAW images up to 14 frames per second. It also gives you an option to record 30 frames per second when it is required.
Feature
Nikon ZF
Nikon Z6 Mark II
Videographics Resolutions
4K videos at 24, 30, and 60 fps (with 1.5x crop or DX crop at 60 fps)
4K videos at 24, 30, and 60 fps (with 1.5x crop or DX crop at 60 fps)
10-bit Video Recording
Internally in H.265 codec
Only possible with HDMI output (requires external recorder)
Shutter Priority Mode
Available (with Manual adjustments to ISO and aperture in Shutter Priority)
Not available
Recording Limit
Up to 125 minutes for 4K videos at either 24 or 30 fps
Limited to 30 minutes
11. Best camera for video
Both the Nikon ZF and Nikon Z6 Mark II cameras feature the same videographic resolutions. Both are able to capture 4K videos at 24 and 30 frames per second without any crop. When you switch to 4K videos at 60 frames per second, you have to face a 1.5x crop or you can set DX crop. The biggest difference you will notice is that the Nikon ZF camera is able to record 10-bit videos internally in H.265 codec, whereas with the Nikon Z6 Mark II camera, 10-bit video recording is only possible with HDMI output. So, if you want 10-bit videos with the Nikon Z6 Mark II camera, you have to use an external recorder, whereas with the Nikon ZF, you can record 10-bit videos directly onto your memory card.
The Nikon ZF camera also allows you to record your video in shutter priority mode with automatic adjustments to ISO and aperture, meaning a bit more manual control is unlocked in the ZF body compared to the Z6 Mark II.
12. NIKON Z6 MARK II 30 MIN RECORDING LIMIT
The recording limit in the Nikon Z6 Mark II camera is 30 minutes, whether you are shooting a full HD video or recording a 4K movie. On the other hand, with the Nikon ZF, you can record up to 125 minutes without any interruption for 4K videos at either 24 or 30 frames per second
Conclusion
if you look at the detailed comparison then if you are a photographer for a videographer without a doubt Nikon ZF camera is more suitable for you.
Viltrox announced today that the AF 20mm f/2.8 lens will be available for sale on October 30. Pre-orders are now open at the B&H store. The lens is composed of 10 elements in 8 groups and uses a 52mm filter thread. The minimum focusing distance of the lens is 0.19 meters, and it uses a stepping drive motor for focusing. The weight of the lens is only 157 grams.
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