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By admin, on December 22nd, 2021
According to latest rumors surfaced over the web, the upcoming Canon EOS R1 camera will carry 54 Megapixel Sensor. Although we have no confirmation over this rumor.
Earlier the development announcement of the camera was expected at the end of Q4 2021. But, due to the chip shortage it has been delayed further.
stay tuned, more updates are coming
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source cwatch
By admin, on December 20th, 2021
Upgraded Canon R5 camera with upscaled video core specs expected to arrive on Q1 of 2022
Canon EOS R5C Information
- 45mp full-frame sensor (Same as the EOS R5)
- DIGIC X
- Canon Log 3
- Canon Log 2 is still being discussed
- Unlimited 8K30P recording in Cinema RAW Light. XF-AVC and MP4
- Timecode in/out
- The same multipurpose hot shoe as the EOS R3. Which will work with accessories such as the Tascam XLR module.
- Active cooling
- 3/8″ or 1/4″ mounting point on the EVF for a top handle that won’t interfere with the hot shoe.
- Full-size HDMI Port
- The LCD has been moved further back to accommodate the cooling fan. So this likely means that it won’t recess into the body like the Canon EOS R5.
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Source CR
By admin, on December 11th, 2021
Let’s see Canon’s First Stacked CMOS sensor Dynamic Range Test Report. PhotonstoPhotos website published dynamic range test report of Canon EOS R3 camera. However, the dynamic range of the 24MP STACKED BSI CMOS sensor looks similar to the 45MP Fullframe CONVENTIONAL CMOS sensor. Why?
Although technologies apart as well know Higher resolution (more photodiodes) play a very vital role in upscaling the dynamic range of Camera sensor. And maybe that is why in DXO Mark Sensor test score chart Cameras Maximum Res. reserved the top of the line.
We do hope and expect the EOS R5 Mark II camera with a stacked BSI CMOS sensor will score a TOP of the line position in DR test range charts. Even though R3 sensor is best in its class and performed better than the Canon 1DX Mark III camera.
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PhotonsTP
By admin, on December 1st, 2021
The price of the Canon EOS R3 is between the Sony Alpha A 1 as well as the A9 II camera.
And before begin to compare the specification of both cameras, Since the price range of the Canon EOS R 3 camera is slightly high, The R3 is $6K, the A1 is $6.5K, and the A9II is $4,500. So we have to consider the price factor also while comparing the specification with a 9 II.
Later on, in the next few days, we will also compare the Canon EOS R 3 camera with Sony Alpha A1.
Basic Design Difference
If you talk about body design then, of course, Canon EOS R 3 camera is slightly larger due to the attached or inbuilt battery grip with it. The Biggest advantage of the inbuilt battery grip, the overall design of the camera becomes too professional and heat also helps professional photographers to operate the camera perfectly with more controls and additional battery backup.
Sony Alpha A9 II the camera doesn’t have that if you want to attach a battery grip you have to buy a whistle battery wave which is available somewhere around $300.
Lens Mount |
Canon EOS R3 |
Sony A9 II |
Sensor Type |
36 x 24 mm (Full-Frame) CMOS |
35.6 x 23.8 mm (Full-Frame) CMOS |
Sensor Resolution |
Actual: 26.7 Megapixel
Effective: 24.1 Megapixel |
Actual: 28.3 Megapixel
Effective: 24.2 Megapixel (6000 x 4000) |
Crop Factor |
None |
None |
Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
Image File Format |
JPEG, Raw, HEIF |
JPEG, Raw |
Bit Depth |
14-Bit |
14-Bit |
Image Stabilization |
Sensor-Shift 8 Stops, 5-Axis |
Sensor-Shift 5.5 Stops, 5-Axis |
Let’s compare the image quality of the recently announced Canon EOS R3 camera with the ultra-popular Sony A9 II camera. We are comparing the highest test images of the camera in the comparison below.
Sensor image quality
As you can see in the images above, it’s great to see that Canon’s latest 24 MP BSI CMOS Stacked sensor of Canon R3 is at least producing the same level of noise as we have in the Sony A9 II Camera.
Now at the 51200 ISO range, you can see that the Color noise of the Canon EOS R3 camera sensor is very well controlled compared to the color noise we have in the A9 Mark II camera.
So, from the Basic test, it’s visible that the Canon EOS R3 Camera sensor can control the color noise in a better way compared to the Sony flagship camera sensor.
Exposure Control
|
Canon EOS R3 |
Sony A9 II |
ISO Sensitivity |
Auto, 100 to 102400 (Extended: 50 to 204800) |
Auto, 100 to 51200 (Extended: 50 to 204800) |
Shutter Speed |
Mechanical Shutter
1/8000 to 30 Second
Bulb Mode
Electronic Shutter
1/64000 to 30 Second in Manual Mode
1/64000 to 30 Second in Shutter Priority Mode
1/8000 to 30 Second in Aperture Priority Mode
1/8000 to 30 Second in Program Mode
Bulb Mode |
Mechanical Shutter
1/8000 to 30 Seconds
Bulb Mode
Electronic Shutter
1/32000 to 30 Seconds
Bulb Mode |
Metering Method |
Center-Weighted Average, Evaluative, Partial, Spot |
Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot |
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-3 to +3 EV (1/3, 1/2 EV Steps) |
-5 to +5 EV (1/3, 1/2 EV Steps) |
Metering Range |
-3 to 20 EV |
-3 to 20 EV |
White Balance |
Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
Continuous Shooting |
Electronic Shutter
Up to 30 fps at 24.1 MP for up to 150 Frames (Raw) / 540 Frames (JPEG)
Mechanical Shutter
Up to 12 fps at 24.1 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG) |
Up to 20 fps at 24.2 MP for up to 239 Frames (Raw) / 361 Frames (JPEG)
Up to 10 fps at 24.2 MP for up to 239 Frames (Raw) / 361 Frames (JPEG) |
Interval Recording |
Yes |
Yes |
Self-Timer |
2/10-Second Delay |
2/5/10-Second Delay |
Video Comparison
|
Canon EOS R3 |
Sony A9 II |
Recording Modes |
Raw 12-Bit
6K (6000 x 3164) at 23.976p/24.00p/25p/29.97p/50p/59.94p [720 to 2600 Mb/s]
H.265/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [85 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [85 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [28 to 470 Mb/s]
H.264/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p |
XAVC S
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 100 Mb/s]
AVCHD
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s] |
External Recording Modes |
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p |
4:2:2 8-Bit
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p
Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p |
Recording Limit |
Unlimited |
NTSC/PAL |
Video Encoding |
NTSC/PAL |
Built-In Microphone (Stereo)
External Microphone Input (Stereo) |
Audio Recording |
Built-In Microphone
External Microphone Input |
AC3, Dolby Digital 2ch, Linear PCM |
Audio File Format |
AAC, Linear PCM |
|
Canon EOS R3 |
Sony A9 II |
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
Autofocus Points |
Phase Detection: 1053 4779 selectable AF points |
Phase Detection: 693
Contrast Detection: 425 |
Autofocus Sensitivity |
-7.5 to +20 EV |
-3 to +20 EV |
Both cameras feature class-leading autofocusing mechanisms inside them. Even if you compare as you can see in the table above the R3 camera is capable of shooting up to 30 frames per second whereas Sony Alpha A9 II can shoot up to 20 frames per second. So, if we compare the buffer then the Canon A3 camera does have a bigger buffer to capture or grab more frames compared to the A92.
And the next eye-catching thing is the autofocusing feature of the Canon EOS r 3 camera. So that’s an added advantage we are getting with Canon which is of course not present in Sony.
Viewfinder
Viewfinder Type |
Electronic (OLED) |
Electronic (OLED) |
Viewfinder Resolution |
5,760,000 Dot |
0.5″ |
Viewfinder Eye Point |
23 mm |
3,686,400 Dot |
Viewfinder Coverage |
100% |
23 mm |
Viewfinder Magnification |
Approx. 0.76x |
100% |
Diopter Adjustment |
-4 to +2 |
Approx. 0.78x |
|
|
-4 to +3 |
Conclusion
The overall specification of the Canon R3 looks very impressive, but we have to remember that both have a good price difference between them. So, if you are able to spend more you can also buy the flagship Alpha A camera. Or if you want to save a few bucks then A9 II is slightly better. But, in the end, if you are a Canon sensor color tone lover as I am then you have no option other than to move on to Canon EOS R3.
By admin, on November 11th, 2021
Canon EOS R 5C camera is rumored to arrive with enhanced video specifications (better to say cinema variant of R5 camera). According to the rumor (s) mill, the camera will arrive with a better heat sink unit and upscaled video core specs. The upcoming Canon EOS R5C Clog3 and Clog2, as well as users can now record 8k videos at 30 frames per second without any limit.
Take a look at the rumored and specifications for the camera
- Canon Log 3
- Canon Log 2 is still being discussed
- Unlimited 8K30P recording in Cinema RAW Light. XF-AVC and MP4
- Timecode in/out
- The same multipurpose hot shoe as the EOS R3. Which will work with accessories such as the Tascam XLR module.
- Active cooling
- 3/8″ or 1/4″ mounting point on the EVF for a top handle that won’t interfere with the hot shoe.
- Full-size HDMI Port
- The LCD has been moved further back to accommodate the cooling fan. So this likely means that it won’t recess into the body like the Canon EOS R5.
Please consider a fact that these pieces of information are not coming from trusted sources.
source CR.com
By admin, on November 1st, 2021
According to latest rumors coming from Rumor mills after the announcement of Nikon Z9 as well as Sony Alpha A1 camera. Canon will also announce their flagship fullframe Mirrorless camera, the Canon EOS R1. Possible set of specification we may see in the upcoming Canon EOS R5 camera
Canon EOS R1 expectation
- Newly developed 45-50MP Stacked CMOS Sensor
- Both Global and Mech. Shutter
- Advance heat sink unit
- 30 FPS RAW / JPEG
- 80 @ 60 FPS
- 8 Stops of IBIS
We these are the set of possible specs we are expecting from the upcoming Canon EOS R1. Camera, let’s hope and expect we will its development announcement soon.
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Source CR
By admin, on October 15th, 2021
We all know Canon is now busy making next-generation vlogging cameras. And their R&D team working with the DPAF technique to introduce an AI blur function inside the camera. So, once you will push the AI Blur button the Camera will automatically set your lens to its Max aperture, and then with the help of DPAF pixels advance AI algorithms (BLRrmax) the camera will allow users to fine-tune the type of bokeh or introduce more blur.
Although the Patent is very NEW, So we can expect such a feature in the Canon camera sometime in 2023 or later.
Literature from Patent Document
To provide an imaging apparatus that suppresses an overlap of a blur with respect to an in-focus region when imaging for a composite image of depth composition while maintaining a sense of resolution.SOLUTION: The imaging apparatus (digital camera 100) has an imaging unit 22 that captures a plurality of images captured with angles of view at least parts of which are overlapped with subjects and at different focal positions, a system control unit 50 that acquires distance information of the subjects and acquires a difference in distances based on the distance information to set a diaphragm value based on the difference in distances, and an image processing unit 24 that synthesizes a plurality of images. The imaging unit 22 captures a plurality of images with the diaphragm value set by the system control unit 50.SELECTED DRAWING: Figure 2
The image processing unit 24 calculates some blurring rates by performing the above calculation on all adjacent regions (for example, regions 511 and 513 in FIG. 5, and regions 512 and 513).
In step S405, the image processing unit 24 sets the maximum blur rate calculated in step S404 as the maximum blur rate.
Next, in step S305, the system control unit 50 determines the aperture value based on the allowable blur amount.
The allowable blur amount referred to here may be preset depending on the properties of the lens or the like, or may be set by the user.
Next, in step S305, the system control unit 50 determines the aperture value based on the allowable blur amount.
The allowable blur amount referred to here may be preset depending on the properties of the lens or the like, or may be set by the user.
First, the amount of blur d on the imaging unit 22 can be calculated by the following (Equation 5).
However, D represents the effective aperture, and BLRrmax represents the maximum blur rate estimated in step S304.
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