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By admin, on February 21st, 2025
So now, we have the sample images of the recently announced Canon V1 camera. Let’s have a look at these full-size, high-resolution sample images, and you can download them to explore further on your computer or smartphone.




See and download full-resolution samples from here
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By admin, on February 20th, 2025

Canon announced the V1 compact camera. The camera features enhanced video core specifications and a built-in fan that has never existed in any compact camera, so it’s very exciting to see how compacts are evolving.
So now, we have a 22-megapixel Dual Pixel CMOS autofocus sensor of 1.4 inches, which is somewhat similar in size to a Micro Four Thirds format sensor. The lens is 16-50mm f/2.8-4.5 with a built-in three-stop ND filter.

The camera captures 4K 30 FPS video from 5.7K, meaning when you capture 4K 30 FPS, you get the highest resolution possible. However, when you switch to 4K 60 FPS, the camera applies a 1.4x crop in the video image and switches to a 1:1 pixel capture ratio, so that’s not the highest quality output when using the 4K 60 FPS mode.
For still photography, the camera is perfect—you can capture up to 30 frames per second in electronic shutter mode. You also get a fully articulated vari-angle display screen, making it great for photographers as well as content creators.
As mentioned in the body, we have a cooling fan vent, a very good hand grip, headphone and microphone sockets, as well as a multifunctional hot shoe for flash and audio connectors.

Canon V1 Major Specification
- Sensor: 1.4-inch CMOS, 3:2 for video.
- Pixels: 22.3 million for stills.
- Processor: DIGIC X, fast and sharp.
- Video: 4K 60fps with Canon Log 3.
- Autofocus: Dual Pixel CMOS AF II, snappy.
- Lens: 16-50mm (photo), 17-52mm (video).
- Aperture: Likely f/1.8-4.0.
- ISO: Up to 32,000 for stills.
- Shutter: 1/2000-30s (mech), 1/16000-30s (elec).
- Burst: 15fps mech, 30fps elec.
- Cooling: Fan for 2+ hours of 4K.
- Screen: 3-inch vari-angle, 1M dots.
- Hot Shoe: Multi-function, no flash.
- ND Filter: Built-in, 3-stop.
- Audio: 3.5mm mic and headphone jacks.
- HDMI: Yes, for external output.
- Storage: Single SD (UHS-I).
- Video Features: “Moods” and demo mode.
- Connectivity: USB-C charge/data.
- Price: ~$990 USD (148,500 yen Japan).
Release of the flagship model of the “PowerShot V Series,” the “PowerShot V1” – Full-fledged video and still image functions meet the wide range of needs of creators
Canon V1 Press Release
The PowerShot V1 is the second compact digital camera in the PowerShot V series, which allows users to enjoy full-scale video shooting, following the Vlog camera PowerShot V10 (released in June 2023). Compared to the 1.0-type sensor installed in a normal compact digital camera, the 1.4-type CMOS sensor is about twice the area, achieving high image quality and high sensitivity. In 35mm equivalent, it covers a zoom range equivalent to a focal length of about 16mm to 50mm *1 , and is compatible with a wide range of scenes such as selfies with multiple people, snapshots, and Vlogs. In addition, it combines the functions required by creators, such as high-performance AF and a variety of shooting modes, with a compact body, making it easy to shoot full-scale videos and still images. Canon will continue to expand its models that can both shoot full-scale videos and still images to meet the needs of a variety of users.
Main features
An integrated lens camera that combines professional photography performance with a compact body
The combination of a 1.4-inch CMOS sensor with a maximum effective pixel count of approximately 22.3 million pixels *2 , the first Canon compact digital camera to be equipped with the DIGIC X image engine, achieves a maximum standard ISO sensitivity of 32,000 (when shooting still images). Canon’s proprietary AF system, Dual Pixel CMOS AF II for PowerShot *3 , also achieves high-speed, high-precision AF. Furthermore, the inclusion of the Eye Detection *4 function makes it possible to detect the eyes of animals, whose movements are difficult to predict, in addition to people, making it easy to focus when shooting. With full-fledged shooting performance packed into a compact body, you can carry it around with you on trips and enjoy shooting.
Video recording functions that allow for greater freedom in video expression, including the incorporation of a cooling fan
The camera is equipped with a cooling fan inside, which efficiently releases heat, reducing the impact of temperature rise on video recording time. In addition to realizing 4K crop/60P video recording, it supports “Canon Log 3”, allowing recording with rich 10-bit gradation and excellent color reproduction. Furthermore, shooting modes such as “Review Video”, which is suitable for product reviews, and “Image Stabilization Video”, which is effective for handheld shooting, *5 make video recording comfortable.
High-speed continuous shooting at up to 30 frames per second ensures you never miss a subject, and still image shooting functions enable a wide range of creative expression
When using the electronic shutter, continuous shooting at up to 30 frames per second is possible, making it possible to capture fast-moving subjects. In addition, the camera automatically recognizes the scene and supports difficult scenes such as night scenes and backlit scenes with the “Advanced A+” mode, and “Creative Filters” allow for impressive shots such as diorama and toy camera style shots, and many other functions that enable rich photographic expression.
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By admin, on February 17th, 2025
 Canon G5X image
The Canon V1 camera has a 1.4-inch sensor and Dual Pixel AF support, more detailed core specifications and the price of the upcoming PowerShot V1 camera surfaced over the web. Let’s look at the upcoming camera’s detailed core specifications.
Canon V1 Major Specifications
- Canon 24MP CMOS sensor
- 1.4-inch 3:2 sensor
- DIGIC X series
- Dual Pixel AF
- Multifunction shoe
- Approximately 16-50mm in 35mm equivalent
- 3-inch LCD monitor (1MP)
- Vari-angle monitor
- 4K video (slightly cropped for aspect ratio)
- 4K60p / Full HD 120p (unconfirmed information)
- Vertical video support
- New streaming function (details unknown)
- RAW, C-RAW, Dual Pixel RAW
- H.265 / HEVC
- C-Log3 / HDR PQ
- Comprehensive accessories
- Announcement in February / March 2025
The price of the upcoming camera is set at $899.
This camera has a 1.4-inch sensor and Dual Pixel AF support, which are never seen before, and very unique specs for a Canon sensor, so it’s safe to say it’s a Canon original. The 16-50mm equivalent lens will be effective for vlog selfies, still landscapes, indoor photography, and more. Kind of multi-purpose compact zoom camera.
The PowerShot V1 is priced at $899, which is relatively expensive for a compact camera, but it doesn’t seem too expensive for a high-end compact camera with a large sensor.
Stay tuned we will post more updates soon related to Canon’s Upcoming cameras and lenses
According to the currently disclosed dimensions and pixel sizes, the Powershot V1 shares the 3.2μm pixel design of the EOS R7 and EOS M6 II, which can be considered to be cropped from 32.5 million pixels to 24 million pixels. source – E8M_8888
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source CR.com
By admin, on February 14th, 2025

According to the latest set of rumors, we are getting the upcoming Canon V10 Mark II camera, which will use a 20.9-megapixel stacked CMOS sensor, and the effective megapixels will be 20.1 or 20.2.
Moreover, the redesigned sensor of the Canon G7X Mark III camera will use Canon’s latest DIGIC X image processor. The rest of the core specifications are not yet known but will have a subtle upgrade from the V10.
We will also experience autofocus improvement in the new V10 Mark II camera, but at the time I am writing this article, it is still unknown whether the upcoming camera will use a hybrid or DPAF or its conventional CDAF method for focusing.
So that’s the set of updates we have related to the upcoming V10 Mark II camera. The camera is rumored to arrive in 2025.
Stay tuned! We will update you as soon as we have any new information about the upcoming camera.
also, see – Canon Upcoming Cameras 2025
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By admin, on February 8th, 2025

According to the latest, so much can a Canon R50 V camera is rumored to be announced soon by Canon. They are already working on the expansion of the V series, and we do have rumors related to the Canon V1 compact. Previously, we did believe that Canon will expand their compact range for vloggers without a doubt, but a Canon R50 V camera is a surprise for us.
Canon R50 V Early specs (Canon R50 V – Proposed name of Canon V Series Mirrorless Camera)
- Video-focused APS-C camera.
- It has been described as “boxy” in design.
- Expected price point: $1500
- updated ergonomics suited for video users.
Information related to the specifications of the upcoming Canon R50 is very limited. At the very moment, we are not able to believe that a Canon R50 V or a similar camera will arrive from Canon, even if the rumors is coming out from a reputed rumor mill.
And the best part is the rumors are not just limited to Canon R50 V, there are also rumors related to the Canon R7V camera alongside with the
Latest rumors suggest, two versions are planned:
- EOS R7 V: Video-focused model.
- EOS R7 Mark II: Photography-focused, possibly a “baby EOS R1”.
Canon R7 Mark II arrival. So, the expansion of the V series is just not limited to compact cameras, in the Mirrorless zone also we will feel the presence of V series this year.
Source Canonrumor.com
TNC editorial notes: The specs / Name hints we have received in the past are V1 and V100, also the tipster said the V10 Mark II will carry a 20.2 Mp stacked CMOS sensor of 1 inch. But, he didn’t mention R50 V or R7 V in his note
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By admin, on February 6th, 2025

Get Nikon 35mm F1.2 Lens from Adorama.com | B&H Store
REDEFINE THE ART OF STORYTELLING: NIKON RELEASES THE NIKKOR ® Z 35MM F/1.2 S, A FAST WIDE-ANGLE PRIME LENS FOR NIKON Z MOUNT MIRRORLESS CAMERAS
Environmental Portrait Lens Provides Outstanding Optical Performance and Smooth, Beautiful Bokeh
MELVILLE, NY (February 4, 2025)—Today, Nikon Inc. announced the highly anticipated release of the NIKKOR Z 35mm f/1.2 S, a medium-wide-angle prime lens with an impressively fast f/1.2 maximum aperture for professional photographers and filmmakers.
The NIKKOR Z 35mm f/1.2 S is Nikon’s latest S-Line lens, a series synonymous with outstanding optical performance and handling. The lens emphasizes the main subjects with soft and beautiful bokeh, a dramatic shallow depth-of-field, and the realistic expression of textures. This classic wide-angle prime lens allows a creative use of the environment to tell a deeper story that connects meaningfully with the viewer.
“Our latest f/1.2 lens truly demonstrates the power of Nikon’s optical expertise, creating a lens that helps the user to portray more of the environment within a single, beautiful frame,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The NIKKOR Z line of lenses continues to expand as we now offer more than 40 impressive optical solutions for Nikon Z Series users.”
The optical characteristics of the NIKKOR Z 35mm f/1.2 S are finely tuned to create the perfect combination of sharpness and atmosphere. Soft, delicate organic textures, such as skin and hair, are rendered with a natural authenticity, while reflective objects like jewelry are sharp and free of distracting color aberrations. The NIKKOR Z 35mm f/1.2 S is a must-have lens for those shooting events, weddings, fashion, as well as for cinematography.
Sharing a similar design concept to the NIKKOR Z 50mm f/1.2 S and the NIKKOR Z 85mm f/1.2 S, the new lens offers superior rendering capabilities as well as depiction of the scene with a sense of depth, even with its wide angle of view. The optical design includes three ED glass elements and one aspherical ED element, enabling effective reduction of false color aberrations. In addition, the application of Nikon’s proprietary Meso Amorphous Coat, Nano Crystal Coat, and ARNEO Coat minimize ghosting and flare and provide outstanding optical performance.
Primary Features of the NIKKOR Z 35mm f/1.2 S
- Enables unique imaging styles through the combination of high resolving power achieved by superior optical performance, smooth and beautiful bokeh that takes full advantage of the shallow depth-of-field at f/1.2, and 35mm angle of view.
- Achieves a sense of depth with smooth bokeh that transitions gently as it moves away from the focal plane.
- A lens structure with symmetry in front of and behind the aperture realizes outstanding optical performance.
- Three ED glass elements and one aspherical ED glass elements enable effective correction of various lens aberrations.
- Adoption of Meso Amorphous Coat, Nano Crystal Coat and ARNEO Coat effectively reduces ghosting and flares for clear rendering even in tough lighting conditions.
- Adoption of a multi-focusing system1 that uses stepping motors (STMs) realizes fast and accurate AF drive for both still images and video.
- Features a design optimized for video, including a clickless control ring, silent focusing and stable exposure, and suppressed focus breathing to effectively reduces shifts to the angle of view when focusing.
- Two convenient L-Fn buttons, to which a wide variety of functions can be assigned, enable smooth adjustment of settings, even during vertical shooting.
- Superior dust and drip-resistant performance2 is ensured by sealing various parts of the lens, including movable parts of the lens barrel.
Price and Availability
The new Nikon NIKKOR Z 35mm f/1.2 S lens will be available in late February 2025 for a suggested retail price of $2,799.95*3. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras
By admin, on February 3rd, 2025

Discuss the best camera based on the specification comparison we have.
Let’s begin with the Canon R8. The R8 is a full-frame camera, and the major advantages we have with this camera are superior low-light performance as well as better dynamic range. Since we have a full-frame sensor, the background blur or the depth in the images will be greater when using the same aperture-based lenses.
In the Sony A6700 camera, the major advantage we have is a compact, ultralight body with a huge range of E-mount lenses, as well as Sony’s advanced AI autofocus and sensor-shift stabilization system.
Now, both of these cameras are excellent choices for any beginner or semi-professional photographer, but at the same time, it’s very important to know your requirements and budget before purchasing a camera. Since you also need to invest a good amount of money in lenses, choosing the right camera for your needs is essential.
Get Canon R8 from – Amazon.com | Adorama | B&H Store |
Get Sony A6700 from – Amazon.com | Adorama | B&H Store |
Portrait & Wedding Photography
For portrait and wedding photography, where skin tones, background blur, and low-light performance are crucial, a camera’s ability to perform well in dim environments is highly important.
For portrait and wedding photography, we highly recommend the Canon R8. The full-frame sensor produces excellent background blur, and at the same time, Canon sensors are known for producing high-quality skin tones. So, if you are into wedding or portrait photography, where you frequently work with skin tones, it is highly recommended to use a Canon camera.
Additionally, the Canon R8 has superior low-light performance. Despite not having an FSI sensor, this particular camera’s low-light performance is phenomenal, as the sensor comes directly from the Canon EOS R6 Mark II. Overall, this particular camera offers a professional-grade body at a reasonable price.
The Sony A6700, on the other hand, has an APS-C sensor, resulting in a smaller depth of field and less background blur compared to a full-frame sensor. That’s why we do not directly recommend it over the Canon R8 when working on portrait sessions or weddings.
Lens Recommendations for Portrait & Wedding Photography
One important thing to note is that the Canon R8 does not have sensor-shift image stabilization, so it becomes highly essential to use optically stabilized lenses.
- For weddings and events, we recommend the Canon RF 28-70mm f/2.8 IS STM.
- For portrait photography, the Canon RF 85mm f/1.8 STM is a great choice.
Landscape & Travel Photography
For landscape and travel photography, where dynamic range, portability, and battery life matter the most:
When it comes to travel or landscape photography, most of the shooting will be done handheld. Specifically, when traveling or capturing landscapes, you need sensor-shift image stabilization (IBIS) inside your camera body to ensure sharp images.
Verdict: Sony A6700 is More Recommended for Landscape and Travel Photography.
Wildlife & Sports Photography
For wildlife and sports photography, where autofocus speed, continuous shooting, and telephoto reach are crucial:
If we compare the continuous shooting speed of both cameras:
- Canon R8 is capable of capturing 40 frames per second in JPG mode and up to 30 frames per second in RAW mode, which is far superior to the Sony A6700, which is limited to 11 frames per second.
- For action photography, capturing fast-moving subjects like birds or animals, the Canon R8 has a clear advantage in burst shooting speed.
Another associated advantage of a full-frame sensor is its low-light performance and dynamic range. When you are shooting wildlife or animals, they are often found in uncontrolled lighting conditions. Having a full-frame sensor allows you to extract more details and recover highlights in post-processing.
However, despite all these advantages of the Canon R8, for sports and wildlife photography, we highly recommend the Sony A6700, and here’s why:
Why the Sony A6700 is Recommended for Wildlife & Sports
- Sensor-Shift Image Stabilization (IBIS)
- The Sony A6700 has IBIS, which is a huge advantage for wildlife and sports photographers.
- If you are using lenses like the Sony 200-600mm f/5.6-6.3 G OSS, the sensor-shift IBIS will pair with the lens’s optical stabilization, allowing for stable handheld shots of moving subjects.
- While a tripod or monopod is always recommended, IBIS helps tremendously in handheld shooting.
- APS-C Crop Factor for Extra Telephoto Reach
- The 1.5x crop factor of the APS-C sensor gives more reach with telephoto lenses.
- Even with a 200-600mm lens, the effective focal length increases, providing exceptional close-up shots of birds and animals.
- With a full-frame sensor, you are limited to native telephoto lenses, which are significantly more expensive.
- If you use a full-frame camera in crop mode, the resolution drops significantly (Canon R8 in APS-C mode drops to ~10MP). In contrast, the Sony A6700 maintains its full 26MP resolution.
Final Verdict
Based on the specifications:
- For Portrait & Wedding Photography → Canon R8 (Full-frame, superior skin tones, better background blur, low-light performance)
- For Landscape & Travel Photography → Sony A6700 (IBIS, compact, battery life, dynamic range for landscapes)
- For Wildlife & Sports Photography → Sony A6700 (IBIS, AI autofocus, crop factor for better telephoto reach, affordable telephoto lenses)
Would you like further lens recommendations or a budget breakdown for your needs?
Table 1: Differences Between Sony A6700 and Canon R8
Feature |
Sony A6700 |
Canon R8 |
Lens Mount |
Sony E-mount |
Canon RF-mount |
Sensor Size |
APS-C (23.3 x 15.5 mm) |
Full-Frame (35.9 x 23.9 mm) |
Resolution |
26 MP |
24.2 MP |
Image Stabilization |
5-Axis Sensor-Shift |
Digital (Video Only) |
ISO Range |
100–32,000 (Ext. 50–102,400) |
100–102,400 (Ext. 50–204,800) |
Continuous Shooting |
11 fps (59 RAW / 1000 JPEG) |
40 fps (56 RAW / 120 JPEG) |
Autofocus Points |
759 (Photo) / 495 (Video) |
4897 (Photo) / 4067 (Video) |
AF Sensitivity |
-3 to +20 EV |
-6.5 to +21 EV |
Video Modes |
UHD 4K 120p / FHD 240p / 10-Bit 4:2:2 |
UHD 4K 60p / FHD 180p / 10-Bit 4:2:2 |
External Video |
4K 60p 4:2:2 10-Bit via HDMI |
1080p 60p via HDMI |
Gamma/Log Profiles |
S-Log3, HLG, S-Cinetone |
Canon Log 3, HDR-PQ |
Recording Limit |
Unlimited |
120 Minutes (4K/1080p HFR) |
Viewfinder Magnification |
1.07x |
0.70x |
Battery Life |
550 Shots (NP-FZ100) |
150 Shots (LP-E17) |
Weight |
493g (1.1 lb) |
461g (1.0 lb) |
Display Resolution |
1.03M Dots |
1.62M Dots |
Wireless |
Wi-Fi 5 (802.11ac) |
Wi-Fi 4 (802.11n) |
Exposure Compensation |
-5 to +5 EV |
-3 to +3 EV |
Shutter Speed (Electronic) |
1/8000s |
1/16000s |
Price |
~$1,398 (Body) |
~$1,299 (Body) |
Table 2: Similarities Between Sony A6700 and Canon R8
Feature |
Sony A6700 |
Canon R8 |
Capture Type |
Stills & Video |
Stills & Video |
Shutter Type |
Mechanical & Electronic Rolling Shutter |
Mechanical & Electronic Rolling Shutter |
Bulb/Time Mode |
Bulb Mode |
Bulb Mode |
Metering Method |
Center-Weighted, Multi-Zone, Spot |
Center-Weighted, Evaluative, Partial, Spot |
White Balance |
2500–9900K, Multiple Presets |
2500–10,000K, Multiple Presets |
Interval Recording |
Yes |
Yes |
Self-Timer |
2/5/10-Second Delay |
2/10-Second Delay |
Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
Image File Format |
HEIF, JPEG, Raw |
C-RAW, HEIF, JPEG, Raw |
Bit Depth |
14-Bit |
14-Bit |
Fast/Slow Motion |
Yes |
Yes |
Built-In Microphone |
Stereo |
Stereo |
Media Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
Video I/O |
1x Micro-HDMI Output |
1x Micro-HDMI Output |
Audio I/O |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
Power I/O |
1x USB-C Input |
1x USB-C Input/Output |
Mobile App |
Sony Creators’ App (Remote Control, File Access) |
Canon Camera Connect (Remote Control, Settings, Live Feed, Firmware Update) |
GPS |
Via Connected Smartphone |
Via Connected Smartphone |
Display Size |
3.0″ Articulating Touchscreen LCD |
3.0″ Articulating Touchscreen LCD |
Viewfinder Type |
0.39″ OLED, 100% Coverage |
0.39″ OLED, 100% Coverage |
Diopter Adjustment |
-4 to +3 |
-4 to +1 |
Built-In Flash |
No |
No |
Flash Compensation |
-3 to +3 EV |
-3 to +3 EV |
Tripod Mount |
1/4″-20 Female |
1/4″-20 Female |
Operating Temperature |
0 to 40°C (32 to 104°F) |
0 to 40°C (32 to 104°F) |
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