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By admin, on February 6th, 2025
Get Nikon 35mm F1.2 Lens from Adorama.com | B&H Store
REDEFINE THE ART OF STORYTELLING: NIKON RELEASES THE NIKKOR ® Z 35MM F/1.2 S, A FAST WIDE-ANGLE PRIME LENS FOR NIKON Z MOUNT MIRRORLESS CAMERAS
Environmental Portrait Lens Provides Outstanding Optical Performance and Smooth, Beautiful Bokeh
MELVILLE, NY (February 4, 2025)—Today, Nikon Inc. announced the highly anticipated release of the NIKKOR Z 35mm f/1.2 S, a medium-wide-angle prime lens with an impressively fast f/1.2 maximum aperture for professional photographers and filmmakers.
The NIKKOR Z 35mm f/1.2 S is Nikon’s latest S-Line lens, a series synonymous with outstanding optical performance and handling. The lens emphasizes the main subjects with soft and beautiful bokeh, a dramatic shallow depth-of-field, and the realistic expression of textures. This classic wide-angle prime lens allows a creative use of the environment to tell a deeper story that connects meaningfully with the viewer.
“Our latest f/1.2 lens truly demonstrates the power of Nikon’s optical expertise, creating a lens that helps the user to portray more of the environment within a single, beautiful frame,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The NIKKOR Z line of lenses continues to expand as we now offer more than 40 impressive optical solutions for Nikon Z Series users.”
The optical characteristics of the NIKKOR Z 35mm f/1.2 S are finely tuned to create the perfect combination of sharpness and atmosphere. Soft, delicate organic textures, such as skin and hair, are rendered with a natural authenticity, while reflective objects like jewelry are sharp and free of distracting color aberrations. The NIKKOR Z 35mm f/1.2 S is a must-have lens for those shooting events, weddings, fashion, as well as for cinematography.
Sharing a similar design concept to the NIKKOR Z 50mm f/1.2 S and the NIKKOR Z 85mm f/1.2 S, the new lens offers superior rendering capabilities as well as depiction of the scene with a sense of depth, even with its wide angle of view. The optical design includes three ED glass elements and one aspherical ED element, enabling effective reduction of false color aberrations. In addition, the application of Nikon’s proprietary Meso Amorphous Coat, Nano Crystal Coat, and ARNEO Coat minimize ghosting and flare and provide outstanding optical performance.
Primary Features of the NIKKOR Z 35mm f/1.2 S
- Enables unique imaging styles through the combination of high resolving power achieved by superior optical performance, smooth and beautiful bokeh that takes full advantage of the shallow depth-of-field at f/1.2, and 35mm angle of view.
- Achieves a sense of depth with smooth bokeh that transitions gently as it moves away from the focal plane.
- A lens structure with symmetry in front of and behind the aperture realizes outstanding optical performance.
- Three ED glass elements and one aspherical ED glass elements enable effective correction of various lens aberrations.
- Adoption of Meso Amorphous Coat, Nano Crystal Coat and ARNEO Coat effectively reduces ghosting and flares for clear rendering even in tough lighting conditions.
- Adoption of a multi-focusing system1 that uses stepping motors (STMs) realizes fast and accurate AF drive for both still images and video.
- Features a design optimized for video, including a clickless control ring, silent focusing and stable exposure, and suppressed focus breathing to effectively reduces shifts to the angle of view when focusing.
- Two convenient L-Fn buttons, to which a wide variety of functions can be assigned, enable smooth adjustment of settings, even during vertical shooting.
- Superior dust and drip-resistant performance2 is ensured by sealing various parts of the lens, including movable parts of the lens barrel.
Price and Availability
The new Nikon NIKKOR Z 35mm f/1.2 S lens will be available in late February 2025 for a suggested retail price of $2,799.95*3. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras
By admin, on February 3rd, 2025
Discuss the best camera based on the specification comparison we have.
Let’s begin with the Canon R8. The R8 is a full-frame camera, and the major advantages we have with this camera are superior low-light performance as well as better dynamic range. Since we have a full-frame sensor, the background blur or the depth in the images will be greater when using the same aperture-based lenses.
In the Sony A6700 camera, the major advantage we have is a compact, ultralight body with a huge range of E-mount lenses, as well as Sony’s advanced AI autofocus and sensor-shift stabilization system.
Now, both of these cameras are excellent choices for any beginner or semi-professional photographer, but at the same time, it’s very important to know your requirements and budget before purchasing a camera. Since you also need to invest a good amount of money in lenses, choosing the right camera for your needs is essential.
Get Canon R8 from – Amazon.com | Adorama | B&H Store |
Get Sony A6700 from – Amazon.com | Adorama | B&H Store |
Portrait & Wedding Photography
For portrait and wedding photography, where skin tones, background blur, and low-light performance are crucial, a camera’s ability to perform well in dim environments is highly important.
For portrait and wedding photography, we highly recommend the Canon R8. The full-frame sensor produces excellent background blur, and at the same time, Canon sensors are known for producing high-quality skin tones. So, if you are into wedding or portrait photography, where you frequently work with skin tones, it is highly recommended to use a Canon camera.
Additionally, the Canon R8 has superior low-light performance. Despite not having an FSI sensor, this particular camera’s low-light performance is phenomenal, as the sensor comes directly from the Canon EOS R6 Mark II. Overall, this particular camera offers a professional-grade body at a reasonable price.
The Sony A6700, on the other hand, has an APS-C sensor, resulting in a smaller depth of field and less background blur compared to a full-frame sensor. That’s why we do not directly recommend it over the Canon R8 when working on portrait sessions or weddings.
Lens Recommendations for Portrait & Wedding Photography
One important thing to note is that the Canon R8 does not have sensor-shift image stabilization, so it becomes highly essential to use optically stabilized lenses.
- For weddings and events, we recommend the Canon RF 28-70mm f/2.8 IS STM.
- For portrait photography, the Canon RF 85mm f/1.8 STM is a great choice.
Landscape & Travel Photography
For landscape and travel photography, where dynamic range, portability, and battery life matter the most:
When it comes to travel or landscape photography, most of the shooting will be done handheld. Specifically, when traveling or capturing landscapes, you need sensor-shift image stabilization (IBIS) inside your camera body to ensure sharp images.
Verdict: Sony A6700 is More Recommended for Landscape and Travel Photography.
Wildlife & Sports Photography
For wildlife and sports photography, where autofocus speed, continuous shooting, and telephoto reach are crucial:
If we compare the continuous shooting speed of both cameras:
- Canon R8 is capable of capturing 40 frames per second in JPG mode and up to 30 frames per second in RAW mode, which is far superior to the Sony A6700, which is limited to 11 frames per second.
- For action photography, capturing fast-moving subjects like birds or animals, the Canon R8 has a clear advantage in burst shooting speed.
Another associated advantage of a full-frame sensor is its low-light performance and dynamic range. When you are shooting wildlife or animals, they are often found in uncontrolled lighting conditions. Having a full-frame sensor allows you to extract more details and recover highlights in post-processing.
However, despite all these advantages of the Canon R8, for sports and wildlife photography, we highly recommend the Sony A6700, and here’s why:
Why the Sony A6700 is Recommended for Wildlife & Sports
- Sensor-Shift Image Stabilization (IBIS)
- The Sony A6700 has IBIS, which is a huge advantage for wildlife and sports photographers.
- If you are using lenses like the Sony 200-600mm f/5.6-6.3 G OSS, the sensor-shift IBIS will pair with the lens’s optical stabilization, allowing for stable handheld shots of moving subjects.
- While a tripod or monopod is always recommended, IBIS helps tremendously in handheld shooting.
- APS-C Crop Factor for Extra Telephoto Reach
- The 1.5x crop factor of the APS-C sensor gives more reach with telephoto lenses.
- Even with a 200-600mm lens, the effective focal length increases, providing exceptional close-up shots of birds and animals.
- With a full-frame sensor, you are limited to native telephoto lenses, which are significantly more expensive.
- If you use a full-frame camera in crop mode, the resolution drops significantly (Canon R8 in APS-C mode drops to ~10MP). In contrast, the Sony A6700 maintains its full 26MP resolution.
Final Verdict
Based on the specifications:
- For Portrait & Wedding Photography → Canon R8 (Full-frame, superior skin tones, better background blur, low-light performance)
- For Landscape & Travel Photography → Sony A6700 (IBIS, compact, battery life, dynamic range for landscapes)
- For Wildlife & Sports Photography → Sony A6700 (IBIS, AI autofocus, crop factor for better telephoto reach, affordable telephoto lenses)
Would you like further lens recommendations or a budget breakdown for your needs?
Table 1: Differences Between Sony A6700 and Canon R8
| Feature |
Sony A6700 |
Canon R8 |
| Lens Mount |
Sony E-mount |
Canon RF-mount |
| Sensor Size |
APS-C (23.3 x 15.5 mm) |
Full-Frame (35.9 x 23.9 mm) |
| Resolution |
26 MP |
24.2 MP |
| Image Stabilization |
5-Axis Sensor-Shift |
Digital (Video Only) |
| ISO Range |
100–32,000 (Ext. 50–102,400) |
100–102,400 (Ext. 50–204,800) |
| Continuous Shooting |
11 fps (59 RAW / 1000 JPEG) |
40 fps (56 RAW / 120 JPEG) |
| Autofocus Points |
759 (Photo) / 495 (Video) |
4897 (Photo) / 4067 (Video) |
| AF Sensitivity |
-3 to +20 EV |
-6.5 to +21 EV |
| Video Modes |
UHD 4K 120p / FHD 240p / 10-Bit 4:2:2 |
UHD 4K 60p / FHD 180p / 10-Bit 4:2:2 |
| External Video |
4K 60p 4:2:2 10-Bit via HDMI |
1080p 60p via HDMI |
| Gamma/Log Profiles |
S-Log3, HLG, S-Cinetone |
Canon Log 3, HDR-PQ |
| Recording Limit |
Unlimited |
120 Minutes (4K/1080p HFR) |
| Viewfinder Magnification |
1.07x |
0.70x |
| Battery Life |
550 Shots (NP-FZ100) |
150 Shots (LP-E17) |
| Weight |
493g (1.1 lb) |
461g (1.0 lb) |
| Display Resolution |
1.03M Dots |
1.62M Dots |
| Wireless |
Wi-Fi 5 (802.11ac) |
Wi-Fi 4 (802.11n) |
| Exposure Compensation |
-5 to +5 EV |
-3 to +3 EV |
| Shutter Speed (Electronic) |
1/8000s |
1/16000s |
| Price |
~$1,398 (Body) |
~$1,299 (Body) |
Table 2: Similarities Between Sony A6700 and Canon R8
| Feature |
Sony A6700 |
Canon R8 |
| Capture Type |
Stills & Video |
Stills & Video |
| Shutter Type |
Mechanical & Electronic Rolling Shutter |
Mechanical & Electronic Rolling Shutter |
| Bulb/Time Mode |
Bulb Mode |
Bulb Mode |
| Metering Method |
Center-Weighted, Multi-Zone, Spot |
Center-Weighted, Evaluative, Partial, Spot |
| White Balance |
2500–9900K, Multiple Presets |
2500–10,000K, Multiple Presets |
| Interval Recording |
Yes |
Yes |
| Self-Timer |
2/5/10-Second Delay |
2/10-Second Delay |
| Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
| Image File Format |
HEIF, JPEG, Raw |
C-RAW, HEIF, JPEG, Raw |
| Bit Depth |
14-Bit |
14-Bit |
| Fast/Slow Motion |
Yes |
Yes |
| Built-In Microphone |
Stereo |
Stereo |
| Media Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
| Video I/O |
1x Micro-HDMI Output |
1x Micro-HDMI Output |
| Audio I/O |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
| Power I/O |
1x USB-C Input |
1x USB-C Input/Output |
| Mobile App |
Sony Creators’ App (Remote Control, File Access) |
Canon Camera Connect (Remote Control, Settings, Live Feed, Firmware Update) |
| GPS |
Via Connected Smartphone |
Via Connected Smartphone |
| Display Size |
3.0″ Articulating Touchscreen LCD |
3.0″ Articulating Touchscreen LCD |
| Viewfinder Type |
0.39″ OLED, 100% Coverage |
0.39″ OLED, 100% Coverage |
| Diopter Adjustment |
-4 to +3 |
-4 to +1 |
| Built-In Flash |
No |
No |
| Flash Compensation |
-3 to +3 EV |
-3 to +3 EV |
| Tripod Mount |
1/4″-20 Female |
1/4″-20 Female |
| Operating Temperature |
0 to 40°C (32 to 104°F) |
0 to 40°C (32 to 104°F) |
By admin, on February 2nd, 2025
According to the latest rumors, Canon will soon announce the Canon V1 PowerShot compact camera. The rumor is not new; we published updates on December 30, 2023. At that time, we saw multiple prototypes of the compact camera.
Latest rumors surfaced over the web suggest Canon is working on the V1 camera, which is expected to carry a large one-inch sensor OR a Micro Four Thirds format sensor. In the past, we have seen that Canon has implemented a 20Mp 1inch sensor in their G7X series cameras and a 24-megapixel DPAF sensor inside their G1 X Mark series camera, respectively.
The previous generation of Canon G7 accessories cameras used the one-inch sensor, mainly dependent on Sony Imaging Division for their sensor supply. So what I feel at this very moment is that either Canon will again seek help or shake hands with Sony Imaging Corporation for their 1-inch 20MP hybrid sensor supply for their upcoming compacts, or they can directly use the 24-megapixel DPAF sensor of their R50 and R10 in their premium V-series compact camera. As they did in the past with the G1X flagship series.
Canon V1 Specification [Rumored]
- 24MP CMOS Sensor (approx)
- 16-50mm (35mm Equivalent)
- 3″ Screen (Approx 1 million pixels)
- The screen has a 170° viewing angle
- 4K Video (Very slight crop, but likely for aspect ratio)
- 1.4X Crop Mode for Stills
- RAW, C-RAW, Dual Pixel RAW
- H.265 / HEVC
- C-Log3 / HDR PQ
- Launch: Late Q1/Early Q2 2025
Technically, it’s easy for them to announce a one-inch sensor-based compact or an APS-C sensor-based camera instead of using a brand-new M4/3 sensor from the NEW supply chain. What I think is that there is a very rare possibility or probability that the upcoming Canon V-series compact will use a Micro Four Thirds format sensor.
Right now we have two different variations of Sony’s 1-inch sensor being used in Sony ZV-series compact cameras, the first one of the CDAF sensor being used in the ZV-1F camera, and the other variation of Sony compact the ZV-1, which uses HYBRID CMOS AF sensor, comes at a higher price. So, it will be really interesting to see which 20MP variant is being used by the upcoming Canon camera.
At the same time, while I am writing this article, very few specifications are available about the upcoming camera. As soon as we get any, we will be posting them on our website. Stay tuned.
Canon V1 or V100 – New Camera Patent Spotted | Spotted Back on December 2023
Canon V100 Latest Rumors – A step above the Canon V10
Sony ZV1 vs Sony ZV-1F | Know a major difference if you wish to
also, see – Canon Upcoming Cameras 2025
Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
source CanonRumor.com
By admin, on January 28th, 2025
It is said that Canon will release a new APS-C camera in the first half of the year, and its specifications have been leaked, although the specs was leaked without mentioning the name of the model: The rumor was published on camerabeata webio
Canon Upcoming Camera Specification
- the new camera uses a 24.1-megapixel stacked CMOS sensor;
- with DIGIC X processor + DIGIC accelerator;
- supports 6K RAW and 120-fps 4K video shooting;
- a new body design;
- high-speed continuous shooting of 30 frames per second;
- supports C-Log2/C-Log3;
- equipped with a full-size HDMI interface;
- expected price of US$1,500;
TNC analysis
As per the rumor, specifications suggest it looks like an Upcoming APS-C flagship camera. We 100% confirm that Canon R7 Mark II coming this year,
Based on the rumored specs we can, we can clearly see a camera with a 24-megapixel stacked CMOS sensor with a DIGIC X processor and DIGIC accelerator. Not only that, the camera is also capable of recording 6K RAW and 120 fps 4K, A new body design has also been hinted at,
But again, the biggest loophole in the shared specification is the sensor resolution. The Canon R7 series already uses a 33.2 MP sensor, and even the competitors now like the Sony A6700, Fuji X-T5, and even some baseline models like the Sony ZV-E10 II and even fuji X-M5 use high-resolution sensors. So, Canon has no option other than to bring a 32.3 MP stacked CMOS sensor in the upcoming Canon R7 Mark II.
Will Canon go back in terms of resolution or sacrifice resolution in favor of speed? That’s the big question.
Now even if it’s a dedicated EOS C cinema camera (Canon R7C), Canon will never announce it in $1500 price range, Generally, cinema camera prices are comparatively higher, even the Sony FX30 which was announced back on 2023, comes at $1799 BODY ONLY price tag.
Let me know in the comment section what u guys think about this… I would love to see a Canon camera with this kind of specification in $1500 price range in 2025.
Also take a look at – Canon Upcoming Cameras 2025
Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
source camerabeata webio
By admin, on January 23rd, 2025
Today, Canon announced the 16-28mm lens, which is now competing with the budget 28-70mm trio series. By the way, I hope Tamron is not behind in making these budget, constant-aperture lenses :). The 16-28mm f/2.8 competes as 2nd addition to Canon Budget constant aperture zoom lenses, one more arrives, and the 70-200 F2.8 is waiting to be announced soon in the $1000-$1500 price range. After that Canon will complete its NEW trio
This particular lens will be a great help for content creators who are looking for an affordable solution.. It is the only lens someone needs for creating vlogs and talking-head videos with full-frame cameras like Canon R8 or Canon R6 II.
B&H Store | Adorama.com
Canon RF 16-28mm F2.8 IS STM Lens Features
• Convenient wide-angle zoom with a fixed f/2.8 aperture through the entire zoom range.
• Light & compact everyday carry lens.
• Built-in optical image stabilization for less camera shake while hand-holding on-the-go.
• Incredible quality from edge-to-edge due to 4 UD elements to minimize chromatic aberration, and 2 aspheric lenses.
• Impressive durability and weather-resistant construction equivalent to an L-series lens for use in harsh environments.
• Incredibly minimal focus breathing when recording video.
• Optical image stabilization is automatically enabled for cameras without IBIS for effective 5.5 stops of correction.*
• Coordinated control using IBIS x OIS provides an image stabilization effect of Center 8.0 stops and Corner 7.5 stops.*
• Leadscrew-type STM for fast and quiet autofocus for stills and video.
*CIPA2024 standards (yaw/pitch/roll directions at a focal length of 28 mm using EOS R1
Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
By admin, on January 22nd, 2025
Canon has introduced a new full-frame sensor with a 410-megapixel resolution, a milestone that no one has achieved in the realm of full-frame sensors to date. Canon is the first to break this resolution record by creating a 410-megapixel full-frame sensor. This sensor is capable of recording 24K video, a feat never before possible with any camera. At the same time, the sensor’s readout speed is currently limited, so prototypes can only capture video at 6 frames per second. Nonetheless, with advancements in the camera industry and the adoption of faster semiconductors, it’s only a matter of time before this performance improves.
Canon develops CMOS sensor with 410 megapixels, the largest number of pixels ever achieved in a 35 mm full-frame sensor
TOKYO, January 22, 2025— Canon Inc. announced today that it has developed a CMOS sensor with 410 megapixels (24,592 x 16,704 pixels), which is the largest number1 of pixels ever achieved in a 35 mm full-frame sensor. This sensor is expected to be used in applications that demand extreme resolution in various markets including surveillance, medicine, and industry.
The newly developed CMOS sensor features a resolution equivalent to 24K (198 times greater than Full HD, and 12 times greater than 8K). This enables users to crop any part of the image captured by this sensor and enlarge it significantly while maintaining high resolution. While many CMOS sensors with a super-high pixel count are medium-format or larger, this extreme resolution sensor is compacted into a 35 mm full-frame format. This allows it to be used in combination with lenses for full-frame sensors, and it is expected to contribute to the miniaturization of shooting equipment. As data readout of a CMOS sensor tends to take longer as the number of pixels increases, achieving a CMOS sensor with a super-high pixel count requires advanced signal processing technology. The newly developed sensor employs a back-illuminated stacked formation in which the pixel segment and signal processing segment are interlayered and also includes a redesigned circuitry pattern. As a result, the sensor is capable of achieving a super-high readout speed of 3,280 megapixels per second, delivering video at 8 frames per second.
This sensor also features a “four-pixel binning” function that virtually treats four adjoining pixels as one, thereby improving sensitivity and making it possible to capture brighter images. When this function is in use, the sensor can capture 100-megapixel video at 24 frames per second.
By leveraging the technology it has accumulated over many years as a leading imaging company, Canon has developed breakthrough products including CMOS sensors with super-high pixel count and ultra-sensitivity, and SPAD sensors, which detect faint traces of light even in dark areas. Canon will continue to advance its technology and contribute to the transformation and further development of society.
Additional information
The sensor is scheduled to be displayed at the Canon booth at SPIE Photonics West, a leading global conference for optics and photonics held in San Francisco from January 28-30, 2025.
- 1 As of January 21, 2025 (According to a survey by Canon).
- 2 Applies to both color and monochrome sensors
- 3 Monochrome sensor only
Also take a look at – Canon Upcoming Cameras 2025
Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
Impact-Site-Verification: 8446e2bd-5bb3-4159-bac2-4a97c776bb05
By admin, on January 21st, 2025
We are hearing a lot of rumors related to the upcoming Canon R5 Mark II firmware update, and the list of rumored features the camera will get is exciting.
- A 4K 60fps oversampled mode
- Open-gate Full-sensor recording video option very soon with the latest upcoming updates.
However, we are getting very different and unique information from a Chinese Weibo source, and according to him,
- the camera will have or enable an APS-C format full-resolution recording in a 17:9 RAW recording format. The maximum speed we will get in this particular mode is up to 120 frames per second in RAW mode / Clog.
I am excited to see all this information coming just before any official announcement about the R5 Mark II. So, let’s hope and expect some major advancements. As soon as Canon updates the firmware, we will post it on our website.
Also, see – Best Lenses For Canon R100 in 2025 | Canon RC Camera Coming? |
Also take a look at – Canon Upcoming Cameras 2025
Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
source – webio
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