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By admin, on October 17th, 2024
So we have the Canon R6 Mark III camera specs surfaced over a Chinese source. Specs remain the same as we discussed back in May 2024. We told you that Canon R3’s 24-megapixel stacked sensor will be used inside the Canon R6 Mark III camera. The same information is again shared by the sources. However, here they specifically mention the sensor model code name, take a look below
- 24-megapixel LC1720 sensor.
- DIGIC Accelerator accelerated processor, 8.5-stop collaborative image stabilization.
- Same focus system as EOS R5 II.
- Highly reliable 14-bit 30fps RAW electronic shutter continuous shooting, reading speed 1/180s.
- In-camera neural network noise reduction and high-resolution magnification.
- Supports XF-AVC S and XF-HEVC S recording of C4K/120p (S35) and 6K oversampled C4K.
- Supports 6K30p and 4K60p (S35) Cinema RAW Light recording.
If you talk about the announcement date and based on Canon’s usual pattern for their R5 or R6 series cameras, then as per their schedule, it looks like the R6 Mark III camera will arrive sometime in Q2 or Q3 of 2025. It’s not coming too early, but yeah, we do hope and expect it will arrive with almost the same specs that we are seeing right now.
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source E88_8888
By admin, on October 15th, 2024
Canon’s Game-Changing Firmware Update: Frame.io Cloud Integration is Coming! Canon’s C400 and C80 are ready to get their update soon, here is the press release
Canon collaborates with Adobe to bring native Frame.io Camera to Cloud integrations to select cameras
Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce a new collaboration with Adobe to bring Frame.io’s Camera to Cloud connectivity to select cameras, starting with the EOS C400 and EOS C80, enabling users to send proxy files directly from the camera for a faster and more secure path from production to post. The new feature, activated in-camera, will be included in a free firmware update scheduled for a Winter 2024 release from Canon USA. It will be available for download on the Canon USA Website.
The update supports simultaneous proxy file transmission to Camera to Cloud from the EOS C400 and EOS C80 cameras while recording original camera files (OCF) and proxy files internally. The proxy files can be sent over wireless or a wired Ethernet connection.
Canon’s proxy files match the same filename, timecode stream, and metadata fields as the original camera files, and are natively supported for playback on Frame.io. The efficient proxy files are available to view, share, and edit remotely without requiring additional processing or conversion. The proxy files can be uploaded to the cloud, automatically, allowing for a more streamlined workflow, with videographers in one location able to quickly share proxy files with their team in a separate location.
Stay tuned, more updates are coming
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By admin, on October 15th, 2024
Canon USA teases that they are going to announce three New Hybrid Zoom and Primes lenses on October 30, 2024.
All the way, we know with the help of the Canon Rumor Mill the names of the three lenses.
Canon Upcoming Lenses
- Canon RF 24mm f/1.4L VCM
- Canon RF 50mm f/1.4L VCM
- Canon RF 70-200mm f/2.8L IS USM Z ( works with teleconverters)
Take a look at the official press release of Canon’s new additions to the RF Primes and ZOoms
MELVILLE, NY, October 15, 2024 – Canon, a leader in digital imaging technology, today announced its intention to add new lenses to its hybrid RF L-series range on October 30, 2024, when all details will be revealed.
Canon’s hybrid lenses are a range of RF L-series primes and zooms designed for high performance stills and video capture. They are able to perform multiple roles and harness technology from Canon’s broadcast, cinema and existing RF lenses to make for a truly versatile range concept. They empower creatives with the flexibility to reach new levels of artistry and practicality in stills and video production.
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By admin, on October 5th, 2024
Canon R5C Mark II Early specifications surfaced over the web, there is a high probability these specs are of one of the EARLY PROTOTYPE of the upcoming camera, in genral a camera maker tests several prototypes of a high-end camera before the finalize the production line version. Take a look at the set of specs, of the upcoming Canon R5C Mark II camera
Canon R5C Mark II Rumored Specification
- Dual System Design with Active Cooling:
The Canon R5C Mark II will continue the “dual system” setup as we have seen in the original Canon R5C, where the camera can function as both a high-performance stills camera (like the R5) and a cinema camera (for video production). The mention of a “square, thickened active cooling body” indicates that the upcoming R5C II will have an enhanced thermal management system, likely allowing uninterrupted recording in every ALL available resolution of the camera.
- Introduction of SDI Interface: Now, that’s the most important part of the rumored specs we have read so far, the Canon R5C Mark II upcoming camera will use or have an SDI port. Again as per the source, the camera maker may swipe the HDMI in favour of SDI, or they may keep both as an option to the user. SDI is typically more reliable and provides better signal quality over longer distances, which is a common requirement in professional video setups.
- The 4K RAW Video Changes: No lower quality 4K SRAW (which was a lower-resolution form of RAW), but instead will feature a higher-resolution format: 4096×4320 pixels. This is a sub-pixel merging technique, which effectively produces a more detailed “native” 4K output by using higher-resolution data and downsampling it intelligently. This likely improves image quality in terms of sharpness and color accuracy.
- The 4K/24-60p YUV Video: Introduction of Custom Sensor READOUT speed pattern as per user requirement
The R5C II offers a YUV video format in 4K resolution, with two modes:
- High-Quality Mode (8192×4320 Sampling): Here, the camera samples from an 8K resolution (8192×4320) to produce a very detailed 4K output.
- High-Speed Mode (4096×4320 Sampling): This mode uses 4K footage but samples it horizontally rather than vertically. This adjustment could be aimed at optimizing performance while maintaining good color depth and resolution in YUV422 format (commonly used in professional video work).
Overall, if we look at the rumored set of core specifications, the Canon R5 Mark II camera features enhanced core specifications compared to the original Canon R5C, especially in terms of resolution and video output options.
Stay tuned more updates are coming
Also, see – Canon Selling 2X More Cameras than Sony in China
Get Canon Latest 28-70mm F2.8 Lens from Amazon.com – B&H Store – Support this website
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source – E8M_8888
By admin, on September 16th, 2024
So according to our latest report, Canon is selling twice as many cameras as Sony in China. Recent reports suggest that Canon has captured more than 50% of the market share in China. As we all know, Canon is the leading camera manufacturer in the world.
- A Chinese social media account on Weibo shared a rare glimpse into China’s camera market, and it was surprising: Canon sold twice as many cameras as Sony and four times as many as Nikon. Weibo account Camera Obsession posted: “The 2024-2029 Digital Camera Industry
- Market Detailed Analysis and Development Strategy Research Report released by the China Academy of Industrial Research points out that well-known brands such as Canon, Nikon, Sony and Fuji are still dominant. Canon continues to lead the market with a market share of nearly 50% due to its strong research and technological development capabilities and brand influence. Sony and Nikon rank second and third with market shares of 26.1% and 11.7%, respectively.”
If we take a look at the past month’s BCN ranking
1st place: EOS R10 RF-S18-150 IS STM Lens Kit
2nd place: EOS R50 Double Zoom Kit Black
3rd place: EOS R50 Double Zoom Kit White
4th place: VLOGCAM ZV-E10 Power Zoom Lens Kit Black
5th place: VLOGCAM ZV-E10 II Double Zoom Lens Kit Black
6th place: OLYMPUS PEN E-P7 EZ Double Zoom Kit Silver
7th place: Z 30 Double Zoom Kit
8th place: VLOGCAM ZV-E10 Double Zoom Lens Kit Black
9th place: VLOGCAM ZV-E10 Double Zoom Lens Kit Black
(※9th place seems to be a mistake for the ZV-E10 II Power Zoom Lens Kit Black)
10th place: LUMIX G100D W Kit
So, that clearly means Canon is selling very well in China, let’s hope Canon will continue to hold its position in the future also
also see Canon SMAR Glass Patent published here
Canon Working on Foldable Display Vlogging Cameras
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By admin, on September 12th, 2024
Okay, that’s a really big surprise that Canon has announced a 28-70 f/2.8 lens with a $1000 (approximately) price tag. It is completely unbelievable that a brand like Canon would put a full-frame lens in the market at such a reasonable price. I can’t believe it, but it’s a fact, and you can order it right now at B&H or other stores.
The RF28-70mm F2.8 IS STM lens is Canon’s new standard zoom lens, primarily for full-frame camera users, offering a widely adjustable focal range from 28mm to 70mm with a constant F2.8 aperture
Canon 28-70 F2.8 major specification
- Full-Frame | f/2.8 to f/22
- Compact & Fast Standard Zoom
- Stepper Motor (STM) Autofocus
- Optical Image Stabilizer
- Collapsible Design
- Customizable Control Ring
- Two UD and Two Aspherical Elements
- Super Spectra Coating (SSC)
- Rounded 9-Blade Diaphragm
Also see
Canon Working on Advance IBIS Heat Sink Unit
Canon Working on Smart Electronic Binocular Telescope
The Unexpected Canon Innovation – Enhancing Camera Communication with Lens
By admin, on September 7th, 2024
Comparing the recently announced GoPro Hero 13 camera with the upcoming DJI Osmo Action 5 Pro based on the available core specifications, we will update this table as more detailed specs become available. From the initial set of specs, you can get an idea of which camera might be more suitable based on your requirements and budget.
GoPro Hero 13 Black vs. DJI Osmo Action 5 Pro – Quick Comparison
| Feature |
GoPro Hero 13 Black |
DJI Osmo Action 5 Pro* |
| Sensor Size |
1/1.9-inch |
1/1.3-inch |
| Megapixels |
27MP |
40MP |
| Pixel Size |
1.9μm (larger pixels, better low-light) |
1.22μm |
| Video Resolution |
5.3K 60FPS, 4K 120FPS |
4K 120FPS |
| Image Stabilization |
HyperSmooth 6.0 |
360° HorizonSteady |
| Field of View |
Varies with lens (ultra-wide support) |
155° FOV |
| Slow Motion |
120 FPS (5.3K), 400 FPS (720p) |
120 FPS (4K) |
| Waterproof |
10m without housing |
20m without housing |
| Battery Life |
1.5 hrs (5.3K), up to 2.5 hrs (1080p) |
Up to 4 hours |
| Mounting |
Magnetic latch, built-in mounting fingers |
Magnetic quick-release |
| Audio |
Customizable audio settings |
3 stereo microphones, OsmoAudio tech |
| Wi-Fi |
Wi-Fi 6 |
Wi-Fi 6 |
| Special Features |
Supports HB-series lenses |
Live streaming, SuperNight, vlogging screen |
DJI Osmo Action 5 Pro: Its larger 1/1.3-inch sensor gives it an advantage in resolution, but with smaller 1.22μm pixels, it may not perform as well as the Hero 13 in extreme low-light environments..
GoPro Hero 13 Black vs. DJI Osmo Action 5 Pro – Detailed Comparison
Imaging
| Image Sensor |
1/1.9″-Type CMOS |
1/1.3″-Type CMOS |
| Sensor Resolution |
Effective: 27.6 Megapixel (5599 x 4927) |
Effective: 40 Megapixel (7296 x 5472) |
| Image Stabilization |
Digital |
Digital |
Optics
| Focal Length |
12 to 39mm (35mm Equivalent) |
35mm Equivalent |
| Maximum Aperture |
f/2.5 |
f/2.8 |
| Angle of View |
156° (8:7) |
155° |
| Zoom |
Digital: 2x |
Digital: 2x |
Recording
| Internal Recording Modes |
H.265 8/10-Bit
5120 x 2880 at 24.00/25/30.00/50/60.00 fps [120 Mb/s]
3840 x 2160 at 24.00/25/30.00/50/60.00/100/120 fps [120 Mb/s]
2560 x 1440 at 100/120/200/240 fps [120 Mb/s]
1920 x 1080p at 24.00/25/30.00/50/60.00/100/120/200/240 fps [120 Mb/s] |
H.265/MP4
3840 x 2880 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
3840 x 2160 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
2688 x 2016 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
2688 x 1512 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
1920 x 1080p at 23.98/25/29.97/47.95/50/59.94/200/240 fps |
| Still Image Support |
JPEG / Raw
27.13 MP (5568 x 4872) |
JPEG / Raw
40 MP (7296 x 5472) |
| Audio Recording |
WAV-Channel |
AAC: -Channel 16-Bit48 kHz |
| Internal Storage |
No |
47 GB |
Exposure Control
| Metering Range |
-2 to 2 EV |
Photo – 100 to 25,600
Video – 100 to 51,200 |
| Interval Recording |
Yes |
Yes |
Display
| Display Type |
Primary Monitor: Fixed 2.3″ Touchscreen LCD
Secondary Monitor: Fixed 1.4″ Non-Touchscreen LCD |
Primary Monitor: Fixed 2.5″ Touchscreen OLED
Secondary Monitor: Fixed 1.4″ Touchscreen OLED |
Features
| Scene Modes |
Presets – Yes |
Presets – Yes |
| Creative Effects |
Yes |
Yes |
| Built-In Microphone |
Stereo |
Stereo |
| Built-In Speaker |
Yes |
Yes |
Interface
| Media/Memory Card Slot |
Single Slot: microSD/microSDHC (UHS-III) [U3/V30 or Faster Recommended] |
Single Slot: microSD/microSDHC/microSDXC [1 TB Maximum] |
| Video I/O |
1x USB-C (Unspecified Signal) Output |
1x USB-C 3.0 / 3.1/3.2 Gen 1 Output |
| Audio I/O |
No |
No |
| Power I/O |
Yes USB-C Input |
1x USB-C Input |
| Other I/O |
Yes |
1x USB-C (USB 3.2 / 3.1 Gen 1) Data |
| Remote Control |
Optional |
Mimo App (Optional) |
| Optional smart Lenses |
Yes |
No |
| Timecode sync |
Yes |
Yes |
| Mobile App Compatible |
Yes: Android & iOS
App Name: Quik App |
Yes: Android & iOS
App Name: Mimo App |
| Wireless |
Bluetooth 5.3 / Wi-Fi 6 (802.11ax) / 2.4 GHz Radio/RF / 5.8 GHz Radio/RF
*Built-In |
Wi-Fi 6 (802.11ax) / Bluetooth 5.1
*Built-In |
Environmental
| Operating Conditions |
14 to 95°F / -10 to 35°C |
-4 to 113°F / -20 to 45°C |
| Environmental Resistance |
Water-Resistant to 33′ / 10.1 m (Unrated) |
Water-Resistant to 65.6′ / 20 m (Unrated) |
Power
| Battery Type |
Rechargeable Lithium-Ion Battery Pack |
Rechargeable Lithium-Ion Battery Pack, 3.87 VDC, 1950 mAh |
| Estimated Battery Life |
2.5 Hours |
2.4 Hours |
| Super fast Charging Mode |
No |
Yes, 15min |
General
| Built-In Light |
Light – No |
Light – No |
| Tripod Mounting Thread |
Yes |
Yes |
| Dimensions (W x H x D) |
2.8 x 2 x 1.3″ / 71.8 x 50.8 x 33.6 mm |
1.7 x 1.3 x 2.8″ / 44.2 x 32.8 x 70.5 mm |
Packaging Info
| Package Weight |
0.81 lb |
1.51 lb |
| Box Dimensions (LxWxH) |
9.3 x 4.4 x 3″ |
10.1 x 4.5 x 1.7″ |
Price
- DJI Osmo Action 5 Pro:
- GoPro Hero 13 Black:
Conclusion:
- GoPro Hero 13 Black offers higher resolution photos and videos, better FOV, and more extensive accessory support, but it comes at a higher price.
- DJI Osmo Action 5 Pro excels in battery life, deeper waterproofing, and slightly broader ISO capabilities, making it more affordable while still packing high-end features.
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