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By admin, on May 16th, 2025

According to the latest rumours we have from Rumor Mills, Nikon ZR — and here ZR stands for RED — Nikon RED series consumer grade cinema camera with Z Series based body design, coming in Q4 of 2025. Now, explore the key features of the Nikon ZR camera:
Nikon ZR Specification
-
24.5MP Partially-Stacked CMOS Sensor: Nikon ZR will use the Nikon Z6 Mark III sensor.
-
A large display screen: The ZR will have a large display screen, making it comfortable for professional video workflow.
-
Enhanced RED technology inside which means we will have RED decode RAW and advanced colour science. Obviously, more details will be revealed with time.
While looking at the initial set of specs, it doesn’t look like a Nikon Z6 Mark III rebranded edition. From the initial specs, it looks like Nikon is working hard to produce a very unique line of consumer-grade cinema cameras in collaboration with RED.
We will bring more updates as soon as we get any latest information related to the upcoming Nikon ZR camera. Don’t get confused with the Nikon ZFR, which is said to be an extension of the existing Nikon Z lineup with a high-resolution sensor. Also, take a look at the list of Nikon’s upcoming cameras for 2025.
The article “Nikon ZR coming in Q4 of 2025” written and updated by thenewcamera.com team on 4:01 pm, Friday, 16 May 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + Nikon Rumors 24X7
source Nikonrumor.com
By admin, on May 15th, 2025

Sony is finally getting up to announce the Sony FX2 camera, and the announcement is expected on May 28, 2025.
The FX2 is Sony’s first camera that uses an integrated tilting electronic viewfinder, and it is one of their first FX line of cinema cameras which uses the same 33 megapixel full frame sensor that we have seen in the Sony A7 IV. So let’s explore the core specification of the Sony FX2 camera.
Sony FX2 Specifications
1. Integrated Tiltable Electronic Viewfinder
Integrated tiltable electronic viewfinder:
For the first time, a Sony camera is using a tiltable electronic viewfinder, which was first seen on the Panasonic GX9 camera. It will help photographers to recompose their shots in a very easy manner by hand-holding their camera even in daylight situations.
2. 33 Megapixel Full Frame CMOS Sensor
33 megapixel full frame CMOS sensor: It’s the same sensor that we have seen in the Sony A7 IV camera. We were expecting a kind of a new sensor, but yeah, it’s the same.
But the camera does deliver high-quality output. The only problem that users have faced with the Sony A7 IV camera from the time of announcement is the overheating limit, which is now completely fixed in the upcoming FX2 with the introduction of:
3. Built-in Fan for Thermal Management
Built-in Fan:The FX2 camera, despite being an entry level cinematography camera, does have a built-in fan which helps the camera to dissipate the heat in the best possible way.
So while using its 33 megapixel sensor even at 4K 60p mode, you can record videos up to unlimited time.
4. AI Powered Autofocus with BIONZ XR
AI powered autofocus: The upcoming camera with BIONZ XR image processor will have the latest generation of AI algorithm inside it.
So users will experience next level of auto focusing performance as well as subject tracking.
5. 4K 60 FPS Video in Super 35mm Mode (1.5x Crop)
4K 60 FPS video in Super 35 mm mode: Super 35 mm mode at 4K 60p sounds fascinating, but that’s not a good thing — that’s actually a limit masked under a good name.
As we usually know, the Sony 33 MP sensor has its own readout limitations. That’s why the 4K 60p is limited to 1.5X crop. But at the very same time, I think that Sony can easily put uncropped 60p in the camera with pixel binning or line skipping algorithm if they wish to.
6. 32-bit Float Audio Support via XLR
32 bit float audio: 32 bit float audio support is available via XLR input. So for professional filmmakers and cinematographers, that’s a great thing to have in their camera.
7. Mechanical Shutter for Still Photography
Mechanical shutter: It’s good to see that Sony is still preserving mechanical shutter inside their camera.
8. Compact, Robust Design with a Unique Look
Compact robust design: As per the initial report, the FX2 is slightly thicker than the FX3 camera. Also, it includes a kind of a tilting EVF, so it looks quite different than the conventional FX series box-style cameras.
Sony FX2 Camera Price
The price of Sony FX2 camera: Sony FX2 camera is priced at $3000 without any tariff, so potentially it may rise up to $3500 depending upon its manufacturing location and additional taxes.
Sony FX2 Release Date
The arrival date of Sony FX2 camera: The Sony FX2 camera official announcement is about to happen on May 28, 2025. We will confirm more about its pricing and availability details.
Stay tuned, more updates are coming
The article “Sony FX2 Coming Soon” was published at 3:36 pm Thursday, 15 May 2025 Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, –>If you have time –>see more Sony Alpha Rumor Latest Camera News
Source – Thanks for sharing sonyalpharumors.com
By admin, on May 15th, 2025

Which one is the Best Camera for Recording Video – Panasonic Lumix S1 II vs. Nikon Z6 III? this the the most asked question in my DM and mailbox from the day of the announcement of the Panasonic S1 II camera. I wish I had a one-size-fits-all all answer, but there just isn’t one…
Why Panasonic S1 II better, and what about the Nikon Z6 III?
Panasonic Lumix DC-S1 II’s video capabilities “surpass” the Nikon Z6III in its broader range of video features, such as Open Gate recording (6K/30p, 5.1K/60p) and as we all know that the open gate recording is not available in the Nikon Z6 III camera., extensive monitoring tools (vectorscope, anamorphic lens support and in camera desqueez), although we all know that now Nikon has also included waveform support, timecode in their camera but some specical features that may fall under the “must have” list of a PRO cinematographer may be absent in the Z6 III. So, it actually at the end depend on users what they want from the camera and the budget boundaries are.
and let’s explore the 4 K high frame rate mode, in the 4K/120p with a smaller crop (1.17x vs. Z6III’s APS-C). However, there are some features that only the Nikon Z6 III has at this moment, the Z6III can record 6K/60p in N-Raw, which the S1II cannot, as its 6K is limited to 30fps and internal NRAW, which is about to arrive in S1 II in paid firmware update section. The S1II’s strengths lie in its creative flexibility and toolset, but the Z6III’s 6K/60p capability gives it an edge for high-frame-rate, high-resolution video.
Feature / Spec |
Panasonic Lumix DC-S1II |
Nikon Z6III |
Price |
$3197 – B&H Store |
$2096 – B&H Store |
6K Recording |
6K/30p (Open Gate), 5.9K/60p (16:9), 5.1K/60p (Open Gate) |
6K/60p (N-Raw) |
High-Frame-Rate Video |
4K/120p with 1.17x crop |
4K/120p with APS-C crop (~1.5x) |
Rolling Shutter Performance |
~12.8ms |
~9.4ms (better for fast motion) |
Recording Formats |
ProRes, ProRes RAW, internal 10-bit |
N-Raw, ProRes RAW (via external) |
Internal fan |
Yes |
No |
Monitoring Tools |
Vectorscope, waveform, anamorphic desqueeze, LUTs, timecode |
Waveform and timecode available
(No vectorscope or anamorphic tools) |
Audio Features |
24 Bit standard Audio input
32-bit float audio support with XLR |
Standard audio support
no XLR option |
Creative Flexibility |
High (Open Gate, multiple aspect ratios, pro tools) |
Moderate (focus on resolution and frame rate) |
Crop at 4K/120p |
1.17x |
APS-C crop (~1.5x) |
Overall Advantage |
Better for filmmakers, flexible workflows |
Superior for 6K/60p high-res, high-speed video |
When buying a camera for filmmaking or wedding cinematography, here’s an oversimplified way to look at it:
See, we have three major factors supporting the Panasonic S1 II camera, and here they are: Open Gate modes, advanced monitoring tools, and a less severe crop at 4K/120p, which provide creative flexibility for PRO filmmakers. However, I don’t overlook the Z6III’s ability to record 6K/60p in N-Raw, a significant advantage for users needing high-resolution, high-frame-rate video without cropping. The S1II’s 6K is capped at 30fps, and while it offers 5.9K/60p and 5.1K/60p, these don’t directly match the Z6III’s 6K/60p capability. The Z6III’s edge in 6K/60p while noting the S1II’s strengths in other areas, ensuring accuracy and relevance.
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By admin, on May 14th, 2025

We have one more camera announcement: the Panasonic S1 IIE. The camera uses the same sensor that we have seen in the Panasonic S5 II X camera. The camera can do up to 30 fps burst shooting, which is a great thing. Of course, 1.5 seconds of pre-burst capture are also available. Of course, the 96 MP high-resolution images are also available, so all those things that we were getting in the…
Panasonic S1 IIE Press Release
- 24MP BSI CMOS sensor
- Up to 30fps e-shutter shooting with C-AF and Raw
- 1.5 seconds pre-burst capture
- 96MP high-resolution multi-shot mode
- 10-bit HEIF recording
- 6K 4:2:0 open-gate recording up to 30p
- Internal Raw recording
- 32-bit float recording via optional XLR 2 adapter
- 2.1M dot flip-out and tilting display
- 5.76M dot viewfinder
The Panasonic S1 IIE will be available starting in late June for a recommended price of $2499. Available at B&H Store
Panasonic S1 IIE Press Release
Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens
Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.
Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.
Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.
The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.
Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.
With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.
The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.
LUMIX S1II Main Features
High framerate recording and wide dynamic range with a newly developed partially stacked sensor
- Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
- Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
- Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
- High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1IIE Main Features
Exceptional image quality tailored for diverse shooting conditions
- Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
- Supports 6K 30p (3:2) open gate video recording
- Offers 14+ stops of dynamic range video recording in V-Log
- High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1II and S1IIE Common Features
Enhanced core performance that unlocks new creative possibilities
- Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
- Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
- Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
- ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
- Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.
Outstanding reliability and efficiency
- High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
- Operating efficiently at temperatures as low as -10 degrees Celsius.
- Dual recording media options supporting SD and CFexpress Type B cards.
- Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.
Apps and software that seamlessly support workflow
- Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
- Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
- Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
- Updated ver.1.5 supports the following feature:
- Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
- Updated ver.1.1 supports the following features:
- Wireless connection
- Additional assist features (Wave form monitor / Vectorscope / False color)
- Mirroring monitor function
- Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.
By admin, on May 14th, 2025

Panasonic finally announced the Panasonic S1 II camera. The camera features 24 Mp BSI CMOS sensor that we have seen in the Nikon Z6 Mark 3, continuous speed up to 70 frames per second including RAW and 1.5 seconds of pre-burst capture which is longest among competitors, and also it includes open gate 6K video recording with full-width 5.9K and up to 4K 60p recording, 4K 120 APS-C with slight crop, and 6G-SDI over HDMI as well as they have included a built-in fan for extended recording. So these are the basic features we have with the camera.
Get Panasonic S1 II Camera from Amazon.com | B&H Store
Key specifications
- 24MP partially-stacked BSI CMOS sensor
- Up to 70fps shooting, including Raw
- 1.5 seconds pre-burst capture
- 96MP multi-shot mode with in-cam combination and motion correction
- 10-bit HLG HEIF still images
- In-body stabilization rated at up to 8.0EV of correction
- Open-gate 6K video up to 30p
- Full-width 5.9K or 4K up to 60p
- 4K/120p video with slight crop
- 6K Raw output over HDMI
- Built-in fan for extended recording
- External SSD output for video
- V-Log with 15-stops in DR Boost mode
- Arri C-Log3 paid upgrade option
- 4-channel and 32-bit float audio with XLR2 adapter
- Bluetooth timecode sync
The Panasonic S1 II will ship in June 2025 at a recommended price of $3199. That’s way too high compared to the Nikon Z6 III camera , which is available for $2096.
Panasonic S1 II Press Release
Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens
Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.
Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.
Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.
The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.
Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.
With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.
The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.
LUMIX S1II Main Features
High framerate recording and wide dynamic range with a newly developed partially stacked sensor
- Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
- Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
- Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
- High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1IIE Main Features
Exceptional image quality tailored for diverse shooting conditions
- Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
- Supports 6K 30p (3:2) open gate video recording
- Offers 14+ stops of dynamic range video recording in V-Log
- High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1II and S1IIE Common Features
Enhanced core performance that unlocks new creative possibilities
- Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
- Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
- Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
- ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
- Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.
Outstanding reliability and efficiency
- High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
- Operating efficiently at temperatures as low as -10 degrees Celsius.
- Dual recording media options supporting SD and CFexpress Type B cards.
- Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.
Apps and software that seamlessly support workflow
- Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
- Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
- Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
- Updated ver.1.5 supports the following feature:
- Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
- Updated ver.1.1 supports the following features:
- Wireless connection
- Additional assist features (Wave form monitor / Vectorscope / False color)
- Mirroring monitor function
- Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.
By admin, on May 13th, 2025

The Panasonic S1 II camera arrives with the same 24 MP partially stacked CMOS sensor we have seen in the Nikon Z6 III camera. The Panasonic S1 II full specification is now available. Let’s have a detailed look at the core specification
LUMIX S1 II Specifications
Image Sensor
- Type: 35mm CMOS
- Effective Pixels: 24.1MP
- Dynamic Range: 15 stops (V-Log DR Boost), 14+ stops (V-Log)
- Dust Removal: Sensor-shift with AR coating
- Image Stabilization: 5-axis (8 stops central, 7 stops peripheral, Dual I.S. 2)
- ISO: Normal (100-51200), V-Log (640-51200), DR Boost (On/Off), Dual Native ISO (Auto/Low/High)
Storage
- Slot 1: CFexpress Type B
- Slot 2: SD UHS-II
Autofocus
- Type: Phase Detection + Contrast
- Focus Points: 779 (Phase) / 315 (Contrast)
- Brightness Range: -6 to 18EV
- Object Detection: People, Animals, Cars, Motorcycles, Trains, Airplanes
Shutter
- Mechanical: 60s – 1/8000s
- Electronic Front Curtain: 60s – 1/2000s
- Electronic: 60s – 1/16000s
- Flash Sync: 1/250s
Continuous Shooting
- Mechanical: Up to 10fps (H+, AFC)
- Electronic: Up to 30fps (SH, AFC), 10fps (H+, AFC)
- Burst Capacity: 200+ RAW (Mechanical), 180 RAW (SH)
Viewfinder
- Type: OLED
- Resolution: 5.76M dots
- Frame Rate: 60/120fps
Monitor
- Size: 3.0″ Free-Angle
- Resolution: 1.84M dots
Video
- Frame Rates:
- 6K 59.94p (LGOP)
- 4K 119.88p (LGOP), 59.94p (ALL-I/ProRes)
- 5.8K 29.97p (ProRes)
- Output: MOV (H.264/H.265/ProRes/ProRes RAW), MP4 (H.264/H.265)
- Log: V-Log, ARRI LogC3 (with DMW-SFU3A)
- Audio: LPCM (24-bit), 32-bit float (XLR2)
Connectivity
- USB: USB-C (10Gbps), 4K 29.97p Streaming
- HDMI: Type A
- Audio Ports: 3.5mm Mic, 3.5mm Headphone
- Wireless: Wi-Fi (5/2.4GHz), Bluetooth 5.0, FHD 59.94p Streaming
- Other: 2.5mm Remote
Battery
- Type: 7.2V, 2200mAh
- Shots: 348 (CFexpress, LVF), 359 (SD, LVF)
- Battery Grip: DMW-BG2 (sold separately)
Physical
- Dimensions: 134.3 x 102.3 x 91.8mm
- Weight: 718g (body), 800g (with battery)
- Build: Dust and water resistant
Panasonic S1 IIE specification here
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Source Webio E8M
By admin, on May 12th, 2025

We have already published the leaked images of the Panasonic S1E II; now, it’s time for the full specifications.
Panasoinic LUMIX S1IIE (Official Text)
Elevate your storytelling with the new CinemaScope 4K 60p aspect ratio, delivering a cinematic view without any cropping. With the intuitive operation of the S1 series, including the LUMIX S1RII and S1II, the S1IIE enhances creative exploration with ease. Both models feature advanced AF precision and new ‘Urban Sports’ recognition, and 8.0-stop in-body stabilization for steady shooting.
Panasonic LUMIX S1E II Specification
Main Features
- Adopts a 24.2MP sensor that inherits the performance characteristics of the LUMIX SSII
- Realizing high image quality in a variety of shooting condition
- Supports 6K 30p (3:2) open gate video recording
- V-Log allows video recording with a dynamic range of over 14 stops
- Experience blackout-free shooting with the electronic shutter mode “SH/SH PRE” for high-speed continuous shooting at up to 30 frames per second and the extended continuous shooting mode “H+” at approximately 10 frames per second using a mechanical shutter
- 14+ stops of dynamic range V-LOG
- Full frame 6K30p OG, 6K60p 2.4:1, 4K30p 16:9/17:9, 4K60p 2.4:1
- APS-C 3.3K 50p 4:3, 4K60p 16:9/17:9
- S&Q 4K 2.4:1 60fps, FHD 180fps
- 120Hz 5.76 million dot EVF
- 779 points Phase AF
- Dual Native ISO 100/640 5-
- Axis image stabilization 8 stops at center, 7 stops at periphery
- 1/8000s mechanical shutter
- 30fps continuous shooting with electronic shutter, 10fps mechanical shutter
Second-generation S1 series, the LUMIX S1IIE maintains the acclaimed design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored to various shooting conditions. It incorporates notable features from the S1II, positioning itself as a comprehensive tool for creative projects. Notably, the LUMIX S1IIE introduces a new Cinemascope (2.4:1) video format available in various frame rates, including uncropped 60p. Panasonic anticipates that the LUMIX S1IIE will be the preferred choice for those seeking improvements in ergonomic design and refined engineering.
LUMIX S1IIE
- Cinemascope 4K60p aspect ratio
– Delivers a cinematic view without cropping for improved storytelling
- The S1 series’ intuitive operability makes creative exploration
easy
- Advanced AF precision and new “Urban Sports” recognition
- Equipped with 8.0-stop in-body image stabilization
- Award-winning design and ergonomics on the S1II and S1RII
- Equipped with a 24.2MP sensor inspired by the features of the LUMIX S5II
- Equipped with the outstanding features of the S1II, it is a comprehensive tool for creativity
- Introduces new Cinemascope (2.4:1) video format available in a variety of frame rates including non-cropped 60p
Improved core performance to unlock new creative possibilities
- Real-time recognition redefined:
On-chip phase detection AF improves eye and face detection, and enhances AI-enabled people tracking accuracy.
- Equipped with new AF recognition for “urban sports” –
accurately captures dynamic movements such as breakdancing, skateboarding, and parkour
- 8.0-stop in-body image stabilization (BIS)
- Newly developed No-Crop EIS video distortion correction has been improved
- By using the separately sold software update key DMW-SFU3A, ARRI LogC3 will become available for the first time on the S Series.
- Supports internal recording of 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B cards.
The image sensor appears the same as the S5II’s 24MP CMOS. There may not be any major improvements in image quality or rolling shutter performance, but CFexpress (high bitrate internal recording), improved AF, image stabilization, and video functions are likely to be its strengths.
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