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Best Lenses for Sony ZV-E10 in 2025: Top Picks for Vlogging & Photography

Sony ZV10 is a powerhouse camera for Vloggers and photographers as well and content creators. The camera features a 24-megapixel APS-C BSI CMOS sensor and the ability to record 4K video, a lot of new features, along with E-mount support. But to unlock its full potential, you have to use the right lens when you are shooting cinematic vlogs or portraits, or vibrant travel photos. Choosing the best lenses for the Sony ZV10 in 2025 will make a real difference. In this guide, we have tested out several lenses and being using the ZV10 camera for more than 2 years we have selected the top best lenses for every use case from wide-angle prime lenses to versatile zoom lens with the detailed review and some sort of comparison tables we have below, you will get the best available lens for the ZV-E10 camera.

Table of Contents

Why does the right lens matter?
Best prime lens for Sony ZV-R10
Best zoom lens for Sony ZV-E10
Best budget lenses for Sony ZV-E10
Comparison table
How to choose a lens for your Sony ZV-E10
FAQ

Why does the right lens matter?

Sony ZV-E10 camera and its successor, Sony ZV10 II, are designed for content creators, specifically those who want the highest quality output possible without sacrificing quality. The Sony 24-megapixel BSI CMOS sensor delivers excellent, crisp, and clear oversampled 4K video footage, but the lens that you pair with the camera determines the overall output of your content. A wide-angle prime lens is ideal for vlogging with the camera, and a versatile zoom lens covers multiple scenarios. I am using the Sony ZV-E10 camera in my creator studio for more than 2 years and also it is one of my primaries for photography also, so the lenses that we have mentioned below are being tested in real-world conditions and if you are blogging in a street, shooting landscape images or capturing portraits these lenses will help you to get the maximum output from your camera.

Best Prime Lenses for Sony ZV-E10

Prime lenses offer unmatched sharpness, low-light performance, and background blur, which is not possible with zoom lenses. So for vlogging purposes, for portraits, and also for cinematic shots, here are our top picks:

Best Ultra-Wide Vlogging Lens for Travel Vloggers

1. Sony 11mm f/1.8

  • Specs: 11mm focal length (16.5mm equivalent), f/1.8 aperture, 181g, no OSS, 55mm filter.
  • Price: ~$550 (Check Price at B&H Store and Amazon.com).

Sony 11mm f/1.8 is the best lens for Sony ZV-E10 vloggers, those who need maximum coverage of the frame. The 11mm lens is highly required, which will act as a 16.5mm lens in 35mm format, making it very ideal for handheld vlogs and for dramatic indoor and landscape. The Sony silent dual linear autofocus motor always keeps tracking the subject without any issue. The lens is very lightweight with 181 grams and pairs up perfectly for ZV-E10 and handheld vlog shooting.

  • Pros:
    • Ultra-wide for maximum scene coverage.
    • Fast f/1.8 aperture for low-light and bokeh.
    • Lightweight and weather-sealed.
  • Cons:
    • No optical stabilization (use ZV-E10’s digital IS).
    • Some edge distortion (correctable in post).

Best For: Vloggers needing wide coverage, travel creators, and architecture photographers.

Now, if you want a super-low-light-sensitive ultra-wide lens, then we have the Viltrox 13mm F1.4

 

2. Viltrox 13mm F1.4 Lens: The Viltrox 13mm F1.4: If you are a content creator who creates most of your videos in an office or home setting, then you should consider the 16mm F1.4 lens. However, if you want extra coverage of your surroundings, for example, if you want a super-wide view or if you want to capture everything around you, especially for travel bloggers who want a bit more coverage than normal, then in that specific situation, I would suggest you go with the Viltrox 13mm F1.4 lens for the E-mount.

In terms of build quality, the lens is made up of a solid metal casing and has multiple weather seals, which makes it perfect to carry around in adverse weather conditions. The cherry on top is that you get a large manual focus ring which you can easily use to provide a smooth focusing experience. You can also do manual override while using autofocus.

The lens features an F1.4 aperture which makes it an ideal ultra-wide-angle prime lens to capture videos and even images in extremely low light conditions. The lens can also be used for astrophotography due to the nature of its high-grade optics.

A lot of effort has been put into optimizing this lens to perform perfectly while shooting videos. The lens features an STM motor, also known as a stepping drive motor, which helps to focus quickly without creating any noise.

Check the Latest Price of Viltrox 13mm F1.4 lens at Amazon | B&H Store

Pros:

  • Impressive performance
  • Solid metal casing
  • Good handling
  • Fast and accurate autofocus
  • Affordable

Cons:

  • No AF/MF focus mode switch

If you are a travel blogger and want to have super-wide coverage with a 13mm lens, you can go with this one

3. Sigma 16mm f/1.4 is a top choice for vlogging with a slightly tighter frame than the Sony 11mm.. The prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24mm equivalent focal length. A perfect focal length for creating content by putting ur camera just 2 to 3 feet away, and yes u can sometimes do handheld vlogs too.

The best part of the lens is the F1.4 aperture. Bright f/1.4 maximum aperture excels in low-light conditions. Shooting at Night and creating nightlife vlogs is now very easy with F1.4 aperture. And as usual, it also affords increased control over depth of field for achieving selective focus effects.

The AF is very fast, and the Sigma uses a stepping AF motor optimized for both photographers and videographers with its fast, precise, and near-silent performance.

The lens is an amazing bargain – super sharp, very fast, beautiful bokeh, and auto-focus. There is pretty much nothing not to like. The construction is rock solid, and rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.

  • Pros:
    • Sharp at f/1.4.
    • Compact for a fast prime.
    • Affordable for the performance.
  • Cons:
    • No optical stabilization (use ZV-E10’s digital IS).
    • Slightly heavy for long handheld shoots.
  • Best For: Vloggers, low-light shooters, and travel creators.
  • Price of Sigma 16mm F1.4 – Buy this lens from Amazon.com | B&H Store

Sample: View sample vlog shot with Sigma 16mm.

The Sigma 16mm F1.4 lens is an excellent companion for the Sony ZV-E10 Camera, specifically when you want to keep the camera very close to you, the lens genrates the best output.

4. Best Budget portrait Prime Lens for Sony ZV-E10 – Sony 50mm F1.8 – The best portrait prime lens ever made for Sony APS-C Mirrorless cameras. The lens features Optical SteadyShot image stabilization, so you can get sharper imagery when shooting handheld with slower shutter speeds. The OSS helps really a lot while shooting in low-ligh conditions.

One of the only portrait prime lens that features built-in OSS

An internal focus mechanism is really fast and responsive, with a minimum focus distance of 1.3′, and easier handling as the lens does not change in length during use. So, you can use this lens very easily with gimbals also.

The only downside, this lens isn’t weather-sealed, but also keep in mind the lens is made for an APS-C Mirrorless camera and not a Full frame camera. If you use it with a camera like Sony A7 III, the camera will work in DX mode and you will get a 10MP file.

Best zoom lens for Sony ZV-E10

Now here is the list of Best Zoom Lenses for the Sony ZV-E10 camera, that will help you extract the best possible output from ZV-E10’s 24MP BSI CMOS sensor.

1. Tamron 17-70mm F2.8 RXD – At $799  you are getting a pro lens, Tamron 17-70mm f/2.8 Di III-A VC RXD is a 25.5-105mm-equivalent lens for APS-C-format Sony E-mount mirrorless cameras. It’s an engineering masterpiece, incredibly versatile everyday zoom ideal for everyday shooting, and the fast f/2.8 constant maximum aperture suits working in difficult lighting conditions and offer improved control over depth of field. This lens delivers outstanding image quality even when shooting wide open, it is beautifully sharp throughout the frame.

The lens features built-in IS, which helps you to shoot with slower shutter speeds in low-light conditions without adding any motion blur or camera shake to your image. Altought the F2.8 aperture helps a lot while shooting in low-light.

Autofocus is very fast, accurate, and silent. For video users, there is almost no focus breathing throughout the range and focus pulls look incredible. VC of course makes handheld shots very smooth. And the controls on the lens are very smooth and do allow you to rather cleanly zoom in and out.

Buy Tamron 17-70mm F2.8 Lens fro m Amazon.com | B&H Store

This lens is awesome. For many shooters and videographers, this could be a one-and-done lens. The only downside, there are no physical controls on this lens for stabilization or focus modes, so you’ll have to change them through the menu system in your camera.

 

Now let’s talk about a lens with an extra wide coverage and a constant F2.8 aperture

 

2. The Tamron 11-20mm F2.8 is an APS-C lens with a constant F2.8 aperture. This lens is designed for content creators, covering a vital range from 11mm to 20mm. It can go super wide and then up to a normal wide mode which is 20mm. So, if you want to cover the entire environment, you can adjust the lens up to 11mm and depending on your set of requirements and taste, you can adjust its focal length. It’s not a prime lens, so you don’t have to worry about buying a 13mm lens or 16mm lens. It covers from 11mm to 20mm with a constant F2.8 aperture and is built with RXD motors, so the autofocus is super fast and silent.

The lens features a steel construction and lightweight design, so you don’t have to worry about handling it for a long time. You can also use this lens in adverse weather conditions.

rock-solid in the hands and features a dust- and splash-resistant design. An excellent lens for outdoors.

Quick Guide

Lens Name OIS Weight Price Best Use Case
Sony E 11mm f/1.8 No 181g $550 Lightweight / Vlogging/Wide Coverage
Viltrox AF 13mm f/1.4 No 420g $430 Low-Light Vlogging / Wide Coverage
Sigma 16mm f/1.4 No 405g $400 Vlogging/Low-Light
Sony E 35mm f/1.8 Yes 54g $450 Portraits/Street
Tamron 17-70mm f/2.8 Yes 525g $800 All-Purpose/Travel / Wedding / Event
Sony E PZ 10-20mm f/4 No 178g $750 Wide-Angle Vlogs
Sony E 50mm f/1.8 Yes 202g $300 Portraits/Budget
Tamron 11-20mm f/2.8 No 335g $500 Budget Vlogging / Street Food / Travel

Best Macro Lens

Sony FE 50mm F2.8 Macro G OSS is designed for full-frame E-mount cameras, this telephoto macro can also be used on APS-C systems, where it provides a 75mm equivalent focal length. The lens is affordable and perfect for APS-C Mirrorless cameras, this is a true 1:1 Macro Lens so you will be getting life-size images from the lens. Later on, once you have upgraded you can use this lens on the A7 series camera too.

Get 50mm F2.8 Macro Lens from Amazon.com | B&H Store

The true macro design affords a life-size, 1:1 magnification ratio along with a 6.3″ minimum focusing distance for working with close-up subjects. A focusing distance and magnification scale are also printed on the top of the lens to aid in more technical applications.

One extra-low dispersion element is featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

Best telephoto zoom

One of the best investments for APS-C users, it is a full-frame Tamron  70-180mm F2.8 VXD G2 lens so you will get a 105-270mm equivalent focal length range. The best lens when you do have some flans of getting a Sony full-frame camera.sue to fast aperture and being a full-frame lens the overall quality of this lens is just amazing.

Bright constant f/2.8 maximum aperture affords consistent brightness throughout the zoom range and offers improved control over depth of field. Two VXD (Voice-coil eXtreme-torque Drive) linear motors deliver impressively quiet, quick, and precise focusing performance to suit both stills and video applications. This focusing system offers a minimum focusing distance of 2.8′ at all focal lengths, and a 1:4.6 maximum magnification at the 180mm focal length for working with close-up subjects. Full-time manual focus override is also possible, and it is compatible with Sony’s Direct Manual Focus function or fine-tuned manual control.

We highly recommend you tet the Tamron 70-180mm lens, so will get max output from your camera, and later on ,you can use this lens for your future full-frame cameras.

How to choose the right lens for your Sony ZV-E10 camera?

See choosing the right lens actually depends on one’s shooting style, the set of requirements you have and your budget. All these factors decide the best lens for you.

1. Finding out the right focal length

Ultra wide lenses (10-15mm)
The lenses falling in the range of 10 to 15 mm are the best lenses for vlogging. These lenses provide maximum coverage even in tight spaces and some of the examples are Sony 11 mm f/1.8 and the Viltrox 13mm f/1.4.

Wide Angle lenses from 16 to 20 mm
16 to 20 mm lenses are highly suitable for desk vlogs. When you want to keep your camera really close to yourself, just after the screen of your desktop, then having lenses like Sigma 16 mm f/1.4 is really usable. Occasionally, you can also do handheld vlogging.

Standard lenses from 24 to 50 mm
The standard lenses need a good working distance from the subject. So, if you are sitting in a room or office and your camera is at a good distance from you, then you can use lenses like 35 mm from Viltrox or Sony, or a 56 mm lens from Sigma, or a 50 mm lens from Sony—any of these. So it all depends on how far you’re sitting from your camera.

Telephoto / Zoom lenses 70 mm+
If you are interested in sports and wildlife—which is really very less common with ZV-E10 users—then you have to invest in 70 mm+ lenses. Otherwise, most of the work can be done easily with lenses below this focal length.

2. Aperture

Fast aperture lenses with f/1.4 to 2.8 range
For better low light performance and shallow depth of field, you will need lenses with bright or max aperture value f/1.4—like we have the Viltrox 13 mm f/1.4 or the Sigma 16 mm f/1.4. Now just after that, we have f/1.8 lenses like the Sony 11 mm f/1.8.

Slower aperture f/4+ focal length
The f/4 or f/4+ lenses are more budget friendly but less effective in low light scenarios.

3. Optical Image Stabilization (OIS)

Since the camera does not have any sensor-shift image stabilization, it’s very important to select lenses with OIS (Optical Image Stabilization) if available. Otherwise, you have to use your camera on a gimbal to get highly stable output. Aur as a content creator, you can also use the camera’s gyro-based image stabilization, which is very effective.

4. Budget-friendly lenses

Under $500 lenses: If you are really looking for budget-friendly lenses, then I will recommend you to get Viltrox Air Series lenses. Even some lenses that we have recommended here like 50 mm f/1.8, Viltrox 30 mm f/1.4 and Tamron 11-20mm f/2.8 are some budget-friendly lenses.

Budget range $500 to $1000: Higher priced lenses include Sony 11 mm f/1.8 and Tamron 17-70 mm f/2.8.

Practical tips

Vlogging with coverage: Choose an extra wide-angle lens while you are vlogging, like Sony 11 mm or at least Viltrox 13 mm. With the extra coverage, you can easily apply Active IS stabilization that will do a digital fine crop. As well as, you can also apply gyro-based image stabilization. These extra wide-angle lenses help a lot when you want to implement digital zoom in your camera or in your software.

Low light vlogging: Ultra-bright lenses like—for vlogging purpose—you can have the Viltrox 13 mm f/1.4 or you can also have the Sigma 16 mm f/1.4. When you are shooting in your room or in your bedroom, these f/1.4 lenses are really very helpful when you are shooting in available light.

Portraits: For getting excellent results, I will highly recommend you to get 50 mm f/1.8 or 56 mm f/1.4 lens.

Travel Lens: The Tamron 17-70 mm covers most of the scenarios.

FAQ

What is the best lens for Sony ZV-E10 vlogging?
The Sony 11 mm f/1.8 is our top pick for vlogging. The lens covers an ultra-wide range of 16.5 mm in terms of full-frame equivalence. A perfect lens that covers the entire environment along with you, and also helps you to implement Active IS without any significant loss of frame. The second-best alternative to 11 mm f/1.8 is the Viltrox 13 mm f/1.4 which actually shines with its ultra-bright f/1.4 aperture—best for low-light scenarios.

Can I use full-frame lenses on the Sony ZV-E10?
You can use Sony E-mount full-frame lenses, as those are compatible with the ZV-E10 camera, but as we all know, the Sony ZV-E10 uses an APS-C CMOS sensor. For example, a 24mm lens will act as a 36mm lens on your camera, and the advantage of getting a crop lens is the size of the lens, like we have the Viltrox 13mm f/1.4, which is lighter as well as cheaper in its category.

What’s the best budget lens for Sony ZV-E10?
The Sony 50mm f/1.8 is the best budget lens for capturing portraits. The next best lens to it is the Viltrox Air 35mm f/1.8. Such lenses are lighter and cheaper for the ZV-E10 camera.

Do I need stabilisation for ZV-E10 in lenses?
Stabilisation, either mechanical or electronic, is needed for handheld vlogging. Now, if you are using a gimbal, which of course makes your setup a bit heavy, then you are getting very clean and smooth footage. But if you are not using any gimbal, then it’s highly recommended to use either Active Image Stabilisation mode inside your camera or completely turn off all the in-camera modes and later stabilise your footage in the Catalyst Browse software provided free by Sony.

Which is the best lens for low-light photography or vlogging?
The Viltrox 13mm f/1.4 is the best or the top choice for low light. These lenses maximise light capture and create a very creamy background blur. So, for available light, these two are the best lenses. Now, if you want a lightweight solution that’s easy to carry all the time, then with a bit of sacrifice, you can have the Sony 11mm f/1.8.

Are third-party lenses like Viltrox or Sigma good for the Sony ZV-E10?
Yes, third-party lenses like Viltrox and Sigma or even Tamron have the same autofocus algorithm inside them, which is being provided by Sony itself to the third-party lens makers. And the best part is that they give the best performance at lower prices. Like we have the Viltrox 13mm f/1.4 and the Sigma 16mm f/1.4, which are prime examples of lenses offering the surface-level optics with fast autofocus and great value for content creators and vloggers.

ABout the author: The article “Best Lenses for Sony ZV-E10 in 2025: Top Picks for Vlogging & Photography”  written and updated by thenewcamera.com team on 5:50 am Monday, 5 May 2025 Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news — > –>see more Sony Alpha Rumor

Sony new APS-C Lenses Coming

 

Sony is finally in the mood to announce new APS-C Lenses for their APS-C Mirrorless line-up.  As we all know third-party lens makers have given us amazing options like Sigma 18-50mm F2.8, and Tamron 17-70mm F2.8 OIS, and of course, Sigma trio primes are very popular among Sony users.

Sony isn’t putting that much attention on APS-C Lenses for the past few years and we all know this year it’s not possible for Sony to announce new APS-C camera bodies, due to the semi-conductor crisis. So, we the lenses for APS-C consumers.

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Sony New 16-35mm Power Zoom Lens, Will You buy it ?

Sony New 16-35mm Power Zoom Lens announced $1198. The lens is a compact zoom lens and features a constant F4 aperture throughout the zoom range. A nice addition to the Power zoom series. A usable lens to those who work with gimbals and need ultrawide coverage all the time.

Sony 16-35mm Lens is available for pre-order at B&H Store

TNC take: Yes it’s an amazing lens, but I in the same price range I will prefer Sigma 14-24mm f/2.8 DG DN Art Lens, which will cover more wider  14mm range and features a constant F2.8 aperture instead of F4 like the PZ Lens.

Sony New 16-35mm Power Zoom Lens Press Release

Sony Electronics Announces the World’s Lightest Constant F4 Wide-Angle Power Zoom Lens, the Compact FE PZ 16-35mm F4 G™

Latest Addition to Sony’s E-mount Lens Line-Up Offers Evolved Image Quality and Operability for Full-Frame, Content Creation

SAN DIEGO, CA – March 22, 2022 – Sony Electronics Inc. today introduced the FE PZ 16-35mm F4 G (model SELP1635G) – a wide-angle power zoom with evolved image quality, high performance AF (autofocus), and superior operability designed to meet the needs of today’s creators.

Developed with Sony’s vast expertise in lens design, the FE PZ 16-35mm F4 G delivers outstanding performance and control in the world’s lightest[i] full-frame wide-angle power-zoom lens with a constant F4 aperture. The compact hybrid lens offers refined image quality, reliable G lens rendering, and industry-leading AF performance in a remarkably compact form factor that will appeal to both photo and video content creators. The FE PZ 16-35mm F4 G is ideal for everything from video production and vlogging to street and landscape photography, offering a variety of outstanding hybrid features such as incredible resolution, beautiful bokeh, and fast and precise AF. In addition, Sony’s newest lens offers advanced video features including an innovative power zoom function and refined capabilities such as an independent aperture control ring for even more creative control.

“The needs of our community are our top priority. As the content creation landscape continues to evolve and the worlds of still imaging and video continue to merge, we are constantly developing new products to meet this growing demand for hybrid content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “With an advanced feature set and unmatched portability and flexibility, The FE PZ 16-35MM F4 G is perfectly designed to meet these evolving needs and ensure that today’s creators can realize their full vision.”

Evolved Image Quality for Photos and Videos

The FE PZ 16-35MM F4 G offers an extraordinary blend of breathtaking resolution and beautiful bokeh in a lightweight, compact lens. The optical path includes two AA (advanced aspherical) elements and a conventional aspherical element for an accurate image across the frame and 16-35mm zoom range. One Super ED (extra-low dispersion), and one ED glass element control chromatic aberration, while one ED aspherical element controls both chromatic and spherical aberration.

The use of AA elements in an advanced optical design also ensures excellent close-up performance throughout the zoom range – minimum focusing distance is 11 inches (0.28 meters) at 16mm and 9.5 inches (0.24 meters) at 35mm, with a maximum magnification of 0.23x. Additionally, an optimized coating effectively suppresses flare and ghosting for clear, well-defined images.

A circular aperture and carefully designed control of spherical aberration work together to deliver smooth, deep full-frame bokeh that adds visual impact.

High-Performance Autofocus

The FE PZ 16-35mm F4 G utilizes two XD (Extreme Dynamic) Linear motors to control autofocus. The fast response and smooth, quiet operation of this system gives users new creative freedom. With Sony’s flagship Alpha 1 body it is possible to maintain accurate focus while shooting stills continuously at up to 30fps (frames per second)[ii] and up to 120fps in movie mode.

Focus is especially critical when shooting slow motion 4K up to 120fps or 8K movies[iii]. The FE PZ 16-35mm F4 G works with Alpha cameras[iv] to reliably focus, and smoothly and silently track even fast-moving subjects. High-thrust XD Linear Motors, optimized optics, and responsive control add up to extraordinarily precise AF performance while keeping the lens compact with internal focus.

Advanced Features for Video Including a New Power Zoom Function

Based on feedback from leading creators, Sony specifically designed the FE PZ 16-35MM F4 G to deliver the refined imagery and control for today’s video needs. It features the latest lens technology to reduce focus breathing as well as focus and axial shift when zooming to ensure the highest quality video is easily captured. Focus, zoom, and aperture operation are also extremely quiet, greatly reducing noise and vibration that can interfere with movie recording.

For the first time in a Sony Alpha lens the FE PZ 16-35mm F4 G uses four XD linear motors for the power zoom function in addition to the two XD linear motors used for focus. With this newly designed electronic power zoom system, the FE PZ 16-35mm F4 G provides advanced control with the response and immediacy of non-powered manual zoom. It features both a zoom ring and a zoom lever with variable zoom speed that makes it easy to execute super-slow, fast or constant-speed change in focal length. Power zoom also minimizes camera shake or movement that can occur when operating a traditional zoom ring, and when used with compatible cameras, users can customize the zoom ring direction to suit shooting conditions. Zoom can also be controlled with the zoom lever on compatible cameras. Remote operation is also possible when using the Imaging Edge™ Mobile app[v].

As an added benefit, users can operate buttons and controls on compatible cameras or accessories for convenient zoom control, including the GP-VPT2BT Bluetooth Grip and Remote Commander RMT-P1BT to remotely control zoom while the camera is mounted on a gimbal[vi].

Furthermore, Linear Response MF ensures high repeatability as the focus ring responds directly and repeatably to subtle control when focusing manually. An aperture ring makes manual aperture/iris control fast, direct, and easy. The aperture ring includes a switch that can select aperture click stops that are ideal for photography or de-click operation for smooth iris control which is ideal for video.

Superior Mobility, Control and Reliability

World-class design and technology come together to deliver a compact, lightweight lens that also includes focus, zoom and aperture/iris rings and power zoom for unprecedented mobility and handling.

Using internal focus and internal zoom, the overall length of the lens remains constant during use for ideal balance and handling. Consistent balance makes this lens an ideal choice for gimbal-mounted movie shooting or use with a matte box. The focus ring can be easily controlled while shooting movies, and the adjacent focus and zoom rings are different sizes so they can be easily operated by feel while viewing the monitor.

More convenient features on the FE PZ 16-35mm F4 G include the Iris Lock Switch that can be engaged to prevent the aperture ring from being accidentally moved between the auto and F4 – F22 settings and the customizable focus hold button for convenient control.

As the world’s lightest[i] F4 wide-angle power-zoom lens, the FE PZ 16-35MM F4 G weighs just 12 ounces (353 grams), 30% less than the Vario-Tessar T* FE 16–35 mm F4 ZA OSS and is just 3.17 inches x 3.47 inches (80.5mm x 88.1mm) in size with a filter diameter of φ72mm. The lens also has a dust and moisture resistant design [vii], as well as a fluorine front element coating to keep it clean and reliable for outdoor use.

Pricing and Availability

The new FE PZ 16-35mm F4 G will be available in June 2022 for approximately $1,200.00 USD and $1,500.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Sigma 28-70mm F2.8 vs Tamron 28-75mm F2.8 Di III RXD Lens

Which lens you should buy Sigma 28-70mm F2.8 vs Tamron 28-75mm F2.8 Di III RXD Lens? , here is the specification comparison below. Between the two and a more detailed image and video comparison between the two is done by dustin abbott

Get Tamron 28-75mm F2.8 From Amazon.com | B&H Store

Get Sigma 28-70mm lens from Amazon.com | B&H Store

Focal Length 28 to 70mm 28 to 75mm
Maximum Aperture f/2.8 f/2.8
Minimum Aperture f/22 f/22
Lens Mount Sony E Sony E
Format Compatibility Full-Frame Full-Frame
Angle of View 75.4° to 34.3° 75° 23′ to 32° 11′
Minimum Focus Distance 7.5″ / 19 cm 7.48″ / 19 cm
Maximum Magnification 3.3 to 4.6x 0.34 to 0.25x
Optical Design 16 Elements in 12 Groups 15 Elements in 12 Groups
Diaphragm Blades 9, Rounded 9, Rounded
Focus Type Autofocus Autofocus
Image Stabilization No None
Filter Size 67 mm (Front) 67 mm (Front)
Dimensions (ø x L) 2.8 x 4″ / 72.2 x 101.5 mm 2.87 x 4.64″ / 73 x 117.8 mm
Weight 16.6 oz / 470 g 1.21 lb / 550 g

Sigma 28-70mm F2.8 DN Definitive Review | 4K

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Sigma Sending invites for March 30 event

Sigma Lens

Sigma sending invites for March 30 Event, actually its a E-Mount event and we do expect Sigma will showcase newly announced Sigma ART lenses for FE-Mount on that event. As well as we also expect some E-Mount specific announcement on that event. Since, its a E-mount event not a FE. It is also expected that they may finally announce 50mm f/1.4 APS-C E-mout lens.

Now let’s hope what they have something exciting for E-Mount, we will update you soon as we get any new information.

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Sigma ART Lenses for Sony FE Mount Coming

Sigma lenses coming from Sony

Sigma china account accidentally twitted they will soon going to announce new FE lenses at CP+ show. So, its a great news for Sony fullframe A7/A9 series users, that ART lenses are finally coming for them. Unfortunately, the tweet was deleted after a while. But we do have the screen shot of the tweet .

Pic of the tweet below

Sigma tweet

the tweet is now deleted

We will update you soon as we get any new information.

Also see – Sony at CP+ Show, Sony A7 III OR Sony A7S III ?

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We also have a Sony camera users facebook group you must join that group to get live updates lots of discussions are going on, there you can ask questions you can give answers you can share your images.

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Sony 100-400mm F4.5-5.6mm F4.5-5.6 GM OSS lens

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With powerful Sony A9 camera Sony also introduce new 100-400mm F4.5-5.6mm F4.5-5.6 GM OSS lens. The lens features supersonice AF motors to match the current generation of FAST AF speed of high-end mirrorless camera and most important factor is Sony claims that the new 100-400mm lens gives out corner-to-corner sharpness throughout the lens’ zoom and focus ranges and beautiful rendered ‘bokeh’ or background defocus.

The lens has been designed, tested and developed to match the AF performance of A9 as well as upcoming future high-end fullframe cameras.

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