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Best Lenses for Sony ZV-E10 in 2024

Sony ZV-E10 is one of the best Sony APS-C Mirrorless cameras Sony ever announced under budget. We have created this guide to let you know the names of the best lenses of the Sony ZV10 Mirrorless camera. The Best Lenses guide covers Best lenses for photography as well as vlogging. Not, only Bets Sony Lenses, we have also included the best third-party lenses for Sony ZV 10 Camera.

We have created this guide specifically for the Sony ZV-E10 camera, we have already created lenses best lenses for Sony A6400, Sony A6100, Sony A7 III, and Sony A7C camera.

What are the best lenses for Sony ZV-E10 in 2024?

  1. Tamron 17-70mm F2.8 Lens (Best all rounder lens for video and photo)
  2. Sony 50mm F1.8 Lens (best budget portrait lens)
  3. Sigma 16mm f/1.4 DC DN (the best lens for vlogging)
  4. Sony E PZ 18-105mm F4 G OSS (best alternative lens after 17-70mm)
  5. Tamron 11-20mm F2.8 Lens for Content Creators
  6. Sigma 30mm f/1.4 DC DN (Best for room portraits)
  7. Sigma 56mm f/1.4 DC DN (Best pro portrait lens)
  8. Sony FE 50mm F2.8 Macro (Macro Lens)
  9. Tamron 70-180mm f/2.8 Di III VXD Lens. (Best Telephoto Zoom Lens)
  10. Sony 18-135mm Lens

Buy Tamron 17-70mm F2.8 Lens fro m Amazon.com | B&H Store

1. Best All in One Lens for Sony ZV-E10

At $799  you are getting a pro lens, Tamron 17-70mm f/2.8 Di III-A VC RXD is a 25.5-105mm-equivalent lens for APS-C-format Sony E-mount mirrorless cameras. It’s an engineering masterpiece, incredibly versatile everyday zoom ideal for everyday shooting, and the fast f/2.8 constant maximum aperture suits working in difficult lighting conditions and offer improved control over depth of field. This lens delivers outstanding image quality even when shooting wide open, it is beautifully sharp throughout the frame.

The lens features built-in IS, which helps you to shoot with slower shutter speeds in low-light conditions without adding any motion blur or camera shake to your image. Altought the F2.8 aperture helps a lot while shooting in low-light.

Autofocus is very fast, accurate, and silent. For video users, there is almost no focus breathing throughout the range and focus pulls look incredible. VC of course makes handheld shots very smooth. And the controls on the lens are very smooth and do allow you to rather cleanly zoom in and out.

This lens is awesome. For many shooters and videographers, this could be a one-and-done lens. The only downside, there are no physical controls on this lens for stabilization or focus modes, so you’ll have to change them through the menu system in your camera.


Captured from Tamron 17-70mm F2.8

Now our next recommendation of a portrait lens.

2. Best Budget portrait Lens for Sony ZV-E10

The best portrait prime lens ever made for Sony APS-C Mirrorless cameras. The lens features Optical SteadyShot image stabilization, so you can get sharper imagery when shooting handheld with slower shutter speeds. The OSS helps really a lot while shooting in low-ligh conditions.

The little guy uses 50mm lens that will offer users a 75mm equivalent focal length, making it ideal for portraiture and other short telephoto applications. The fast f/1.8 maximum aperture. Even when shooting at f/1.8, this lens is sharp, especially in the center of the frame.

One of the only portrait prime lens that features built-in OSS

An internal focus mechanism is really fast and responsive, with a minimum focus distance of 1.3′, and easier handling as the lens does not change in length during use. So, you can use this lens very easily with gimbals also.

The only downside, this lens isn’t weather-sealed, but also keep in mind the lens is made for an APS-C Mirrorless camera and not a Full frame camera. If you use it with a camera like Sony A7 III, the camera will work in DX mode and you will get a 10MP file.

3. Best Vlogging Lens for Sony ZV-E10

Buy this lens from Amazon.com | B&H Store

The Sigma 16mm F1.4 Lens is a wide-angle prime lens and is highly popular among video bloggers. The prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24mm equivalent focal length. A perfect focal length for hand-held vlogging.

The best part of the lens is the F1.4 aperture, Bright f/1.4 maximum aperture excels in low-light conditions. Shooting at Night and create  Nigh-Life Vlogs now very easy with F1.4 aperture. And as usual, it also affords increased control over depth of field for achieving selective focus effects.

Best vlogging lens available for Sony ZV-E10 Camera

The AF is very fast and the Sigma used stepping AF motor optimized for both photographers and videographers with its fast, precise, and near-silent performance.

The lens is an amazing bargain – super sharp, very fast, beautiful bokeh, and auto-focus. There is pretty much nothing not to like. The construction is rock solid and rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.

4. Best Ultra Wide VLogging Lens for Travel Vloggers

Check the Latest Price of Viltrox 13mm F1.4 lens at Amazon | B&H Store

Viltrox 13mm F1.4 Specification: The Viltrox 13mm F1.4 lens has a focal length of 13mm, maximum aperture of f/1.4, minimum focus distance of 0.22m, maximum magnification ratio of 0.1x, filter size of 67mm, dimensions of 74x90mm, and weighs 420g.

Pros:

  • Impressive performance
  • Solid metal casing
  • Good handling
  • Fast and accurate autofocus
  • Affordable

Cons:

  • No AF/MF focus mode switch

The Viltrox 13mm F1.4: If you are a content creator who creates most of your videos in an office or home setting, then you should consider the 16mm F1.4 lens. However, if you want extra coverage of your surroundings, for example, if you want a super-wide view or if you want to capture everything around you, especially for travel bloggers who want a bit more coverage than normal, then in that specific situation, I would suggest you go with the Viltrox 13mm F1.4 lens for the E-mount.

In terms of build quality, the lens is made up of a solid metal casing and has multiple weather seals, which makes it perfect to carry around in adverse weather conditions. The cherry on top is that you get a large manual focus ring which you can easily use to provide a smooth focusing experience. You can also do manual override while using autofocus.

The lens features an F1.4 aperture which makes it an ideal ultra-wide-angle prime lens to capture videos and even images in extremely low light conditions. The lens can also be used for astrophotography due to the nature of its high-grade optics.

A lot of effort has been put into optimizing this lens to perform perfectly while shooting videos. The lens features an STM motor, also known as a stepping drive motor, which helps to focus quickly without creating any noise.

If you are a travel blogger and want to have super-wide coverage with a 13mm lens, you can go with this one

Viltrox 13mm F1.4 wide coverage sample Image

Now let’s talk about, the 18-105mm coverage lens.

Buy this Lens from Amazon.com | B&H Store

5. Best Budget Video Lens – 18-105mm F4

If you don’t have the budget for Tamron 17-70mm F2.8 Lens, you should go with this lens as your general-purpose kit lens for photography and video. The 18-105mm F4 is an excellent lens with a constant F4 Aperture.

The lens also features  Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for a while shooting still images or creating a cinematic video. This stabilization system can also be combined with a select camera’s sensor-shift type image stabilization for more effective control of camera blur.

Clearly, as this lens is aimed at video shooters, but you can take excellent still images too

Specifically for video, the lens features a power-zoom button for smooth cinematic zoom. AAninternal focus design contributes to fast autofocus speeds ahe minimum focus distance of 1.5′ and easier handling as the lens maintains its overall length. So, you can easily use this lens with gimbals too.

Its zoom range makes it an ideal choice for Video, portraits, and also for street photography, architectural features, art, sculpture, and buildings. The constant F4 aperture provides excellent depth of field control and makes the most of whatever ambient light is available. 

6. Tamron 11-20 mm F2.8

The Tamron 11-20mm F2.8 is an APS-C lens with a constant F2.8 aperture. This lens is designed for content creators, covering a vital range from 11mm to 20mm. It can go super wide and then up to a normal wide mode which is 20mm. So, if you want to cover the entire environment, you can adjust the lens up to 11mm and depending on your set of requirements and taste, you can adjust its focal length. It’s not a prime lens, so you don’t have to worry about buying a 13mm lens or 16mm lens. It covers from 11mm to 20mm with a constant F2.8 aperture and is built with RXD motors, so the autofocus is super fast and silent.

The lens features a steel construction and lightweight design, so you don’t have to worry about handling it for a long time. You can also use this lens in adverse weather conditions.

 

Get the Sigma 30mm F1.4 Lens from Amazon.com | B&H Sore

7. Best Lens for Room Portraits and Vlogs

Sigma 30mm is one of the best lenses to have in your camera all the time, it mimics the 35mm classic focal length range.  Perfect portrait and general photography prime lens. HIGHLY recommend. Great for low light, nice bokeh, easy to focus, FAST, and accurate AF. Lens and price are great for beginners’ general-purpose photography, you can create amazing videos too with this lens in your room or office. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. The rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Best lens for Room Portrait / Video Shoot

The perfect lens makes available light photography as well as video a true reality, even when shooting on city streets at night. You will get crisp images and noise-free videos even when used with available light during the night.  The 30mm is one of the sharpest lenses available for Sony E-mount. Highly Recommended.

Buy 56mm lens from Amazon.com | B&H Store

8. Best professional PortraitLens for ZV-E10 camera

If you have ba ig space for a portrait shoot (aka studio or outdoor), then go with a 56mm F1.4 lens. The lens eq. focal length is 84mm. Best for getting professional-quality results from your camera. Tac sharp. Superfast autofocus. Most have in your kit if you do Portraits. The bokeh is smooth.
Bright f/1.4 maximum aperture excels in low-light conditions and also affords increased control over depth of field for achieving selective focus effects. Very wwell-controlledcolor fringing and chromatic aberrations itoachieve greater clarity and color accuracy.

The AF mechanism of this lens is also just awesome,  A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.  The lens feels rock-solid in the hands and features a dust- and splash-resistant design. An excellent lens for outdoors.

Get 50mm F2.8 Macro Lens from Amazon.com | B&H Store

9. Best Macro Lens

Sony FE 50mm F2.8 Macro G OSS is designed for full-frame E-mount cameras, this telephoto macro can also be used on APS-C systems where it provides a 75mm equivalent focal length.

The lens is affordable and perfect for APS-C Mirrorless cameras, this is a true 1:1 Macro Lens so you will be getting life-size images from the lens. Later on, once you have upgraded you can use this lens on the A7 series camera too.

The true macro design affords a life-size, 1:1 magnification ratio along with a 6.3″ minimum focusing distance for working with close-up subjects. A focusing distance and magnification scale are also printed on the top of the lens to aid in more technical applications.

One extra-low dispersion element is featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

10. Best telephoto zoom

One of the best investments for APS-C users, it is a full-frame Tamron  70-180mm F2.8 VXD G2 lens so you will get a 105-270mm equivalent focal length range. The best lens when you do have some flans of getting a Sony full-frame camera.sue to fast aperture and being a full-frame lens the overall quality of this lens is just amazing.

Bright constant f/2.8 maximum aperture affords consistent brightness throughout the zoom range and offers improved control over depth of field. Two VXD (Voice-coil eXtreme-torque Drive) linear motors deliver impressively quiet, quick, and precise focusing performance to suit both stills and video applications. This focusing system offers a minimum focusing distance of 2.8′ at all focal lengths, and a 1:4.6 maximum magnification at the 180mm focal length for working with close-up subjects. Full-time manual focus override is also possible, and it is compatible with Sony’s Direct Manual Focus function or fine-tuned manual control.

We highly recommend you tet the Tamron 70-180mm lens, so will get max output from your camera, and later on ,you can use this lens for your future full-frame cameras.

Sony new APS-C Lenses Coming

 

Sony is finally in the mood to announce new APS-C Lenses for their APS-C Mirrorless line-up.  As we all know third-party lens makers have given us amazing options like Sigma 18-50mm F2.8, and Tamron 17-70mm F2.8 OIS, and of course, Sigma trio primes are very popular among Sony users.

Sony isn’t putting that much attention on APS-C Lenses for the past few years and we all know this year it’s not possible for Sony to announce new APS-C camera bodies, due to the semi-conductor crisis. So, we the lenses for APS-C consumers.

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Sony New 16-35mm Power Zoom Lens, Will You buy it ?

Sony New 16-35mm Power Zoom Lens announced $1198. The lens is a compact zoom lens and features a constant F4 aperture throughout the zoom range. A nice addition to the Power zoom series. A usable lens to those who work with gimbals and need ultrawide coverage all the time.

Sony 16-35mm Lens is available for pre-order at B&H Store

TNC take: Yes it’s an amazing lens, but I in the same price range I will prefer Sigma 14-24mm f/2.8 DG DN Art Lens, which will cover more wider  14mm range and features a constant F2.8 aperture instead of F4 like the PZ Lens.

Sony New 16-35mm Power Zoom Lens Press Release

Sony Electronics Announces the World’s Lightest Constant F4 Wide-Angle Power Zoom Lens, the Compact FE PZ 16-35mm F4 G™

Latest Addition to Sony’s E-mount Lens Line-Up Offers Evolved Image Quality and Operability for Full-Frame, Content Creation

SAN DIEGO, CA – March 22, 2022 – Sony Electronics Inc. today introduced the FE PZ 16-35mm F4 G (model SELP1635G) – a wide-angle power zoom with evolved image quality, high performance AF (autofocus), and superior operability designed to meet the needs of today’s creators.

Developed with Sony’s vast expertise in lens design, the FE PZ 16-35mm F4 G delivers outstanding performance and control in the world’s lightest[i] full-frame wide-angle power-zoom lens with a constant F4 aperture. The compact hybrid lens offers refined image quality, reliable G lens rendering, and industry-leading AF performance in a remarkably compact form factor that will appeal to both photo and video content creators. The FE PZ 16-35mm F4 G is ideal for everything from video production and vlogging to street and landscape photography, offering a variety of outstanding hybrid features such as incredible resolution, beautiful bokeh, and fast and precise AF. In addition, Sony’s newest lens offers advanced video features including an innovative power zoom function and refined capabilities such as an independent aperture control ring for even more creative control.

“The needs of our community are our top priority. As the content creation landscape continues to evolve and the worlds of still imaging and video continue to merge, we are constantly developing new products to meet this growing demand for hybrid content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “With an advanced feature set and unmatched portability and flexibility, The FE PZ 16-35MM F4 G is perfectly designed to meet these evolving needs and ensure that today’s creators can realize their full vision.”

Evolved Image Quality for Photos and Videos

The FE PZ 16-35MM F4 G offers an extraordinary blend of breathtaking resolution and beautiful bokeh in a lightweight, compact lens. The optical path includes two AA (advanced aspherical) elements and a conventional aspherical element for an accurate image across the frame and 16-35mm zoom range. One Super ED (extra-low dispersion), and one ED glass element control chromatic aberration, while one ED aspherical element controls both chromatic and spherical aberration.

The use of AA elements in an advanced optical design also ensures excellent close-up performance throughout the zoom range – minimum focusing distance is 11 inches (0.28 meters) at 16mm and 9.5 inches (0.24 meters) at 35mm, with a maximum magnification of 0.23x. Additionally, an optimized coating effectively suppresses flare and ghosting for clear, well-defined images.

A circular aperture and carefully designed control of spherical aberration work together to deliver smooth, deep full-frame bokeh that adds visual impact.

High-Performance Autofocus

The FE PZ 16-35mm F4 G utilizes two XD (Extreme Dynamic) Linear motors to control autofocus. The fast response and smooth, quiet operation of this system gives users new creative freedom. With Sony’s flagship Alpha 1 body it is possible to maintain accurate focus while shooting stills continuously at up to 30fps (frames per second)[ii] and up to 120fps in movie mode.

Focus is especially critical when shooting slow motion 4K up to 120fps or 8K movies[iii]. The FE PZ 16-35mm F4 G works with Alpha cameras[iv] to reliably focus, and smoothly and silently track even fast-moving subjects. High-thrust XD Linear Motors, optimized optics, and responsive control add up to extraordinarily precise AF performance while keeping the lens compact with internal focus.

Advanced Features for Video Including a New Power Zoom Function

Based on feedback from leading creators, Sony specifically designed the FE PZ 16-35MM F4 G to deliver the refined imagery and control for today’s video needs. It features the latest lens technology to reduce focus breathing as well as focus and axial shift when zooming to ensure the highest quality video is easily captured. Focus, zoom, and aperture operation are also extremely quiet, greatly reducing noise and vibration that can interfere with movie recording.

For the first time in a Sony Alpha lens the FE PZ 16-35mm F4 G uses four XD linear motors for the power zoom function in addition to the two XD linear motors used for focus. With this newly designed electronic power zoom system, the FE PZ 16-35mm F4 G provides advanced control with the response and immediacy of non-powered manual zoom. It features both a zoom ring and a zoom lever with variable zoom speed that makes it easy to execute super-slow, fast or constant-speed change in focal length. Power zoom also minimizes camera shake or movement that can occur when operating a traditional zoom ring, and when used with compatible cameras, users can customize the zoom ring direction to suit shooting conditions. Zoom can also be controlled with the zoom lever on compatible cameras. Remote operation is also possible when using the Imaging Edge™ Mobile app[v].

As an added benefit, users can operate buttons and controls on compatible cameras or accessories for convenient zoom control, including the GP-VPT2BT Bluetooth Grip and Remote Commander RMT-P1BT to remotely control zoom while the camera is mounted on a gimbal[vi].

Furthermore, Linear Response MF ensures high repeatability as the focus ring responds directly and repeatably to subtle control when focusing manually. An aperture ring makes manual aperture/iris control fast, direct, and easy. The aperture ring includes a switch that can select aperture click stops that are ideal for photography or de-click operation for smooth iris control which is ideal for video.

Superior Mobility, Control and Reliability

World-class design and technology come together to deliver a compact, lightweight lens that also includes focus, zoom and aperture/iris rings and power zoom for unprecedented mobility and handling.

Using internal focus and internal zoom, the overall length of the lens remains constant during use for ideal balance and handling. Consistent balance makes this lens an ideal choice for gimbal-mounted movie shooting or use with a matte box. The focus ring can be easily controlled while shooting movies, and the adjacent focus and zoom rings are different sizes so they can be easily operated by feel while viewing the monitor.

More convenient features on the FE PZ 16-35mm F4 G include the Iris Lock Switch that can be engaged to prevent the aperture ring from being accidentally moved between the auto and F4 – F22 settings and the customizable focus hold button for convenient control.

As the world’s lightest[i] F4 wide-angle power-zoom lens, the FE PZ 16-35MM F4 G weighs just 12 ounces (353 grams), 30% less than the Vario-Tessar T* FE 16–35 mm F4 ZA OSS and is just 3.17 inches x 3.47 inches (80.5mm x 88.1mm) in size with a filter diameter of φ72mm. The lens also has a dust and moisture resistant design [vii], as well as a fluorine front element coating to keep it clean and reliable for outdoor use.

Pricing and Availability

The new FE PZ 16-35mm F4 G will be available in June 2022 for approximately $1,200.00 USD and $1,500.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Sigma 28-70mm F2.8 vs Tamron 28-75mm F2.8 Di III RXD Lens

Which lens you should buy Sigma 28-70mm F2.8 vs Tamron 28-75mm F2.8 Di III RXD Lens? , here is the specification comparison below. Between the two and a more detailed image and video comparison between the two is done by dustin abbott

Get Tamron 28-75mm F2.8 From Amazon.com | B&H Store

Get Sigma 28-70mm lens from Amazon.com | B&H Store

Focal Length 28 to 70mm 28 to 75mm
Maximum Aperture f/2.8 f/2.8
Minimum Aperture f/22 f/22
Lens Mount Sony E Sony E
Format Compatibility Full-Frame Full-Frame
Angle of View 75.4° to 34.3° 75° 23′ to 32° 11′
Minimum Focus Distance 7.5″ / 19 cm 7.48″ / 19 cm
Maximum Magnification 3.3 to 4.6x 0.34 to 0.25x
Optical Design 16 Elements in 12 Groups 15 Elements in 12 Groups
Diaphragm Blades 9, Rounded 9, Rounded
Focus Type Autofocus Autofocus
Image Stabilization No None
Filter Size 67 mm (Front) 67 mm (Front)
Dimensions (ø x L) 2.8 x 4″ / 72.2 x 101.5 mm 2.87 x 4.64″ / 73 x 117.8 mm
Weight 16.6 oz / 470 g 1.21 lb / 550 g

Sigma 28-70mm F2.8 DN Definitive Review | 4K

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Sigma Sending invites for March 30 event

Sigma Lens

Sigma sending invites for March 30 Event, actually its a E-Mount event and we do expect Sigma will showcase newly announced Sigma ART lenses for FE-Mount on that event. As well as we also expect some E-Mount specific announcement on that event. Since, its a E-mount event not a FE. It is also expected that they may finally announce 50mm f/1.4 APS-C E-mout lens.

Now let’s hope what they have something exciting for E-Mount, we will update you soon as we get any new information.

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Sigma ART Lenses for Sony FE Mount Coming

Sigma lenses coming from Sony

Sigma china account accidentally twitted they will soon going to announce new FE lenses at CP+ show. So, its a great news for Sony fullframe A7/A9 series users, that ART lenses are finally coming for them. Unfortunately, the tweet was deleted after a while. But we do have the screen shot of the tweet .

Pic of the tweet below

Sigma tweet

the tweet is now deleted

We will update you soon as we get any new information.

Also see – Sony at CP+ Show, Sony A7 III OR Sony A7S III ?

stay with us (FACEBOOK | TWITTER | GOOGLE+) If you have time –>see more Sony Alpha Rumor.

We also have a Sony camera users facebook group you must join that group to get live updates lots of discussions are going on, there you can ask questions you can give answers you can share your images.

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Sony 100-400mm F4.5-5.6mm F4.5-5.6 GM OSS lens

Sony-new-100-400mm-lens-ima

With powerful Sony A9 camera Sony also introduce new 100-400mm F4.5-5.6mm F4.5-5.6 GM OSS lens. The lens features supersonice AF motors to match the current generation of FAST AF speed of high-end mirrorless camera and most important factor is Sony claims that the new 100-400mm lens gives out corner-to-corner sharpness throughout the lens’ zoom and focus ranges and beautiful rendered ‘bokeh’ or background defocus.

The lens has been designed, tested and developed to match the AF performance of A9 as well as upcoming future high-end fullframe cameras.

Amazon.com | B&H Store