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New Red Dragon with 6K output and + 3 F STOPS

Red-dragon

Red Digital Cinema Camera Company started a new revolution again, the company introduced 6K Sensor and Mark Toia is one of the first cinematographers to test out the Red Dragon sensor. Take a look at the video and read the comment made by Mark Toia (below video)

The Red Dragon sensor has 3 F STOPS more than before. 1 in the hight lights which rolls over wonderfully !, 2 solid extra stops in the darks…. maybe 3 once the colour science has been perfected.
But there is still noise, but nothing like before. I ran some 250d 2k film rushes next some of my 4000asa stuff, And silly as it sounds, it looks like film grain, not noise. Don’t ask me how, as I wouldn’t have a clue. But it looks great !

Red Dragon now has the best highlight fall off I have ever seen from any digital camera. Beating film! Big call I know, but after shooting film and pushing it around in telecine chains for more than a decade, I can categorically say that this new sensor has a better range than film ever had.

Single still frames compared to a top of the line professional 35mm Digital stills cameras, I’m going to say that the EPIC matches, if not betters most. Don’t ask me how they do it, but every single frame from the DRAGON is 109meg !! @16bit when saved as a tiff from RCX. and at 100 Frames per second, I tell you this… someone has sold there soul to the devil.
If you are a pro photographer, you are mad if you don’t have this camera in your tool box. You quite literally will never miss a single shot.

Is Dragon better than 65mm Film…. (with good lenses) YES. No shit…
The images out of the Dragon are so smooth now… so so smooth, like low asa large format film.

The Dragon is more stable than my current MX EPIC’s.

The SONY F65 I rate as having the best sensor in the market for a production cine camera. Yes.. it’s better than the EPIC- MX. (I’m not going to harp on about the size of it or the price comparisons).
Even Jim knows that Sony have done very well with the F65 sensor and that was obviously pissing him off, because his new Dragon sensor has just given the the F65 notice.
All the F65 SONY purists out there will dispute this. But I have Sony files here with me, and I’m looking at both side by side… and Dragons grain (noise) structure is cleaner and it has more range.
Dragon is now the King. (AND… I’m not going to harp on about the size of it or the price comparisons). or did I ..ha !

The single one sentence i can say that can sum up everything is this..
It’s the first camera ever that I have used that captures exactly what I see with my own eye.
Never have I seen this before. !

Red Scarlet-X Comes Out

RED Canon EF MOUNT PACKAGEAfter Canon C300 The Red Digital Cinema announced Scarlet-X, The Scarlet-X uses Mysterium-X S35 sensor, supports Canon EF or PL mount and features burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye. The Price of Basic Kit or brain is approx $10,000, the Scarlet-X AL Canon Mount Package is priced at $14,015.
RED Scarlet-X

Press Release
RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.

Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.

With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.

“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.

RED is now taking orders on RED.com for Scarlet-X.

Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.