News: Shortage of Canon RF 35mm F1.4L VCM and Panasonic S9 | Both are in VERY High Demand
Canon Latest News:
In an latest Press text, Canon Confirmed that Canon RF35mm F1.4 is in very HIGH Demand, as well as the OLDER Canon Speedlite EL-1 demand suddenly raised. Hence, the are experiencing production line issues and are not able to feed up the demand of consumer market right now, so customers have to face some delays with lens and the Speedlite.
From Canon;
Thank you for your continued patronage of Canon products.
Currently, we are experiencing delays in delivery for the following products due to orders exceeding our expectations and also due to the impact of global parts supply. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like to apologize again for keeping our eagerly awaiting customers waiting for such a long time. We will continue to take measures to ensure a stable product supply so that we can deliver the products as soon as possible. We appreciate your understanding.
Product Name
Availability
RF 35mm F1.4L VCM
We plan to ship the products one by one, but delivery may take longer than usual.
RF 200-800mm F6.3-9 IS USM
We plan to ship the products one by one, but delivery may take longer than usual.
Speedlight EL-1
We plan to ship the products one by one, but it is expected that it will take a considerable amount of time for delivery.
If you place a new order, it may take up to six months for delivery.
Panasonic Lumix News
Panasonic S9 Shortage of Supply | Huge Demand Among Content Creators, According to the latest press text from Japan, Panasonic S9 Camera is in very high demand among content creators and cannot fulfill the supply chain request. That’s why Panasonic LUMIX Japan has issued an apology letter
Panasonic S9 Shortage of Supply Press Release
Notification regarding delivery of the full-frame mirrorless interchangeable-lens camera DC-S9
Thank you for your continued patronage of Panasonic products. We would like to sincerely apologize for the great concern and inconvenience caused by the inappropriate use of images from a stock photo service on the LUMIX product website.
Regarding the above, we have started accepting pre-orders for the new LUMIX DC-S9 full-frame mirrorless interchangeable-lens camera, which is scheduled to be released on June 20th, but we have received more pre-orders than we expected. Therefore, some customers who have pre-ordered may not be able to receive the product on the release date. In addition, for customers who make pre-orders in the future, it may take some time for the product to be delivered from the release date.
We would like to once again apologize for not meeting the expectations of our customers who were looking forward to the product and for the inconvenience caused.
We will make every effort to deliver your order as soon as possible to meet your expectations, and we appreciate your understanding.
Let’s compare the Panasonic S9 versus the Sony A7C II. Starting with the comparison,
1. Sensor
we know the key difference here is the sensor resolution. Both cameras feature BSI CMOS sensors, but the Sony A7C II has a 33-megapixel Exmor R BSI CMOS sensor, whereas the Panasonic S9 uses a 24.2-megapixel sensor BSI CMOS. If we compare them side by side, the Sony A7C II will show slightly more details due to the higher-resolution sensor, specifically when you are pixel-peeping at 100% scale, as many of us do as photographers. However, the difference is minimal and not noticeable until you test both images under lab conditions.
2. AutoFocus
The autofocus sensitivity of both cameras is slightly different. The Sony A7C II’s autofocus sensitivity range is -3 EV to 20 EV, whereas the autofocus sensitivity range of the Panasonic S9 is from 0 to 18 EV., so Sony A7C II II practically more usable in low-light condition compared to the S9
3. AI integration
Regarding AI integration, the Sony A7C II camera is more advanced, with a dedicated AI chip inside it as well as dedicated AI alkgo. The autofocus capability and tracking performance of the A7C II is better compared to S9, and it can track subjects like trains, airplanes, and other moving objects. This doesn’t mean the Panasonic S9’s autofocus system is inferior or bad; it is quite good since Panasonic also uses a hybrid autofocus system. However, if you compare it with Sony, you will notice some differences. however, the S9 camera sensor is also very suitable for general-purpose photography and usage.
Feature
Panasonic S9
Sony A7C II
Sensor Type
BSI CMOS
BSI CMOS
Sensor Resolution
24.2 megapixels
33 megapixels
Detail Level at 100% Zoom
Lower detail
Higher detail
Autofocus Sensitivity Range
0 EV to 18 EV
-3 EV to 20 EV
AI Integration
No dedicated AI chip
Dedicated AI chip
Autofocus Capability
Good, hybrid autofocus system
Superior, advanced tracking performance
Tracking Performance
Efficient but slightly lower than Sony
Excellent, tracks moving objects efficiently
General Photography Usage
Suitable
Suitable
3. Mechanical Shutter vs Electronic
Sony A7C II camera has two options: one is a mechanical shutter and the other is an electronic shutter. The Panasonic S9 remains limited to electronic only. With the help of a mechanical shutter, you get a mechanical range starting from 1/4000 of a second to 30 seconds long exposure in the Sony A7C II camera. The electronic shutter range of both cameras is the same, from 1/8000 of a second to 60 seconds. However, the Sony A7C II’s electronic shutter range limited to 1/8000 of a second to 30 seconds.
4. Continuous shooting speed
Let’s compare the continuous shooting speed with full-time autofocus support and auto exposure support. With the Panasonic S9 camera, you are able to capture approximately 30 frames per second with the help of the electronic shutter. The Sony A7C II camera’s continuous shooting speed is limited to 10 frames per second with the mechanical shutter.
5. Pre-shooting buffer
One more thing that you get with Panasonic that will help you as a photographer is a pre-shooting buffer of approximately 0.50 seconds, which effectively counts 15 frames per second in the Panasonic S9 camera, which is absent in the Sony A7C II.
6. Pixel Shift High-Resolution Mode
Advantages associated with the Panasonic S9 camera include sensor-shift high-resolution mode. With the Panasonic S9 camera, you can capture 96-megapixel high-resolution images while using this mode, but there is one condition: you have to place your camera on a tripod, and the subject should be still.
Being a Panasonic camera, you also get some abilities of post-focus mode, so you can change the focus point after taking a shot, but all these facilities are only available in RAW files, not available in JPEGs.
Feature
Panasonic S9
Sony A7C II
Shutter Options
Electronic only
Mechanical and electronic
Mechanical Shutter Range
Not available
1/4000 sec to 30 sec
Electronic Shutter Range
1/8000 sec to 60 sec
1/8000 sec to 30 sec
Continuous Shooting Speed
30 fps (electronic shutter)
10 fps (mechanical shutter)
Pre-Shooting Buffer
Yes, 0.50 seconds (~15 fps)
No
High-Resolution Mode
Yes, 96 megapixels (requires tripod and still subject)
No
Post Focus Mode
Yes (RAW files only)
No
7. Display
Sony A7C Mark II camera features an electronic viewfinder of 0.39 inch OLED, 2.36 million resolution, whereas the electronic viewfinder is completely absent in the Panasonic S9 camera. Both cameras give you a vari-angle display screen for composition freedom, but resolution-wise, the Panasonic S9 display screen is much more powerful with a 1.84 million dot resolution compared to the Sony A7C II with 1.04 million resolution.
8. Handgrip
Body design and hand grip-wise, the Sony A7C II will give a much better experience to a professional photographer compared to the Panasonic S9. For the Panasonic S9, you have to buy an additional grip; without that, it is not able to be used properly even for 30 minutes while holding your camera with a lens. It is completely a grip-less camera.
Feature
Panasonic S9
Sony A7C II
Electronic Viewfinder (EVF)
Absent
0.39 inch OLED, 2.36 million resolution
Display Screen
Vari-angle, 1.84 million dot resolution
Vari-angle, 1.04 million resolution
Body Design and Hand Grip
Requires additional grip for proper use
Better experience for professional photographers
Ease of Use
Difficult to use without additional grip
Comfortable to use even without additional accessories
9. Video Mode
Let’s compare the video specifications of both cameras since both cameras are made for content creators. Let’s see which camera is best for you.
Regarding recording formats in both cameras, the Panasonic Lumix S9 supports MOV format, MP4 format, and MP4 HEVC format, but is missing the All-I intra-recording format. The Sony A7C II supports the XAVC S, XAVC SI (which is All-I intra format), as well as the latest XAVC HS.
10. Video Time Limits in Panasonic S9
The Panasonic S9 can capture up to 6K video at 60 frames per second, with a maximum of 10 minutes only. After that, the recording will stop, and you have to start it again. No 6K recording video mode is available in the Sony A7C Mark II.
The Sony A7C II camera captures 4K at 60 frames per second, and the Panasonic S9 also captures 4K at 60 frames per second, but with a 1.5x crop. In both cameras, you have to face a crop while recording 4K at 60 frames per second. However, in the Panasonic S9 camera, the recording time of 4K 60 FPS videos is limited to 15 minutes only, whereas in the Sony A7C Mark II camera, you can record videos until the camera gets overheated. Additionally, since the All-I intra format is available even while shooting 4K at 60 FPS in the Sony A7C Mark II, the overall bit rate jumps to 600 megabits per second (Mbps).
The Biggest SAD part of Panasonic S9 even the Full HD video recording mode of the Panasonic S9 Camera is limited to 20 Minutes Only, its look like the Camera is only designed to serve the TIK-TOK or You Tube SHORTS Creators ONLY.
Feature
Panasonic S9
Sony A7C II
Recording Formats
MOV, MP4, MP4 HEVC
XAVC S, XAVC SI (All-I intra), XAVC HS
6K Video Recording
Yes, up to 60 fps (10-minute limit)
No Limit
4K Video Recording
Yes, up to 60 fps (1.5x crop, 15-minute limit)
Yes, up to 60 fps (1.5x crop, limited by overheating)
Maximum Bit Rate
200 Mbps (6K/5.9K)
600 Mbps (4K All-I intra)
Recording Time Limits
10 minutes (6K), 15 minutes (4K 60 fps)
No fixed limit (until overheating)
Crop Factor in 4K 60 fps
1.5x
1.5x
Panasonic S9’s 6K and 5.9K recording are limited to the MP4 HEVC format, with recording going up to a maximum of 200 megabits per second (Mbps). So, that’s a very limited amount of data you are getting even when you are recording 6K or 5.9K with the Panasonic S9, and the time limit is also there of 10 minutes.
11. Panasonic S9 Professional videography features for cinematic use
The Panasonic S9 camera uses the same software that is used in the Panasonic S5 II, so you get all the features that are present in professional cameras even though you have to face recording time limits even in Full HD. But at the same time, you are getting features like anamorphic de-squeeze, time code functionality, waveform monitor, and vector scope. These are some features that a professional may require while shooting video with a camera available in the S9. The recording time limit is two hours in full HD and should be removed.
12. Gyro-based image stabilization system and focus breathing compensation
The Sony A7C Mark II is a bit more vlogger-oriented camera. That’s why SONY is giving gyro-based image stabilization for stability in handheld V-Log. At the same time, due to the presence of a dedicated AI chip, the camera is now able to do AI auto-framing of the subjects and track the subject with its movement. And finally Focus Breathing compensation for flawless AF performance.
Verdict: Panasonic S9 Core Specs very appealing, but at the same time the time limit in video ruins everything, So Sony A7C Mark II is more recommended over the Panasonic S6
24MP BSI CMOS sensor with on-sensor phase detection
4K 3:2 open-gate video in 25 or 30p (4:2:0 10-bit) with new ‘MP4 (Lite)’ codec
6K 3:2 open-gate video at up to 30p (4:2:0 10-bit)
6K or DCI/UHD 4K from full sensor width up to 30p
DCI/UHD 4K up to 60p (with APS-C crop)
Dedicated LUT button to apply LUTs in real time (photos and video)
Tight integration with the new LumixLab smartphone app
Dual conversion gain sensor with explicit ‘Dual Native ISO’ gain selection
UHS-II card slot
1.84M dot fully-articulating LCD
Panasonic Launches New LUMIX S9 Compact Full-Frame Mirrorless Camera, Ushering In A New Era for Seamless Content Creation
The smallest and lightest LUMIX S Series camera yet shoots and shares to social media in 30 seconds*2 with the new LUMIX Lab app
Newark, N.J. (May 22, 2024) – Panasonic is proud to announce the LUMIX S9, the smallest and lightest full-frame mirrorless camera in the LUMIX S Series. Available in four colorways–Jet Black, Crimson Red, Dark Olive, and Classical Blue–the LUMIX S9 is a stylish companion for content creators on the go and easily elevates social media content. With the introduction of the LUMIX S9 to its line-up of cameras, Panasonic aims to bring a new enjoyable shooting experience for creators, making the journey from capturing moments to sharing them with the world seamless and intuitive.
The approximately 24.2-megapixel full-frame CMOS sensor is equivalent to that of the LUMIX S5II, and the latest engine captures content in rich detail with natural tones. The full-frame sensors also deliver stunning results, even in low light conditions, and offer cinematic quality, with a beautiful bokeh effect. The camera is additionally equipped with PDAF (Phase Detection Auto-Focus), providing excellent subject tracking, as well as Active I.S., which significantly reduces blurring from camera shake even when shooting handheld, allowing users to shoot content confidently, in any situation and environment
Designed with the creative smartphone user in mind, the LUMIX S9 also grants users a range of popular, classic or bespoke color styles in-camera with the popular REAL TIME LUT function via a new dedicated button on the camera body. Furthermore, with the new LUMIX Lab app creators can develop their own unique LUT color files on their smartphone. Through these features, one can effortlessly generate original and shareable stills and videos without the need of post-production editing on a computer, expanding the scope of creative possibilities. The speed of transferring data from camera to smartphone has also been improved with the new app and the ability to pair it with a LUMIX camera.
The LUMIX S9 also introduces a new recording format: MP4 Lite. Shooting Open Gate in 4:2:0 10 bit in 30p/25p, creators can capture high quality videos in the optimum format for smartphone, and easily resize aspect ratios to suit social media with the LUMIX Lab app. With this new streamlined editing workflow, content creators can easily shoot and share while on the go.
Key LUMIX S9 Features include:
The first compact design in the LUMIX S Series, combining a small and lightweight body with high image quality.
Compact and lightweight body weighing approximately 403g/0.89 lb.*3
Approx. 24.2-megapixel full-frame CMOS sensor and the latest engine deliver powerful imaging performance.
Improved real-time recognition AF with PDAF (Phase Detection Auto-Focus) for more precise subject tracking performance.
Industry leading image stabilization technology with 5-axis Dual I.S.2: 6.5 stops*4 / Body I.S.: 5 stops*5 and Active I.S. compensate for camera shake when shooting while walking.
Equipped with MP4 Lite, a new smartphone-optimized Open Gate video mode.
Free-angle rear screen for flexible shooting at all angles.
New LUMIX Lab app for effortless connection.
Allows high-speed transfer of photos and videos from the camera to a smartphone.
Enables users to easily create original LUT files and transfer them from a smartphone to the camera, allowing them to enjoy their own preferred color expressions.
Quick and easy editing of MP4 Lite video files optimized for social media sharing.
REAL TIME LUT for a wider range of creative expression
Fully customizable LUT color files can be loaded in-camera for creative shooting
Dedicated LUT button on the camera body for ease of use.
Panasonic will unveil the new LUMIX S9 at 2024 VidCon Anaheim from June 26-29. It will be available for purchase in late June 2024 at valued channel partners for $1,499.99.
According to the latest rumors we have the Panasonic Lumix S9 Mirrorless camera will be announced on May 22, 2024, the price of the camera is said to be $1499 along with the kit lens, take a look at the set of leaked specifications of the upcoming camera
The Panasonic S9 Core specification
It features a lightweight body that leans towards video production.
The compact body does not have an EVF and is smaller than the Fuji X100 VI.
Equipped with the same 24 million pixel sensor as the Panasonic Lumix S5 II.
779-Point Phase-Detection AF System
6K30p 4:2:0 10-Bit Video Recording
C4K/4K60p 4:2:2 10-Bit
The body comes with a dedicated LUT button and allows for uploading custom LUTs.
It has in-body image stabilization.
Features a flip touch screen.
There is no mechanical shutter.
The camera is available in various colors such as black, green, blue, and red.
Priced $1499
I believe that in the future, Panasonic will continue to release more compact and lightweight lenses suitable for this entry-level full-frame mirrorless camera.
According to the latest rumors surfaced over the web, the new Panasonic camera has been confirmed as the LUMIX S9. It will be released on May 22/23 (depending on the local time difference). This entry-level, interchangeable lens full-frame camera focuses on video capabilities. It has a dedicated LUT button that allows users to switch between different LUT filter effects (similar to the film simulation switch knob on the Fuji XT50) and supports custom LUTs. It is equipped with the same 24 million pixel CMOS sensor as the Panasonic S5 II / S5 IIX, does not have an electronic viewfinder, is smaller than the Fuji X100VI camera, and comes in four different body colors.
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