Rode announced two new mics for professional content creators XDM-100 ($249) and XCM-50 ($150) as usual D for dynamic and C for the condenser. In short Dynamic mic are better and with built-in noise cancellation units but is costly, and Unify software is specifically for streamers for mixing audio on the go.
Both of the newly announced microphones are USB only (no XLR), unify creates a couple of virtual audio interfaces on your PC and you can then control which app uses what, and where that sound goes.
The XCM-50 is usual a condenser mic so u need the sound room – aka acoustically treated, or “softer” rooms. This mic is cheap and grabs all the environmental sounds so u have to work on it, or u can download the audacity software to remove the noise, change the pitch, etc for free.
The XDM-100 has a more classic “dynamic” microphone sound. The mic features noise cancellation, is slightly more affordable than the competition, and arrives Rode’s free UNIFY software offers advanced processing via the mic’s powerful internal DSP.
Tamron working on several prime lenses “30mm F1.4”, “35mm F1.4”, “40mm F1.4” and “50mm F1.4” for full-frame mirrorless cameras. Take a look at the details below
Overview
[Publication number] P2022162600
[Release date] 2022-10-25
[Title of Invention] Optical system and imaging device
As usual, not all patent turns into reality, let’s see how many of them turn into reality. In general, a patent roughly takes MAX 2 years of time to become an actual product, and so this will too.
Sony A7R V Teaser – Finally we have the Sony A7R V teaser. The official announcement is expected on October 26, 2022.
Sony A7R V Rumored Specification
Same 61MP sensor because all the power goes to the new processor.
TOTALLY New Autofocus system with AI deep learning
8k 24p (cropped)
4k60p 4k24p (full readout)
heat sink design of the Sony A7sIII (up to 30min 8K recording without overheating)
S cinetone is available
8 stop IBIS
Fully articulating LCD screen
The body looks like a mix between the Sony A7sIII and Sony A7IV.
Announcement October 26
First, we will see the 8k video recording capability in the A7R series camera. And not only that the camera also features a newly developed mechanical Image stabilization unit that compensates for camera shakes up to 8 Stops.
According to the latest rumors we have Sony A7R V is rumored to arrive on Oct 26, 2022. The sensor is said to be the same sensor as we have seen in the Sony A7R IV camera.
Sony A7R V Rumored Specification
Same 61MP sensor because all the power goes to the new processor.
TOTALLY New Autofocus system with AI deep learning
8k 24p (cropped)
4k60p 4k24p (full readout)
heat sink design of the Sony A7sIII (up to 30min 8K recording without overheating)
S cinetone is available
8 stop IBIS
Fully articulating LCD screen
Body looks like a mix between the Sony A7sIII and Sony A7IV.
Announcement October 26
First, we will see the 8k video recording capability in the A7R series camera. And not only that the camera also features a newly developed mechanical Image stabilization unit that compensates for camera shakes up to 8 Stops.
Several Product shots of the Olympus OM-5 camera surfaced over the web prior to its announcement. Here are some initial details shared team Nokoshita via digicaminfo
OM SYSTEM OM-5 Body
Black/Silver
UK Price £1,199
OM-5 12-45mm Lens Kit
Black/Silver
UK Price £1,499
Not only these two bunch of images are available check below
24mp Full-frame CMOS Sensor
Dual Pixel RAW / RAW burst
Dual Pixel CMOS AF
In-body stabilization
Digital Tele-Converter
12fps Mechanical
Hybrid Auto
4K 30p (No Crop)
4K 60p (Cropped. The EOS R6 is a 1.1x crop)
Canon Log 3/HDR PQ
Cloud RAW processing
RF/RF-S Lenses
SD/SDHC dual card slot
Not much change in the form factor over the original EOS R6
The Canon R6 will use the same stacked sensor we have seen in the Canon R3 camera. The camera announcement is expected first half of 2023.
Since they are testing R6 Mark II prototypes in Sep of 2022 as per rumors we have, The official announcement of the camera may happen between Feb to June of 2023., if everything goes on schedule inside Canon. more here
We will post an update as soon as more details become available to us
Sony ZV-1F vs Sony ZV1 – Best Compact Vlogging Camera of 2022 – The Sony ZV1F camera is $250 cheaper than the Sony ZV1. The biggest noticeable difference is the lens of the camera. With the Sony ZV1F, we are getting a 20mm prime lens and with the Sony ZV1, we are getting a 24-70 eg zoom lens. So, of course, you will lose some flexibility u have in the Sony ZV1 camera, but at the same time, you will gain a little bit more wide-angle coverage which is highly important when you are creating content with the camera, for which it is made. For the first time in a Sony vlogging camera, we are about to witness a cold shoe, it can only act as an external mic holder but it doesn’t have any active contacts inside it.
1. Sensor Details
Sony ZV-1F
Sony ZV1
Sensor Resolution
Effective: 20.1 Megapixel (5472 x 3648)
Effective: 20.1 Megapixel (5472 x 3648)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
1:1, 3:2, 4:3, 16:9
Sensor Type
13.2 x 8.6 mm (1″-Type) CMOS
1″-Type CMOS
Image File Format
JPEG
JPEG, Raw
Image Stabilization
Digital
Digital, Optical
Image quality & Video is expected to remain the same as the Sony ZV1 camera since both of the have the same sensor, But the major disappointment is despite having the same type of sensor. We do not have any Hybrid AF support in the newly announced camera. The New Sony ZV-1F camera uses CDAF [Contrast detection AF system] which is slow and sluggish.
We also miss the built-in ND filter of the Sony ZV1 camera, now u have to buy a 40mm thread ND variable filter for your camera.
Yes, we do have all the fancy Auto Focus modes we have witnessed in the ZV1. But as usual, the hardware is missing (no active Hybrid AF points). Despite all the -ve things, we do have some good news in the AF department. At least the Eye AF mode of the camera works well and tracks AF all the time.
2. Optical Zoom / Prime Lens
Sony ZV-1F
Sony ZV1
Focal Length
7.6mm (35mm Equivalent Focal Length: 20mm)
9.4 to 25.7mm (35mm Equivalent Focal Length: 24 to 70mm)
Digital Zoom
4x Maximum digital
2.7x (16.3x digital)
Maximum Aperture
f/2
f/1.8 to 2.8
Minimum Aperture
f/8
f/11
Focus Range
2″ to Infinity / 5 cm to Infinity
f/11
Optical Design
6 Elements in 6 Groups
10 Elements in 9 Groups
3. Missing Mechanical Image Stabilization
Sony ZV1-F camera doesn’t have any kind of Mechanical IS, which includes Sensor shift IS and OSS [Lens based]. Not only that Gyro IS is also missing, but the good news is we are getting at least EIS [electronic Image stabilization] from the camera. And when you implement it you have to face a 1.25X crop which turns your 20mm lens into a 25mm lens. That’s the only major positive thing I like inside ZV1-F is even after implementing EIS feature the widest coverage is similar to the ZV1 24mm focal length.
4. Exposure Control
Sony ZV-1F
Sony ZV1
ISO Sensitivity
Auto, 125 to 12800 (Extended: 80 to 12800)
Auto, 100 to 12800 (Extended: 64 to 25600)
Shutter Speed
Electronic Shutter
32,000 to 1/4 Seconds in Program Mode
32,000 to 1/4 Seconds in Manual Mode
32,000 to 1/4 Seconds in Aperture Priority Mode
32,000 to 1/4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/2000 to 30 Seconds
1/2000 to 30 Seconds in Bulb Mode
1/2000 to 4 Seconds in Auto Mode Electronic Shutter
1/32000 to 30 Seconds
1/32000 to 4 Seconds in Auto Mode
As you can see the Sony ZV1-F camera is limited to 29 Min recording timeline and the frame rates are also limited, it a clear indication that Sony not only wants to increase its consumer base they also want to save the ZV1 sales, by cutting down some basic features from the camera.
Sony ZV-1F
Sony ZV1
Recording Modes
XAVC
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p [60 to 100 MB/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 MB/s]
MP4/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] AVCHD/MP4
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Its a plastic cold shoe mount means no active contact. Its made up of plastic to support your external mic units that’s all.
Flash
Sony ZV1-F
Sony ZV1
Built-In Flash
No
No
External Flash Connection
None
Hot Shoe
Interface
Sony ZV-1F
Sony ZV1
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC [128 GB Maximum]
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
Connectivity
USB-C (USB 2.0), HDMI D (Micro), 1/8″ / 3.5 mm Microphone
1/8″ / 3.5 mm Microphone, HDMI D (Micro), Micro-USB (USB 2.0)
Wireless
Wi-Fi
Bluetooth
Bluetooth
Wi-Fi
GPS
No
No
Physical
Sony ZV-1F
Sony ZV1
Battery Type
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 360 Shots)
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 260 Shots)
Dimensions (W x H x D)
4.2 x 2.4 x 1.8″ / 105.6 x 60 x 46.4 mm
4.15 x 2.36 x 1.71″ / 10.54 x 5.99 x 4.34 cm
Weight
9.0 oz / 256 g (With Battery)
10.37 oz / 294 g (With Battery, Recording Media)
6. Sony ZV-1F vs Sony ZV1 Verdict
Sony ZV1 is better, undoubtedly. We have no competition here. And if you will say, Buddy, I don’t have that budget of ZV1, so what I can do now?
Hey, You can do one good thing, you can buy the Panasonic G7 Camera at the same price range with an M4/3 format sensor. Although the G7 uses the DFD AF system which is slow, believe me, the specs of the G7 are far superior to those of the ZV1-F
16 MP Live MOS Sensor
Venus Engine 9 Image Processor
Micro Four Thirds System
2.36m-Dot OLED Viewfinder
3.0″ 1.04m-Dot Free-Angle Touchscreen
4K UHD Video Recording at 30/24 fps
Built-In Wi-Fi Connectivity
Up to 8 fps Shooting with AF & ISO 25600
DFD AF System, 4K Photo Modes
14-42mm f/3.5-5.6 II MEGA O.I.S. Lens
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