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By admin, on October 21st, 2024
As per a recent Canon with Photo Trend interview, the Canon representative confirmed that the rest of the prime lenses, starting from Sigma 16mm to 23mm to 30mm to 56mm, are all coming in January 2025. So, for those who were waiting for these primes to arrive,
But for now, the RF mount aperture is only on APS-C?
Indeed, it only concerns APS-C for now. But all APS-C lenses (DC DN) in the range will be available by January 2025. Similarly, our 4 fixed focal lengths [16, 23, 30 and 56 mm, Editor’s note] will arrive by January.
Canon RF APS-C Primes at B&H Store
Sigma 16mm F1.8 DC DN – B&H Store
Sigma 23mm F1.8 DC DN – B&H Store
Sigma 30mm F1.8 DC DN – B&H Store
Sigma 56mm F1.8 DC DN – B&H Store
Back on February 29 of this year, we received confirmation that Canon had finalized deals with Sigma and Tamron. Shortly after that, in April, Sigma made an official press release announcing a zoom lens, the 18-50mm F2.8 DC DN, along with three prime lenses. Later, Sigma also added a 10-18mm zoom lens and a 23mm F1.4 DC DN prime. The zoom lenses, 18-50mm, and 10-18mm, are available for sale, and you can pre-order them right now at the B&H store. However, shipping for the four remaining prime lenses will start in January 2025.
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source photo trend fr
By admin, on October 18th, 2024
A lot of new DJI products just his the FCC Fillings, once the products appear on FCC DJI roughly takes 3 months to surface on the market. Take a look at the details of DJI upcoming products
1. DJI Mic Mini
Dji is working to expand its audio to entry-level users, that’s why now we have the DJI Mic mini, its an attempt to cover the rest of the market those who are not able to afford the DJI wireless mic due to its price range and looking for affordable alternative wireless solutions from companies like Hollyland.
DJI Mic Mini system, consisting of a transmitter (FCC ID: 2ANDR-DMMT01) and receiver (FCC ID: 2ANDR-DMMR01). This compact wireless microphone system Spotted on FCC.
2. DJI RS 4 Mini
One more attempt at market expansion, just like they are doing with DJI Mic Mini, DJI RS Mini is also on its way made for small vlogging cameras like Sony ZV-E10 II, Canon R50, and Nikon Z30. Its small, compact, lightweight, and comes under an affordable price tag.
The DJI RS 4 Mini (FCC ID: 2ANDR-P24M24) DJI’s RS (Ronin Series) Mini Version
3. DJI Osmo 360
As the name suggests it’s a 360-degree Unit, and a new series is not going to be introduced soon. As you can see all these new products are a way of market expansion, So DJI wants to cover the entire market with their tools from budget to pro.
DJI Osmo 360 (FCC ID: 2ANDR-OQ0012024) FCC ID 360 camera.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Camera News and DJI Rumors
source Grey Arrows Drone Club
By admin, on October 18th, 2024
Updated information we do not have confirmation that the Sony A1 Mk II camera is coming on NOV 19-20, take a look at the latest set of information we have
The camera we are expecting to Arrive from Sony
- Sony A7 V [Early 2025 with a 44.5Mp sensor as per rumors]
- Sony FX3 II
- Sony A7S IV [Sony next announcement after A1 Mark II]
- Sony ALpha A II [Confirmed for Sony Nov 19 announcement ]
According to the latest, Sony is about to announce a brand new camera at the end of November. By the way, we told you about the NOV announcement back on September 11; check this out. So everyone is curious about “what it will be?” What we truly expect from Sony right now, at this very moment, is the announcement of the Sony A7 IV successor, the Sony A7 V camera.
After the Nikon Z6 Mark III announcement, we are also concerned that Canon’s R6 Mark III, with the R3-stacked sensor, will surely come next year as per rumor mills. So, a new generation of Sony A7 IV competitors either arrived or is about to arrive, and among all of Sony’s full-frame cameras right now, the Sony A7 IV is the most outdated Alpha Camera. Still waiting to get a dedicated AI chip, which even Sony A6700 has inside it, that upscales the overall still and video AF performance of the camera.
Even if we follow Sony’s announcement pattern, the A7 IV camera was announced back in October 2021, and since then, Sony has updated almost all the models in its current lineup. So here’s a list of cameras that we expect may arrive from Sony at the end of November or December, or maybe sometime in 2025. But out of all these cameras, we personally think the A7 V is the most important, and Sony should release it as soon as possible.
Let me know in the coments which camera you’re most excited to see ?
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By admin, on October 17th, 2024
Compare the Sony ZV-E10 II camera against the recently announced Fuji X-M5. We will be comparing the 10 major differences between the two. Not only that, but these are the differences we have sorted out to make it a bit easier to understand instead of putting all comparisons in front of you in a single table. So we have distributed them into 10 different types of tables, so let’s begin.
See more comparisons – Fuji X-M5 vs Sony A6700
1. Camera Design Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Lens Mount |
Sony E |
FUJIFILM X |
| Built-In Flash |
No |
No |
| Display |
3″ Articulating Touchscreen LCD |
3″ 3-Way Tilting Touchscreen LCD |
| Body Material |
Plastic Body |
Magnesium Alloy |
In the first section, where we compare the camera design and all the details, you can see that the Fuji X-M5 is slightly smaller and a bit lighter than the Sony ZV-E10 II. The biggest advantage I see with the X-M5 is the weather-sealed design and a more durable body
2. Body Weight and Dimensions Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Body Weight (with battery & media) |
377 g |
355 g |
| Dimensions (W x H x D) |
114.8 x 67.5 x 54.2 mm |
111.9 x 66.6 x 38 mm |
3. Ports Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| HDMI Output |
Micro-HDMI |
Micro-HDMI |
| Audio Input |
1x 3.5mm Microphone Input |
1x 3.5mm Microphone Input |
| Audio Output |
1x 3.5mm Headphone Output |
1x 3.5mm Headphone Output |
| USB-C |
USB 3.2 Gen 1 (Data & Power) |
USB-C (Data) |
The next is the ports comparison. More or less, both have similar kinds of ports—micro HDMI input, headphone, and output port, so connectivity-wise both are quite similar to each other.
4. Camera Sensor Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Sensor Size |
APS-C (23.3 x 15.5 mm) |
APS-C (23.5 x 15.6 mm) |
| Effective Resolution |
26 MP |
26.1 MP |
| Sensor Crop Factor |
1.5x |
1.5x |
Let’s compare the internal core specifications of the cameras. We have the 26 MP X-Trans sensor on the Fuji side, while the Sony has a 24 MP Bayer pattern BSI CMOS sensor. More or less, we will get similar image quality from both cameras.
No, neither of the cameras has any mechanical stabilization inside them for stills, so you have to be careful while using these cameras.
5. Autofocus Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Autofocus Points (Photo) |
759 Phase Detection |
425 Phase Detection |
| Autofocus Sensitivity |
-3 to +20 EV |
-7 to +7 EV |
| Autofocus Modes |
Auto, Continuous, Single, Manual |
Continuous, Single, Manual |
The autofocus system of both cameras is super awesome. Still, again, since Sony and Canon are leading in autofocus tracking, as well as if you compare the number of phase-detect autofocus points, the Sony ZV-E10 II has 759 AF points, while the X-M5 remains limited to 425. So, more or less, the tracking performance coming straight out of the Sony camera will be more usable and reliable compared to the Fuji X-M5.
6. Image Stabilization Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Image Stabilization (Photo) |
No |
No |
| Image Stabilization (Video) |
Digital, Active IS, Gyro |
Digital IS |
On the other side, we have better autofocus sensitivity in the Fuji X-M5, which means the ability to lock focus in backlit situations is better with the X-M5. But again, AF sensitivity doesn’t help much with tracking performance. So both are completely different in terms of tracking and sensitivity. Generally, we rely more on tracking performance rather than sensitivity.
7. Continuous Shooting Speed Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Max Continuous Shooting |
11 fps (Photo) |
30 fps (Photo with electronic shutter) |
| Max Frames in Burst |
59 (RAW) / 1000 (JPEG) |
23 (RAW) / 128 (JPEG) |
The X-M5 offers 30 fps continuous shooting with the electronic shutter but with some crop. If I select the uncropped mode, the speed drops to 20 fps, which is still better than the Sony ZV-E10 II’s 11 fps continuous shooting mode.
8. Video Resolution Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| 4K Video |
3840 x 2160 at 60 fps |
6240 x 4160 at 30 fps |
| Full HD Video |
1920 x 1080 at 120 fps |
1920 x 1080 at 240 fps |
| Video Bit Depth |
10-Bit |
10-Bit |
Before you come to a decision that you are going to buy a camera with 6.2K resolution, you must first look towards your own personal requirements. If your personal requirements fulfill with 4K recording up to 60 frames per second, then without a doubt, a camera with more than 60fps mode is enough for you. But if you are a short filmmaker or someone who likes to get an open gate video in F-Log2 mode and then later on edit in your editing software, then you should buy the Fuji X-M5 camera. Otherwise, if you are a YouTube content creator or create Instagram Reels, then there is no need to buy a camera with 6K open gate recording.
To be very clear, the Fuji X-M5 does not have the same autofocus tracking performance as the Sony ZV-E10 II.
9. Codecs and Bitrates Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Codecs |
H.264, H.265, XAVC S |
H.264, H.265, AVC-LongG |
| Bitrates |
100 to 600 Mb/s |
8 to 200 Mb/s |
10. Extra Video Features Comparison
| Feature |
Sony ZV-E10 II |
Fuji X-M5 |
| Log Profile |
Sony S-Log3, S-Cinetone |
FUJIFILM F-Log, F-Log 2 |
| Slow/Fast Motion |
Yes |
Yes |
| Recording Limit |
No Limit |
50 Minutes (4K) (Unlimited in 4k LP low Quality) |
Sony ZV-E10 Mark II camera, despite the fact that the camera doesn’t have a 6.2K open gate recording, gives you a bitrate option of 600 Mbps, whereas a Fuji X-M5 camera with 6.2K open gate recording limits the bitrate to 200 Mbps. So there is a very simple math calculation: more bitrate means more color coming into your footage.
Another big noticeable difference before we jump to the limitations we have to face with each of the cameras is that the Fuji X-M5 in 4K has a recording limit of 50 minutes. Now, the 50-minute recording can only be extended when you are using an LP mode in 4K, which degrades the quality of 4K recording, but it allows you to record for more than an hour. So you have to decide that if you are into podcasting, then select your camera wisely.
10. Video Recording Time Limit and Known Limitations
| Feature/ Limitation |
Sony ZV-E10 II |
Fuji X-M5 |
| 4K Video Recording Time Limit |
No official time limit (subject to thermal control) |
No official time limit (4K) (4k Lp low-quality unlimited recording) |
| Full HD Video Time Limit |
No official time limit |
No official time limit |
| Thermal Management |
Auto shut-off based on temperature settings (standard or high) |
Thermal control to avoid overheating (cut-off) |
| Battery Life (Video) |
Approx. 80 minutes (continuous recording) |
Approx. 60 minutes (4K) |
| Overheating Issues |
Rare in typical conditions |
May occur during extended 4K recording sessions |
| Slow-Motion Recording Limit |
No official limit (depends on settings and battery life) |
Approx. 3 minutes (240 fps Full HD) |
| Continuous Autofocus in Video |
Yes, with Eye and Object Tracking |
Yes, with Eye Detection and Fast AF |
| Internal Recording Bit Depth |
10-Bit Internal recording |
10-Bit internal recording |
| External Recording |
4K 60fps via HDMI output (10-Bit) |
4K 30fps via HDMI output (10-Bit) |
| Rolling Shutter (4K) |
Moderate at 4K 30 fps |
Moderate at 4K 30 fps |
Conclusion and Recommendation
| Category |
Recommended Camera |
Reason |
| Content Creator |
Sony ZV-E10 II |
Fast autofocus and good video quality for engaging content. |
| Reels Creator |
Sony ZV-E10 II |
Ideal for quick, easy short-form video creation. |
| Short Filmmaker |
Fuji X-M5 |
Superior image quality and advanced features for cinematic films. |
| Daily Life Vlogger |
Sony ZV-E10 II |
Compact and user-friendly for spontaneous vlogging. |
For Photographers
You can buy any one you like since both of them missing EVF and feature the same resolution sensor, but the Sony ZV-E10 offers a better handgrip whereas the Fuji X-M5 is more vlogging-oriented, without a doubt the Sony ZV-E10 II AF tracking performance is better so you can consider that also, on the other side we have film-simulation modes from Fuji which is being loved by many photographers worldwide.
Fuji X-M5 Price
Fujifilm X-M5 Body: $799- B&H Store
Fujifilm X-M5 + XC 15-45 Kit: $799 – B&H Store
Sony ZV-E10 Price
Sony ZV-E10 Mark II $998 [body]- B&H Store – [$1098 with kit at Amazon] Amazon.com
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Admin Notes: Comparison Updated on – October 2024
Correction log: Updated recording time limit of the Fuji X-M5
By admin, on October 17th, 2024
So we have the Canon R6 Mark III camera specs surfaced over a Chinese source. Specs remain the same as we discussed back in May 2024. We told you that Canon R3’s 24-megapixel stacked sensor will be used inside the Canon R6 Mark III camera. The same information is again shared by the sources. However, here they specifically mention the sensor model code name, take a look below
- 24-megapixel LC1720 sensor.
- DIGIC Accelerator accelerated processor, 8.5-stop collaborative image stabilization.
- Same focus system as EOS R5 II.
- Highly reliable 14-bit 30fps RAW electronic shutter continuous shooting, reading speed 1/180s.
- In-camera neural network noise reduction and high-resolution magnification.
- Supports XF-AVC S and XF-HEVC S recording of C4K/120p (S35) and 6K oversampled C4K.
- Supports 6K30p and 4K60p (S35) Cinema RAW Light recording.
If you talk about the announcement date and based on Canon’s usual pattern for their R5 or R6 series cameras, then as per their schedule, it looks like the R6 Mark III camera will arrive sometime in Q2 or Q3 of 2025. It’s not coming too early, but yeah, we do hope and expect it will arrive with almost the same specs that we are seeing right now.
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source E88_8888
By admin, on October 15th, 2024
Canon’s Game-Changing Firmware Update: Frame.io Cloud Integration is Coming! Canon’s C400 and C80 are ready to get their update soon, here is the press release
Canon collaborates with Adobe to bring native Frame.io Camera to Cloud integrations to select cameras
Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce a new collaboration with Adobe to bring Frame.io’s Camera to Cloud connectivity to select cameras, starting with the EOS C400 and EOS C80, enabling users to send proxy files directly from the camera for a faster and more secure path from production to post. The new feature, activated in-camera, will be included in a free firmware update scheduled for a Winter 2024 release from Canon USA. It will be available for download on the Canon USA Website.
The update supports simultaneous proxy file transmission to Camera to Cloud from the EOS C400 and EOS C80 cameras while recording original camera files (OCF) and proxy files internally. The proxy files can be sent over wireless or a wired Ethernet connection.
Canon’s proxy files match the same filename, timecode stream, and metadata fields as the original camera files, and are natively supported for playback on Frame.io. The efficient proxy files are available to view, share, and edit remotely without requiring additional processing or conversion. The proxy files can be uploaded to the cloud, automatically, allowing for a more streamlined workflow, with videographers in one location able to quickly share proxy files with their team in a separate location.
Stay tuned, more updates are coming
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By admin, on October 15th, 2024
Canon USA teases that they are going to announce three New Hybrid Zoom and Primes lenses on October 30, 2024.
All the way, we know with the help of the Canon Rumor Mill the names of the three lenses.
Canon Upcoming Lenses
- Canon RF 24mm f/1.4L VCM
- Canon RF 50mm f/1.4L VCM
- Canon RF 70-200mm f/2.8L IS USM Z ( works with teleconverters)
Take a look at the official press release of Canon’s new additions to the RF Primes and ZOoms
MELVILLE, NY, October 15, 2024 – Canon, a leader in digital imaging technology, today announced its intention to add new lenses to its hybrid RF L-series range on October 30, 2024, when all details will be revealed.
Canon’s hybrid lenses are a range of RF L-series primes and zooms designed for high performance stills and video capture. They are able to perform multiple roles and harness technology from Canon’s broadcast, cinema and existing RF lenses to make for a truly versatile range concept. They empower creatives with the flexibility to reach new levels of artistry and practicality in stills and video production.
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