Fuji X-E4 vs Fuji X-T30 – Fuji X-T30 is one of the most popular cameras in the int’s price segment. After the announcement of the Fuji X-E4 camera I am getting lots of queries but uses that Should I buy Fuji F-Xt30 camera or wait for the Fuji X-E4 camera. We have compared the Fuji X-E4 versus Fuji X-T30 now let’s find out the best camera for you.
Fuji X E4 camera features almost identical core specifications as we have in the Fuji X-t30 camera. Even though there are a lot of similarities between the two, but we do some significant differences also. In this comparison review, we will be going to find out the major differences at why you should pick Fuji X-E4 camera instead of using xt30
1. Image sensor
The image sensor of both the camera is exactly the same, both cameras are using a future ultra popular and reliable 26 megapixels BSI CMOS X-Trans sensor. the sensor was first introduced in the Fuji X-T3 camera. After that, the 26-megapixel sensor used widely in Fuji flagship, midrange, and entry-level mirrorless camera systems. And finally, the X-E series of Fuji also got updated with the same sensor.
Fuji X-T30 offers more manual control than of Fuji X-E4 camera. Fuji better choice for still shooters.
Fuji X-E4
Fuji X-T30
Lens Mount
FUJIFILM X
FUJIFILM X
Camera Format
APS-C (1.5x Crop Factor)
APS-C (1.5x Crop Factor)
Sensor Resolution
Effective: 26.1 Megapixel (6240 x 4160)
Effective: 26.1 Megapixel
Aspect Ratio
1:1, 3:2, 16:9
1:1, 3:2, 16:9
Sensor Type
CMOS
CMOS
Sensor Size
23.5 x 15.6 mm
23.5 x 15.6 mm
Image File Format
JPEG, Raw
JPEG, Raw
Bit Depth
14-Bit
14-Bit
Image Stabilization
None
None
2. Iso settings and more
Since the sensor is the same, and the image processor used inside both the camera is exactly the same so the ISO range of both Fuji xt30 and Fuji X-E4 camera remains exactly the same.
Fuji introduced a new mechanical shutter inside the Fuji X-E4 camera as you can see in the specs table below the range of the mechanical sector is increased.
Continuous shooting speed of both the camera or you can say the burst speed of both cameras is also exactly the same as of each other. Metering modes, exposure modes, and even the exposure compensation. each and every value of both the camera is exactly the same.
Fuji X-E4 features vlogging friendly screen and X-T30 viewfinder in the center, As a still shooter one should pick the X-T30, and for bloggers X-E4 is more recommended.
Fuji X-E4
Fuji X-T30
ISO Sensitivity
Auto, 160 to 12800 (Extended: 80 to 51200)
Auto, 160 to 12800 (Extended: 80 to 51200)
Shutter Speed
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
0 to 60 Minutes in Bulb Mode Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1 to 1 Second in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Mechanical Shutter
1/4000 to 900 Seconds Electronic Shutter
1/32000 to 900 Seconds Electronic Front Curtain Shutter
0 to 60 Minutes in Bulb Mode
Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 8 fps at 26.1 MP for up to 105 Frames (JPEG) / 18 Frames (Raw)
Up to 5 fps at 26.1 MP for up to 458 Frames (JPEG) / 24 Frames (Raw)
Up to 4 fps at 26.1 MP for Unlimited Frames (JPEG) / 28 Frames (Raw)
Up to 3 fps at 26.1 MP for Unlimited Frames (JPEG) / 34 Frames (Raw) Electronic Shutter
Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 18 Frames (Raw) Electronic Shutter
Up to 30 fps at 16.6 MP for up to 29 Frames (JPEG) / 17 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 79 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 153 Frames (JPEG) / 18 Frames (Raw)
Up to 8 fps at 26.1 MP for up to 90 Frames (JPEG) / 18 Frames (Raw)
Up to 5 fps at 26.1 MP
Up to 4 fps at 26.1 MP
Up to 3 fps at 26.1 MP
Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 17 Frames (Raw)
Up to 30 fps at 16.6 MP for up to 26 Frames (JPEG) / 17 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 53 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 95 Frames (JPEG) / 18 Frames (Raw)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/10-Second Delay
3. Fuji X-E4 Recording Time Limit
The Fuji X-E4 camera features a full HD video recording option of 240 frames per, the Fuji X-T30 camera remains limited to 120FPS Full HD video mode.
One of the major differences between these two camera video modes is the recording time limit. As you can see in the specification table below, the Fuji X-T30 recording time limit of 4K and Full HD is variable. On the other side, we have the Fuji X-E4 Recording time limit is 30 Minutes in Full HD and 4k video modes.
Introduction of 240FPS @ Full HD in Fuji X-E4 camera. With the new 240FPS frame rates you can create super Slo-Mo Full HD videos. The Fuji X-T3 camera remains limited to 120FPS in Ful HD.
Fuji X-E4
Fuji X-T30
Recording Modes
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [100 to 200 Mb/s]
MOV/H.264
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [200 Mb/s]
External Recording Modes
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/120p
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 100p/120p
Recording Limit
Up to 30 Minutes
Up to 10 Minutes for DCI 4K (4096 x 2160)
Up to 10 Minutes for UHD 4K (3840 x 2160)
Up to 15 Minutes for DCI 2K (2048 x 1080)
Up to 15 Minutes for Full HD (1920 x 1080)
240p / 200p 200Mbps(recording) up to approx. 3min.
120p / 100p 200Mbps(recording) up to approx. 6min.
[Full HD(1920×1080) High speed rec.]
120p/100p 200Mbps(recording) up to approx. 6min.
Recording Time Limit Details
[DCI 4K(4096 x 2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.
[4K(3840 x 2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.
[Full HD(2048 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080) High speed rec.]
[DCI 4K(4096×2160)]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 10min[4K(3840×2160)]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 10min[Full HD(2048 ×1080)]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min.[Full HD(1920×1080)]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min.
The Fuji X-E4 camera arrived with upscaled AF algorithms, which includes enhanced object tracking in video mode and AF lock speed, just like we have in the Fuji X-T4 Mirrorless camera.
Fuji X-E4
Fuji X-T30
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points
Phase Detection: 425
Phase Detection: 425
4. Size and weight
Size-wise we have very little difference between the two and the same with the weight of both the camera.s
Fuji X-E4
Fuji X-T30
Battery
1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh (Approx. 380 Shots)
1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh
Dimensions (W x H x D)
4.8 x 2.9 x 1.3″ / 121.3 x 72.9 x 32.7 mm
4.7 x 3.3 x 1.8″ / 118.4 x 82.8 x 46.8 mm
Weight
12.8 oz / 364 g (Body with Battery and Memory)
13.51 oz / 383 g (Body with Battery and Memory)
Verdict: For Photographers the Fuji X-T30 camera will be more suitable since the still specification is almost the same, but the X-T30 has a bit better design and viewfinder placement. For VLoggers and videographers/cinematographers Fuji X-E4 is an excellent choice.
Sony recently registered a new camera at a wireless certification agency. The Model Code of the camera is WW356015. So, now we have a total of 5 New cameras in the announcement pipeline from Sony. Take a look at the list of Sony to be announced cameras.
1. Sony Upcoming Camera Models list
“WW447485” with 5GHz Wi-Fi (Higher End camera)
“WW728473” 5GHz Wi-Fi (Higher End camera)
“WW356015” 2.4GHz (RX series or APS-C Mirrorless)
“WW186333” 2.4GHz (RX series or APS-C Mirrorless)
“WW111327” 2.4GHz (RX series or APS-C Mirrorless)
In general, when Sony registers a camera, they take less than 3 months of time to announce the product officially. Rest depends on the Sony Marketing team when they want to announce the product.
For example, the Sony A7s III announcement was intentionally delayed by the marketing team due to the absence of proper market competitors in that category.
Sony does, incremental updates when they feel they have very limited competition. That’s why the Sony A7 IV camera RX100 series updated was delayed and the same in the case of the RX10 and RX1 series. This year we will have the announcement of the Sony A7IV and RX100 VIII camera, but again with limited updates in the core specs.
3. A Major Update to the Sony APS-C Mirrorless line-up coming
As per the latest rumors we have, we will see a Major core specs update in the Sony APS-C Mirrorless camera line-up. A week ago, a rumor surfaced over the web related to the upcoming Sony A7400 / Sony A6400 II camera with a built-in IBIS unit and 4:2:0 10bit internal recording. But, the rumor looks not so credible to us, so we haven’t decided to publish that 😉
More updates are on the way, we will publish them soon.
Sony A1 vs Canon R5 Specification Comparison – Sony announced a brand new Sony A1 Mirrorless camera with a newly developed 50MP sensor. We are comparing the core specification of the Sony A1 and the Canon EOS R5 camera.
1. Sony A1 Camera Image Sensor with Stacked BSI CMOS tech
Sony A1 camera features a newly developed 50MP Stacked BSI Hybrid CMOS sensor. The Canon EOS R5 uses a 45MP Conventional DPAF CMOS sensor. We have very little difference in resolution of both the camera. As you all know, BSI sensors are known for better low-light performance. However, we will soon publish the High ISO test between the two cameras and will also update this article.
Sony A1
Canon EOS R5
Lens Mount
Sony E
Canon RF
Camera Format
Full-Frame (1x Crop Factor)
Full-Frame (1x Crop Factor)
Sensor Resolution
Actual: 50.5 Megapixel
Effective: 50.1 Megapixel
Actual: 47.1 Megapixel
Effective: 45.0 Megapixel
Aspect Ratio
1:1, 3:2, 4:3, 16:9
1:1, 3:2, 4:3, 16:9
Sensor Type
BSI CMOS
CMOS
Sensor Size
35.9 x 24 mm
36 x 24 mm
Image File Format
JPEG, Raw, HEIF
JPEG, Raw, HEIF
Bit Depth
14-Bit
14-Bit
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
2. ISO Range, Shutter, Metering Method, and much more…
THE standard ISO sensitivity of the Canon R5 camera is more than that of the Sony A1 camera. But, with the Sony A1 camera you can push the base ISO up to 50. Which will bring an enormous amount of details inside the camera, and really very helpful for professional Landscape shooters.
Canon EOS R5 features TOP LCD display panel and DSLR styled body controls
3. Best Camera for Sports Photography Sony A1
The Canon R5 brings AF support to 20 fps continuous shooting mode. Now, moving a step forward Sony captures 30FPS while maintaining the Full 50MP sensor resolution.
High-Speed Shooting up to 20 fps in Canon EOS R5. The EOS R5 can capture fast-moving subjects in high-speed burst. At up to 12fps with a mechanical shutter and up to 20fps with a silent shutter, the EOS R5 can capture the split-second details between a subject’s movement.
Sony A1 offers 50.1 megapixels at up to 30 frames/second – The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
New Features added inside the Sony A1 camera
Anti-distortion Shutter
The newly developed algo of Fast sensor readout minimizes still-image distortion when using the electronic shutter2. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
Flash sync with the electronic shutter
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
Dual driven shutter drive for flash sync up to 1/400 s.
The world’s first5 dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.
Sony A1
Canon EOS R5
ISO Sensitivity
Auto, 100 to 32000 (Extended: 50 to 102400)
Auto, 100 to 51200 (Extended: 100 to 102400)
Shutter Speed
Mechanical Shutter
1/8000 to 30 Second
Bulb Mode Electronic Shutter
1/32000 to 30 Second
Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Mechanical Shutter
1/8000 to 30 Seconds Electronic Front Curtain Shutter
1/8000 to 30 Seconds Electronic Shutter
1/8000 to 0.5 Seconds
Electronic Shutter
Up to 30 fps at 50.1 MP for up to 155 Frames (Raw) / 165 Frames (JPEG)
Up to 20 fps at 50.1 MP for up to 238 Frames (Raw) / 400 Frames (JPEG)
Up to 15 fps at 50.1 MP
Up to 5 fps at 50.1 MP Mechanical Shutter
Up to 10 fps at 50.1 MP (Raw) / (JPEG)
Up to 8 fps at 50.1 MP
Up to 6 fps at 50.1 MP
Up to 3 fps at 50.1 MP
Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG) Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)
Interval Recording
Yes
Yes
Self-Timer
2/5/10-Second Delay
2/10-Second Delay
4. Auto Focus, Canon still Lead with DPAF II
Canon features a total no of 5940 AF points in its sensor. These overall AF points are grouped into 1053 AF zones. In Sony A1 camera we have a total of 759 AF points in the sensor supported by 425 contrast-based AF points.
AF coverage has been expanded to approximately 100% × 100% of the image area of Canon EOS R5 whereas in Sony we have 92% coverage and less density of AF points compared to the R5 sensor.
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S)
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points
Phase Detection: 759
Contrast Detection: 425
Phase Detection: 1053
Autofocus Sensitivity
-4 to +20 EV
-6 to +20 EV
5. 8k Video Capable Mirrorless Camera saga
Canon EOS R5 knows of overheating issue in its 8k video mode, however, after the latest firmware update, the camera now allows you to record 2X more time in a single run. Canon EOS R5 overheating chart below
Sony A1 uses an A7S III Heat sink unit, Now the Sony A1 camera down samples 8.6K footage from a 50MP sensor whereas the Sony A7S III uses a 12MP sensor. So. how much capable the Sony A1 heat sink unit is capable of we will know soon once the camera reached in the hand of real-world users. There are now a few confirmed reports by the first Sony A7S III reviewers that the camera has an overheating problem in the bright midday sun.
4k from 8k (Canon R5) and 5.8k (Sony A1): As you can see, the HQ 4k footage of Canon EOS R5 is being created from an 8k oversampled file, so it contains an enormous amount of fine details captured by the sensor. Sony A1 uses 5.8k oversampled footage to create 4k video.
Sony A1
Canon EOS R5
Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [200 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s] H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]
Raw 12-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [2600 Mb/s] H.265 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [680 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [680 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/59.94p/100p/119.88p [170 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [170 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [28 to 230 Mb/s] H.264 4:2:0 8-Bit
DCI 8K (8192 x 4320) at 23.976p/24.00p/25p/29.97p [470 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.976p/25p/29.97p [470 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [120 to 1880 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [120 to 1880 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [12 to 180 Mb/s]
External Recording Modes
Raw 16-Bit
4.2K (4264 x 2408) up to 59.94p 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:2 10-Bit
DCI 4K (4096 x 2160) up to 59.94p
UHD 4K (3840 x 2160) up to 59.94p
Viewfinder of the new Sony A1 camera feature 9 Million resolution , Sony uses class leading viewfinder display in it’s A1 camera.
Viewfinder Type
Electronic (OLED)
Electronic (OLED)
Viewfinder Size
0.64″
0.5″
Viewfinder Resolution
9,437,184 Dot
5,760,000 Dot
The weight same but physically Canon EOS R5 is highly large compared to Sony A1.
Battery
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 430 Shots)
1 x LP-E6NH Rechargeable Lithium-Ion
Dimensions (W x H x D)
5.07 x 3.81 x 2.74″ / 128.9 x 96.9 x 69.7 mm
5.43 x 3.84 x 3.46″ / 138 x 97.5 x 88 mm
Weight
1.6 lb / 737 g (Body Only)
1.62 lb / 738 g (Body with Battery and Memory)
6. Verdict
Sony has better sensor technology, a usable AF system (not as good as Canon EOS R5), and faster continuous shooting speed. On the video side, we do have better heat management (as promised by the camera maker) with 8k video capability. The only difference now left is the price, if you’re ok with the Sony price tag then go and buy the Sony A1. Otherwise if you are a photographer and with limited video requirements, you can go with Canon EOS R5.
Official sample images of the Sony A1 is now available. As you can see above the 100% pixel peeper view of the Sony A1 bald eagle image. The noise level of the camera is very well controlled by BSI CMOS sensor.
One more 100% scale view of the Sony A1 sample image.
Sony A1 Studio Test Sample
In-Studio sample image of Sony A1, you can see the enormous amount of details and sharpness we are getting when we have a controlled light environment with us.
Sony A1 8k Offical Sample video is now available. The Sony A1 official press Release is here with full specs. The Sony A1 is the world’s first full-frame camera to feature a 50MP stacked BSI CMOS sensor. To Enable 8K video recording Sony added a dual BionXR image processor to manage the 8k video files. Not, only that the camera also offers 16bit RAW video via HDMI. Take a look at the 4K sample video of Sony A1.
Sony finally announced the new flagship FF Mirrorless camera. The newly announced Sony A1 camera features a brand new 50MP Stacked BSI CMOS sensor and an ISO range from 100 – 32000 and an expandable ISO range up to 50 – 102400. Sony A1 camera sensor is fabricated with 759 Hybrid AF points and updated and improved AF algorithm for better object tracking in still and video mode.
For the first time in a Sony camera, we have real-time bird eye AF tracking mode for wildlife photographers. With the help of a new stacked CMPOS sensor and Dual BionzXRimage processor, the Sony A1 is able to shoot images up to 30FPS with full-time AF/AE ON all the time. Despite having twice as many pixels as the a9, the a1 promises to have a 1.5x less rolling shutter. This allows flash sync at up to 1/200 sec with the electronic shutter or 1/400 sec using the mechanical shutter.
The Sony A1 can shoot 8K video at up to 30p using its full width, the camera uses oversampling method during recording 8k video and the video file is made from 8.6K RAW video file, downsizing it to 8K to provide improved resolution. You can internally record the 8K in up to 10-bit 4:2:0 using the XAVC HS format and 16-bit Raw video output over HDMI. With the new HEatsink system as we have seen in the A7S III, the Sony A1 camera can shoot 8K for up to 30 minutes, if the temperature warnings are set to their most tolerant setting. The camera’s in-body image stabilization system is rated at 5.5EV for stable stills and Video.
It will cost around $6500 / €7,300 / £6,500 and will be available in March. It uses the same VG-C4EM two-battery accessory grip as the a7R IV, a7S III and a9 II.
Sony A1 Press Release
Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging
The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More
New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine with eight times more processing power[i]
Blackout- free continuous shooting at up to 30 frames per second[ii]
Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv] refresh rate of 240 fps
Silent, vibration-free electronic shutter
World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha™ series
World’s fastest[v] mechanical shutter flash sync up to 1/400 sec.
8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
Wide dynamic range of 15 stops for stillsand 15+ stops for video[x]
Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds, as well as Real-time Tracking that automatically maintains accurate focus
5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage
S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
Professional workflow support with the industry’s fastest built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more
SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.
The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.
“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”
The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps, ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed and more.
Unprecedented Resolution and Speed
Continuous Shooting at Up to 30 Frames Per Second
The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance.
At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[ii].
Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps
Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s first[iv] 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90 viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.
Advanced Autofocus
Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.
Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system[i], thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.
The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.
Silent, Vibration-free Electronic Shutter
High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time[v] in the world. The electronic shutter operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.
Dual Driven Shutter System for 1/400 Flash Sync
The Alpha 1 boasts the world’s fastest flash sync speed[v] of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.
High Resolution Shooting Enhancements
Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).
Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.
Professional Video Quality
8K High-resolution Movie Shooting
For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.
Supporting Various Video Formats for Professionals
The Alpha 1 offers in-camera 4K recording at up to 120 frames per second[viii] which allows the user to shoot up to 5X slow-motion video. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.
The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.
Heat-dissipating Structure
A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].
Supporting Hand-held Shooting
A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.
Other features that the Alpha 1 offers include; 16-bit RAW output to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.
Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices
The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastest[xiii] built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.
In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.
The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop, professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.
Reliable and Easy Operability
Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.
A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.
The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
Fuji finally announced the long-rumored Fuji GFX100s camera. The new camera features the same sensor as of Fuji GFX 100, a 100 MP Medium format sensor. Btw, you also use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. The camera also features IBIS units, so you can get hand-help sharp 100MP images. The five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction.
The AutoFocus system is also completely re-worked and the newly announced camera features an updated autofocus algorithm that brings subjects into focus as quickly as 0.16 sec, even in light levels as low as -5.5EV. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.
Ultimate Resolution, Dependable Processing
Powered by Fujifilm’s high-performance X-Processor 4 quadcore CPU, GFX 100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.
Small, But Steady
Sitting at the heart of GFX 100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the camera’s 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX 100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX 100S frees you from a tripod and lets you keep creating even when the light is low.
The Sharp End of AF Technology
With an advanced phase detection autofocus (AF) system, GFX 100S spearhead a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.16 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase-detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX 100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.
Large Format Has Never Felt Like This
The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX 100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as -10ÅãC and to be dust- and weather-resistant for those off-road moments. At less than 900g, its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX 100S will truly let you harness the extreme power of large format.
Iconic Color Made For You
Fujifilm’s expertise in color science is legendary among image-makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX 100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, straight out of the camera. With a new Film Simulation mode to explore – Nostalgic Neg. – it may just be worth it to spend a little more time here than you originally thought.
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