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By admin, on September 30th, 2022
Let’s compare the Sony FX30 camera with the Sony A7 IV camera. Do share your thoughts with us
Design-wise
Design-wise Sony A74 is more inclined towards photographers, with a LARGE handgrip design and a high res 3.6Millionb dot EVF, you easily able to shoot your subjects. The FX30 is made for cinematographers, look at the number of mounting threads we have on the FX30 body.
Imaging
| Lens Mount |
Sony E |
Sony E |
| Sensor Resolution |
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128) |
Actual: 34.1 Megapixel
Effective: 33 Megapixel |
| Sensor Type |
23.3 x 15.5 mm (APS-C) CMOS |
35.9 x 23.9 mm (Full-Frame) CMOS |
| Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
| Camera Type |
Video |
Stills & Video [Hybrid] |
Sony A7 IV is a Hybrid Camera and more Photography Oriented
The Sony A74 advantage
With the Sony A74 camera we are getting Sony’s latest 33MP Fullframe sensor. Undoubtedly with a full-frame sensor-based camera, you will get better results while shooting your subjects than with an APS-C sensor.
More for Photographers
Dynamic Range graph of Sony A74 – DR Boost at ISO 400 – Sony Fullframe cameras do carry a Dual Native ISO circuit for photography too… but Sony never talks about that officially.
The A7IV has a dual-gain for photos at ISO 400. So ISO 400 has more DR and should have slightly better noise than ISO 320 and ISO 250. ISO 250 is very close…just slightly below ISO 400. The only ISO to avoid is ISO 320
Via test when came to know about the boost for still photography. In the video as per a few expert’s options, the Boost is available @ ISO 1600 in A7 IV.
Less Rolling shutter with Mechanical Shutter
Sony A7 4 camera features a mechanical shutter and a TOP speed of 10 FPS, while ur using your camera in burst mode if u have mechanical shutter ON you will comparatively faceless rolling shutter than a camera that only uses an electronic shutter. either way, the Sony A7 IV is the best camera when we talk about shooting still subjects.
Internal Video Capture
| Recording Modes |
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p
XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p
XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720) |
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [50 to 200 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [30 to 150 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s]
XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] |
| Variable Frame Rates |
UHD: Up to 119.88 fps
1080p: Up to 240 fps |
4UHD: Up to 119.88 fps
1080p: Up to 240 fps |
| Gamma Curve |
HDR-HLG, S Cinetone, Sony S-Log 3 |
HDR-HLG, S Cinetone, Sony S-Log 3 |
| Built-In Microphone Type |
Stereo |
Stereo |
| Audio Recording |
2-Channel 24-Bit LPCM Audio
4-Channel 24-Bit LPCM Audio |
2-Channel 24-Bit 48 kHz LPCM Audio
4-Channel 24-Bit 48 kHz LPCM Audio |
Sony FX30 is a Video Camera from the inside out
If we talk about the body desing of the FX30 camera which include ehnaced telly light, timecode input ports & dedicated fan for cooling camera body, if we talk about the Tile based Menu system that directly arrived from FX9 or FX3, Up to 16 user-created LUTs, Timecode funcintlaity or Quick Exposuer index mode for boosting up the perfomance of the Sony FX30 while shooting log or with S-Cinetone.
Even if they share the same codec range
XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality.
X-AVC HS (H.265 Long GOP)
X-AVC I (H.264 All-I)
X-AVC S (H.264 Long GOP)
It also highlights the key difference between what we now call Long GOP compression (smaller files, potentially lower quality) and All-Intra, or All-I compression (larger files, potentially better quality)
Exposure Index Mode and Dual Native ISO available in Sony FX30 Only
| Base ISO |
Upper gain step |
| Std color mode / HLG |
ISO 100 |
ISO 320 |
| S-Cinetone |
ISO 125 |
ISO 400 |
| S-Log3 |
ISO 800 |
ISO 2500 |
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
Log shooting can be divided into three methods: “Flexible ISO,” “Cine EI,” and “Cine EI Quick.”
| Item |
Normal movie shooting |
Log shooting: Flexible ISO |
Log shooting: Cine EI |
Log shooting: Cine EI Quick |
| Type of shooting |
ITU709/BT.2020 |
Log |
Log |
Log |
| ISO sensitivity/EI (Exposure Index) |
ISO sensitivity can be adjusted |
ISO sensitivity can be adjusted |
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO) |
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO) |
| Base ISO |
― |
― |
Setting is required |
Set automatically according to the EI |
| Amount of freedom of color grading in post-production |
Low |
Middle |
High |
High |
The above all clearly shows
You have amazing flexibility with the Sony FX30 camera if you are more into video rather than photography.
| Shutter Type |
Electronic Rolling Shutter |
Mechanical Focal Plane Shutter, Electronic Shutter |
| Shutter Speed |
1/8000 to 30 Seconds in Photo Mode
1/8000 to 1/4 Second in Video Mode |
1/8000 to 30 Seconds |
| ISO Sensitivity |
100 to 32,000 (Extended: 50 to 102,400) |
Photo
100 to 51,200 (Extended: 50 to 204,800)
Video
100 to 51,200 (Extended: 100 to 102,400) |
| Advertised Dynamic Range |
14 Stops (Log3) |
|
| White Balance |
2500 to 9900K
Presets: Auto, Cloudy, Color Temperature, Daylight, Fluorescent, Incandescent, Shade, Underwater |
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
Video Resolution & Frame rate
| 4K 120 (1.6x / super 35mm look) |
None |
| 4k 60 (1.04x crop) |
4K 60p (1.5x Crop) |
| 4k 24, 30 fps |
4k 24, 30 without crop |
| Full HD 240 FPS |
Full HD 120 FPS |
External Video Capture
| Raw Output |
HDMI In ProResRAW Mode:
4672 x 2628 16-Bit at 23.98/25/29.97/50/59.94 fps |
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i |
| External Recording Modes |
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p |
None |
| IP Streaming |
None |
Autofocus System
| Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
| Focus Mode |
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF, Touch AF & Shutter |
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF |
| Autofocus Points |
Video
Phase Detection: 495 |
Phase Detection: 759
Contrast Detection: 425 |
| Autofocus Sensitivity |
-3 to +20 EV |
-4 to +20 EV |
General
| Battery Type |
Sony Z-Series |
| Tripod Mounting Thread |
1 x 1/4″-20 Female (Bottom) |
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots) |
| Accessory Mount |
1 x Intelligent Hot Shoe on Camera Body
5 x 1/4″-20 Female on Camera Body |
1 x 1/4″-20 Female (Bottom) |
| Material of Construction |
Magnesium Alloy |
1 x Hot Shoe Mount |
| Dimensions (W x H x D) |
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm |
5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm |
| Weight |
1.2 lb / 562 g (Body Only) |
1.4 lb / 658 g (With Battery, Recording Media) |
|
|
|
Conclusion
Budget means Limitations – But the limitations shouldn’t block your creativity – If you have a budget and looking for a cinema camera then go with FX3, the full-frame sensor cinema camera.
But at an Under $2000 body price if you are looking for a budget cinema solution then the Sony FX30 camera is best for you, Being an APAS-C sensor-based camera you can have sigma Trio lenses on the budget rather than investing in full-frame lenses.
For Hybrids, those who are into photography, as well as Video Sony A7 IV, is the best camera. But for cinematography, FX30.
Top 10 Best Mirrorless Cameras of 2022 – 2023
Sony A7 IV Camera a B&H Store and Amazon
Recommended Lenses Tamron 28-75mm F2.8 Lens Amazon | B&H Store
Sony Portrait Lens – Sigma 85mm F1.4 B&H | Amazon.com | Budget Lens Sony 50mm F1.8 Amazon
Best memory Card to prevent overheating
also, look at Best Lenses for Sony A7 IV Camera
By admin, on September 15th, 2022
DJI Osmo Action 3 Finally announced by DJI – Son finally we have a new and very strong contender against the HERO 11. The new camera features DJI’s RockSteady 3.0 technology, which reduces camera shake in all directions with footage up to 4K/120p. HorizonBalancing and later more firmware updates will arrive to upscale the IS performance of the camera. The camera uses a 1/1.7 (7.4 x 5.6mm) sensor module that can capture 4K video at up to 120 frames per second (fps).
DJI Osmo Action 3 Press Release
DJI Unleashes Osmo Action 3 To Capture Moments Beyond the Edge
Osmo Action 3’s Extreme Battery and native support for vertical shooting empower users for their biggest adventures
September 14, 2022 – DJI, the world’s leader in civilian drones and creative camera technology, today introduces Osmo Action 3, the most powerful and content-friendly action camera DJI has ever made. With a battery that empowers users through the most extreme conditions and native vertical shooting for a new perspective of creative freedom, Osmo Action 3 is one of the most versatile, robust, and reliable action cameras available today.
“Ever since we released the original Osmo Action in 2019, we have been continuously inspired by the stunning footage captured with it,” said Paul Pan, Senior Product Line Manager at DJI. “As our users keep pushing further, moving faster, and diving deeper, our mission is to provide a device built to keep up with them. Every new feature made Osmo Action 3 the most reliable, tough, and easy-to-use action camera. We can’t wait to see what our users create when they push their limits with Osmo Action 3.”
A Battery for the Extreme, and More
Osmo Action 3 was designed as a single solution for capturing an active lifestyle, no matter how adventurous. This all starts with a 1770mAh Extreme Battery that lets the camera record for up to 160 minutes.¹ It also handles temperatures as low as -20° C (-4° F),² and charges from 0-80% in as little as 18 minutes and 0-100% in 50 minutes³, thanks to native fast-charging support, a first for action cameras. The Osmo Action 3 Extreme Battery comes with Osmo Action 3 by default; no separate purchase is required.
Adventures, Now Vertical
A world driven by social media needs a vertical-first way to capture compelling action – and Osmo Action 3 goes full send. The camera has a built-in mounting system that instantly and securely clips the camera to handlebars, helmets, and more, optimizing the quick-release system first seen in Action 2 by adding notches for a locked-in, impact-resistant hold. A new Horizontal-Vertical Protective Frame brings this quick-mounting technology in a vertical orientation, perfect for social media platforms.⁴ With a tight, reliable hold that withstands bumps, tumbles, and breaking waves, Osmo Action 3 keeps you and your most extreme moments in a perfect frame.
A Dynamic Imaging Powerhouse
Osmo Action 3 is packed with bleeding-edge hardware and software to keep up with your dynamic lifestyle. Its 1/1.7-inch imaging system shoots in 4K/120fps⁵, provides a 155° super-wide FOV, and films smooth footage with a world-class EIS suite. An improved heat management system enables continuous 4K/60fps recording until the battery runs out of power, solving the overheating issue common to many other action cameras.⁶ D-Cinelike Color Mode is available in video, slow-motion, and timelapse modes for those looking for more room to edit in post-production.⁷ And for those willing to dive deeper, Osmo Action 3 is waterproof at depths of up to 16 meters without needing any additional housing.
Steady and Smooth Footage with RockSteady
Osmo Action 3 builds on DJI’s legacy of innovative image stabilization that has transformed cinematography and aerial photography. For a multitude of dynamic shooting scenarios, Osmo Action 3 has three distinct electronic image stabilization options:
- RockSteady 3.0 effectively eliminates camera shake in all directions. It works up to 4K/120fps, providing a stable and immersive first-person perspective. This is the ideal stabilization for sport-specific scenes like bike riding, and on-the-go handheld filming.
- HorizonSteady helps to eliminate camera shake in all directions and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations, creating the effect of a perfect horizon without any post-production, even in off-kilter pursuits like surfing.
- HorizonBalancing corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos. A perfect middle ground between RockSteady and HorizonSteady, this mode is ideal when the priority is a smooth 4K picture in a dynamic environment, such as an FPV obstacle course run.
Be Seen and Heard, Loud and Clear
Osmo Action 3 is more than a rugged camera for high-intensity action; it’s also the perfect camera for vloggers and streamers alike. Osmo Action 3 is the first action camera with dual touchscreens, letting users access settings from any angle while keeping the camera in perfect position. Three-mic stereo recording reduces wind noise and boosts the audio quality of the footage. Wi-Fi Livestream supports 1080p/30fps, 720p/30fps and 480p/30fps, and pausing recording during the stream. UAC/UVC Webcam support offers high-quality video and audio for conference calls and livestreams.
Additional Features
- Shutter/Record Button & Quick Switch Button offers immediate recording and instant mode switching.
- Quick Switching Between Five Custom Modes gives access to user-created camera modes at the touch of a button.
- Multifunctional Battery Case stores three batteries and two microSD cards, intelligently fast charges three batteries, and can be used together with those batteries as a power bank to charge other devices like your smartphone.
- Voice Prompt informs users of current modes without needing to unmount the camera.
- Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.⁸
- InvisiStick for Skiing recognizes and digitally hides the selfie stick in snowsport situations.⁹
- 1.5m Drop Resistance from Corning Gorilla Glass for the touchscreens and lens cover.¹⁰
- Timelapse with low-power consumption, preset for common scenarios (crowds, clouds, sunset), and dynamic timelapse video stabilization for smooth exposure and color temperature changes.
- Digital Lens shoots in Standard (Dewarp), Wide, and Ultra-Wide for all shooting modes.
- Digital Zoom of up to 4x can be adjusted while recording for better image composition.
- DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable.
- Loop Recording for continuous recording and overwriting according to a preset time.
DJI Mimo and LightCut: Two Ways to Create
Osmo Action 3 connects with the DJI Mimo smartphone app via Wi-Fi or Bluetooth for even more functionality, including a live feed of the camera, various story templates, quick in-app editing, and more.¹¹ In addition, the LightCut video editor app is thoroughly optimized for use with Action 3. It can automatically select clips and intelligently match them with exclusive templates to generate ready-to-share video edits.
Expand the Action with Dedicated Accessories
Osmo Action 3 was made to capture anything and everything. For every scenario, a suite of dedicated accessories helps you maximize all the possibilities of this action camera, including:¹²
- Osmo Action 3 Waterproof Case¹³
- Osmo Action 3 Extreme Battery
- Osmo Action 3 Multifunctional Battery Case
- Osmo Action 3 Adhesive Base Kit¹⁴
- Osmo Action 3 Lens Protective Cover¹⁵
- Osmo Action 3 1.5m Extension Rod Kit
- Osmo Action 3 Magnetic Ball-Joint Adapter Mount
- Osmo Action Chest Strap Mount
- Osmo Action Handlebar Mount
- Osmo Action Helmet Chin Mount
- Osmo Action Suction Cup Mount¹⁶
- Osmo Action Surfing Tether
Price and Availability
Osmo Action 3 is available today from store.dji.com and most authorized retail partners in several configurations. The Osmo Action 3 Standard Combo retails for $329 and includes Osmo Action 3, one Osmo Action 3 Extreme Battery, the Osmo Action 3 Horizontal-Vertical Protective Frame, the Osmo Action 3 Quick-Release Adapter Mount, and the Osmo Flat Adhesive Base. The Osmo Action 3 Adventure Combo retails for $439 and includes Osmo Action 3, three Osmo Action 3 Extreme Batteries, the Osmo Action 3 Horizontal-Vertical Protective Frame, two Osmo Action 3 Quick-Release Adapter Mounts, one Osmo Flat Adhesive Base, and the Osmo Action 3 Multifunctional Battery Case.
For more information on all the new features, accessories, and capabilities, please visit www.dji.com/OsmoAction3
DJI Care Refresh
DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Action 3. The replacement service covers accidental damage, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to three replacements in two years and extends the original warranty up to two years from the date of purchase. Other services of DJI Care Refresh include free shipping. For a complete list of details, please visit: www.dji.com/service/djicare-refresh
By admin, on September 8th, 2022
Hasselblad X2D vs Fuji GFX100 – Let’s compare these two cameras – We do know the camera Hasselblad X2D cost $8199 and the GFX100 cost $9999. So, roughly 2K is more costly than the X2D camera.
Both Cameras use the same 100MP BSI CMOS. Fuji GFX100S Image processor is more powerful hence we are able to have a slightly wider ISO range in the GFX100 camera as well as the GFX100 is able to process continuous shooting speed up to 5fps.
Once the samples become available we will also publish a High ISO test between the two.
The Price Difference
Fuji GFX100 Price B&H Store
Hasselblad Price B&H Store
| Lens Mount |
Hasselblad X2D |
FUJIFILM GFX100 |
| Sensor Resolution |
Effective: 100 Megapixel (11,656 x 8742) |
Effective: 102 Megapixel (11,648 x 8736) |
| Sensor Type |
43.8 x 32.9 mm (Medium Format) CMOS |
43.8 x 32.9 mm (Medium Format) CMOS |
| Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
| Built-In ND Filter |
None |
None |
| Capture Type |
Still Only |
Stills & Video |
No Video Mode in Hasselblad X2D
Hasselblad is limited to still photography only, with no video options available in the camera. Although, at the price point where both of them are available to us it actually doesn’t matter if the camera is able to shoot video or not if you are a still photographer. Since, if you have that budget and in cinematography, you will prefer cinema cameras like FX3 or C70 or maybe even better them both.
| Shutter Type |
Electronic Shutter, Leaf Shutter |
Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed |
Electronic Shutter
1/6000 Up to 4080 Seconds
Mechanical Shutter
1/4000 Up to 4080 Seconds |
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode |
| Bulb/Time Mode |
None |
Bulb Mode |
| ISO Sensitivity |
Photo
64 to 25,600 in Manual, Auto Mode |
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600) |
| Metering Method |
Center-Weighted Average, Spot |
Average, Center-Weighted Average, Multi-Zone, Spot |
| Exposure Modes |
Aperture Priority, Manual, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
| Continuous Shooting |
Mechanical Shutter
Up to 3.3 fps at 100 MP |
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG) |
| Interval Recording |
Yes |
|
Internal Memory with Hasselblad – The camera has arrived with a massive 1Tb internal memory, built-in 1TB SSD – 4004 Raw+JPEG images, 5331 Raw files, or 16,000 JPEGs. and you also get an option to use CF express type B cards.
Interface
| Media/Memory Card Slot |
Single Slot: CFexpress Type B (CFexpress 2.0) [512 GB Maximum] |
Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Internal Memory |
1 TB |
None |
| Other I/O |
1 x USB Type-C (Camera Interface) Data Input/Output (Shared with Power Input) |
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input |
| Power I/O |
1 x USB Type-C Input |
1 x USB Type-C Input/Output |
| Wireless |
Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g), Wi-Fi Control |
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input |
| Global Positioning (GPS, GLONASS, etc.) |
|
Wi-Fi, Bluetooth |
Monitor
| Size |
3.6″ |
3.2″ |
| Resolution |
2,360,000 Dot |
2,360,000 Dot |
| Display Type |
Tilting Touchscreen LCD |
3-Way Tilting Touchscreen LCD |
| Secondary Display |
Top: Status Display |
Top: Status Display |
Overall Buy Fuji GFX100 still looks impressive in the Still Photography part, and you can shoot 4K videos too with a 100MP medium format sensor with the GFX100, that’s not possible with the X2D. At the end of the day you will be getting the same image quality from both camera, so decide is wisely which camera is best for you.
By admin, on September 8th, 2022
Hasselblad X2D 100C – finally announced. The camera uses the same sensor we have seen the Fuji GFX 100. The pixel count of the sensor is 11,656 x 8742 (almost 102MP). The camera is able to capture 16-bit files with 15 stops of dynamic range. The X2D’s ISO range runs from 64–25,600. AF speed by 66% over the X1D II 50C. The Hasselblad X2D 100C features 294 phase detection points across 97% area of the sensor. X2D offers up to 7 stops of stabilization, so literally, it will allow you to handheld shooting at shutter speeds for as long as one second.
Hasselblad X2D features built-in 1TB SSD – 4004 Raw+JPEG images, 5331 Raw files, or a cool 16,000 JPEGs. Having a dual card slot always helps in case of card failure while attending a pro event, so I hope Hassy also allows us to have an online backup or something similar to that for more secure shooting.
The Hasselblad X2D 100C is available starting today through Hasselblad’s shop for €8,699 / £7,369 / ¥54,900 including VAT and $8,199 excluding sales tax.
Get Hasselblad X2D 100C from B&H Store
Hasselblad X2D 100C Press Release
Hasselblad Launches New Flagship Camera and Three All-New Lenses
Introducing the X2D 100C, XCD38V, XCD 55V and XCD 90V
After the groundbreaking success of the X1D-50c and its second iteration, the X1D II 50C, Hasselblad unveils the powerful X2D 100C, along with three new lenses to the XCD family, the XCD 2,5/38V, XCD 2,5/55V, and the XCD 2,5/90V, providing the ultimate experience for content creators. Hasselblad X2D 100C – Inspiration in Every Detail Hasselblad’s next-generation mirrorless medium format digital camera, the X2D 100C, has been engineered to bring substantial technological enhancements to image quality, camera handling, and system responsiveness. Designed in a new dark grey tone body of machined aluminium, the X2D 100C houses a 100-megapixel back-side illuminated (BSI) (43.8 × 32.9 mm) CMOS sensor, delivering up to 15 stops of dynamic range with a 16-bit colour depth. The X2D 100C enables a creative experience unimaginable in the past. It empowers content creators to capture the intricacies of an image’s highlights and shadows, utilising the Hasselblad Natural Colour Solution (HNCS). Working alongside the new 5-axis, 7-stop in-body image stabilisation system (IBIS), handheld image capture is possible in the widest range of conditions. Hasselblad independently developed its own IBIS for the X2D 100C in order to meet the stringent requirements for stabilising a 100MP sensor. Keeping size and weight in mind for easy portability, the X2D 100C is the most compact medium format IBIS solution on the market.1
With 294 Phase Detection Autofocus (PDAF) zones, the system ensures the subject is rapidly located and brought into focus. The X2D 100C captures files in 3FR RAW and full-size JPEG, and the cutting-edge, built-in 1TB SSD storage and CFexpress Type B card support delivers a high capture rate for fast-moving subjects.
The X2D 100C features an 0.5-inch OLED Electronic Viewfinder (EVF) with 5.76-million dots, a high magnification of 1.00x with a refresh rate of 60fps, which supports electric refractive error correction to ensure the whole display is sharp and bright, from corner to corner.2 A 1.08-inch colour top display and a 2.36MP, 3.6-inch tilting, touch-capable rear display delivers access to all of these new imaging technologies whilst keeping the intuitive Hasselblad User Interface (HUI) and Scandinavian style of the X System. The battery has a CIPA rating of 420 shots and supports PD 3.0 fast charging.3 Additionally, the X2D 100C is compatible with Phocus, Hasselblad’s free image processing software.
“When developing the X2D 100C, our goal was the same as always, just as Victor Hasselblad himself made decades ago: build a better camera,” said Bronius Rudnickas, Hasselblad Marketing Manager. “This commitment drives us to explore the possibility to improve its performance from all aspects.”
¹ Among interchangeable-lens mirrorless digital cameras with a 55mm-diameter CMOS sensor (according to a Hasselblad market survey on 1 March, 2022).
² Magnification: approximately 1.00x with the XCD 65 at infinity, –1 m-1.
³ To charge via PD protocol, the charging cable and power source must be PD-compatible.
By admin, on September 3rd, 2022
Hasselblad X2D 100C Full specification – Finally we have the full specification of the upcoming Hasselblad X2D 100C camera, let’s have a look at the significant features of the camera
Hasselblad X2D 100C Full specification
Specifications
Camera Type – Medium Format Mirrorless Digital Camera with autofocus, auto-exposure, interchangeable lenses
Material – Machined Aluminum. Tripod socket 1/4″
Sensor Type – Back-side illuminated (BSI) CMOS, 100 megapixels (11656 x 8742 pixels, pixel size 3.76 um)
Image Size – Stills: 3FR RAW: capture 206MB on average
File Format – Hasselblad 3FR RAW, full size JPEG
Drive Mode – Single and Continuous Drive, Self Timer, Interval Timer, Exposure Bracketing
Color Definition – 16-bit; dynamic range up to 15 stops
Image Stabilization – 5-axis 7-stop in-body image stabilization (IBIS)
ISO Speed Range – ISO Auto, 64, 100, 200, 400, 800, 1600, 3200, 6400, 12800, 25600
Storage Options – Built-in 1TB SSD. Extra CFexpress Type B card with a max storage capacity of 512GB supported.
Color Management – Hasselblad Natural Color Solution (HNCS)
Capture Rate – 3.3fps in a 14-bit color depth
User Interface – Touch interface including swipe, scroll and pinch/spread to zoom. Camera grip with buttons and scroll wheels.
Touch Display – 3.6″ (9.14cm) TFT type, 24-bit full-color,
2.36-million-dot. Touch functionality: full support. Tilting angle: 40 Degree , 70 Degree
Top Display – 1.08″ (2.74cm) TFT type, 18-bit full-color, 158,400-dot
Electronic Viewfinder (EVF) – OLED, 5.76-million-dot. Viewing area: 100%.
Magnification: approx. 1.00x with 65mm medium format lens at infinity, -1 m
Histogram Feedback – Yes, in Browse mode on touch display and in EVF IR Filter – Mounted in front of sensor
Software – Phocus is compatible with computers with 8GB of RAM or more running on macOS 10.15 or later, or Windows 7 64-bit or later. Phocus
Mobile 2 is compatible with iPad models with 3GB of RAM or more and with Photo Rumors iPhone X or later models running iOS 14.0 or later.
iOS Device Support – iPad models with 3GB of RAM or more and iPhone X or later models running iOS 14.0 or later
Platform Support – macOS 10.15 or later, or Windows 7 64-bit or later
Host Connection Type – USB 3.1 Gen2 Type-C connector (transfer speed up to 10 Gbit/s)
Operating Temperature – 14 Degree to 113 Degree F (10 Degree to 45 Degree C)
Operating Humidity – No more than 85% without condensation
Wi-Fi – 802.11b/a/g/n/ac/ax, Wi-Fi with 2×2 MIMO
Supported Lenses – Hasselblad XCD lenses with built-in electronically controlled leaf shutter and aperture. Automatic or manual focusing with instant manual focus override. Lens shades can be mounted in reverse for
transport.
Compatible with all H System Lenses and some H System accessories using the XH Lens Adapter.
Also compatible with V System and XPan Lenses using the XV or XPan Lens Adapter.
Shutter – Electronically controlled leaf shutter with speeds up to 1/4000 s. Flash sync at all speeds. Optional electronic shutter
Shutter Speed – 68 min to 1/4000 s with XCD Lenses. Up to 1/800 s or 1/2000 s with HC/HCD Lenses. PhotoRumors Electronic shutter 68 min to 1/6000 s.
Flash Sync Speed – Flash can be used at all shutter speeds. Mechanical shutter only.
Flash Control – TTL centre weighted system. Compatible with Nikon System flashes. ISO range 64 to 25600. Flash output can be adjusted (-3 to +3 EV) for fill-in purposes independent of ambient light. Sync at all shutter speeds. Mechanical shutter only.
Flash Compatibility – In TTL-mode, the following Nikon Flash products can be used: SB-300, SB-500, SB-5000, SB-700, SB-900, SB-910. The following Profoto products can be used in TTL-mode: A1, B1 and B2 with Nikon
interface.
Focusing – Autofocus single (AF-S) and manual focus (MF). Instant manual focus override. Automatic focusing using phase and contrast detection.
Focus indicator, 100% zoom, or Focus Peaking available in MF. Up to 294
Phase Detection Autofocus (PDAF) zones.
Exposure Metering – Spot, centre weighted, and centre spot
Power Supply – Rechargeable Li-ion battery (7.27 VDC/3400 mAh). Can be charged in-camera via the USB-C port on the camera body. Charging time is approx. two hours using the included 30W USB-C charger.
Recommended Memory Cards – Sony CEB-G series CFexpress Type B memory cards
SanDisk Extreme Pro CFexpress Type B memory cards
Battery Info – Required, included
Battery Material – Lithium ion
Battery Type – Non-universal
Battery Quantity – 1
Dimensions – 5.84 x 4.17 x 2.93″ (148.5 x 106 x 74.5mm)
Sensor: 1.72 x 1.29″ (43.8 x 32.9mm)
Weight – 31.57 oz (895g) (Camera body with the battery)
27.86 oz (790g) (Camera body only)
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source PR.com
By admin, on July 28th, 2022
We are comparing these two cameras based on subscribers’ requests, Canon R7 is a recent announcement from Canon. The Canon R7 camera uses Canon RF Mount. The camera arrived with very impressive core specifications, for still shooters as well as video shooters.
The Sony A7 III camera was announced back in Feb 2018, it’s almost 4 years more. Sony A7 III was a very popular camera back in 2018, but A7 III sales were hit by the Nikon Z6 Mark II camera announcement. We have seen after the announcement of the Z6 Mark II camera, wedding photographers specifically in the Asian region now preferring up the Nikon Z6 Mark II combo with a 24-70mm F4 coverage lens and an 85mm F1.8 Prime.
The big issue is that Sony A7 IV arrived at a higher price slot and it’s not a true replacement for the Sony A73. We need a perfect replacement for the Sony A73 camera in the same price range.
Canon R7 camera now catching up to many photographers’ eyes, due to its high-resolution 32.5MP sensor, super fast DPAF 2nd generation AF system, and ability to record 40bit 4k 60p videos in CLog.
In this comparison, we will try to find out the best camera between the two, in terms of image quality, AF speed, and Video performance.
1. Sensor
So, we have two entirely different sensors here, the sensor sitting inside the Canon R7 camera is a 1.6X Crop sensor / APS-C Sensor and the Sony A73 camera has a full-frame BSI CMOS sensor. Despite being an APS-C Sensor the resolution is 32.5 MP, which is higher than of Sony A7 III full-frame sensor with a 24MP sensor.
In general, when we compare a full-frame sensor with an APS-C we do assume that since we have a Fullframe sensor on the other side so we will also have better low-light performance and better detail capturing ability from the full-frame, but here you have nothing to assume.
We will test both sensor performance at High ISO and as well as in base ISO for details. And then we will find out the best sensor for you.
 image credit https://www.dpreview.com/reviews/image-comparison? As you can see the detail(s) capturing ability of the Canon R7 is more compared to Sony A7 3 camera. At base ISO 100, Canon 32.5 MP APS-C CMOS Sensor is able to grasp more details in the image compared to Sony’s A7 III 24.2 MP Fullframe sensor.
At a high ISO test, you can clearly see the full frame advantage, with the Sony full-frame sensor we are getting roughly 1 stop of low-light advantage. So, if ur shooting mostly in a low-light environment Sony A7 III will be more helpful.
2. Fast AutoFocus
Both cameras feature an advanced autofocus system, the Canon R7 features Dual Pixel CMOS AF II coming straight out from the Canon R3. The Canon R7 blazing fast AF system is capable to record 30FPS with will time AF/AE active. The Sony A7 III camera does have a fast AF system but lags behind Canon R7.
|
Sony A7 III |
Canon R7 |
| Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
| Focus Mode |
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF |
Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points |
Phase Detection: 693
Contrast Detection: 425 |
Photo, Video
Phase Detection: 651 AF Zones |
|
|
In total, the EOS R7 offers 5,915 AF points for shooting stills and 4,823 in video mode. |
| continuous drive |
Up to 10 fps at 24.2 MP for up to 89 Frames (Raw) / 177 Frames (JPEG) |
Mechanical Shutter
Up to 15 fps at 32.5 MP for up to 224 Frames (JPEG) / 51 Frames (Raw) |
|
|
Electronic Shutter
Up to 30 fps at 32.5 MP for up to 126 Frames (JPEG) / 42 Frames (Raw) |
| Autofocus Sensitivity |
-3 to +20 EV |
-5 to +20 EV |
As you can see in the table above, the Canon R7 features a massive number of 5K AF points which is grouped further into 651 AF zones, and 4.8K AF points of the R7 camera remain active when you shoot videos in 16:9 ratio. The AF sensitivity of the Canon R7 camera goes down to -5Ev, helpful to detect AF in low-light conditions. Among both, Only R7 has the possibility of performing focus stacking in the camera.
| Recording Modes |
H.264/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s]
AVCHD/H.264
Full HD (1920 x 1080) at 50i/59.94i [24 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 Mb/s] |
H.265/MP4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) up to 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) up to 23.98p/25p/29.97p/50p/59.94p/100p/119.88p |
| Gamma Curve |
HDR-HLG, Sony S-Log 2, Sony S-Log 3 |
Canon Log 3, HDR-PQ |
| Recording Limit |
Up to 29 Minutes |
Unlimited |
| Video System |
NTSC/PAL |
NTSC/PAL |
| Built-In Microphone Type |
XAVC S: 2-Channel LPCM Audio
AVCHD: 2-Channel AC-3 Audio |
MP4: 2-Channel AAC Audio
MP4: 2-Channel LPCM Audio |
|
|
3. Video Specifications
Canon R7 is capable of recording 4K up to 60p and provides 10-bit 4:2:2 for internal recording. Sony A7 III remains limited to 8 bit recording and 4k video recording mode up to 30fps. The Canon R7 with its 32.5 MP APS-C sensor can record 4K, without a crop, up to 30p, oversampling from a 7K area (due to the higher megapixel count on the sensor to start with). But also keep in mind
If you want 4K 50/60p on the R7, you have two options:
- no crop, but the quality decreases since the Camera starts using the pixel binning / line-skipping method
- record on a 3840×2160 – Full sensor readout mode, which translates into a more severe 1.8x crop. The latter means a small portion of the sensor is used to record the video.
| Max Bit Rate |
|
| Canon R7 |
340 Mbps @ 10 bit (4k 60p HQ) |
| Sony A7 III |
100 Mbps @ 8 bit (4k 30p) |
10 Bit matters, as well as bit rates, the more bit rate ur getting from your camera, is directly proportional to the video quality.
4. Image Stabilization
Canon R7 features an advanced mechanical image stabilization unit, R7 IBIS system corrects up to 7 stops of camera shake when shooting handheld. This 5-axis system can be also used in conjunction with OIS lenses to compensate for up to 8 stops of camera shake depending on the specific lens in use. Sony A7 III IBIS is effective up to 5 Stops.
As we all know that Sony A7 III is free from overheating under normal conditions. If you watch Gordon Laing’s hands-on on YouTube, the video test shows even the Canon R7 is free from overheating as well and you can record up to an hour of 4k 30p high-quality videos without any issues.
6. Lenses ECO System
As we all know Sony has an open Lens ECO system, we have a lot of options from Sony as well as they are somehow affordable too. In, Canon we do have some limitations. Although you can use DSLR lenses with an EF to EOS R adapter. But, that’s not so recommended if ur a Sports shooter or cinematographer.
It depends upon you, if ur able to find out your own usable lenses under budget then it’s super awesome, otherwise better to shift to Sony.
But, don’t worry at all I have already written the best lenses for the Canon R10 guide, you can select any of these lenses for Canon R7 camera too. And also we have the Best lens guide for the Sony A73 camera.
Conclusion
Despite having sensor size limitations, Canon R7 does have the ability to capture more details, a better AF system, and also features advanced video recording modes with a 10-bit RAW recording option. On the other, we have a Sony A73 camera with 1 stop better low-light performance and open lens ECO system.
If ur is able to find ur lenses in Canon or even third-party lens makers for your work, and
Get Canon R7 from Amazon.com |
Get Sony A7III from B&H Store | Amazon.com
Support us – Use or affiliate link Amazon.com | B&H Store for the next purchase u make – it helps uu
Also, see
Nikon Z30 vs Canon SL3 Canon 200D Mark II
By admin, on July 10th, 2022
We have just spotted a Sony entry-level Mirrorless camera. The camera surfaced from Sony patent files. The camera shows Sony’s new Menu system at work (We all know that even the ZV-E10 uses the old menu system) and a built-in compact flash unit like the Sony A5100 without any hot-shoe on top.
Since the camera lacks a hot-shoe mount we are expecting it to be an entry-level camera for beginners, will be placed below the Sony ZV-E10 camera, and be more affordable too.
Very Large Handgrip design with infrared sensor – It’s really surprising to see such a large handgrip design in Sony
Now let’s have a look at the Display and control area of the camera, you can clearly notice a vari-angle display with Sony new menu system.
Nikon Z30 Competitor?
We already have Nikon Z30 in the market as Nikon’s affordable entry-level Mirrorless camera and Canon is planning Canon R100 (Spec Leaked). Sony may heat up the entire competition by adding more affordable solutions to the market.
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