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Firmware Update

Sony A1 Major Firmware Update Coming Soon

Finally, will we have good news after a long gap? The Sony Alpha A1 firmware update is coming. A lot of people have been waiting for it. I’ve been receiving many messages asking when the update will arrive, as people have already invested a lot in this camera. However, since its announcement, there has been a MAJOR update, the last version 1.36 update was also related to stability improvement only and no major upscaling done during that time

Sony Alpha A1 User Features Request

  • For example, a few days back, I received a user request asking if it would be possible for Sony to fix the breathing compensation and improve the workflow feature, specifically in the video zone.
  • Another significant issue for a user was the lack of animal eye autofocus in 4K video. I hope that this will also be fixed as soon as possible.
  • Other users have told me that there is no easy way to use focus stacking in the Sony Alpha A1 or how to use the BULB mode in the camera ?. They are looking for an easy method to use the focus stacking feature.

Look at the Nikon Z9 or even the Canon R3. All these cameras are receiving regular major updates, and due to those updates, the overall specifications of the cameras are scaling up to the next level. Unfortunately, the Sony team has been silent since the announcement of the Alpha A1. But now, we have some good news that a major firmware update is about to arrive. Let’s wait for that, and I will bring more updates as they arrive on the list

According to the latest rumors we have finally Sony is planning to introduce a Major firmware update to the camera, but the BIG NEWS is the Firmware update is FOCUSED towrds upscaling the MAJOR VIDEOGRAPHIC FEATURES OF THE CAMERA, lets hope and see what we will get next.

Will post an update soon as it arrives

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source SARYT

 

Sony ZV-E10 Mark II Coming Before June 2024 [More Confirmation]

According to the latest rumors, we have the Sony ZV-E10 camera coming in the spring of 2024, a timeline between March and June. The camera is said to feature a higher resolution sensor of the Sony a6700 [26MP Exmor R APS-C BSI CMOS Sensor] camera and an improved touch display screen with an updated Sony menu system and a dedicated AI chip processor. The core specs shared by the rumor mill somehow look very similar to the specs that we have seen earlier, which is a perfect thing.

Sony ZV-E10 Mark II Specification [Rumored]

  • 26MP Exmor R APS-C BSI CMOS Sensor
  • BIONZ XR Image Processor
  • UHD 4K 120p / FHD 240p / 10-Bit 4:2:2
  • Up to 11-fps Shooting, ISO 100-32000
  • Real-Time Tracking AF for Stills & Video
  • 759-Point Phase Detection, 93% Coverage
  • S-Log3, S-Gamut3, S-Cinetone, User LUTs
  • Internal Mic + Inputs, USB Streaming
  • 3″ 1.03m-Dot Vari-Angle LCD Touchscreen
  • Price $798 [Bodly Only] | $899 With 16-50mm Lens | $1199 Creator Kit (Wireless grip + Shotgun Mic) | $1399 with 10-20mm Lens

Since the camera comes with a higher resolution sensor, we do expect the introduction of an advanced BIONZ XR image processor inside the camera to upscale the readout speed of the sensor like we have in the Sony a6700 camera. Otherwise, recording 4K videos on the go will be a big challenge for the camera.

In any of those situations, if Sony updates the sensor as well as the processor of the camera and if you believe the rumor mills, they are also planning to introduce a dedicated AI chip. The Price of the upcoming camera will be higher than the existing Sony ZV-E10. So it looks like Sony’s previous update policy where the price of the predecessor and its position remains the same even after the announcement of its successor since it generally arrives with a higher price tag. So there is a high probability that the ZV-E10 camera may remain in its place and the Sony ZV-E10 Mark II may arrive with a higher price tag and sit in between the pricing of the Sony a6700 camera and the existing Sony ZV-E10.

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ALso see –

Sony ZV-E10 Mark II Coming Before August 2024

Sony ZV-E10 II in Announcement Pipeline

source SAR YT

Sony A6700R and Sony FX50 Rumor

According to the latest rumors coming from the rumor mill, Sony FX 50 and Sony a6700 are maybe in the announcement pipeline. Take a look at the specifications of the rumored cameras below.

A6700 R coming in 2024

We do not have much information about the Sony a6700R camera. In the Sony A7 series, the ‘R’ is denoted for resolution and we already have a 6700 camera with a 26-megapixel resolution. So, there is a possibility that Sony may introduce the Sony A6700R and Sony A6700s line of cameras, similar to their full-frame series lineup. It is really interesting to see what happens next.

Sony FX50 Rumored specification
New FX50 you mentioned, has the highest dynamic range of almost all Sony full frame sensors. it is 35mm.
Has : Autofocus, IBIS, electronic variable ND.
Same style of body like Canon C70 but slimmer and lighter.
Around 3000$ launch price.
Not FX 30 sensor.
Higher dynamic range at least 15.
Very cheap rival to Arri Alexa and C70.

The next rumor is about Sony FX50 and the rumored core specs look very promising. There is high probability the camera will have an APS-C / Super 35mm sensor may be the same as A6700.. or something brand new sensor optimized for recoding video. These specs look very promising. At the same time, we do know that last year, the Sony ZV-E10 camera contributed to 50% of the overall sales of Sony Alpha series cameras. So, Sony is now more serious about developing their video lineup of cameras and in 2024 we may see multiple related announcements. So yes, there is a high probability that we may see FX50 or something similar to that in 2024.

Sony Upcoming Camera 2023 – 2024

Sony’s ZV Series: The Camera Line That’s Dominating Sales

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spurce SAR.com

Sony A6200 with 26MP and More...

According to the latest set of rumors, the Sony A6200 camera will arrive with the same 26MP sensor, and at the same time the Sony A7 V camera is expected to arrive with 49 MP sensor take a look

Sony ZV-E10 II 26M (no mechanical shutter), A7M5 49M, A6200 26M, A7S4 40M (new processor features), FX3 II 12M (electronic ND + IBIS).

The above upcoming details are expectations from a Chinese source,  Although it looks quite logical to me, at the same time if Sony continues to raise the resolution bar of the A7 Series camera [Sony A7 V ] then what will happen to the Sony A7R series? will they shift the A7R camera series resolution to 100MP in upcoming cameras of the future? who knows, maybe the Sony A7R VI may have it.

Sony A7S IV is said to feature a 40MP sensor, if that happens for sure we will witness the introduction of 8k recording capability in the Sony A7S series camera, and FX3 II will have a 12MP (electronic ND + IBIS), well why one will buy FX3 II limited to 4K when one has an option of Sony A7S IV with 8K capability, a bit contradicting specification here but let’s see what happens next

A look back at some previous rumors –

A few days ago we received rumors, that the Sony ZV-E10 mark II will have the same 26 MP sensor as the Sony A6700 camera. and the camera is expected to arrive before August 2024.

We have published Rumors related to the upcoming Sony A7 V,  we are expecting the Sony A7 IV camera to arrive with a Sony 44 MP sensor.

We will post more updates as soon as we get any.

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source webio

Sony FX6 Mark II or FX9 Mark II? Sony Next Announcement on Jan 8, 2024

Sony is holding a press event on January 8, 2024, at 5:00 PM Pacific Time.  According to the latest information coming from rumor mills, Sony is expected to announce a new FX Cinema Line camera. There will be no Sony Alpha camera announcement on Jan 8, 2024. However, it’s unclear which FX Cinema camera is about to arrive at the Sony Jan CES 2024 event. So, we have two options either Sony will bring the Sony FX6 Mark II or we will see a brand new Sony FX9 Mark II, the chances of having a Sony FX3 Mark II are slightly less compared to the two mentioned earlier. So, now cross your fingers, and let’s wait for the next update to arrive, although Jan 8, isn’t too far from today.

Also see – Breaking News: Sony A9 III, Sony A1 and Sony A7S III to get in-camera signature and C2PA authentication

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source Camerainsider

 

Breaking News: Sony A9 III, Sony A1 and Sony A7S III to get in-camera signature and C2PA authentication

Sony A9 III, Sony A1 and Sony A7S III to get an in-camera signature and C2PA authentication to fight against AI-generated images, back on Nov Sony confirmed that they are in the second phase of the trial for adding the in-camera signature and C2PA authentication, now they have completed the testing and a major firmware update on its way for Sony A9 III, Sony A1, and Sony A7S III, the firmware will enable to add digital signatures to their images and videos. The update will arrive in Spring of 2024 (before June) Hence Press agencies and stock websites will prefer images captured from a camera where they can easily find out about the authenticity of the image, it will help to distinguish between a real and AI-generated image very easily.

Not only are Sony, Canon, and Nikon actively working on this tech, but Canon and Nikon will add in-camera digital signatures starting in 2024 in their professional bodies.

If you want to know how it works then you can see our latest post here

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Best Lenses for Sony ZV-E10 in 2024

Sony ZV-E10 is one of the best Sony APS-C Mirrorless cameras Sony ever announced under budget. We have created this guide to let you know the names of the best lenses of the Sony ZV10 Mirrorless camera. The Best Lenses guide covers Best lenses for photography as well as vlogging. Not, only Bets Sony Lenses, we have also included the best third-party lenses for Sony ZV 10 Camera.

We have created this guide specifically for the Sony ZV-E10 camera, we have already created lenses best lenses for Sony A6400, Sony A6100, Sony A7 III, and Sony A7C camera.

What are the best lenses for Sony ZV-E10 in 2024?

  1. Tamron 17-70mm F2.8 Lens (Best all rounder lens for video and photo)
  2. Sony 50mm F1.8 Lens (best budget portrait lens)
  3. Sigma 16mm f/1.4 DC DN (the best lens for vlogging)
  4. Sony E PZ 18-105mm F4 G OSS (best alternative lens after 17-70mm)
  5. Tamron 11-20mm F2.8 Lens for Content Creators
  6. Sigma 30mm f/1.4 DC DN (Best for room portraits)
  7. Sigma 56mm f/1.4 DC DN (Best pro portrait lens)
  8. Sony FE 50mm F2.8 Macro (Macro Lens)
  9. Tamron 70-180mm f/2.8 Di III VXD Lens. (Best Telephoto Zoom Lens)
  10. Sony 18-135mm Lens

Buy Tamron 17-70mm F2.8 Lens fro m Amazon.com | B&H Store

1. Best All in One Lens for Sony ZV-E10

At $799  you are getting a pro lens, Tamron 17-70mm f/2.8 Di III-A VC RXD is a 25.5-105mm-equivalent lens for APS-C-format Sony E-mount mirrorless cameras. It’s an engineering masterpiece, incredibly versatile everyday zoom ideal for everyday shooting, and the fast f/2.8 constant maximum aperture suits working in difficult lighting conditions and offer improved control over depth of field. This lens delivers outstanding image quality even when shooting wide open, it is beautifully sharp throughout the frame.

The lens features built-in IS, which helps you to shoot with slower shutter speeds in low-light conditions without adding any motion blur or camera shake to your image. Altought the F2.8 aperture helps a lot while shooting in low-light.

Autofocus is very fast, accurate, and silent. For video users, there is almost no focus breathing throughout the range and focus pulls look incredible. VC of course makes handheld shots very smooth. And the controls on the lens are very smooth and do allow you to rather cleanly zoom in and out.

This lens is awesome. For many shooters and videographers, this could be a one-and-done lens. The only downside, there are no physical controls on this lens for stabilization or focus modes, so you’ll have to change them through the menu system in your camera.


Captured from Tamron 17-70mm F2.8

Now our next recommendation of a portrait lens.

2. Best Budget portrait Lens for Sony ZV-E10

The best portrait prime lens ever made for Sony APS-C Mirrorless cameras. The lens features Optical SteadyShot image stabilization, so you can get sharper imagery when shooting handheld with slower shutter speeds. The OSS helps really a lot while shooting in low-ligh conditions.

The little guy uses 50mm lens that will offer users a 75mm equivalent focal length, making it ideal for portraiture and other short telephoto applications. The fast f/1.8 maximum aperture. Even when shooting at f/1.8, this lens is sharp, especially in the center of the frame.

One of the only portrait prime lens that features built-in OSS

An internal focus mechanism is really fast and responsive, with a minimum focus distance of 1.3′, and easier handling as the lens does not change in length during use. So, you can use this lens very easily with gimbals also.

The only downside, this lens isn’t weather-sealed, but also keep in mind the lens is made for an APS-C Mirrorless camera and not a Full frame camera. If you use it with a camera like Sony A7 III, the camera will work in DX mode and you will get a 10MP file.

3. Best Vlogging Lens for Sony ZV-E10

Buy this lens from Amazon.com | B&H Store

The Sigma 16mm F1.4 Lens is a wide-angle prime lens and is highly popular among video bloggers. The prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24mm equivalent focal length. A perfect focal length for hand-held vlogging.

The best part of the lens is the F1.4 aperture, Bright f/1.4 maximum aperture excels in low-light conditions. Shooting at Night and create  Nigh-Life Vlogs now very easy with F1.4 aperture. And as usual, it also affords increased control over depth of field for achieving selective focus effects.

Best vlogging lens available for Sony ZV-E10 Camera

The AF is very fast and the Sigma used stepping AF motor optimized for both photographers and videographers with its fast, precise, and near-silent performance.

The lens is an amazing bargain – super sharp, very fast, beautiful bokeh, and auto-focus. There is pretty much nothing not to like. The construction is rock solid and rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.

4. Best Ultra Wide VLogging Lens for Travel Vloggers

Check the Latest Price of Viltrox 13mm F1.4 lens at Amazon | B&H Store

Viltrox 13mm F1.4 Specification: The Viltrox 13mm F1.4 lens has a focal length of 13mm, maximum aperture of f/1.4, minimum focus distance of 0.22m, maximum magnification ratio of 0.1x, filter size of 67mm, dimensions of 74x90mm, and weighs 420g.

Pros:

  • Impressive performance
  • Solid metal casing
  • Good handling
  • Fast and accurate autofocus
  • Affordable

Cons:

  • No AF/MF focus mode switch

The Viltrox 13mm F1.4: If you are a content creator who creates most of your videos in an office or home setting, then you should consider the 16mm F1.4 lens. However, if you want extra coverage of your surroundings, for example, if you want a super-wide view or if you want to capture everything around you, especially for travel bloggers who want a bit more coverage than normal, then in that specific situation, I would suggest you go with the Viltrox 13mm F1.4 lens for the E-mount.

In terms of build quality, the lens is made up of a solid metal casing and has multiple weather seals, which makes it perfect to carry around in adverse weather conditions. The cherry on top is that you get a large manual focus ring which you can easily use to provide a smooth focusing experience. You can also do manual override while using autofocus.

The lens features an F1.4 aperture which makes it an ideal ultra-wide-angle prime lens to capture videos and even images in extremely low light conditions. The lens can also be used for astrophotography due to the nature of its high-grade optics.

A lot of effort has been put into optimizing this lens to perform perfectly while shooting videos. The lens features an STM motor, also known as a stepping drive motor, which helps to focus quickly without creating any noise.

If you are a travel blogger and want to have super-wide coverage with a 13mm lens, you can go with this one

Viltrox 13mm F1.4 wide coverage sample Image

Now let’s talk about, the 18-105mm coverage lens.

Buy this Lens from Amazon.com | B&H Store

5. Best Budget Video Lens – 18-105mm F4

If you don’t have the budget for Tamron 17-70mm F2.8 Lens, you should go with this lens as your general-purpose kit lens for photography and video. The 18-105mm F4 is an excellent lens with a constant F4 Aperture.

The lens also features  Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for a while shooting still images or creating a cinematic video. This stabilization system can also be combined with a select camera’s sensor-shift type image stabilization for more effective control of camera blur.

Clearly, as this lens is aimed at video shooters, but you can take excellent still images too

Specifically for video, the lens features a power-zoom button for smooth cinematic zoom. AAninternal focus design contributes to fast autofocus speeds ahe minimum focus distance of 1.5′ and easier handling as the lens maintains its overall length. So, you can easily use this lens with gimbals too.

Its zoom range makes it an ideal choice for Video, portraits, and also for street photography, architectural features, art, sculpture, and buildings. The constant F4 aperture provides excellent depth of field control and makes the most of whatever ambient light is available. 

6. Tamron 11-20 mm F2.8

The Tamron 11-20mm F2.8 is an APS-C lens with a constant F2.8 aperture. This lens is designed for content creators, covering a vital range from 11mm to 20mm. It can go super wide and then up to a normal wide mode which is 20mm. So, if you want to cover the entire environment, you can adjust the lens up to 11mm and depending on your set of requirements and taste, you can adjust its focal length. It’s not a prime lens, so you don’t have to worry about buying a 13mm lens or 16mm lens. It covers from 11mm to 20mm with a constant F2.8 aperture and is built with RXD motors, so the autofocus is super fast and silent.

The lens features a steel construction and lightweight design, so you don’t have to worry about handling it for a long time. You can also use this lens in adverse weather conditions.

 

Get the Sigma 30mm F1.4 Lens from Amazon.com | B&H Sore

7. Best Lens for Room Portraits and Vlogs

Sigma 30mm is one of the best lenses to have in your camera all the time, it mimics the 35mm classic focal length range.  Perfect portrait and general photography prime lens. HIGHLY recommend. Great for low light, nice bokeh, easy to focus, FAST, and accurate AF. Lens and price are great for beginners’ general-purpose photography, you can create amazing videos too with this lens in your room or office. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. The rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Best lens for Room Portrait / Video Shoot

The perfect lens makes available light photography as well as video a true reality, even when shooting on city streets at night. You will get crisp images and noise-free videos even when used with available light during the night.  The 30mm is one of the sharpest lenses available for Sony E-mount. Highly Recommended.

Buy 56mm lens from Amazon.com | B&H Store

8. Best professional PortraitLens for ZV-E10 camera

If you have ba ig space for a portrait shoot (aka studio or outdoor), then go with a 56mm F1.4 lens. The lens eq. focal length is 84mm. Best for getting professional-quality results from your camera. Tac sharp. Superfast autofocus. Most have in your kit if you do Portraits. The bokeh is smooth.
Bright f/1.4 maximum aperture excels in low-light conditions and also affords increased control over depth of field for achieving selective focus effects. Very wwell-controlledcolor fringing and chromatic aberrations itoachieve greater clarity and color accuracy.

The AF mechanism of this lens is also just awesome,  A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.  The lens feels rock-solid in the hands and features a dust- and splash-resistant design. An excellent lens for outdoors.

Get 50mm F2.8 Macro Lens from Amazon.com | B&H Store

9. Best Macro Lens

Sony FE 50mm F2.8 Macro G OSS is designed for full-frame E-mount cameras, this telephoto macro can also be used on APS-C systems where it provides a 75mm equivalent focal length.

The lens is affordable and perfect for APS-C Mirrorless cameras, this is a true 1:1 Macro Lens so you will be getting life-size images from the lens. Later on, once you have upgraded you can use this lens on the A7 series camera too.

The true macro design affords a life-size, 1:1 magnification ratio along with a 6.3″ minimum focusing distance for working with close-up subjects. A focusing distance and magnification scale are also printed on the top of the lens to aid in more technical applications.

One extra-low dispersion element is featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

10. Best telephoto zoom

One of the best investments for APS-C users, it is a full-frame Tamron  70-180mm F2.8 VXD G2 lens so you will get a 105-270mm equivalent focal length range. The best lens when you do have some flans of getting a Sony full-frame camera.sue to fast aperture and being a full-frame lens the overall quality of this lens is just amazing.

Bright constant f/2.8 maximum aperture affords consistent brightness throughout the zoom range and offers improved control over depth of field. Two VXD (Voice-coil eXtreme-torque Drive) linear motors deliver impressively quiet, quick, and precise focusing performance to suit both stills and video applications. This focusing system offers a minimum focusing distance of 2.8′ at all focal lengths, and a 1:4.6 maximum magnification at the 180mm focal length for working with close-up subjects. Full-time manual focus override is also possible, and it is compatible with Sony’s Direct Manual Focus function or fine-tuned manual control.

We highly recommend you tet the Tamron 70-180mm lens, so will get max output from your camera, and later on ,you can use this lens for your future full-frame cameras.