So let’s compare Fuji X S20 camera against the Sony a6700, and find out the best camera for you. Take a look at the detailed specification comparison below.
1. Design Comparison
Overall the weight of the camera is approximately the same, we have only a 3-gram difference in body weight. The design is different as you can notice, Fuji film has a centered viewfinder loaded with more dials and customizable buttons on the top end of the camera.
One additional advantage we have in the Fuji X S20 camera is the presence of a joystick on the rear side of the camera that helps a photographer to jump over the menus or the autofocus points quickly, that is to quickly alter the settings during the shoot. The Sony is weather-sealed so you don’t have to worry while taking it out in outdoor locations.
If you talk about ports then both of them feature a micro HDMI output port, 3.5 mm microphone input port, a 3.5 mm headphone jack, and a USB-C type connection port. The transfer speed of the Sony a6700 camera is 10 Gbps whereas with the Fuji X S20, we are limited to 5 Gbps.
The location of EVF is also a very important thing if you consider it, but it’s completely subjective. On Sony, we have it on the extreme left side, and on Fuji, we have it in the center like we have in traditional DSLRs so it depends if you are already a user of a DSLR or Mirrorless camera that features a viewfinder in the center then you have to think twice before buying the Sony a6700 camera but if you are someone who is completely new then you can start with either Sony or Fuji.
The resolution of the electronic viewfinder of both cameras is exactly the same but the refresh rate of Sony is 120 fps and the higher magnification is 0.70x whereas the refresh rate of Fuji X S20 is 100 fps and magnification of 0.62x, so they are almost identical. None of them have a big difference between them in terms of EVF.
Both cameras feature Vari-angle display screens that can be used for content creation as well as low and high-angle shots but with Fuji, we have a higher resolution screen of 1.84 million dots whereas Sony remains limited to its previous generation displays of 1.04 million dots. The good news is now we have an updated menu in the Sony camera so we don’t have to struggle while setting up our shot.
One of the most noticeable things about the Fuji X S20 camera is a dedicated V-Log menu on the top end dial of the camera and when a content creator switches to that menu, the camera opens up a customized menu interface for content creators which is extremely simplified and features product showcase modes.
Both cameras feature a single card slot. Although, for the Sony a6700 camera, you have to use a V90 card to avoid overheating and with the Fuji, since it supports an external fan, you can work with a bit slower card too.
2. The internal core difference between the two cameras
The one has a huge trusted 26-megapixel APS-C sensor of the X-Trans pattern and the other is Sony’s newly developed 26-megapixel CMOS BAYER Pattern sensor. If you are going to compare the two against each other then what we will find is that the Fuji X S20 is able to perform better in low light environments compared to Sony’s a6700 camera.
As you can see, we are comparing the two cameras, Fuji X-T4 against the Fuji X S20 camera. We have picked the X-T4 since the X S20 camera samples are not available yet and as the X-T4 uses the same 26 MP APS-C X-Trans CMOS sensor as of Fuji’s X S20, that’s why we have used it here.
3. IMAGE QUALITY TEST (HIGH ISO vs BASE ISO Test)
credit dpreview.com
HIGH ISO TEST – (above) clearly visible that the color block of Fuji is well more preserved at ISO 51200 compared to Sony A6700 at ISO 51200. Now if you clearly look at the different sets of image samples captured by both paired with best-of-the-class lenses, you will notice that the Fuji X S20 camera sensor (X-T4 also uses the same 26MP X-Trans sensor) is able to preserve a bit more details when compared to the Fuji X-T4 camera at HIGH ISO TEST.
4. BASE ISO TEST (ISO 100)
credit dpreview.com
And things become completely wild when you compare the base ISO, then you will find that the Sony a6700 camera is able to capture a bit more detail at several positions of the sample image when compared to the Fuji X S20 camera. Okay, from the tests, it’s obvious that at a higher ISO range, Fuji is better, and at base ISO, possibly the range from 100 to 800 or 1600 ISO, Sony’s new a6700 camera is better.
So from the image quality test, it is very clear that if you are an outdoor photographer or street shooter photographer that does most of his or her work, probably 90% in natural light, then it’s more recommended to buy a Fuji X S20 camera and have better low light performance with 26 MP X-Trans CMOS Sensor. And for those who work in controlled light environments like wedding photographers or portrait shooters who work 90% under controlled light environments, for them, the a6700 is highly recommended based on the initial tests results of both the camera
It’s not recommended to focus on the ISO range of both cameras, as we have already mentioned the higher ISO test. Even though the Sony a6700 has a higher expandable ISO range on paper, it doesn’t perform as well during actual tests. Therefore, it’s better to consider the image samples rather than just the ISO numbers.
Sony A6700
FUJIFILM X-S20
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Effective: 26.1 Megapixel
Image Sensor
23.3 x 15.5 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Crop Factor
1.5x
1.5x
Image Stabilization
Sensor-Shift, 5-Stops
Sensor-Shift, 7-Stops
5. IMAGE STABILIZATION (5 Stops vs 7 Stops IBIS)
We have two different image stabilization modes here, one is for stills and the other is for video. For now, let’s begin with the stills part. If you are a photographer, then you will find that the Fuji X S20 camera is able to give you 7 stops of sensor-shift image stabilization feature compared to Sony’s a6700 camera which remains limited to 5 stops of image stabilization. It has been years after the announcement of Sony a6600 camera which also had the same 5 stops of IBIS inside the camera body, so we were hoping for some scaling in the IBIS part of the camera.
In the video, we have gyro-based image stabilization support inside the Sony a6700 camera, so having gyro-based image stabilization in a camera means a lot to a person who is mostly shooting videos @outdoors. And on the other side, we do not have any gyroscopic image stabilization in Fuji. So, if you move too much and create daily content for your channel better to have a camera with gyroscopic data.
Now, one more thing to be noted before we end this discussion is that Sony has introduced a new blur correction feature that works at the pixel level and delivers exceptional-quality of details. And to show that, I have tested it against the Fuji X-T4 camera and a few more. This blur correction algorithm is already running inside the Sony a6700 camera and that’s why possibly your images are able to resolve more details at the base ISO range. Best AutoFocus – Sony A6700 vs Fuji X-S20
Sony A6700
Fuji X-S20
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo
Phase Detection: 759 Video
Phase Detection: 495
Contrast Detection, Phase Detection: 117
6. AUTOFOCUS
The A6700 and X-S20 both have hybrid autofocus systems that use a combination of contrast and phase detection points to focus quickly and accurately. The Sony has 759 phase-detection points that cover 93% of the sensor area, while the Fuji has up to 425 points that cover 99% of the sensor surface. Both cameras are great at recognizing and tracking subjects, including people, animals, birds, insects, and vehicles. Sony goes even further with its dedicated processing chip for deep learning subject detection capabilities, at least in theory.
7. AI AF is a Clear Advantage – Sony A6700
Yes, the new AI processor does help with autofocus. It uses a movement prediction algorithm to calculate human body movements and easily track moving subjects, particularly organic movements. This is an improvement over the previous a6600 camera and even its latest competitors, as none of them have an AI chip like Sony in this price range.
8. Tracking the face of a butterfly – Sony A6700
That’s the biggest advantage that I see in the new update of the chip. The camera is able to track the face of butterflies, insects, as well as moving cars and planes very easily. So that’s the biggest advantage associated with the new AI chip. Although the burst speed is locked, the continuous shooting of the camera is limited to 11 FPS, that’s another issue. But yes, the camera is able to track 3D objects at the next level, which is an amazing thing and we should appreciate that. Exposure Control – Sony A6700 vs Fuji X-S20
2500 to 10,000K Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 256 Frames (JPEG) / 28 Frames (Raw) Mechanical Shutter
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / 35 Frames (Raw)
9. Continuous shooting speed (11 vs 30 fps)
The biggest drawback of the recently announced Sony a6700 camera is its limited continuous shooting speed of 11 FPS. Approximately 10 years ago, Sony announced the a6000 camera which was also limited to 11 frames per second. After 10 years of gap, we have the flagship APS-C Sony mirrorless camera which is again limited to 11 frames per second. So, I am not able to understand the concept behind this. If anyone from Sony can explain why they are locking the burst speed of the camera, it would be a great thing for us.
Despite being the world’s best artificial intelligence APS-C mirrorless camera, the burst speed remains limited to 11 FPS. And that’s why we are not able to directly recommend this camera to wildlife and sports photographers.
The Fuji X S20 camera is able to shoot 8 frames per second with the help of a mechanical shutter and up to 30 frames per second with the help of an electronic shutter. While shooting at 30 frames per second, you are limited to a 1.25x crop. If you want to enjoy the full resolution, you have to shift your burst speed to 20 frames per second. At 20 fps, the camera doesn’t crop.
Furthermore, the X-S20 is equipped with a Pre-Shot mode that enables the capture of fast and unpredictable action even before the shutter button is fully pressed.
10. VERDICT: Which camera should have photographer buy?
The Fuji X-S20 camera features more customized dials on the body as well as a joystick controller for quickly changing the settings. Moreover, inside we have a 7-stop sensor-shift image stabilization unit, a sensor that performs better in low-light environments, as well as a burst speed with continuous shooting up to 30 frames per second. If you combine all these features together, then undoubtedly for outdoor usage like street photography, shooting landscapes, or shooting shots outdoors without using external lights, it is highly recommended that one should use the Fuji X S20 camera. And for sports and wildlife photographers, we highly recommend getting the Fuji X S20 camera for getting proper results.
For those who work in controlled light environments and don’t require a body that allows them to quickly alter the settings Sony A6700 camera is te best choice. Also note that, Sony a6700 camera’s sensor-shift image stabilization is also weak compared to X-S20 as well its continuous shooting speed is also very limited. Considering all these factors together, it is highly recommended to use the Sony a6700 camera in controlled light environments to get the proper output.
On one side, the camera is not able to shoot 11 fps and beyond, and on the other side, the camera is able to shoot 4K up to 120 frames per second, which not even the Fuji X S20 camera can do. Video Specification comparison between Sony A6700 vs Fuji X-S20 Camera
Sony A6700
Fuji X-S20
Internal Recording Modes
XAVC HS 4:2:2/4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 280 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 280 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
H.264 ALL-Intra/H.264 Long GOP/H.265/H.265 Long GOP/MOV/MP4/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 360 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 360 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [50 to 360 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [360 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Raw/ProResRAW 12-Bit via HDMI
6240 x 4160 up to 29.97 fps
The Sony a6700 camera is able to shoot up to 4K at 120 FPS with a 1.58x crop, which Fuji is not able to do. On the other hand, Fuji is able to record 6.2K open-gate video at 3:2 format and 5.2K videos at 30 frames per second in 16:9 format. Again, the Sony a6600 camera is not able to shoot resolutions higher than 4K. So these are the initial resolution limitations and frame rate limitations we have with these two cameras.
When it comes to video profiles and gamma curves, the A6700 really stands out with its Picture Profiles, which it inherited from Sony’s cinema cameras. These include HLG, S-Log2, S-Log3, and S-Cinetone, giving you tons of options for customization. You can even load custom Look-Up-Table (LUT) profiles onto the camera. The X-S20 has the F-Log2 profile and the Eterna film simulation mode, which gives your footage a unique cinematic look.
Both cameras can record internally in 10-bit 4:2:2, but the Sony A6700 has a higher bitrate of 600Mbps compared to the X-S20’s 360Mbps when using All-Intra compression.
Plus, the X-S20 has the added bonus of being able to output 12-Bit RAW via HDMI. This means that if you pair it with an external recorder, you can get an even wider dynamic range and more color data.
12. VERDICT: Which one Should you buy for the video?
One of the key features of the Fuji camera is its ability to cool down by itself. You can even add an external fan to the camera, which doubles the recording time of the Fuji X-S20. This makes it an ideal choice for recording long podcasts or for wedding cinematography and videography. On the other hand, the Sony A6700 camera has a magnesium alloy body that helps dissipate heat, but it does not have an active cooling mechanism. If you live near the equator and plan to use your camera for longer video recordings, you should be aware of potential overheating issues. However, if you plan to use your camera in an air-conditioned environment, either of these two cameras would be a good choice.
Physical Interface Compared
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Single Slot: SD/SDHC/SDXC (UHS-I) [2 TB Maximum]
Video I/O
1 x Micro-HDMI Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July, 2023: Check with manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: FUJIFILM XApp
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed *As of May, 2023: Check with manufacturer for the most up-to-date compatibility
Camera with Best Display Screen
Size
3.0″
3″
Resolution
1,030,000 Dot
3 x 2 (1,840,000 Dot)
Display Type
Articulating Touchscreen LCD
Free-Angle Tilting Touchscreen LCD
13. Battery Life
When it comes to battery life, the X-S20 has the upper hand over the A6700. While the A6700 can take around 570 photos per charge using the LCD screen and about 550 with the viewfinder, the X-S20 can snap around 750 shots in normal mode and even up to 800 in Economy mode. So, if you’re looking for a camera that can keep up with you on a long day of shooting, the X-S20 might be the way to go.
Sony has announced the a6700 camera, which features the same sensor as seen in Sony’s FX30 camera. The most interesting part of this announcement is that it will have the same AI processing unit as seen in the Sony A7R V camera, paired with the Bionz XR image processor.
The camera is able to record uncropped 4K 60 frames per second video and also has the ability to record 4K videos up to 120 frames per second with a crop.
You are able to record all frame rates in all resolutions at 10-bit internally. You also get support for Hybrid Log Gamma (HLG), S-Log2, and S-Log3 in the Sony a6700 camera.
This is one of the best APS-C cameras that Sony has ever announced. We will bring more updates soon, including comparisons against the Canon R7, Fuji X-T5, and Fuji X-S20.
Sony A6700 Press Release
FOR IMMEDIATE RELEASE
Sony Introduces the α6700 Mirrorless Camera: Unleashing the Power of Creativity
[New Delhi, 12 JULY 2023] – Sony, a leading innovator in the world of imaging technology, proudly presents the Sony α6700 Mirrorless Camera, a remarkable synthesis of Sony’s acclaimed Cinema Line innovations, α-series still-image rendering quality, and groundbreaking advancements in AI-based recognition technology. Crafted exclusively for ambitious content creators, the α6700 combines powerful and versatile imaging capabilities with a compact and lightweight design, making it the ultimate tool for the multi-hyphenate creative.
Unleash Your Vision with the Latest Innovations
At the core of the Sony α6700 lies the combination of the state-of-the-art 26.0MP back-illuminated Exmor R CMOS sensor and the revolutionary BIONZ XR processor. This advanced imaging system, previously introduced in the FX30 Digital Cinema Camera, enables the α6700 to deliver stunning 10-bit UHD 4K imagery at up to 120 frames per second (fps) and achieve an impressive continuous shooting rate of 11 fps with autofocus and auto exposure. With the ability to capture up to 59 compressed raw still images in bursts, photographers can seize every moment with unrivaled speed and precision.
Immerse Yourself in Cinematic Video
The Sony α6700 brings the best of Sony’s Cinema Line series to everyday content creators and aspiring filmmakers. Its powerful sensor and processor combination enables:
Full pixel readout from the 6K sensor, resulting in high-quality UHD 4K video with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing.
UHD 4K recording at frame rates up to 120p and full HD recording up to 240p, utilizing full 1:1 pixel readout without binning.
Recording in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats, ensuring consistent performance and exceptional quality at bitrates up to 600 Mb/s.
Extended recording times of more than two hours in 4K 30p or over 40 minutes at 4K 60p on a 128GB card.
Slow & Quick (S&Q) mode, allowing users to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, providing unparalleled flexibility in controlling motion.
S-Cinetone, a feature inherited from Sony’s professional Cinema Line cameras such as the VENICE, delivers distinct colors and natural-looking skin tone rendering, providing visually stunning results.
The S-Log3 and S-Gamut3.Cine Gamma Curves expand the dynamic range to more than 14 stops, offering increased post-production flexibility and seamless integration with other Sony Cinema Line cameras.
Creative Looks that can be applied during recording, minimizing the need for extensive editing and allowing content creators to establish a specific mood effortlessly.
User-created LUTs and presets, enabling accurate monitoring and previewing of footage with customizable looks directly on the camera’s monitor, EVF, or HDMI output.
Instant time-lapse settings with framerate, recording, light, and interval customization, empowering users to capture captivating time-lapse sequences effortlessly.
Revolutionary AI-Powered Autofocus and Image Stabilization
The Sony α6700 sets a new standard for autofocus and image stabilization, thanks to its innovative AI Processing Unit. Leveraging the power of AI, the camera’s autofocus system features 759 phase detection points, covering an impressive 93% of the image area. Combined with AI-powered subject recognition and real-time tracking, the autofocus system ensures seamless handling and exceptional clarity in any shooting conditions. Additional autofocus features include focus bracketing, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.
The AI Processing Unit also enhances framing capabilities, recognizing and tracking subjects during video recording. This allows users to adjust tracking speed and sensitivity, perform auto-cropping to focus on a subject, make touch-adjustments to the tracked subject, and customize framing location.
When it comes to image stabilization, the α6700’s pixel-level 5-axis optical image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video. With precision detection and control down to a single pixel, this algorithmically optimized system ensures sharp and blur-free images. The AI Processing Unit further enhances communication between the camera body and the lens, resulting in stable framing even with adapted lenses, offering photographers the freedom to explore their creativity without limitations.
Unleash Your Creativity with Advanced Rendering
The Sony α6700 provides a wide range of color renderings and compressions, allowing stills photographers to achieve optimal image quality and storage management. With the introduction of the High Efficiency Image File format, available in 4:2:0 and 4:2:2 options, and the choice between Compressed and Lossless Compressed options when shooting raw, photographers have greater control over their final results. The AI Processing Unit aids in achieving better exposure results in Auto mode, improving reliability by 20% compared to the previous generation, and making algorithmic adjustments for skin tone, backlit situations, and white balance. Moreover, photographers can utilize the same Creative Looks presets available in video mode and create their own configurations with eight adjustable parameters. The α6700 also introduces the stills-designed Hybrid Log-Gamma mode, offering accurate dynamic range when tethered to select monitors and televisions for optimal viewing of still images.
Crafted for Creativity and Connectivity
The Sony α6700 boasts a thoughtfully designed body that not only enhances handling and stability but also offers a range of connectivity options:
USB output function with UVC/UAC control via a computer enables seamless streaming applications and broadcasts with 4K video at 15 or 30 fps or full HD at 30 or 60 fps.
Built-in 802.11a/b/g/n/ac Wi-Fi facilitates instant sharing of imagery to mobile devices for direct online sharing to social networks, email, and cloud storage sites, supporting both 2.4 GHz and 5 GHz bands.
Connection to the Creators’ Cloud central cloud platform via a smartphone app allows easy sharing, media storage, cloud-based editing, and collaboration.
Integrated 3.5mm headphone and microphone ports provide greater control over audio during video recording, while the Multi-Interface Shoe functions as a digital audio interface.
The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright and high-resolution means for eye-level monitoring, featuring a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
The side-opening, vari-angle 3.0″ 1.03m-dot LCD touchscreen allows shooting from high, low, and front-facing angles, expanding creative possibilities.
The camera accepts the high-capacity Z battery rechargeable lithium-ion battery, providing approximately 570 stills or 120 minutes of video recording per charge when using the LCD screen.
In addition to the battery, the α6700 can also be powered via a USB connection to a computer or mobile battery, offering added convenience and flexibility.
The robust magnesium alloy body ensures durability and is sealed against dust and moisture, protecting the camera in challenging shooting environments.
A redesigned grip enhances handling and stability, making long shooting sessions comfortable and facilitating quick access to main control buttons and dials.
Price and Availability
The Sony a6700 will be available from the end of July 2023 with a list price of $1399 B&H Store, body only, $1499 with the 16-50mm F3.5-5.6 OSS power zoom or $1799 with the 18-135mm F3.5-5.6 OSS.
About Sony
Sony Corporation is a leading manufacturer of audio, video, imaging, and information technology products. With a passion for innovation and a commitment to delivering top-quality products, Sony strives to inspire and fulfill the curiosity of people around the globe.
Sony registered a new camera at a wireless certification agency. The new camera model code is WW499972 2.4GHz/5.1GHz. Now, according to the latest rumors, the recent registration of model code “WW499972” is expected to be for the Sony A7C Mark II
So, now we have two different cameras in Sony’s announcement pipeline.
The first one was registered in March with the model code WW542541 2.4GHz/5.1GHz. Said to be Sony A6700 arriving on July 12th
The second camera was registered yesterday (25th June) with the model code WW499972 2.4GHz/5.1GHz.
Take a look at the rumored set of specifications for the Sony a6700 camera
We are expecting the Sony A7C Mark II to have a sensor upgrade from the A7C. So this time we are expecting a 33-megapixel full-frame CMOS sensor from the Sony A7 IV camera to be present inside the upcoming Sony A7C Mark II.
According to the latest rumors, the Sony A6700 camera is coming with a brand new kit lens that has the same focal length of 15-45mm and a similar aperture of 3.5-5.6. However, it is not clear in what sense the lens is new and this will be revealed on the announcement day when actual reviews come out.
Sony A6700 Expected Core Specification
26.1MP APS-C BSI CMOS Sensor
BIONZ XR & AI Processing Unit
AI-Based Real-Time Tracking AF System
UHD 4K up to 60p (uncropped)
S-Cinetone
S-Log3, 4:2:2 10 Bit internal
5-Axis Image Stabilization
updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail
After the announcement of the Sony FX30 camera, a Sony representative stated/given hints that the 26-megapixel sensor will be used in upcoming Sony cameras in the near future. However, it seems that the enhanced video call specs of the FX30 will not be coming to the A6700 camera in order to protect the sales of the FX30.
Sony ZV-1 II camera finally announced today, The camera features a 20-megapixel stacked CMOS sensor and a brand new 18 to 50 mm equivalent f/1.8 to f/4.0 lens.
So we have a major change in the lens part of the camera. Earlier it was 24 mm equivalent so vlogging was quite restrictive and vloggers were disappointed with the cropped frame they were getting.
Now with the 18 to 50 mm lens, we have wider coverage. On the specifications side, we have 4K video recording mode up to 30 frames per second, full HD videos up to 120 frames per second and reduced resolution capturing up to 960 frames per second for slow-motion videos.
Sony ZV-1 II Major Specification
20.1MP 1″ Exmor RS BSI CMOS Sensor
Wide-Angle 18-50mm-Equiv. f/1.8-4 Lens
UHD 4K30p Video w/
HLG & S-Log3/2 Gammas
3″ Side Flip-Out Touchscreen LCD
Intuitive Touch Focus & Exposure Control
Real-Time Tracking & Eye AF
Bokeh Switch
Face Priority AF
Cinematic Vlog Setting
S&Q Shoot Mode
Product Showcase Setting
The camera doesn’t carry any mechanical shutter as well as the body has minimal controls for photographers. Video specification says the camera is able to record videos in S-Log3 for a wider dynamic range. The recording is limited up to 8-bit.
The price of the camera is $899 and the shipping of the camera will start from mid-June 2023. It is available in two colors: black and white with a rapid grip optional.
Sony ZV-1 II Press Release
SAN DIEGO, CA – May 23, 2023 — Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.
With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4i lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii , which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.
“The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that.”
Comprehensive Features for Vloggers & Video Content Creators
The ZV-1 II has a number of new and popular features that will empower creators to capture better content.
Ultra-wide angle and Zoom – 18mmii wide angle of view makes it easy to capture attractive photogenic image with the entire scene – especially when shooting selfies at arm’s length. The 18-50mm optical zoom and the Clear Image Zoom smoothly enlarges images while minimizing loss of image quality to create variety in videos by changing the angle of view.
1.0 type sensor with Bokeh Switch which gives beautiful bokeh by defocusing the background with a single touch.
Intelligent 3-capsule microphone – In Auto mode, the camera recognizes human faces or objects and automaticallyiv switches the direction of the built-in microphone ([Front] or [All Directions]). In Manual mode, you can select [Front] for selfies, [Rear] when shooting with narration or [All Directions]. The supplied windscreen ensures a clear recording of the speaker when outdoors. Easy to use cableless attachment to Multi Interface Shoev and a 3.5 mm microphone jack makes it easy to connect external microphones.
Cinematic Vlog Setting function responds to the demands to easily capture videos with a filmic look. It enables impressive imagery at a touch. Simply tap the on-screen function icon and the camera will automatically set a CinemaScope size (2.35:1) vi and a frame rate of 24 fpsvii –the same as for a cinema movie. Then finish off the work with the on-screen buttons to select from five LOOKs and four MOODs
Creative Look which supports 10 preset looksviii to suit your creative preferences and pro-level imaging features.
Face Priority AE and Soft Skin Effect automatically and immediately detects faces and adjusts the exposure to optimize facial brightness, no matter the lighting. Soft skin effect smooths skin and facial features when filming.
Fast Hybrid AF System – Even in high-definition 4K where precise focusing is required, the camera will keep the images sharp with the same Fast Hybrid AF system seen in α series cameras. The camera is equipped with AF Transition Speed to select the focusing speed during video recording, and AF Subject Shift Sensitivity to control whether the camera shifts focus from one subject to another. t. In addition, the Real-time Eye AF can accurately keep focus on human or animals for both stills and movies.
Product Showcase Setting – which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item you are highlighting.
S&Q shoot modeix which allows a selection up to 5x slow or up to 60x quick motion to add impact to everyday scenes. The combination of shooting and recording frame rates can now be set on a single screen.
ISO sensitivity spanning from 125 to 12800 – allows the camera to record sharp images with less noise, even in low lighting.
Active Mode electronic image stabilization – content can be captured while walking or in motion and is especially useful for handheld shootingx. Useful for handheld Movie and Slow & Quick motion shooting.
Built-in ND filter – to reduce exposure by three stops and allow for beautiful background bokeh even in the brightest situation.
Compact and Lightweight for Easy Portability, Operability, Connectivity
The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.
Creators can connect and share content easily with Sony’s Creators’ Cloud platform and easy smartphone connection. The Creators’ App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators’ Appxii also provides a convenient way to update camera software.
For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin’s appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).
Sustainable and Accessible Design
In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLASTMxiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony’s unique recycled paper “Original Blended Material”, which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.
The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.
Pricing and Availability
The new ZV-1 II will be available in June 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.
Sony ZV-1F successor aka Sony ZV-1F II Arrival Date is May 23 2023. The Sony ZV-1F II teaser was uploaded by Sony USA. We are expecting an improved, AF performance of the camera. They should at least use a better Bionz series processor, that helps to analyze the scene in quicker way the hence improves the ability to focus on the subject in a more fast and precise manner.
And the best option should be if they are able to add a stacked (IMX383) 1-inch sensor (Sony Imagine division has easy access to Sony’s semiconductors since they belong to the same parent company SONY) it will uplift the camera sensor performance to next level.
Sony ZV-E1 is a Pro-Content creator camera announced by Sony. If you want to upscale the performance of your content then undoubtedly the Sony ZV-E1 camera is made for you. The camera features the same 12MP full-frame sensor that we have seen on the Sony A7S III. The camera is able to shoot UHD 4K 120p / FHD 240p / 10-Bit 4:2:2. Open lens mount and size which looks even compact than Sony A6600.
Buy Canon Lenses, Buy Music CD or Digital Camera at amazon it helps this site, and you do not pay anything extra, it is just a way to help support this site.
New Camera Website, we list all type of new camera information, price review and all type camera rumors, subscribe us or follow us via twitter or facebook.
Disclaimer: We have attempted to select useful information to include on New Camera, and to ensure that the resources we have included on the site -- as well as the way we have described them -- are accurate, fair, and balanced. However, we make no claims, warranties, or other representations concerning the accuracy, completeness, or utility of the information provided, or concerning the abilities or performance of the organizations, agencies, companies, and other resources presented through New Camera
