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Firmware Update

Sony FX2 Announced, Official Press Release

Sony announced the Sony FX2 camera. The camera is a mixture of the Sony A7 IV 33MP sensor and FX3 body. Now we have an AI chip inside the camera. The autofocus speed has been increased by up to 30%, and the tracking has been improved dramatically compared to the Sony Camera AIV. We have lots of new modes that include auto framing, framing stabilizer, and AI tracker that make the entire camera a kind of powerhouse Swiss Army knife.

Video capabilities also extend its boundaries to the maximum extent. Now we have certain angle DCI 4K and true 24fps recording. For professionals and videographers, we have an anamorphic recording mode in-camera, discreetly, as well as 24-bit audio recording capability with the help of XLR input.

Sony FX2 Specification

  • Sensor: 33MP full-frame BSI CMOS (from a7 IV)
  • Video:
    • 4K up to 30p (7K full-width oversampled)
    • 4K up to 60p (1.5x APS-C crop)
    • DCI 4K with true 24p
  • Autofocus: AI-based, 30% better recognition, auto-framing, AI tracker
  • Shutter: Mechanical, movie/stills switch
  • Viewfinder: 3.68M-dot tilting EVF, 0.7x magnification
  • Storage: 1x CFexpress Type A/SD, 1x SD (redundant recording)
  • ISO: Dual native (800, 4000), clean up to 25,600, usable at 51,200
  • Extended Features:
    • Shutter angle
    • 4K30 UVC streaming (USB-C)
    • Focus breathing compensation
    • Dynamic active stabilization
    • S-Log Photo mode
    • 4K JPEG shot mark grabs
    • Active cooling (unlimited recording)
    • HDMI Type A, headphone/mic jacks
    • Dual 1/4-20 tripod holes
    • FX3/FX30 XLR handle compatible

Focus breathing compensation as well as dynamic active image stabilization also help this camera to explore a new dimension of usability and portability. However, the FX2 retains the Sony A7 IV 4K 60fps crop limitation. That’s really disappointing. Sony can add a line-skipping 4K 60 APS-C mode in their camera so users can have the uncropped version of 4K 60p recording by having a bit of loss in quality.

The price of the camera is expected to be somewhere around $2698. B&H Store

Sony FX2 Press Release

Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

“The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

FX2 Features: Full-frame Photo and Video Capabilities

The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

The FX2 can also continuously record for up to 13 hours in 4K 60p2 thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

Improved Usability for Comfortable Solo Operation

The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF3 (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW4 for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz5) as well as wired LAN via a compatible adapter6. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)7, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

Social Responsibility

Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources8.

The camera system incorporates comprehensive accessibility options, including a Screen Reader function9 and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:

  • Real-time recognition autofocus that reduces manual adjustments
  • Streamlined touch interface operations for direct menu navigation
  • Tactile button design with clear differentiation

These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

Sony FX2 Leaked Image and Specification

Is Petapixel host Jordan shooting with a Sony FX2 camera? First spotted by E88_8888, and then many people raised eyebrows by looking at the big body grip of the camera, almost no detail is noticeable.

The fact is that we can visibly see a deep hand grip in the Cinema camera, which is not present in any of the FX line of cameras. This is quite a big & deep,  one more thing that hints to us its the new FX2 — whenever they start the NEW episodes, they generally write before the beginning of the video, which camera and lenses they are using to record the particular episode, but specifically on that particular episode Fuji X-Half Review, they have missed that thing. So it can be a coincidence or a conscious decision.

Sony FX2 Specification

– Same 33MP sensor as the α7IV and α7CII
– AI chip
– Equipped with a tilting EVF (resolution unknown)
– EVF is completely different from the LUMIX GX9 and is larger like the GFX100
– Mechanical shutter
– AI AF
– 4K60p in Super35
– 32-bit floating point audio
– The body is thicker than the FX3
– Active cooling system
– Same ports and storage as the FX3
– Vertical battery grip available
– Price is around $3500

But it’s strange that the FX2, a video camera, has a vertical grip. Since the FX2 has a mechanical shutter, perhaps Sony wants it to be used as a still camera as well. Look at the updated set of specifications Sony FX2 camera, which is about to arrive in a few days.

Sony FX2 Official Announcement Video

sources E88_8888 | SPecs via SAR.com

The article “Sony FX2 Leaked Image and Specification” was published at 4:24 pm, Tuesday, 27 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News

Sony FX2 Coming Soon

Sony is finally getting up to announce the Sony FX2 camera, and the announcement is expected on May 28, 2025.
The FX2 is Sony’s first camera that uses an integrated tilting electronic viewfinder, and it is one of their first FX line of cinema cameras which uses the same 33 megapixel full frame sensor that we have seen in the Sony A7 IV. So let’s explore the core specification of the Sony FX2 camera.

Sony FX2 Specifications

1. Integrated Tiltable Electronic Viewfinder

Integrated tiltable electronic viewfinder:
For the first time, a Sony camera is using a tiltable electronic viewfinder, which was first seen on the Panasonic GX9 camera. It will help photographers to recompose their shots in a very easy manner by hand-holding their camera even in daylight situations.

2. 33 Megapixel Full Frame CMOS Sensor

33 megapixel full frame CMOS sensor: It’s the same sensor that we have seen in the Sony A7 IV camera. We were expecting a kind of a new sensor, but yeah, it’s the same.
But the camera does deliver high-quality output. The only problem that users have faced with the Sony A7 IV camera from the time of announcement is the overheating limit, which is now completely fixed in the upcoming FX2 with the introduction of:

3. Built-in Fan for Thermal Management

Built-in Fan:The FX2 camera, despite being an entry level cinematography camera, does have a built-in fan which helps the camera to dissipate the heat in the best possible way.
So while using its 33 megapixel sensor even at 4K 60p mode, you can record videos up to unlimited time.

4. AI Powered Autofocus with BIONZ XR

AI powered autofocus: The upcoming camera with BIONZ XR image processor will have the latest generation of AI algorithm inside it.
So users will experience next level of auto focusing performance as well as subject tracking.

5. 4K 60 FPS Video in Super 35mm Mode (1.5x Crop)

4K 60 FPS video in Super 35 mm mode: Super 35 mm mode at 4K 60p sounds fascinating, but that’s not a good thing — that’s actually a limit masked under a good name.
As we usually know, the Sony 33 MP sensor has its own readout limitations. That’s why the 4K 60p is limited to 1.5X crop. But at the very same time, I think that Sony can easily put uncropped 60p in the camera with pixel binning or line skipping algorithm if they wish to.

6. 32-bit Float Audio Support via XLR

32 bit float audio: 32 bit float audio support is available via XLR input. So for professional filmmakers and cinematographers, that’s a great thing to have in their camera.

7. Mechanical Shutter for Still Photography

Mechanical shutter: It’s good to see that Sony is still preserving mechanical shutter inside their camera.

8. Compact, Robust Design with a Unique Look

Compact robust design: As per the initial report, the FX2 is slightly thicker than the FX3 camera. Also, it includes a kind of a tilting EVF, so it looks quite different than the conventional FX series box-style cameras.

Sony FX2 Camera Price

The price of Sony FX2 camera: Sony FX2 camera is priced at $3000 without any tariff, so potentially it may rise up to $3500 depending upon its manufacturing location and additional taxes.

Sony FX2 Release Date

The arrival date of Sony FX2 camera: The Sony FX2 camera official announcement is about to happen on May 28, 2025. We will confirm more about its pricing and availability details.

Stay tuned, more updates are coming

The article “Sony FX2 Coming Soon” was published at 3:36 pm Thursday, 15 May 2025 Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News

Source – Thanks for sharing sonyalpharumors.com

 

Sony Major Announcement on May 28, 2025 [Updated]

 

According to the latest Sony camera announcement rumor coming from the rumor mill, Sony is preparing for its next announcement on May 21, 2025

Any previous post the human male has mentioned, the upcoming camera will have a tilting viewfinder just like we have seen in the Panasonic GX9 camera. That’s a great thing, that’s a great initiative if Sony is taking so, but mainly we would love to see some kind of changes or better to say major enhancements in the core specifications of the upcoming camera, for the upcoming Sony mirrorless camera updates.

Source SAR website


What’s Coming Next From Sony FX2 Camera [Updated Content]

According to the latest rumors, Panasonic is about to announce a new FX8 camera at May 28, 2025. The Camera will feature the same sensor as we have seen in the Sony A7 IV camera., The best part is that being a cinema camera, it will have a built-in fan to support longer recording without any overheating issues .

Click here to see more about the Sony FX2 Camera


Right now, we do not have any leaks from the rumor mill, and I don’t want to make any predictions over that, so it’s better to just have a plain sheet of Sony announced cameras in the past 3 years, and let’s just talk about their predicted scheduled update of Sony upcoming cameras 2025 and beyond

Table: Sony Mirrorless Camera Announcements and Predicted Cycle

Camera Model Format Announcement Date Predicted Next Update
Sony α7 IV Full-frame October 21, 2021 Sony A7 V in Q4 2025 (4-year cycle)
Sony α7R V Full-frame October 26, 2022 Sony A7R VI in Q4 2025 (3-year cycle)
Sony α6700 APS-C July 12, 2023 Sony A6800 in Q3 2027 (4-year cycle)
Sony α7C II Full-frame August 29, 2023 Sony A7C III in Q1 2027 (3 – 4-year cycle)
Sony α7CR Full-frame August 29, 2023 Sony A7CR II in Q3 2027 (4-year cycle)
Sony α1 II Full-frame November 19, 2024 2028 – 2029 (4-5-year cycle)
Sony A7S III* Full-frame July 2020 Sony A7S IV in Q3 2025 (5-year cycle)
Sony FX2 Full Frame #firstofitskind Arrival on May 28, 2025 Confimred

Sony A7S IV Camera – highly anticipated

If Sony wants to keep everything in sequence, then the next update should be the Sony A7S IV. The Sony A7S IV is long due for an update, and it was a highly popular camera among Alpha series users. Despite that fact, Sony has delayed the update of the A7S series for no reason, so if they move on their own schedule pattern of announcement, as we have sai,d the Sony A7S IV should be next.

Sony A7R VI with modest update?

Sony A7RV was a massive update from A7R IV. They used a Stacked CMOS sensor in A7R V, a new AI AF algorithm from the flagship series cameras, and an enhanced video core specification. Unfortunately, none of the competitors, including Canon and Nikon, use a 61MP stacked or non-stacked CMOS sensor in their models; hence, in the absence of a true competitor, we may see a modest or subtle update from the camera maker.

Sony A7V Before September 2025

People are eagerly awaiting the Sony A7V camera, with as per the latest Sony A7V rumors, we have it will arrive on or before September 2025. The camera is poised to compete with the Nikon Z6 III, but Sony is strategically holding back the Sony A7V from a full launch. They are reportedly waiting to analyze the final core specifications of the Canon EOS R6 Mark III before officially announcing the Sony A7V release date in 2025.

Finally, the RX Series Compacts

We would love to see, and Sony should continue as the global market share of premium compact cameras is rising, but at the same time,e we have no information related to RX series compacts as of now.

The article “Sony Major Announcement on May 28, 2025 [Updated]” was published at 6:45 pm, Friday, 9 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News

Sony May 2025 Camera Announcements Details

According to the latest rumour on the web, Sony is planning to announce two new cameras in May 2025. Let’s discuss the announcement.

Update on May 08, 2025 – Sony FX3a officially announced

Sony has officially announced the Sony FX3a Camera, which is the same as the FX3 camera but with a new display screen.

Buy Sony FX3a Camera from B&H Store and Adorama

Update – Sony FX3a Coming on May 07

Updated at 3:56 pm, Tuesday, 6 May 2025, Greenwich Mean Time (GMT): According to the latest rumors, Sony will announce the Sony FX3a on May 7, 2025. The camera will only have a Minor improvement related to its Display. Since the display used by the FX3 is no longer in production, everything will remain the same.

1. Sony FX3 updated model

The first camera is an updated version of the FX3 camera which will carry a minor upgrade like: Expected announcement date May 07, 2025

  • New LCD Screen: Enhanced for better visibility and touch controls.
  • Modern Charging Port: Probably USB-C for faster, easier charging.
  • Minor Improvements: Tweaks to performance and design for a smoother experience.

But the new FX3 updated model will have a higher price (approx $4500), due to the new tariff rule implemented in the USA.

2. Major Alpha series camera announcement at the end of the month

This is bigger and exciting news, and according to the rumour mill, it’s a completely new kind of camera that borrows “1 aspect” from the Sony Alpha series.
As per the initial hints, it seems like a full-frame compact mirrorless camera / a vlogging powerhouse made for professional content creators.

Join the conversation 💭💬🗯
What do you think is coming next from Sony? Can you guess the mystery model name or share your thoughts on the upcoming Sony announcement?

Stay tuned, more updates coming.

You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor + Latest Camera News

Source SARwebsite

Best Lenses for Sony ZV-E10 in 2025: Top Picks for Vlogging & Photography

Sony ZV10 is a powerhouse camera for Vloggers and photographers as well and content creators. The camera features a 24-megapixel APS-C BSI CMOS sensor and the ability to record 4K video, a lot of new features, along with E-mount support. But to unlock its full potential, you have to use the right lens when you are shooting cinematic vlogs or portraits, or vibrant travel photos. Choosing the best lenses for the Sony ZV10 in 2025 will make a real difference. In this guide, we have tested out several lenses and being using the ZV10 camera for more than 2 years we have selected the top best lenses for every use case from wide-angle prime lenses to versatile zoom lens with the detailed review and some sort of comparison tables we have below, you will get the best available lens for the ZV-E10 camera.

Table of Contents

Why does the right lens matter?
Best prime lens for Sony ZV-R10
Best zoom lens for Sony ZV-E10
Best budget lenses for Sony ZV-E10
Comparison table
How to choose a lens for your Sony ZV-E10
FAQ

Why does the right lens matter?

Sony ZV-E10 camera and its successor, Sony ZV10 II, are designed for content creators, specifically those who want the highest quality output possible without sacrificing quality. The Sony 24-megapixel BSI CMOS sensor delivers excellent, crisp, and clear oversampled 4K video footage, but the lens that you pair with the camera determines the overall output of your content. A wide-angle prime lens is ideal for vlogging with the camera, and a versatile zoom lens covers multiple scenarios. I am using the Sony ZV-E10 camera in my creator studio for more than 2 years and also it is one of my primaries for photography also, so the lenses that we have mentioned below are being tested in real-world conditions and if you are blogging in a street, shooting landscape images or capturing portraits these lenses will help you to get the maximum output from your camera.

Best Prime Lenses for Sony ZV-E10

Prime lenses offer unmatched sharpness, low-light performance, and background blur, which is not possible with zoom lenses. So for vlogging purposes, for portraits, and also for cinematic shots, here are our top picks:

Best Ultra-Wide Vlogging Lens for Travel Vloggers

1. Sony 11mm f/1.8

  • Specs: 11mm focal length (16.5mm equivalent), f/1.8 aperture, 181g, no OSS, 55mm filter.
  • Price: ~$550 (Check Price at B&H Store and Amazon.com).

Sony 11mm f/1.8 is the best lens for Sony ZV-E10 vloggers, those who need maximum coverage of the frame. The 11mm lens is highly required, which will act as a 16.5mm lens in 35mm format, making it very ideal for handheld vlogs and for dramatic indoor and landscape. The Sony silent dual linear autofocus motor always keeps tracking the subject without any issue. The lens is very lightweight with 181 grams and pairs up perfectly for ZV-E10 and handheld vlog shooting.

  • Pros:
    • Ultra-wide for maximum scene coverage.
    • Fast f/1.8 aperture for low-light and bokeh.
    • Lightweight and weather-sealed.
  • Cons:
    • No optical stabilization (use ZV-E10’s digital IS).
    • Some edge distortion (correctable in post).

Best For: Vloggers needing wide coverage, travel creators, and architecture photographers.

Now, if you want a super-low-light-sensitive ultra-wide lens, then we have the Viltrox 13mm F1.4

 

2. Viltrox 13mm F1.4 Lens: The Viltrox 13mm F1.4: If you are a content creator who creates most of your videos in an office or home setting, then you should consider the 16mm F1.4 lens. However, if you want extra coverage of your surroundings, for example, if you want a super-wide view or if you want to capture everything around you, especially for travel bloggers who want a bit more coverage than normal, then in that specific situation, I would suggest you go with the Viltrox 13mm F1.4 lens for the E-mount.

In terms of build quality, the lens is made up of a solid metal casing and has multiple weather seals, which makes it perfect to carry around in adverse weather conditions. The cherry on top is that you get a large manual focus ring which you can easily use to provide a smooth focusing experience. You can also do manual override while using autofocus.

The lens features an F1.4 aperture which makes it an ideal ultra-wide-angle prime lens to capture videos and even images in extremely low light conditions. The lens can also be used for astrophotography due to the nature of its high-grade optics.

A lot of effort has been put into optimizing this lens to perform perfectly while shooting videos. The lens features an STM motor, also known as a stepping drive motor, which helps to focus quickly without creating any noise.

Check the Latest Price of Viltrox 13mm F1.4 lens at Amazon | B&H Store

Pros:

  • Impressive performance
  • Solid metal casing
  • Good handling
  • Fast and accurate autofocus
  • Affordable

Cons:

  • No AF/MF focus mode switch

If you are a travel blogger and want to have super-wide coverage with a 13mm lens, you can go with this one

3. Sigma 16mm f/1.4 is a top choice for vlogging with a slightly tighter frame than the Sony 11mm.. The prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24mm equivalent focal length. A perfect focal length for creating content by putting ur camera just 2 to 3 feet away, and yes u can sometimes do handheld vlogs too.

The best part of the lens is the F1.4 aperture. Bright f/1.4 maximum aperture excels in low-light conditions. Shooting at Night and creating nightlife vlogs is now very easy with F1.4 aperture. And as usual, it also affords increased control over depth of field for achieving selective focus effects.

The AF is very fast, and the Sigma uses a stepping AF motor optimized for both photographers and videographers with its fast, precise, and near-silent performance.

The lens is an amazing bargain – super sharp, very fast, beautiful bokeh, and auto-focus. There is pretty much nothing not to like. The construction is rock solid, and rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.

  • Pros:
    • Sharp at f/1.4.
    • Compact for a fast prime.
    • Affordable for the performance.
  • Cons:
    • No optical stabilization (use ZV-E10’s digital IS).
    • Slightly heavy for long handheld shoots.
  • Best For: Vloggers, low-light shooters, and travel creators.
  • Price of Sigma 16mm F1.4 – Buy this lens from Amazon.com | B&H Store

Sample: View sample vlog shot with Sigma 16mm.

The Sigma 16mm F1.4 lens is an excellent companion for the Sony ZV-E10 Camera, specifically when you want to keep the camera very close to you, the lens genrates the best output.

4. Best Budget portrait Prime Lens for Sony ZV-E10 – Sony 50mm F1.8 – The best portrait prime lens ever made for Sony APS-C Mirrorless cameras. The lens features Optical SteadyShot image stabilization, so you can get sharper imagery when shooting handheld with slower shutter speeds. The OSS helps really a lot while shooting in low-ligh conditions.

One of the only portrait prime lens that features built-in OSS

An internal focus mechanism is really fast and responsive, with a minimum focus distance of 1.3′, and easier handling as the lens does not change in length during use. So, you can use this lens very easily with gimbals also.

The only downside, this lens isn’t weather-sealed, but also keep in mind the lens is made for an APS-C Mirrorless camera and not a Full frame camera. If you use it with a camera like Sony A7 III, the camera will work in DX mode and you will get a 10MP file.

Best zoom lens for Sony ZV-E10

Now here is the list of Best Zoom Lenses for the Sony ZV-E10 camera, that will help you extract the best possible output from ZV-E10’s 24MP BSI CMOS sensor.

1. Tamron 17-70mm F2.8 RXD – At $799  you are getting a pro lens, Tamron 17-70mm f/2.8 Di III-A VC RXD is a 25.5-105mm-equivalent lens for APS-C-format Sony E-mount mirrorless cameras. It’s an engineering masterpiece, incredibly versatile everyday zoom ideal for everyday shooting, and the fast f/2.8 constant maximum aperture suits working in difficult lighting conditions and offer improved control over depth of field. This lens delivers outstanding image quality even when shooting wide open, it is beautifully sharp throughout the frame.

The lens features built-in IS, which helps you to shoot with slower shutter speeds in low-light conditions without adding any motion blur or camera shake to your image. Altought the F2.8 aperture helps a lot while shooting in low-light.

Autofocus is very fast, accurate, and silent. For video users, there is almost no focus breathing throughout the range and focus pulls look incredible. VC of course makes handheld shots very smooth. And the controls on the lens are very smooth and do allow you to rather cleanly zoom in and out.

Buy Tamron 17-70mm F2.8 Lens fro m Amazon.com | B&H Store

This lens is awesome. For many shooters and videographers, this could be a one-and-done lens. The only downside, there are no physical controls on this lens for stabilization or focus modes, so you’ll have to change them through the menu system in your camera.

 

Now let’s talk about a lens with an extra wide coverage and a constant F2.8 aperture

 

2. The Tamron 11-20mm F2.8 is an APS-C lens with a constant F2.8 aperture. This lens is designed for content creators, covering a vital range from 11mm to 20mm. It can go super wide and then up to a normal wide mode which is 20mm. So, if you want to cover the entire environment, you can adjust the lens up to 11mm and depending on your set of requirements and taste, you can adjust its focal length. It’s not a prime lens, so you don’t have to worry about buying a 13mm lens or 16mm lens. It covers from 11mm to 20mm with a constant F2.8 aperture and is built with RXD motors, so the autofocus is super fast and silent.

The lens features a steel construction and lightweight design, so you don’t have to worry about handling it for a long time. You can also use this lens in adverse weather conditions.

rock-solid in the hands and features a dust- and splash-resistant design. An excellent lens for outdoors.

Quick Guide

Lens Name OIS Weight Price Best Use Case
Sony E 11mm f/1.8 No 181g $550 Lightweight / Vlogging/Wide Coverage
Viltrox AF 13mm f/1.4 No 420g $430 Low-Light Vlogging / Wide Coverage
Sigma 16mm f/1.4 No 405g $400 Vlogging/Low-Light
Sony E 35mm f/1.8 Yes 54g $450 Portraits/Street
Tamron 17-70mm f/2.8 Yes 525g $800 All-Purpose/Travel / Wedding / Event
Sony E PZ 10-20mm f/4 No 178g $750 Wide-Angle Vlogs
Sony E 50mm f/1.8 Yes 202g $300 Portraits/Budget
Tamron 11-20mm f/2.8 No 335g $500 Budget Vlogging / Street Food / Travel

Best Macro Lens

Sony FE 50mm F2.8 Macro G OSS is designed for full-frame E-mount cameras, this telephoto macro can also be used on APS-C systems, where it provides a 75mm equivalent focal length. The lens is affordable and perfect for APS-C Mirrorless cameras, this is a true 1:1 Macro Lens so you will be getting life-size images from the lens. Later on, once you have upgraded you can use this lens on the A7 series camera too.

Get 50mm F2.8 Macro Lens from Amazon.com | B&H Store

The true macro design affords a life-size, 1:1 magnification ratio along with a 6.3″ minimum focusing distance for working with close-up subjects. A focusing distance and magnification scale are also printed on the top of the lens to aid in more technical applications.

One extra-low dispersion element is featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

Best telephoto zoom

One of the best investments for APS-C users, it is a full-frame Tamron  70-180mm F2.8 VXD G2 lens so you will get a 105-270mm equivalent focal length range. The best lens when you do have some flans of getting a Sony full-frame camera.sue to fast aperture and being a full-frame lens the overall quality of this lens is just amazing.

Bright constant f/2.8 maximum aperture affords consistent brightness throughout the zoom range and offers improved control over depth of field. Two VXD (Voice-coil eXtreme-torque Drive) linear motors deliver impressively quiet, quick, and precise focusing performance to suit both stills and video applications. This focusing system offers a minimum focusing distance of 2.8′ at all focal lengths, and a 1:4.6 maximum magnification at the 180mm focal length for working with close-up subjects. Full-time manual focus override is also possible, and it is compatible with Sony’s Direct Manual Focus function or fine-tuned manual control.

We highly recommend you tet the Tamron 70-180mm lens, so will get max output from your camera, and later on ,you can use this lens for your future full-frame cameras.

How to choose the right lens for your Sony ZV-E10 camera?

See choosing the right lens actually depends on one’s shooting style, the set of requirements you have and your budget. All these factors decide the best lens for you.

1. Finding out the right focal length

Ultra wide lenses (10-15mm)
The lenses falling in the range of 10 to 15 mm are the best lenses for vlogging. These lenses provide maximum coverage even in tight spaces and some of the examples are Sony 11 mm f/1.8 and the Viltrox 13mm f/1.4.

Wide Angle lenses from 16 to 20 mm
16 to 20 mm lenses are highly suitable for desk vlogs. When you want to keep your camera really close to yourself, just after the screen of your desktop, then having lenses like Sigma 16 mm f/1.4 is really usable. Occasionally, you can also do handheld vlogging.

Standard lenses from 24 to 50 mm
The standard lenses need a good working distance from the subject. So, if you are sitting in a room or office and your camera is at a good distance from you, then you can use lenses like 35 mm from Viltrox or Sony, or a 56 mm lens from Sigma, or a 50 mm lens from Sony—any of these. So it all depends on how far you’re sitting from your camera.

Telephoto / Zoom lenses 70 mm+
If you are interested in sports and wildlife—which is really very less common with ZV-E10 users—then you have to invest in 70 mm+ lenses. Otherwise, most of the work can be done easily with lenses below this focal length.

2. Aperture

Fast aperture lenses with f/1.4 to 2.8 range
For better low light performance and shallow depth of field, you will need lenses with bright or max aperture value f/1.4—like we have the Viltrox 13 mm f/1.4 or the Sigma 16 mm f/1.4. Now just after that, we have f/1.8 lenses like the Sony 11 mm f/1.8.

Slower aperture f/4+ focal length
The f/4 or f/4+ lenses are more budget friendly but less effective in low light scenarios.

3. Optical Image Stabilization (OIS)

Since the camera does not have any sensor-shift image stabilization, it’s very important to select lenses with OIS (Optical Image Stabilization) if available. Otherwise, you have to use your camera on a gimbal to get highly stable output. Aur as a content creator, you can also use the camera’s gyro-based image stabilization, which is very effective.

4. Budget-friendly lenses

Under $500 lenses: If you are really looking for budget-friendly lenses, then I will recommend you to get Viltrox Air Series lenses. Even some lenses that we have recommended here like 50 mm f/1.8, Viltrox 30 mm f/1.4 and Tamron 11-20mm f/2.8 are some budget-friendly lenses.

Budget range $500 to $1000: Higher priced lenses include Sony 11 mm f/1.8 and Tamron 17-70 mm f/2.8.

Practical tips

Vlogging with coverage: Choose an extra wide-angle lens while you are vlogging, like Sony 11 mm or at least Viltrox 13 mm. With the extra coverage, you can easily apply Active IS stabilization that will do a digital fine crop. As well as, you can also apply gyro-based image stabilization. These extra wide-angle lenses help a lot when you want to implement digital zoom in your camera or in your software.

Low light vlogging: Ultra-bright lenses like—for vlogging purpose—you can have the Viltrox 13 mm f/1.4 or you can also have the Sigma 16 mm f/1.4. When you are shooting in your room or in your bedroom, these f/1.4 lenses are really very helpful when you are shooting in available light.

Portraits: For getting excellent results, I will highly recommend you to get 50 mm f/1.8 or 56 mm f/1.4 lens.

Travel Lens: The Tamron 17-70 mm covers most of the scenarios.

FAQ

What is the best lens for Sony ZV-E10 vlogging?
The Sony 11 mm f/1.8 is our top pick for vlogging. The lens covers an ultra-wide range of 16.5 mm in terms of full-frame equivalence. A perfect lens that covers the entire environment along with you, and also helps you to implement Active IS without any significant loss of frame. The second-best alternative to 11 mm f/1.8 is the Viltrox 13 mm f/1.4 which actually shines with its ultra-bright f/1.4 aperture—best for low-light scenarios.

Can I use full-frame lenses on the Sony ZV-E10?
You can use Sony E-mount full-frame lenses, as those are compatible with the ZV-E10 camera, but as we all know, the Sony ZV-E10 uses an APS-C CMOS sensor. For example, a 24mm lens will act as a 36mm lens on your camera, and the advantage of getting a crop lens is the size of the lens, like we have the Viltrox 13mm f/1.4, which is lighter as well as cheaper in its category.

What’s the best budget lens for Sony ZV-E10?
The Sony 50mm f/1.8 is the best budget lens for capturing portraits. The next best lens to it is the Viltrox Air 35mm f/1.8. Such lenses are lighter and cheaper for the ZV-E10 camera.

Do I need stabilisation for ZV-E10 in lenses?
Stabilisation, either mechanical or electronic, is needed for handheld vlogging. Now, if you are using a gimbal, which of course makes your setup a bit heavy, then you are getting very clean and smooth footage. But if you are not using any gimbal, then it’s highly recommended to use either Active Image Stabilisation mode inside your camera or completely turn off all the in-camera modes and later stabilise your footage in the Catalyst Browse software provided free by Sony.

Which is the best lens for low-light photography or vlogging?
The Viltrox 13mm f/1.4 is the best or the top choice for low light. These lenses maximise light capture and create a very creamy background blur. So, for available light, these two are the best lenses. Now, if you want a lightweight solution that’s easy to carry all the time, then with a bit of sacrifice, you can have the Sony 11mm f/1.8.

Are third-party lenses like Viltrox or Sigma good for the Sony ZV-E10?
Yes, third-party lenses like Viltrox and Sigma or even Tamron have the same autofocus algorithm inside them, which is being provided by Sony itself to the third-party lens makers. And the best part is that they give the best performance at lower prices. Like we have the Viltrox 13mm f/1.4 and the Sigma 16mm f/1.4, which are prime examples of lenses offering the surface-level optics with fast autofocus and great value for content creators and vloggers.

ABout the author: The article “Best Lenses for Sony ZV-E10 in 2025: Top Picks for Vlogging & Photography”  written and updated by thenewcamera.com team on 5:50 am Monday, 5 May 2025 Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news — > –>see more Sony Alpha Rumor

Sony Major Camera Announcement in May 2025

According to the latest rumours, Sony will be announcing a new product in May 2025. At this very moment, the only thing we know from a tipster’s hint is to consider it as a cine-style FX camera from Sony. Take a look at what the tipster has said to us in the previous post.

It’s a camera made for video users. I already have the review unit and am impressed with its overall performance. The only feature I wish this camera had is open-gate recording. However, the IBIS is the new unit that works like a charm for handheld usage.

Also, take a look at what the Sony Alpha Rumor website (Link) has said.

I am now 100% sure that there will be a new Sony announcement in May! I’m not sure yet what the name of the camera will be… but I’ll say this: I’m not buying the FX3 or the a7CII right now. I’ll have more to say next week.

PS: Btw, I was waiting for the Sony A7V camera announcement.

Stay tuned for more updates

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