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Firmware Update

You Don’t Have to Be A Great Photographer

Awesome commercial, Just sit back and laugh 🙂
A photographer showing his work to some pro photographers and they are asking some serious question ( about aperture, shutter speed, etc etc)… and presenting photographer cannot properly answer the questions because he just went out and took great photographs with Lumix.

Winners of the 2010 Vimeo Awards

Thank You Jason Wood for allowing us this moment.

Oden’s struggle with cancer finally came to an end.

May he rest in peace and his memory be eternal.

Canon 7D

Directed/Edited: Eliot Rausch

Director of Photography: Luke Korver, Matt B. Taylor

Song: Big Red Machine / Justin Vernon + Aaron Dessner

A story from the 8 LIVES Documentary.

For more of Jason Wood’s story from 3 years ago

see http://vimeo.com/14047489

www.PhosPictures.com

Click here to see all the winners of 2010 at Vimeo

Canon 550D/T2i Video filmed at 60fps

Filmed at the Ymsb’s Harvest Festival, October 14-16 2010
By Brandon Sloan

Canon 550D/T2i
filmed at 60fps
50mm f1.4
ISO 400-800
no color correcting

Music: Go Outside by Cults
(recorded at the Daytrotter studios)
free download here
http://www.daytrotter.com/dt/cults-concert/20031353-51527.html

Panasonic AF101 Video

Hirano San was the lovely driver who took us around Kyoto, Japan. This is a film I made of the day in a very rushed, episodic day of going to place to place.

I was there with 5 other shooters (which makes it much harder to shoot as you are tripping over each other!) as guests of Pansonic to test out their 95% finished Panasonic. AF100/101. We were there to give them honest feedback and thoughts on their new camera, not just wow, great camera! Really great idea to do this.

Read more about the trip and my thoughts on shooting with the camera on my blog, including the lenses I used and why.

Also there is a detailed audio commentary there. Worth a listen!!

http://philipbloom.net/2010/11/11/japanaf101/

Graded in Magic Bullet

Music Gustav Holst: Japanese suite

Sony A-33 DSLR Camera Review by Steve Huff

Steve Huff just posted review of Sony A-33 DSLR in his website,

Overall Conclusion

1.  superb low light capabilities, with Sony A – 33 you can do handheld night shooting @ ISO 1600 without any noise,

2. Fast Auto Focus Due to Translucent mirror Technology without any mirror slap.

Other Good Features

Tiltlable screen, Record noise free FULL HD at night, 7 fps and Sweep Panorama

Click here to Read the Full Review

Sony New 35mm Professional Camcorder

pmwf3K

PMW-F3K

The new Sony PRO PMW-F3 Camcorder with 35mm Sensor (first ever CMOS image sensor in its Exmor series), the PMW-F3 is Designed for television, commercials, music promos and budget features, the new camcorder is offered at a price point that will bring Super 35mm shooting within reach of a wider audience. The camcorder accepts PL mount lenses. Two configurations of the PMW-F3 will be available (PMW-F3L body only and PMW-F3K with PL lens kit). First deliveries of are scheduled for January 2011. PMW-F3K comes supplied with three high quality Sony lenses (35mm, 50mm and 85mm, T2.0).

Press Release
Basingstoke November 8th, 2010:- Representing a breakthrough for filmmakers in terms of features, performance and price, Sony Professional is adding to its line-up of Super 35mm digital motion picture camera technologies. The family, which includes the legendary F35 and the recently announced SRW-9000PL, is now joined by the all new PMW-F3 camcorder.

Each camera in the line-up is based on a Super 35mm sensor and PL mount technology, and illustrates Sony’s unique ability to offer filmmakers access to the highest-quality imaging tools and most complete digital production workflows.

The new PMW-F3 is the latest example of Sony’s efforts to combine performance and price into a powerful and affordable production tool. Designed for television, commercials, music promos and budget features, the new camcorder is offered at a price point that will bring Super 35mm shooting within reach of a wider audience.

That, and the availability of a low-cost PL lens kit model which includes 35/50/85mm T2.0 fixed focal length lenses, makes it ideal for use as a 2nd unit 35mm camera or as a B camera to the SRW-9000PL.

“Sony has a long and successful track record of developing digital motion production technologies,” said Bill Drummond, Strategic Marketing Manager at Sony Professional Europe. “Our cameras have shot everything from documentaries to big-budget blockbusters, totaling many billions of Euros at the box office. With the new PMW-F3, we’re putting the full power of our expertise to work, to bring precise control over depth of field, and access to the huge range of cinematic lenses available to a wider range of users.”

The new PMW-F3 camcorder is based on Sony’s XDCAM EX workflow (codec is MPEG-2 Long GOP 4:2:0 8bit, 35 Mbps), and uses Sony’s SxS™ ExpressCard-based recording media format. Its Super 35mm CMOS imager delivers shallow depth of field, with high sensitivity and low noise levels (ISO 800, F11; and S/N ratio of 63dB in 1920×1080/59.94i mode), as well as wide dynamic range.

The camcorder offers a wide range of image creation options, as well as the ability to seamlessly inter-cut PMW-F3 footage with content shot on Sony’s F35 or SRW-9000PL cameras – through the use of an HD-SDI dual-link output for external recording (4:2:2 1080 50/59.94P as standard; and RGB 1080 23.98/25/29.97PsF as an option).

Additionally, “S-LOG” and “Hyper Gamma” can be selected. This can allow users to take full advantage of the CMOS imager’s wide dynamic range, giving them the ability to tailor their images during post-production in the same way they would in a film based workflow.

Recording formats include 1920×1080, 1440×1080, and 1280×720 at 23.98/25/29.97p, 50/59.94i and, in DVCAM mode, 25/29.97PsF and 50/59.94i. Filmmakers can also take advantage of ‘slow’ and ‘quick’ recording, also known as “overcranking” and “undercranking” from 1 to 30 fps at 1920×1080 (17 to 30 fps in dual-link mode) and 1 to 60 fps at 1280×720 (17 to 60 fps in dual-link mode).

The PMW-F3’s PL mount adapter can accommodate both PL and zoom lenses, and will offer compatibility with a variety of cine lenses such as Cooke, Arri, Fujinon and Zeiss.

Sony is also announcing its plan to introduce a compatible SR Memory Portable Recorder for the PMW-F3 camcorder. This will add a high-end workflow option as well as full RGB capability providing native recoding in HDCAM SR codec.

“We demonstrated a prototype PMW-F3 on our stand at IBC and have been inundated with requests for more information ever since. It’s great to be able to unveil the full list of features, and announce that first deliveries will be made well in advance of what many customers may have been expecting,” concluded Drummond.

Two configurations of the PMW-F3 will be available (PMW-F3L body only and PMW-F3K with PL lens kit). First deliveries of are scheduled for January 2011.

Nokia N8 smartphone HD Video

Nokia UK’s highly anticipated short film, ‘The Commuter’ staring Dev Patel, Pamela Anderson, Charles Dance, Ed Westwick and shot entirely in mobile HD on the Nokia N8 smartphone.

The groundbreaking film, directed by the McHenry Brothers, was shot in just four days with the Nokia N8 using no back up cameras, with the streets of London and St Albans providing the backdrop to Nokia’s story about one commuter’s eventful journey to work.