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By admin, on May 12th, 2021
Panasonic GH5 Mark II vs Panasonic S5 – A general Specification comparison between the two to find out the major difference. As we all know Panasonic GH5 Mark II camera features almost the same major core specification as we have in the GH5.
Get Panasonic S5 from B&H Store | Amazon.com
Get Panasonic GH5 Mark II from B&H Store
| Lens Mount |
Micro Four Thirds |
Leica L |
| Camera Format |
Micro Four Thirds (2x Crop Factor) |
Full-Frame (1x Crop Factor) |
| Sensor Resolution |
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888) |
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel |
| Maximum Resolution |
5184 x 3888 |
6000 x 4000 |
| Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 2:1, 3:2, 4:3, 16:9, 65:24 |
| Sensor Type |
MOS |
CMOS |
| Sensor Size |
17.3 x 13 mm |
35.6 x 23.8 mm |
| Image File Format |
JPEG, Raw |
JPEG, Raw |
| Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
Panasonic S5 uses a better Sensor
As we can see the sensor size is the main difference between these two cameras. The Panasonic S5 full-frame sensor will deliver exceptional images as well as more details and depth in videos with better low-light performance. Both cameras feature sensor-shift IS (5.5 Stops without OIS Lens / 6.5 Stops with Dual IS), so you will get stability support while you are shooting still images and videos.
As usual with the help of a Fullframe sensor, we will get a boosted ISO range inside the Panasonic S5 Camera.
| ISO Sensitivity |
Auto, 200 to 25600 (Extended: 100 to 25600) |
Auto, 100 to 51200 (Extended: 50 to 204800) |
| Shutter Speed |
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
1 to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second |
Mechanical Shutter
1/8000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Second
0 to 30 Minute
Electronic Shutter
1/8000 to 60 Second
0 to 60 Second in Bulb Mode
1/16000 to 1/25 Second in Movie Mode |
| Metering Method |
Center-Weighted Average, Multiple, Spot |
Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot |
| Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation |
-5 to +5 EV (1/3 EV Steps) |
-5 to +5 EV (1/3 EV Steps) |
| Metering Range |
0 to 18 EV |
0 to 18 EV |
| White Balance |
Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set |
| Continuous Shooting |
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP |
Mechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 30 fps at 8 MP |
| Interval Recording |
Yes |
Yes |
| Self-Timer |
2/10-Second Delay |
2/10-Second Delay |
Panasonic S5 shoots DCI 4k
The S5 also gets a significant update in 4K DCI and ProRes RAW support. So, if you are buying up the latest Panasonic S5 then for sure you will get DCI 4k videos with your camera. Another most important fact we have to admit the Panasonic S5 does a full sensor readout, that’s is 24.2MP full-frame CMOS sensor with no AA filter; Full-frame oversampled will give you massive details while creating 4k videos with your camera compared to a M4/3 sensor-based GH5 Mark II camera.
| Recording Modes |
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] |
H.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p/50p [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/180p [20 to 28 Mb/s] |
| External Recording Modes |
4:2:2 10-Bit |
4:2:2 10-Bit |
| Video Encoding |
NTSC/PAL |
NTSC/PAL |
| Audio Recording |
Built-In Microphone (Stereo)
External Microphone Input |
Built-In Microphone (Stereo)
External Microphone Input |
| Audio File Format |
AAC, Dolby Digital 2ch |
AAC, Linear PCM |
|
|
|
Panasonic GH5 Mark II vs Panasonic S5, Autofocus Performance
Panasonic S5 arrived with a massive DFD AF upgrade the AF performance of the camera drastically improved compared to even S1 camera. Even the GH5 Mark II arrived with an upgraded AF algorithm, both are winners and have Panasonic latest DFD tech inside them.
| Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
| Focus Mode |
Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S) |
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points |
Contrast Detection: 225 |
Contrast Detection: 225 |
| Autofocus Sensitivity |
-4 to +18 EV |
-6 to +20 EV |
One major upgrade you will notice that Panasonic GH5 Mark II is now using the same battery as the S5 camera. So, the battery performance of the GH series camera now improved.
Physical
| Battery |
1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh |
1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh |
| Dimensions (W x H x D) |
5.5 x 3.9 x 3.4″ / 138.5 x 98.1 x 87.4 mm |
5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm |
| Weight |
size 138.5x 98.1×87.4mm, weight 647g (body only), |
1.57 lb / 714 g (Body with Battery and Memory)
1.39 lb / 630 g (Body Only) |
Panasonic GH5 Mark II vs Panasonic S5 – Verdict
Panasonic GH5 Mark II isn’t giving us enough reason to recommend you for video purposes. The GH5 Mark II update gives us a strong hint that Panasonic wants its existing consumer base to move into the S series aka the Fuullframe series.
Get Panasonic S5 from B&H Store | Amazon.com
Get Panasonic GH5 Mark II from B&H Store
More comparison here Panasonic GH5 Mark II vs Panasonic GH5
By admin, on May 11th, 2021
Full specifications of Panasonic GH5 Mark II camera leaked today, the sensor and major video specs remain almost the same and we are not able to spot any major upgrade in Panasonic GH5 Mark II camera for photographers or cinematographers.
Take a look at the Major leaked specification
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By admin, on May 11th, 2021
We are comparing Panasonic GH5 Mark II vs Panasonic GH5 with the set of available information here. Most of the major specification of the camera remains same. Take a look at the Major specs of the camera
|
Panasonic GH5 Mark II |
Panasonic GH5 |
| Sensor |
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888) |
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888) |
| Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
| ISO Sensitivity |
Auto, 200 to 25600 (Extended: 100 to 25600) |
Auto, 200 to 25600 (Extended: 100 to 25600) |
| Continuous Shooting |
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP |
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP |
| Video |
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s]
AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s] |
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s]
AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s] |
| External Recording Modes |
4:2:2 10-Bit |
4:2:2 10-Bit |
| Audio Recording |
Built-In Microphone (Stereo)
External Microphone Input |
Built-In Microphone (Stereo)
External Microphone Input |
| AutoFocus |
Contrast Detection: 225 |
Contrast Detection: 225 |
| Viewfinder Type |
3,686,000 Dot EVF 120 fps / 60 fps |
3,686,000 Dot EVF 60 fps |
| Dust And Splash Resistant |
Yes |
Yes |
| Battery |
DMW-BLK22 battery (S5 battery) (2200mAh) |
DMW-BLF19 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh |
|
USB power supply, USB power charging, USB power delivery |
NA |
|
|
|
As you can see from the initial specification the camera is using the same sensor as Panasonic GH5, although they have upgraded EVF and battery from Panasonic S5.
The battery life of the Panasonic GH5 Mark II camera improved. The Panasonic GH5 Mark II uses the BLK22 battery of the Panasonic S5 camera. So, more or less.
The new Panasonic GH5 camera allows a USB power supply, USB power charging, USB power delivery which was not possible with the old GH5 camera.
More of less the Video and still specs of the camera remain the same which is really disappointing for those who are waiting for an upgrade.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumors
By admin, on May 10th, 2021
Panasonic GH5 Mark II Major specification leaked, the camera will feature the same 20MP M4/3 sensor as GH5. Take a look at the Major Specs below
Panasonic GH5 Mark II Major Specification
- Panasonic “LUMIX DC-GH5M2” has 20.33 million effective pixels,
- 4K60p video,
- 3.68 million dots
- 120fps compatible EVF,
- DMW-BLK22 battery,
- size 138.5x 98.1×87.4mm, weight 647g (main unit only),
- US price It will cost $ 1697 ($ 2297 for the 12-60mm kit)
So, finally, we came to know the successor Panasonic GH5 is GH5 Mark II and not GH6. We will post more update as soon as we get more images and specifications.
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Source
By admin, on February 3rd, 2021
TNC-exclusive A list of New M4/3 sensors that may get used in upcoming MFT cameras. All the sensor you can see below are new, upcoming Panasonic GH6, GX10, and many more cameras may use some of the new sensors for improving video resolution.
New 4/3 Sensore list with higher resolution
| S/No |
Pixels |
Res. |
Chroma |
Size |
Max FPS |
Shutter Type |
| IMX492LQJ-C |
47.08MP |
8192×5556 |
Color |
4/3″ |
24.17 |
Rolling |
| IMX530-AAQJ-C |
24.55MP |
5328×4608 |
Color |
4/3″ |
98 |
Global |
| IMX540-AAQJ-C |
24.55MP |
5328×4608 |
Color |
4/3″ |
34.9 |
Global |
Sensor Already in use
Now the list of that sensor which already being used in some of the most popular Micro Four third cameras made by Panasonic
| IMX294CJK-C |
10.71MP |
3728×2814 |
Color |
4/3″ |
60 |
Rolling |
| IMX367LQA-C |
19.66MP |
4416×4428 |
Color |
4/3″ |
43 |
Global |
| IMX387LQA-C |
16.88MP |
5456×3076 |
Color |
4/3″ |
40.4 |
Global |
Sony IMX594CAR sensor deleted from Sony database. Sony deleted the IMX 594CQR a 41.2MP 4/3 format sensor from their database which was surfaced in Sep 2019.
ollow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumors
By admin, on February 2nd, 2021
As per the latest rumors coming, the Panasonic GX10 camera is expected to arrive in Q4 of 2021. As per the latest rumors surfaced over the web the prototypes of the camera do exist in the wild. No further details available about the core specification of the camera, we will update you soon as we get any new updates.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumors
By admin, on November 3rd, 2020
Panasonic 85mm F1.8 Lens is a perfect portrait companion for the Panasonic S series of full-frame camera. As usual, the lens has a perfect focal length of 85mm and an F1.8 aperture for creating dramatic depth in your images. The price of the lens is $599. (B&H Store | Amazon.com) Sample images and more updates to be published soon.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumors
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