Join More Than 50,000+ Subscribers and get latest camera news and rumors

NEW CAMERA VIDEOS ON YOUTUBE

NEW CAMERA LINKS
NEWS News about new camera
Hot at New Camera Hot Picks by New Camera

Camera Rumors List of all latest Camera Rumors on Web.
Canon Rumors Latest Canon Rumors.
Nikon Rumors Latest Nikon Rumors.
Sony Rumors Latest Sony Rumors.

Sample Images Click here to see New Camera Sample Images.
Sample Video Click here to see New Camera Sample Video.
Firmware Update

Sony A1 8k Sample Video

Sony A1 8k Offical Sample video is now available. The Sony A1 official press Release is here with full specs. The Sony A1 is the world’s first full-frame camera to feature a 50MP stacked BSI CMOS sensor. To Enable 8K video recording Sony added a dual BionXR image processor to manage the 8k video files. Not, only that the camera also offers 16bit RAW video via HDMI. Take a look at the 4K sample video of Sony A1.

Also, see –

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news see more Sony Alpha Rumor

Sony A1 Press Release, Full Specification and Price

Sony finally announced the new flagship FF Mirrorless camera. The newly announced Sony A1 camera features a brand new 50MP Stacked BSI CMOS sensor and an ISO range from 100 – 32000 and an expandable ISO range up to 50 – 102400.  Sony A1 camera sensor is fabricated with 759 Hybrid AF points and updated and improved AF algorithm for better object tracking in still and video mode.

Also, see –

For the first time in a Sony camera, we have real-time bird eye AF tracking mode for wildlife photographers. With the help of a new stacked CMPOS sensor and Dual BionzXRimage processor, the Sony A1 is able to shoot images up to 30FPS with full-time AF/AE  ON all the time. Despite having twice as many pixels as the a9, the a1 promises to have a 1.5x less rolling shutter. This allows flash sync at up to 1/200 sec with the electronic shutter or 1/400 sec using the mechanical shutter.

The Sony A1 can shoot 8K video at up to 30p using its full width, the camera uses oversampling method during recording 8k video and the video file is made from 8.6K RAW video file, downsizing it to 8K to provide improved resolution. You can internally record the 8K  in up to 10-bit 4:2:0 using the XAVC HS format and 16-bit Raw video output over HDMI. With the new HEatsink system as we have seen in the A7S III, the Sony A1 camera can shoot 8K for up to 30 minutes, if the temperature warnings are set to their most tolerant setting. The camera’s in-body image stabilization system is rated at 5.5EV for stable stills and Video.

It will cost around $6500 / €7,300 / £6,500 and will be available in March. It uses the same VG-C4EM two-battery accessory grip as the a7R IV, a7S III and a9 II.

Sony A1 Press Release

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

  • New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine with eight times more processing power[i]
  • Blackout- free continuous shooting at up to 30 frames per second[ii]
  • Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
  • Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv] refresh rate of 240 fps
  • Silent, vibration-free electronic shutter
  • World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
  • Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha™ series
  • World’s fastest[v] mechanical shutter flash sync up to 1/400 sec.
  • 8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
  • Wide dynamic range of 15 stops for stillsand 15+ stops for video[x]
  • Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds, as well as Real-time Tracking that automatically maintains accurate focus
  • 5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage
  • S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
  • Professional workflow support with the industry’s fastest built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps, ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance.

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[ii].

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s first[iv] 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90 viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system[i], thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time[v] in the world. The electronic shutter operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speed[v] of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per second[viii] which allows the user to shoot up to 5X slow-motion video. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastest[xiii] built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop, professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

 

Sony New Fullframe Mirrorless Camera Announcement on 26th Jan 2021

Sony will announce a new alpha series Mirrorless Camera on 26th Jan 2021. Sony’s official youtube channel already uploaded a video that will premier on Jan 26th.

No detailed information available about Upcoming products from reliable sources.

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news see more Sony Alpha Rumor

Sony A7R V Camera Specifications [prediction]

Sony A7R IV Camera specs making round on web,  prediction of these specs done by semorg a preview forum Contributing Member with Posts: 961 pos. (that means the member is genuine). Now, if you have less time let me summarize for you

Sony A7R V Specifications (prediction by SAM)

    1. 61MP Full-Frame Exmor Sensor
    2. BIONZ XR image processor
    3. DCI / UHD 4K 60p/30p Video
    4. 8K at 30fps
    5. 4K 120FPS and Full HD 240 FPS by using pixel binning algo and slight crop to save up from overheating
    6. Upto 6 Stop of IBIS
    7. Dual CFExpress A
    8. Full Size HDMI like A7S III

Sony A7R V AKA nail in the coffin of Canon.

Seeing many YT influencers (I agree they are not all real working pros) talk about how they are considering switching from Canon to Sony after using A7SIII, I can see Sony going for the jugular of Canon and make a canon 5R without overheating.

It safe to say, it’ll take Canon 2 years to resign their body to deal with the heat issue. Canon’s best bet is to take the 5R and put it inside their cinema camera with ample fan and cooling and call it Cinema R 500. Or keep the EF mount and call it EOS C400 and offer it at a reasonable price to keep their base from jumping ship to Sony. They still have the dual gain system in their new C500 that is designed close the gap with Alexa. So they can differentiate pricing and products but at the same time save face a bit with their 8K PR nightmare.

1. 61 MP. Same sensor as A7R IV.

We have seen Sony alternate between image sensor update and processing update. With A7RIV we saw a new sensor, with A7R V will get a new processor.

2. Bionz XR Same processor(s) as A7SIII

This update cycle of the A7Rx is with the image processor. Sony’s new image processor is designed to handle high volume data processing (4K @ 120 fps) and probably room for more.

It’s safe to assume outside of the upcoming A5/A6 which probably will be a crippled A7III (Sony’s answer to Nikon Z5) the future full frame Sony systems will use the new Bionz XR.

3. 8K Video at 30 FPS

It’s safe to assume if the new processor can churn through 120 FPS @4k it can handle 8K at 30 FPS.
We also know the A7R IV sensor is probably able to have a readout of 1/30 if not more, https://blog.kasson.com/a7riv/how-fast-is-the-sony-a7riv-silent-shutter/

The new CFExpress A can handle that kind of bandwidth. Taking 4k 30 All-I H.264 at 300 Mbs. We can assume a 1200 Mbs for 8K All-I. Remember the new Sony Tough Cards are claiming 5600 Mbs (700 MBs). So potentially the could even handle 8K at 120FPS one day.

Sony has figured out how to dissipate heat and will basically release a competitive “halo” product to Canon’s 5R without the heating PR nightmare.

4. 1.1-1.3x crop.

We can assume there will be a slight crop (1.1 ~ 1.3) for 8K (for D and U). This crop will probably allow for a better stabilization by combining IBIS and electronic.

5. 4K HQ at 30 FPS (possibly 60 FPS)

This is the 8K image downsized to 4K. 30 Is probably doable, 60 probably is and to match Canon with specs Sony might just include it.

6. 120FPS (4k pixel binned, APSC or HD)

Just like the Sony A7RIV we’ll have a 120FPS option. With a new processor Sony should be able to have a better 120FPS video but we shall see. Minimum will be HD it’s possible they can do a crop 4K 120 FPS.

7. 5.5 ~ 6 Stops IBIS

It’s possible Sony might need to have a crop option (1.1 ~ 1.2) for even stronger IBIS to match Canon’s or they could just keep what they have.

8. Dual CFExpress A

So long as other manufactures are late to the game, you can view CFExpress card as a bit like the printer cartridge business. For a pro who need to buy 4-5 cards (maybe even more) it grantees additional revenue stream to Sony.

Copied from A7SIII – View finder (for a large pixel camera they’ll keep a high resolution viewfinder), LCD screen, AF system, menu system (this is obviously the menu going forward), color science (we might assume Sony has reached the peak of their color science).

9. Full-size HDMI ?

Unclear if Sony wants to differentiate between S and the R model and not include a full HDMI cable. I have a feeling Sony is going to go for the jugular of Canon and probably offer full HDMI.

10. 16bit linear RAW?

Sony/Atomos might be working on some kind of a recorder to keep all the 16 bit linear for external recording. Atomos Ninja has been upgrading well, but I’m wondering if an upgrade is in the works. I think the A7RV is going to be a canon 5R killer and Sony will probably won’t hold back.

11. What about Sony A7IV?

This is going to be even more of an anticipated wait. A7IV is coming (October/November?). It must be based on the Bionz XR so very possible it’ll be the camera that will dominate the full-frame market in 2021. We could expect a 6K raw camera that will go head to head with Panasonic S1H. It might not have all the video functions like S1H but image quality will be similar to a really good and functioning AF.

What are your thoughts?

Source – dpreview

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news see more Sony Alpha Rumor

Sony A7C Sensor Score

Sony A7C Sensor score surfaced over the web. The overall score of the camera is 95  which is really impressive. However, despite having the same sensor as of Sony A7 III camera, Sony A7C scored low marks in low-light tests compared to A7 III.

Verdict from DXOmark

Featuring a rangefinder-style body, the Sony A7C is an intriguing step between the Sony A6xxx series and the DSLR-style A7xxx models. While targeting the hybrid stills and video market, the design means it’s likely to find favor with vloggers and others looking for a highly compact and portable full-frame camera, and it’s an attractive alternative to the larger A7 III and A9 models. At launch, the price is advantageous as well.

The BSI-CMOS in the Sony A7C performs well altogether. The results are practically identical to the sensors in the Sony A7 III and A9 II, and it produces a nice balance between maximum dynamic range at low ISOs and maintaining a usefully wide dynamic range at higher ISO settings. And the same can be said for color depth. All combined, the Sony A7C is an attractive option for landscape, travel, wedding, and portrait photographers, while the rangefinder-style body should also appeal to the traditional street photographer

source DXOMark

Sony A7C DXO Mark Score

Sony A7C result published at DXOMark Lab, the camera scored overall 95 rating vai DXO Mark lab test. Take a look at What DXO Mark Lab said about the camera and the test score table

α7C A7 III A9II S1 Z6 R6
Overall Score 95 96 93 95 95 90
Portrait 25.0 25.0 25.0 25.2 25.3 25.2
Landscape 14.7 14.7 14.0 14.5 14.3 14.3
Sports 3407 3730 3434 3333 3299 3394

DXO Mark Said

Sony A7C is an intriguing step between the Sony A6xxx series and the DSLR-style A7xxx models. While targeting the hybrid stills and video market, the design means it’s likely to find favor with vloggers and others looking for a highly compact and portable full-frame camera, and it’s an attractive alternative to the larger A7 III and A9 models. ”

Also see

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news see more Sony Alpha Rumor

Best Lenses For Sony A7C 2023

Let’s talk best lenses for the Sony A7 c camera. In this article, we will discuss the best Sony lenses for video as well as the best Sony a7c lenses for YouTubers and cinematographers. In this article, we have only discussed the best Sony full-frame lenses for video and photography. So let’s discuss the best lenses we have for A7c camera.

Buy Tamron 28-75mm RXD Lens Amazon.com | B&H Store

1. Best Kit Lens for Sony A7C?

The best lens for the Sony A7C camera is Tamron 28-75mm f/2.8 Di III VXD G2 at a reasonable price. This Lens is one of the best lenses for the Sony A7 c camera if you create a video vlog in your room or office. The lens can be also used as a general-purpose lens for your Sony A7C and an excellent replacement for your kit lens. The lens features a constant aperture throughout the zoom range. Tamron 28-75mm f/2.8 Di III VXD G2 is also an excellent lens for photographers, you can do some wide-angle shots @ 28mm as well as you can also capture some amazing portraits with beautifully blurred background @75mm. Tamron uses a stepping drive motor inside this lens, the AF Mechanism of these lenses is just awesome and fast like Sony g master lenses.

Tamron 28-75mm f/2.8 Di III VXD G2 is one of the most popular lenses among videographers and YouTubers worldwide we highly recommend you to start your vlogging with this lens if you do office or room vlogs frequently.

 

Tamrom 28-200mm Lens at B&H Store | amazon.in

2. Best Zoom Lens for Sony A7C?

The best and Affordable Zoom Lens for the Sony A7C camera is Tamron 28-200mm f/2.8-5.6 Di III RXD  This lens is one of the best wide-angle zoom lenses for the Sony A7C camera. The lens captures the highest amount of details possible and gives you an amazing focal length.

The overall design of the Tamron 28-200mm f/2.8-5.6 Di III RXD is very compact and very easy to carry and the lens is also lightweight ( 575.5 g). Whether for portrait or landscape, this lens does a very good job, clean and sharp images.

The Tamron 28-200mm f/2.8-5.6 Di III RXD features a stepping drive motor and the autofocus motors deliver very fast precise and quick focusing performance for both still and video work. This lens is an excellent alternative to the Sony 24 to 240 F3.5-5.6 lens, amazingly compact size and lightweight and overall the price of this lens is also affordable.

Samyang 35mm F2.8 B&H Store | amazon.com

3. Sony A7C Best budget Prime Lens for Street Photography?

Samyang AF 35mm F2.8 is one of the best budget Prime lens for Street Photography. If you are looking for a budget lens for street photography then you should get the Samyang AF 35mm F/2.8 Lens for your Sony A7C Camera. This lens is extremely lightweight. It is very sharp wide open and gets razor-sharp stopped down to f4 (sweet spot). Bokeh and color are nice too.

The lens is also extremely useful for street photography, the 35mm focal length is all you need for a classic street shot and the lens delivers pixel to pixel level details even when used at its MAX F2.8 aperture.

The optical design incorporates a pair of aspherical elements and one high refractive index element to suppress spherical aberrations. An Ultra Multi-Coating has also been applied to control flare and ghosting. The lens’s autofocus motor works perfectly with Sony AF algorithms in conjunction with the Sony A7C camera and delivers quick and precise focusing performance, and manual focus override is also available for more refined control.

Tamron 17-28mm F2.8 RXD B&H | Amazon.com

4. Best Wide-angle zoom lens Sony A7C

Tamron 17-28mm f/2.8 Di III RXD Lens is the best budget lens for office, room, and hand-held vlogs. perfect wide-angle zoom lens with a 2.8 constant aperture. The sharpness of this lens very impressive and the new stepping drive motor inside this does AF Fast so without any lag even. You can easily use this budget-friendly high-quality lens for office and room vlogs and photographers can use this lens for landscapes, cityscapes,  architecture photography, and also for street photography. The lens is also weather-sealed so you don’t have to worry while you are using this dusty or moist condition.

We highly recommend you to get the Tamron 17-28mm f/2.8 Di III RXD Lens if you are looking for a budget-friendly high-quality Zoom Lens for your Sony A7C Camera.

5. Best Budget portrait lens for Sony A7C

Sony 50mm f 1.8 lens is the best beginner portrait lens for photographers. Undoubtedly the Sony Nifty 50 lens of Sony is one of the most popular lenses among wedding photographers those who love to create beautiful backgrounds or perfect cinematic portrait images.  The lens is also highly useful when you want to create videos with Creamy me background blur.  The lens features a stepping drive motor and the autofocus mechanism of this lens work amazingly fast when paired with the Sony a7c camera. Additionally, a rounded seven-blade diaphragm is featured to render out-of-focus highlights with a smooth, circular appearance. Characterized by its straight-forward design, this go-to lens balances both ease of handling along enhanced image quality. It is an inexpensive lens, but you get a bit more than what you pay for. 

5. Best Sony A7c G master Lens Under $1000?

Sony F20mm F1.8 is the best budget Gmaster lens for a Sony A7C camera.

A good prime lens for landscapes, travel and documentary photography, and interiors and architectural photography.

Sony 20mm f 1.8 g master lens is one of the best lenses if you want to create high-quality landscapes canvas, travel and documentary photography, and interiors and architectural photography.

The weight of the lens is only 373 grams and the less is very compact in size which makes it highly suitable for handheld videography as well as photography. Due to the nature of optical design inside the lens delivers amazingly sharp images and videos, as well as the background color it creates, which is very smooth and creamy.

So, these are the best lenses for the Sony A7C Camera. Hope you like the guide and let me know if you have any questions in the comment box below.