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By admin, on December 11th, 2024
Let’s talk about Nikon’s upcoming lens adapter, which features a built-in autofocus motor to properly enable autofocus with AF, and AF-D lenses that require a motor. Right now, none of the FTZ adapters are compatible with AF/ AF-D lenses.
These adapters will have a somewhat retro design and look fabulous when paired with the Nikon ZF camera. The adapter’s name is not confirmed yet; it might be called FTZ III, FTG SC, or something else, so we are not very sure about the name at this point.
When will it arrive?
The adapter is expected to arrive in the fourth quarter of 2025. Many people have been waiting for such an adapter for a long time. Some third-party Lens adapters are available (AF/AF-D to E Mount), but they don’t do the job perfectly.
stay tuned more updates coming
Also see – Nikon Z30 Mark II – Expected Specifications and Arrival Timeline
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Nikon Rumors 24X7.
The post “Nikon FTZ III / Nikon FTZ SE – Retro Style Adapter with AF Motor Coming in 2025” appeared first on thenewcamera.com
By admin, on December 6th, 2024
Let’s go to the best lenses for the Nikon Z50 Mark II camera, starting from the wide-angle lenses to primes and then telephoto primes. We will discuss each and every lens and their uses, so let’s begin the guide.
1. Wide-angle lenses for Vlogging and Photography
Travel Bloggers or Indoor Architecture Photographers
If you are a travel blogger or an indoor architecture photographer, you need an ultra-wide prime lens with a bright aperture that will allow you to produce exceptional-quality videos as well as images.
Best Lens for shooting handheld vlogs under any light | Also perfect for shooting landscape and architecture
Get Viltrox 13mm F1.4 Lens from B&H Store and Amaon.com
Viltrox 13mm f/1.4
One of the best ultra-wide prime lenses with the brightest aperture possible. This lens is highly recommended for travel vlogging or for those who want to capture an entire environment along with themselves. The f/1.4 bright aperture will allow you to capture ultra-low-light footage even in the darkest situations.
So, without a doubt, if you are a travel blogger or an architecture photographer who loves to grab ultra-wide indoor or outdoor architecture shots, the Viltrox 13mm f/1.4 is highly recommended for you.
Get Sigma 16mm F1.4 Lens from Amazon.com and B&H Store
Sigma 16mm f/1.4
The Sigma 16mm f/1.4, which wasn’t available a year ago, is now an option.
This lens isn’t as ultra-wide as the Viltrox 13mm f/1.4. The 13mm is better when you want to showcase the entire environment along with yourself in a broader manner, despite the slight ultra-wide lens distortion. You can also use E-VR effectively.
However, if you are a daily life content creator or blogger who prefers an ultra-wide lens that captures in a proper manner without introducing much wide-angle distortion in video footage, then the Sigma 16mm f/1.4 is a great choice.
This lens is not only recommended for vlogging but also for creating talking-head videos by keeping your camera close to you. It is highly usable.
For photographers, this ultra-wide-angle lens, with its high-quality optics, can be used for astrophotography as well as capturing wide and vivid landscapes.
2. Street Photography, Vlogs & Portrait Lenses
Now let’s talk about the best lens for street photography — a perfect 35mm equivalent prime lens for your Nikon Z50 Mark II camera.
We have three different options for street photography, including one from Sigma.
Get Viltrox 20mm F2.8 Z Mount Lens form B&H Store and Amazon.com
Viltrox 20mm f/2.8
If you love to shoot street photography on a budget, the Viltrox 20mm f/2.8 is highly recommended. Priced at just $158, it’s great in terms of budget and quality.
The 20mm lens is a full-frame lens, so you can use it later on with full-frame cameras. On the Nikon Z50 Mark II (with a 1.5x crop factor), the equivalent focal length is about 30mm. This makes it an excellent everyday street photography lens for most daylight shots.
Get Viltrox 27mm F1.2 PRO Lens from Amazon.com and B&H Store
Viltrox 27mm f/1.2 PRO
If your budget allows, the Viltrox AF 27mm f/1.2 lens is one of the best lenses for street photography. With this lens, you will get a 40mm equivalent focal length on the Nikon Z50 Mark II, providing exceptional image quality with the brightest aperture in this range.
For daytime shots, dramatic effects can be achieved using the maximum f/1.2 aperture, though a neutral density (ND) filter may be required.
This lens is also suitable for creating talking-head videos with maximum depth of field.
Get Sigma 30mm F1.4 Lens from B&H Store and Amazon.com
Sigma 30mm f/1.4
The Sigma 30mm f/1.4 is a popular lens among content creators and portrait shooters. On an APS-C format camera like the Nikon Z50 Mark II, it offers exceptional quality optics for professional portraits or street photography.
It is often referred to as the modern “nifty fifty.” If you’re a YouTube content creator, this is the best lens for talking-head videos, provided you maintain a 4 to 5-foot distance from the camera. Tight framing may occur if space is limited.
3. Wedding Photography Lenses
For wedding photographers, you need two types of lenses:
- A portrait prime lens for pre-wedding shoots and capturing candid moments.
- A coverage lens to document the entire event and rituals.
Portrait Lens for Weddings
The Sigma 30mm f/1.4, discussed earlier, is excellent for portraits and candids.
Coverage Lens for Weddings
In situations where the Sigma 18-50mm f/2.8 or the Tamron 17-70mm f/2.8 isn’t available for Nikon Z mount, the only viable option is:
Best coverage lens for wedding photographers | Get 18-140mm Lens from Amazon.com | B&H store
Nikon Z DX 18-140mm f/3.5-6.3 VR
This is the best coverage lens currently available for the Nikon Z50 Mark II. It’s recommended for wedding photographers and travel enthusiasts who need an all-in-one zoom lens.
However, for cinematic videos, prime lenses are always preferred over zoom lenses with variable apertures.
As you all know, the Nikon Z50 Mark II camera now supports bird-eye autofocus tracking, animal-eye autofocus tracking, and 9 different types of autofocus subject tracking modes. So, this is a perfect camera to be used as wildlife photography gear after the Z6 Mark III camera in Nikon. So, let’s discuss the best available wildlife photography lenses for the Nikon Z50 Mark II camera.
4. Budget Wildlife Photography Lens
Get DX 50-250mm Lens from Amazon.com and B&H Store
The most affordable wildlife photography lens for beginners and entry-level users who don’t want to spend thousands of bucks on a lens should buy the DX 50-250mm f/4.5-6.3 VR lens.
This is a very small, lightweight, and sharp lens, handy for beginners. It also has a quiet and fast autofocus system.
Two Best Wildlife Photography Lenses Available at a Very Reasonable Price
Get 200-500mm f/5.6E ED VR Lens B&H Store and Amazon.com
Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Lens
This lens is a DSLR lens and needs an FTZ adaptor to work with the Nikon Z50 Mark II camera.
This is one of the best budget wildlife photography lenses available, with such a high resolving capacity that it can even resolve the Z9 or Z8 40+ megapixel sensors.
Autofocus is really very fast and supports the latest generation eye autofocus tracking in mirrorless cameras. At the same time, you have a constant f/5.6 aperture throughout the zoom range.
This gives you an amazing creamy background blur if you shoot portraits at 200mm or 300mm with this lens.
I have also used the Tamron 150-500mm lens, but I was not satisfied with the optical performance I was getting with the Z-mount mirrorless lens made by Tamron. After using it for a while, I switched back to the AF-S 200-500mm with my Nikon ZF camera.
So, I will recommend this lens as one of the most budget-friendly wildlife photography lenses available, giving you 500mm reach. You can easily capture birds in flight at a very reasonable cost.
Get the 180-600mm lens B&H Store and Amazon.com
NIKKOR Z 180-600mm f/5.6-6.3 VR Lens
Another excellent lens we recommend is a mirrorless lens made by Nikon. Its optical performance is phenomenal, and you will never regret spending your bucks on this lens.
If your budget allows, this lens gives you 100mm more reach than the previous recommendation. The good thing is it is made for mirrorless cameras. Its autofocus motor has been optimized for both photography and videography use.
At the same time, the optical performance of this lens is top-class, and it provides clear shots even when hand-holding your camera, thanks to its highly effective optical image stabilization.
This particular lens is in such high demand right now that, at the time of writing this article, most units are out of stock in the retail stores I know in my personal hometown area.
If you can get this lens, it would be the best investment within the budget you’ve ever made for a wildlife photography lens.
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By admin, on December 3rd, 2024
Nikon took more than 2 plus years to bring the Nikon Z30 after the arrival of the Nikon Z50 camera. The Nikon Z30 camera was announced in June 2022. Considering the time gap, it has already been 2 years since the announcement. For an entry-level model like the Nikon Z30, with recording limit limitations of 4K up to 30 min and a limited set of videography features, the camera looks outdated when we compare its features against the closest competitor Sony ZV-E10. Considering the current competition, we believe the Nikon Z30 Mark II might arrive in Q4 of 2025 or early Q1 of 2026, here is why… in more details
The market is volatile; competitors offer much more advanced features at the same price range. For example, we have the Sony ZV-10 camera, which arrives at the same price range and offers unlimited recording, a dedicated product showcase mode, electronic image stabilization, face exposure tracking, and a headphone jack — features the Nikon Z30 lacks.
Fortunately, Nikon has just overcome the time gap with their new Z50 II model, although it falls within the mid-range APS-C mirrorless camera tier. The latest Nikon Z50 Mark II camera model features a product review mode, 10-bit internal recording, NLog, RED LUTs, and waveforms. Additionally, we can record 4K at 60fps in crop mode with the help of the new Expeed 7 image processor. Moreover, video autofocus and 3D object tracking have been improved much more compared to the previous generation of Nikon Z DX cameras.
Now we come to the basic question: will Nikon take the same timeline or gap they took in the introduction of the Nikon Z30, or will they shorten the timeline between the introduction of entry-level models?
As we know, this technology will not remain limited to the Nikon Z50 Mark II camera. Most of the videography features that we see right now in the Z50 will be transferred to the Z30 Mark II after 7 to 8 months of gap. Why so? 7 to 8 months is considered to be the peak sales period of any camera, and once this period is over and the sales start falling, the camera makers generally introduce budget variants of the same to target a different group of users, ensuring they maintain their market presence.
Now, keeping all these things in mind let’s discuss the possible core specifications of the Nikon Z50 Mark II camera
Possible Specs of the Nikon Z30 Mark II
Imagine and Processor:
- 20.9MP DX-Format CMOS Sensor
- EXPEED 7 Image Processor
Video Specs:
- 125 Minutes Recording Time Limit in 4K
- UHD 4K60p Video Recording (with crop mode)
- Full HD 120fps Slow-Motion Recording
- Live Streaming at 60p
- Product Review mode
- 10 Bit Internal recording (Via HDMI)
Autofocus System:
- Hybrid AF with Improved Eye and Face Detection
- Subject Detection for 9 Types (animals, vehicles, etc.)
Screen and Viewfinder:
- 3″ 1.04m-Dot Free-Angle Touchscreen LCD (180° tilting for vlogging)
Audio and Connectivity:
- Built-In Stereo Mic with Wind Noise Reduction
- External Mic 3.5mm
- New Tally Lamp Design for Recording Indicator
- Wi-Fi and Bluetooth for Seamless Connectivity
Vlogging Features:
- Vlogging-Optimized Design
- Dedicated Selfie Controls
- Picture Control Button for Quick Adjustments
Shooting and Storage:
- ISO 100-51200
- Up to 11 fps Continuous Shooting
- Single SD Memory Card Slot
Excluded Features (To Protect Z50 II Sales):
- No electronic viewfinder (to keep the Z30 Mark II focused on vlogging and content creation)
- Photographic enhancements like burst shooting at 30 fps are reserved for Z50 II.
- Market Segmentation: Nikon will likely reserve 10-bit internal recording for the Nikon Z50 Mark II camera, to maintain its appeal to semi-professional users and protect its future sales.
- Target Audience: The Z30 series targets vloggers and casual content creators who don’t spend much time grading 10-bit videos, they give priority to ease of use and affordability over advanced video specifications. Offering a 10-bit recording might not align with this audience’s actual needs.
This spec list allows the Z30 Mark II to inherit the key video features of the Z50 Mark II while keeping advanced photographic capabilities exclusive to the Z50 Mark II, thus maintaining distinct positioning for both models.
.Nikon Z30 Mark II Arrival Date [Expected Timeline]
Based on Nikon’s product update trends and the typical lifecycle for entry-level models, the Nikon Z30 Mark II announcement is likely to happen around on Q4 of 2025 or Q1 of 2026.
This prediction considers several factors [Already explained above in the article]:
- Product Lifecycle: Nikon released the Z30 in June 2022. Entry-level cameras typically follow a 2.5–3-year refresh cycle.
- Competition Pressure: With competitors like Sony aggressively updating models (e.g., ZV-E10 successors), Nikon may feel compelled to respond faster.
- Sales Strategy: Nikon may prioritize the peak sales period of the Z50 Mark II (expected earlier than Z30 Mark II) to maximize market presence before introducing the budget variant.
Thus, Q4 of 2025 to Q1 of 2026 is a reasonable estimate for the Z30 Mark II announcement.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Nikon Rumors 24X7.
The post “Nikon Z30 Mark II – Expected Specifications and Arrival Timeline” appeared first on thenewcamera.com
By admin, on November 27th, 2024
According to the latest information on the web, Nikon engineers are working rigorously to bring out the next generation of Red cinema cameras under Nikon’s branding with 8K recording capability paired with the Z-mount / optional PL-Mount. The Working Prototypes of the cameras are under extensive testing, Design wise its inspired by the RED V-Raptor. The Camera is scheduled to arrive sometime in Q4 of 2025, but again, if it gets delayed due to issues occurring in the final production line model, then the announcement will get shifted to Q1 of 2026. So now we have the exact time frame for the next Nikon Red cinema camera.
Also see – Nikon KOMODO Z – What Can We Expect from Nikon?
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Nikon Rumors 24X7.
The post “Nikon RED Cinema Camera Coming in Q4 2025 – Latest Rumor” appeared first on thenewcamera.com
By admin, on November 12th, 2024
Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.
Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build
Nikon Z50 II vs Canon R10
Table 1: Design Comparison
| Feature |
Nikon Z50 II |
Sony A6700 |
| Lens Mount |
Nikon Z |
Sony E |
| Body Dimensions (W x H x D) |
5 x 3.8 x 2.6 in (127 x 96.8 x 66.5 mm) |
4.8 x 2.7 x 3 in (122 x 69 x 75.1 mm) |
| Weight |
17.46 oz / 495 g (Body Only) |
1.1 lb / 493 g (With Battery, Recording Media) |
| Material |
Magnesium Alloy |
Magnesium Alloy |
| Battery Type |
EN-EL25a or EN-EL25 (Approx. 230 Shots) |
NP-FZ100 (Approx. 550 Shots) |
| Weather-Sealing |
Yes |
Yes |
| Operating Temperature |
32 to 104°F / 0 to 40°C |
32 to 104°F / 0 to 40°C |
| Connectivity Ports |
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks |
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks |
| Memory Card Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
| Wireless |
Wi-Fi 5, Bluetooth 5.0 |
Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2 |
| GPS |
Via Connected Smartphone |
Via Connected Smartphone |
In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.
Resolution Advantage of Sony A6700:
Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).
Table 2: Imaging Comparison
| Feature |
Nikon Z50 II |
Sony A6700 |
| Sensor Resolution |
Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712) |
Actual: 27 MP, Effective: 26 MP (6192 x 4128) |
| Sensor Type |
APS-C CMOS, 23.5 x 15.7 mm |
APS-C CMOS, 23.3 x 15.5 mm |
Sensor Pixel Area
|
4.22µ |
3.76µ |
Low pass Fiter
|
No |
Yes |
| Sensor Crop Factor |
1.5x, 1.2x in some video modes |
1.5x, 1.6x in some video modes |
| Image Stabilization |
Digital (Video Only) |
Sensor-Shift, 5-Axis |
| ISO Range (Photo) |
100 to 51,200 (Expandable: 100 to 204,800) |
100 to 32,000 (Extended: 50 to 102,400) |
| ISO Range (Video) |
100 to 25,600 |
100 to 32,000 |
| Continuous Shooting Speed |
Up to 11 fps (Raw) / 30 fps (JPEG) |
Up to 11 fps (26 MP) |
Pre- burst
|
Yes |
No |
| White Balance Range |
2500 to 10,000K |
2500 to 9900K |
| Autofocus Points |
231 Phase & Contrast Detection |
759 Phase Detection (Photo), 495 (Video) |
| AF Sensitivity |
-9 to +19 EV |
-3 to +20 EV |
| Image File Format |
HEIF, JPEG, Raw |
HEIF, JPEG, Raw |
| Aspect Ratio Options |
3:2, 1:1, 16:9 |
3:2, 4:3, 16:9, 1:1 |
| Bit Depth |
14-Bit |
14-Bit |
Continuous Shooting Speed:
Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.
Buffer Memory and Pre-Burst Capture Mode:
Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.
Low-Light Autofocus Sensitivity:
Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.
Autofocus System:
The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.
Image Stabilization
Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.
Best Camera for Different Environments:
So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.
Table 3: Video Comparison
| Feature |
Nikon Z50 II |
Sony A6700 |
| Internal Recording Modes |
H.264/H.265 8/10-Bit |
XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit |
| Max Resolution & Frame Rate |
UHD 4K 30p Uncropped |
UHD 4K 30p Uncropped |
| |
UHD 4K 60p 1.5X Crop |
UHD 4K 60p 1.04X Crop |
| |
NA |
UHD 4k 120p 1.58x crop |
| High-Speed Recording |
1920 x 1080 up to 120 fps |
1080p up to 240 fps |
| External Recording |
HDMI 4K (Unspecified Frame Rate) |
HDMI 4K at up to 59.94 fps, HD up to 59.94 fps |
| Slow/Fast Motion |
Slow Motion Only |
Yes |
| Recording Limit |
Up to 125 Minutes |
Unlimited |
| Gamma Curve |
HDR-HLG, Nikon N-Log |
HDR-HLG, S Cinetone, S-Log 3 |
Waveform
|
Yes |
No |
Product showcase Mode
|
Yes |
Yes |
Auto Framing
|
No |
Yes |
| Built-In Microphone |
Stereo |
Stereo |
Image Stabilization
|
VR |
IBIS / GYRO |
| Audio Recording Format |
MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC |
XAVC: 2-Channel 16-Bit 48 kHz LPCM |
| Headphone & Mic Jacks |
Yes (3.5 mm) |
Yes (3.5 mm) |
| Video I/O |
Micro-HDMI |
Micro-HDMI |
This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation
Sony A6700: Higher Frame Rates and Minimal Crop in 4K
In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K. Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.
Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting
Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.
Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation
Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.
Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features
Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes, then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.
Get a Sony A6700 Camera from B&H Store and Amazon.com
Sony A6700 Recommended for:
- Portrait Photography
- Landscape Photography
- Street Photography
- Event Photography
- Sports Photography
- Vlogging
- YouTube Content Creation
- Product Photography
- Cinematic Videography (with high frame rates)
- Casual Travel Videography
- Action/Adventure Videography
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Nikon Z50 II Recommended for:
- Low-Light Photography
- Wildlife Photography
- Documentary Videography
- Cinematic Filmmaking (low light)
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By admin, on November 11th, 2024
So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.
They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.
But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.
Best Lenses for Nikon Z6 III
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By admin, on November 11th, 2024
As per the latest report we have Nikon’s imaging business has shown steady growth, leading to an upward revision of its forecast for the current fiscal year.
Nikon recently released its latest financial report, revealing that its imaging business maintained strong sales momentum from April 1st to September 30th. Overall sales have steadily increased.
Due to the strong performance of its full-frame Nikon Z8, Nikon Zf, and the new Nikon Z6 III, sales of mid-to-high-end cameras and lenses have been robust, resulting in growth in both sales revenue and profit. Imaging business operating revenue increased by 10.2% year-on-year to 151.791 billion yen, while operating profit rose by 14.4% year-on-year to 28.848 billion yen.
This growth was driven by both cameras and lenses. Camera sales reached 410,000 units (a 20,000 unit increase year-on-year), while lens sales reached 650,000 units (a 40,000 unit increase year-on-year).
Based on this recent strong performance, Nikon has revised its forecast for the current fiscal year. It expects to sell 850,000 cameras (a 50,000 unit increase year-on-year) and 1.35 million lenses (a 100,000 unit increase year-on-year) for the entire fiscal year 2025.
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source – Nikon Japan
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