If you are looking for The Best and ONLY ONE LENS for Sony A7C or Sony A7 IV, or have come to the right place. After so much wait finally, Tamron announced a TRUE all-in-one lens, that covers wide as well also touches the tele-part.
Tamron 20-40mm F2.8 VXD – BEST VLOGGING LENS OF 2023
Tamron 20-40mm F2.8 RXD B&H Store | amazon.com This is the most versatile lens Tamron ever announced. It covers 20mm wide, so you can easily do vlogging with your full-frame camera. As well as you create your videos in your room and office while using a 30mm or 40 mm focal length of your choice.
BEST VLOGGING LENS OF 2023 FOR SONY A7C | Sony A7 IV | Best SONY Lens for Youtube Content Creators
The best all-in-one lens for Youtube Content Creators
Before the arrival of the Tamron 20-40mm F2.8 Lens. If anyone asks me for a perfect lens for creating a vlog with Sony A7C or A7 IV camera, most of the time I recommend Tamron 17-28mm F2.8, but at the same time when you want to create an office or room vlog with the same lens. The 28mm feel a bit wider due to the limited 28mm tele reach. Now we have the perfect solution, if anyone wants to
Best Lens for Wedding Photographers
Not only for content creators if you are a Wedding photographer too then this is the best lens made for you. With the help of a Tamron 20-40mm lens, you can capture ultra-wide shots to portrait. If you want to have any other lens after 20-40 then the best lens is Tamron 35-150mm Lens.
Let’s compare the Sony FX30 camera with the Sony A7 IV camera. Do share your thoughts with us
Design-wise
Design-wise Sony A74 is more inclined towards photographers, with a LARGE handgrip design and a high res 3.6Millionb dot EVF, you easily able to shoot your subjects. The FX30 is made for cinematographers, look at the number of mounting threads we have on the FX30 body.
Imaging
Lens Mount
Sony E
Sony E
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Sensor Type
23.3 x 15.5 mm (APS-C) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Camera Type
Video
Stills & Video [Hybrid]
Sony A7 IV is a Hybrid Camera and more Photography Oriented
The Sony A74 advantage
With the Sony A74 camera we are getting Sony’s latest 33MP Fullframe sensor. Undoubtedly with a full-frame sensor-based camera, you will get better results while shooting your subjects than with an APS-C sensor.
More for Photographers
Dynamic Range graph of Sony A74 – DR Boost at ISO 400 – Sony Fullframe cameras do carry a Dual Native ISO circuit for photography too… but Sony never talks about that officially.
The A7IV has a dual-gain for photos at ISO 400. So ISO 400 has more DR and should have slightly better noise than ISO 320 and ISO 250. ISO 250 is very close…just slightly below ISO 400. The only ISO to avoid is ISO 320
Via test when came to know about the boost for still photography. In the video as per a few expert’s options, the Boost is available @ ISO 1600 in A7 IV.
Less Rolling shutter with Mechanical Shutter
Sony A7 4 camera features a mechanical shutter and a TOP speed of 10 FPS, while ur using your camera in burst mode if u have mechanical shutter ON you will comparatively faceless rolling shutter than a camera that only uses an electronic shutter. either way, the Sony A7 IV is the best camera when we talk about shooting still subjects.
Internal Video Capture
Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
If we talk about the body desing of the FX30 camera which include ehnaced telly light, timecode input ports & dedicated fan for cooling camera body, if we talk about the Tile based Menu system that directly arrived from FX9 or FX3, Up to 16 user-created LUTs, Timecode funcintlaity or Quick Exposuer index mode for boosting up the perfomance of the Sony FX30 while shooting log or with S-Cinetone.
Even if they share the same codec range
XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality.
X-AVC HS (H.265 Long GOP)
X-AVC I (H.264 All-I)
X-AVC S (H.264 Long GOP)
It also highlights the key difference between what we now call Long GOP compression (smaller files, potentially lower quality) and All-Intra, or All-I compression (larger files, potentially better quality)
Exposure Index Mode and Dual Native ISO available in Sony FX30 Only
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
Log shooting can be divided into three methods: “Flexible ISO,” “Cine EI,” and “Cine EI Quick.”
Item
Normal movie shooting
Log shooting: Flexible ISO
Log shooting: Cine EI
Log shooting: Cine EI Quick
Type of shooting
ITU709/BT.2020
Log
Log
Log
ISO sensitivity/EI (Exposure Index)
ISO sensitivity can be adjusted
ISO sensitivity can be adjusted
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Base ISO
―
―
Setting is required
Set automatically according to the EI
Amount of freedom of color grading in post-production
Low
Middle
High
High
The above all clearly shows
You have amazing flexibility with the Sony FX30 camera if you are more into video rather than photography.
1/8000 to 30 Seconds in Photo Mode
1/8000 to 1/4 Second in Video Mode
1/8000 to 30 Seconds
ISO Sensitivity
100 to 32,000 (Extended: 50 to 102,400)
Photo
100 to 51,200 (Extended: 50 to 204,800) Video
100 to 51,200 (Extended: 100 to 102,400)
Advertised Dynamic Range
14 Stops (Log3)
White Balance
2500 to 9900K Presets: Auto, Cloudy, Color Temperature, Daylight, Fluorescent, Incandescent, Shade, Underwater
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p (1.5x Crop)
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
External Video Capture
Raw Output
HDMI In ProResRAW Mode:
4672 x 2628 16-Bit at 23.98/25/29.97/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
None
IP Streaming
None
Autofocus System
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Video
Phase Detection: 495
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity
-3 to +20 EV
-4 to +20 EV
General
Battery Type
Sony Z-Series
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
1 x Hot Shoe Mount
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
Weight
1.2 lb / 562 g (Body Only)
1.4 lb / 658 g (With Battery, Recording Media)
Conclusion
Budget means Limitations – But the limitations shouldn’t block your creativity – If you have a budget and looking for a cinema camera then go with FX3, the full-frame sensor cinema camera.
But at an Under $2000 body price if you are looking for a budget cinema solution then the Sony FX30 camera is best for you, Being an APAS-C sensor-based camera you can have sigma Trio lenses on the budget rather than investing in full-frame lenses.
For Hybrids, those who are into photography, as well as Video Sony A7 IV, is the best camera. But for cinematography, FX30.
Sony finally used its own 26MP APS-C BSI CMOS sensor for its flagship APS-C Cinema camera. The camera features all the basic core specifications that a cinema camera must have to get Netflix approval and all of these are under the $1800 price range.
The camera also features newly designed tiles like a menu interface just like we have seen in FX9, a customizable LUT upload option for the first time in a cinema camera, and new Exposure Index modes for capturing the MAX quality possible from the FX30 camera.
The camera is so small and compact you can also do handheld vlogging with this cinema camera, the camera features Mech IBIS Mode, Gyro-based IS and now you have an option to use the catalyst browse plugin which can be integrated into Premier PRO and after that, you can easily fix camera shake.
The Sony FX30 is set for an October 2022 release at $1799, body-only.
Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers
LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand’s prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.
In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.
“The new FX30 is a great fit for a wide range of filmmakers,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets.”
Creating a Cinematic Look
The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.
The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.
Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony’s S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.
Designed to Support Creators’ Needs
The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:
Real-time Eye AF (human, animal or bird5)
Real-time Tracking
Detailed AF settings
AF Assist6
Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.
The FX30 incorporates other features that retain the spirit of the Cinema Line, including:
New customizable list-style main menu screen for quick access to frequently used items
New standby movie screen that provides an unobstructed view of the subject
Buttons and dials dedicated to movie shooting
The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new “Catalyst Prepare Plugin” for Adobe Premiere Pro was released in August.
Easy Operation and a Compact Form Factor
Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.
The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14
The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.
Sony Future Filmmaker Awards
The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com.
Pricing and Availability
The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.
The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $ 2,400 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
A product video on the new FX30 can be viewed HERE.
A product launch video focused on the FX30 can be viewed HERE and the behind the scenes can be viewed HERE.
The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.
CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T
The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17
These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee “VPG400”, which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.
The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments.
A perfect camera designation has changed a lot after the arrival of the Mirrorless era. The camera makers become more aggressive and now a perfect camera is considered to be that has not only Top notch core specifications but also a versatile lens ECO system.
There is a lot of confusion among users that which one of the best mirrorless cameras to buy in the year 2022 or 2023. Since there are a lot of cameras out there with almost similar core specifications. So, we have written this article in such a way to clear all your confusion related to the cameras you want to buy.
1. Sony A74 – Best Hybrid Mirrorless camera Under $3000
Sony A7 4 is an excellent camera. When the camera was announced it was having a serve overheating issue. We have quickly figured out that with the use of fast cards the camera overheating can be prevented. So if anyone here is interested in getting Sony A7 4 camera and concerned over its overheating issue then you don’t have to worry you have to buy just these cards to prevent the overheating of your camera.
Specs-wise the Sony A74 camera is a class-leading camera with a 33 MP BSI CMOS sensor. The camera captures more detail compared to Nikon Z6 marks 2 camera or the canon R6 camera which roughly falls in the same price range.
And one of the most important things is the camera features an entirely newly developed touch interface system, so it has now become very easy to use even for new users. And the introduction of S- cinetone picture profile in the camera for video and still use, you can have a Canon-like color tone in your video and jpegs.
Apart from these still specifications, the video core specification of the camera is also highly impressive. The camera uses the entire sensor area to generate high-quality 4K 24, 30, or 60 FPS videos. No limit, Longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording and bitrates up to 600 Mb/s.
The lens ecosystem is also very rich and you can have a variety of lenses based on your own requirements.
Sony A7IV after regular use of my Canon DSLRs. The A7IV is portable, lightweight and versatile, allowing me to move from taking stunning photos to recording video content for my clients which range from fashion to hospitality. Moving from photo to video shooting is smooth and does not break my workflow. I get to focus on capturing the moments. The kit is fantastic as-is, but I also purchased a 50mm 1.8 lens which I’ve been accustomed to shooting with. All in all, I would highly recommend the purchase if you’re in the market for a mirrorless camera.
What Nikon users say About Sony A7 IV
Coming from Nikon after 18 years it’s been a hard learning curve but worth every penny! Yes, the kit lens people say is a joke but it is what it is.I have made it work for studio work and am happy. Not a prime but it works. The camera is something else! Studio work, outdoors, birds, and sports it has done what I want and lots better. I am coming from a long line of Nikon cameras with the latest being the d750 and d850.
Top alternatives Sony AIV
Canon R6
Get Canon R6 instead of A7 IV only when
You are a sports shooter
You need a far better body IS
You already have Canon Lenses
Nikon Z6 Mark II
Get Nikon Z6 Mark II instead of A7 IV only when
You need a budget Fullframe setup
2. Canon R6 – Best Canon full-frame camera Under $3000
Canon R6 camera features a continuous shooting speed of 20 frames per second and in a single burst, you can save up to 1000 frames of Jpeg or 240 raw files which is more than enough for a sports shooter. At the same time to support handheld shooting the camera features 8 stops of IBIS support. The Canon R6 camera also features 1000+ AF zones so the tracking of the camera is exceptionally well. If we combine all the above features, then for sure Canon R6 is a perfect companion for shooting sports and wildlife photography.
Canon R6 is an excellent camera in its price range (Under $3000 with kit). Although sensor resolution is limited to 20 megapixels and the sensor is also a conventional CMOS sensor, not even a BSI. That’s why many professional photographers who have been using Canon for decades are hesitating to get this camera at this price point.
At the same time, the Canon EOS R5 camera is costly and Canon EOS R camera is completely outdated, so the only option we have under the $3000 price range is the Canon R6 right now.
Being said that Canon is still the best option for Sports shooters and wildlife photographers.
User feedback – Sherko
The low light capabilities of this camera is just out of this world. I am getting perfectly usable photos at 8000ISO!!!!!!
User feeback- Tou – Nikon Z6 Mark II user tries the Canon R6
I’ve had the Nikon z5 for over a year and half and it was time to upgrade as I needed better video and AF. I thought about the Nikon Z6ii, but having to carry two different cards and still subpar auto focus, I decided look into the R6. Although it is much pricier than the Nz6ii, so far I am loving it. As of this review, I’ve had it for 3 days and it is amazing. Love the AF, the IBIS for video and low light performance. Could not be happier with this purchase.
If we talk about budget alternatives then we have two options
Nikon Z6 Mark II
For wedding shooters, Nikon Z6 Mark II is a better option when paired with Nikkor 28-75mm F2.8 Lens
Canon R7
Canon R7 is an excellent option against the Canon R6 camera if you are a sports shooter or a wildlife photographer. You will have the crop advantage as well as Canon R3 AF tracking system inside the Canon R7.
3. Nikon Z6 Mark II – Best Nikon full-frame camera Under $2500
Nikon Z6 mark II is an excellent camera for wedding photographers and wedding cinematographers. Either you can pick this camera with 24-70 F4 Lens which is also available as the kit or you can also add some extra bucks to purchase the amazing candid lens, the Nikkor 28 to 75 f2.8.
Pictures are sharp and clear with amazingly good pics even at 6400 ISO. Even the 27-7 F4 kit lens is surprisingly sharp. The 5 axis IS is a welcome addition. The camera is a perfect camera and its price range and no one can replace the Z6 mark 2 camera with its features
Nikon Z6 Mark II camera is a perfect camera for those who are looking for a perfect full-frame solution under budget at the same time the Z-Mount is almost open we are having lenses from Tamron as well as Viltrox and in near future, we do expect to get more options from third party lens maker’s.
User feedback – Jason – Nikon Z6 Mark II with 24-70 F4 Lens
The camera produces great images. Built ruggedly and takes everything a pro can throw at it. The 5 axis IS is a welcome addition. While not having the opportunity (yet) to fully test the kens, initial impressions are that in a very lightweight body, the lens produces sharp and contrasty images with nice bokeh.
Sony A7C is the only alternative we have against the Nikon Z6 Mark II camera. If you don’t want to buy a Nikon camera (have any personal brand issues) then you can go with Sony A7C
4. Sony A7C – Best Sony Fullframe under $2000
Sony started a new line of consumer cinema cameras with the Sony A7C, you can record high-quality 4K videos for your YouTube channel even if you are a beginner then this camera is useful to you. It’s very light, film amazing at night and I like its retro style looking.
Can photographers buy the A7C? – Yes, if you were interested in the Sony A7 III camera and at the same time, u don’t have the budget of the Sony A74. Then the best option right now is to go with the Sony A7C.
The only issue I have faced while using the Sony A7C camera is its old user interface. otherwise, it’s an excellent budget full-frame mirrorless camera from Sony.
If you want to have more manual control in your camera with a fullframe sensor the Nikon Z6 Mark II is an excellent option in the same budget range.
5. Canon EOS R7 – The Best Pro Under $2000 Mirrorless camera for Wildlife and Bird Photography
The next camera on our list is Canon R7. The camera features a 32.5 megapixels APS-C CMOS sensor and digic x image processor.. With the help of a fast image processor, you can capture 30FPS per second @ full resolution. At the same time, the mechanical shutter support is available up to 15 frames per second.
The camera is capable to record 4K 24 and 30FPS oversample video by reading out the entire 32.5 MP sensor. You are also getting Canon Log profiles and the ability to record 10-bit videos internally with the Canon EOS r7 camera
Can you sir 7 camera is an excellent camera for those work in control light environment And highly recommended for those who are interested in sports and wildlife photography
When you want to shoot the video or shoot still images @ same budget but need a better low -light performance and open LENS ECO system.
6. Best Fullframe Camera under $1500
Nikon Z5 is a budget full-frame camera that features a 24-megapixel FX sensor paired with expeed 6 image processor and you will also get 5 axis image stabilization system with the camera. It’s an excellent camera to capture images with a high amount of detail and amazing dynamic range. The low light performance of the sensor is also very good compared to the APS-C cameras we have in the same price range.
If you are a photographer and looking for a quality output then under $1500 Z5 is the best option.
The downside of the Nikon Z5 camera is the video part, the camera is able to record full HD videos without any issues but in 4K you have to face an excessive crop.
At the same time don’t expect autofocus tracking performance similar to Canon or sony. If you love to have better autofocus tracking performance in Nikon then either you can go with the Nikon z50 or Nikon Z6 mark 2. But, being said that, under $1500 price range the Nikon Z5 is still an excellent option for photographers out there.
Nikon Z50 is an excellent alternative to the Nikon Z5 camera since it gives the almost same level of low-light performance that you will get from the Nikon Z5 with improved AF tracking performance.
7. Fuji X-S10 for Fuji Lovers – Best Fuji Camera Under $1500
If you love to buy a Fuji camera then Fuji X-S10 is also a good option. With the Fuji X-S10 camera, you’re getting a 26MP BSI CMOS sensor and brust speed up to 30fps. The camera is also able to record you DCI 4k oversampled video recording with IBIS (sensor-shift image stabilization) and in Small, light, great grip, IBIS, same image quality as the X-T4 at a bargain price.. The handgrip is great. The battery life is too short. Overall – The x-s10 is a great camera for photographers as well as vloggers. For an instant video shoot for documentarists, it is great.
At the same time, I have to mention that don’t expect AF performance similar to Sony A6400 or Canon R10, for that level of AF performance in Fuji you have to buy Fuji X-H2S.
If you want to have a better low-light performing camera than the Fuji X-S10, then the only option we have after is the Nikon Z50 camera.
Sony ZV-E10
If you want to get a better vlogging camera, with gyro-based IS, a bit more option for APS-C lenses, and amazing eye tracking performance then go with the Sony ZV-E10.
8. Canon R10 – The fastest Mirrorless in its class
Canon R10 is also a very good APS-C mirrorless for still and video purposes. The camera pair of 24-megapixel APS-C CMOS sensors with canon’s fastest Digic x image processor.
With the help of both, you are able to grab continuous frames up to 23 FPS with full-time autofocus support, and the R10 camera records video up to 4K 60 FPS and oversamples 4K videos up to 30 FPS
The Canon R10 is one of the first cameras to provide a 10-bit internal recording in the same price range. The only downside of Canon are 10 camera is its low light performance, the camera needs a studio light set up to give the best output possible
Nikon Z50 AF tracking isn’t as fast as Canon R10, but you will get better low light performance then the Canon R10 camera which makes Z50 a perfect option for the uncontrolled low-light environment
Sony ZV-E10
If you want to get a better vlogging camera, with gyro-based IS, a bit more option for APS-C lenses, and amazing eye tracking performance then go with the Sony ZV-E10.
9. Sony ZV-E10 & Sony A6400 – Best Sony’s Under budget
In the 9th place, we have two cameras. If you are into photography and wedding cinematography, then the best option for you is the Sony a6400 camera. The camera features a perfect grip for photographers, a weather-sealed body for durability, and EVF for semi-pro photographers.
And if you want to have the most advanced vlogging camera under budget then undoubtedly the Sony ZV-E10 is the best option right now. The camera features the most advanced set of core specs that a vlogging camera may have in that price range. Excellent face-tracking autofocus for VLOG applications. Has an earphone jack to monitor sound. Outstanding image quality. (Using a 24 MP sensor for 4K creates very sharp images. Sensors are Sony’s strong suit.) It does not overheat.
No alternatives to ZV-E10 in terms of price range and specification.
Sony A6400 Alternative
Nikon Z50 is a perfect alternative to the Sony A6400 camera with a weather-sealed body and excellent low light performing sensor. And amazing support of Viltrox lenses.
10. Nikon Z50 and Nikon Z30 – The Best budget DUO from Nikon
Nikon z50 is an excellent option for those who are looking perfect camera for uncontrolled light conditions. When you are not in your set or studio and mostly you are interested in Street photography or anywhere when you don’t carry or have professional lights with you the Nikon z50 will outperform all the other cameras of the same price range. If I have to sum up the Z50 in a few words I will say “This a great camera. Light weight and produces amazingly clear shots.”
Nikon Z30 is the same Nikon z50 camera with up-scaled video specifications and without a viewfinder to save the production line cost. If you want to have a perfect low-light vlogging camera then Z30 is the best option under budget. Due to a slightly lower resolution, the rolling shutter effect is also less compared to other competitors.
We have no alternatives for Nikon Z50 at its price range since it’s an excellent lowlight performing camera
The upcoming Yongnuo autofocus zoom lens is 12-35mm F2.8-F4 for MFT（35mm equivalent:24-70mm. Some websites are posting misinformation that a 12-40mm lens is coming so, don’t care about that news. Take a look at what Camera insider how to fly shared today on Twitter
The upcoming Yongnuo autofocus zoom lens is 12-35mm F2.8-F4 for MFT（35mm equivalent:24-70mm） it’s not for fullframe it’s not 12-40mm f/3.5-5.6 and it weights about 318g – howtofly
So, finally, it’s really good to see third-party lens makers taking interest in the MFT camera systems. I Hope Panasonic will also put its attention toward the MFT camera lineup and add some new entry-level cameras to it
Waiting for Panasonic G100 camera update with enhanced AF system. So, I can easily add it to my set of recommended camera lists.
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According to the latest rumors surfaced over the web, the Sony A7R V camera is expected to arrive on Oct 26, 2022. Also, take a look at the previously rumored specification of the Sony A7R V camera
Sony A7R V Rumored specs
Updated Sensor
Next Generation of Bikonz X image processor
8K 30p and 4K 120p Video in 10-Bit
S-Cinetone
5-Axis SteadyShot Image Stabilization
Dual Drive Shutter tech
9.44m-Dot EVF
Dual CFexpress Type A/SD Card Slots
We will post more information as soon as we get it.
Finally, Sony posted a teaser for Sony’s upcoming cinema camera. The camera is scheduled to arrive on Sep 28, 2022. The camera is rumored to feature a 26 MP CMOS sensor and 4K video recording at 40fps.
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Tamron 20-40mm F2.8 RXD B&H Store | amazon.com
