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By admin, on December 18th, 2024
According to the latest coming from the Fuji rumor mill, the Fuji X-Pro3 successor, which might be called the Fuji X-Pro 5 or the Fuji X-Pro 6 depending upon the time of its arrival and siblings’ name at that time, is delayed and one thing for sure no X-Pro 4 coming. Even the rumor mill is sure of one thing NO X-PRO series update will arrive in 2025, which is why it’s safe to say it may arrive in 2026.
So what’s the biggest reason that Fuji is continuously delaying the update of the Fuji X-Pro series camera? The marketing team has seen the sales numbers of the Fuji X-Pro3 camera, and due to the LOW VOLUME of purchases made compared to the previous two versions of the camera, the series has been delayed for further updates.
And what’s the biggest reason behind the low sales numbers of the X-Pro3? It was the display screen. They have created a unique kind of display screen, which was good for nothing, and if you want to see the actual display of the camera, you have to go through a very hard way. The display was not properly tilting in the backward direction of the camera, so it was kind of an entire design blunder. They were trying to make a kind of Leica M11 series or what we don’t know at this moment, but the existing user base of the X-Pro series camera was not that happy. Even at the time of the announcement, I have posted the comments I have received, and the feedback that I received at that moment mostly suggested that better to invest in the X-T series rather than getting this camera with this weird type of display.
Fuji must learn from their past mistakes. Whenever they want to announce the X-Pro series, it’s completely good; it depends upon their own marketing team’s decision and whatever future strategies they have—it’s all okay. But they should at least include a good fixed display screen in their camera, or even if they want to add a very handy tilting display, it’s most welcome. They should keep it as simple as possible for photographers.
Fuji X-E5 Camera Announcement on or Before August 2025
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source Fujirumor.com
By admin, on December 13th, 2024
If you believe the latest rumors published on the web, the Fuji X-E5 camera will be available in the summer of 2025. Summer months in the USA are June, July, and August, so we will most probably have our camera on or before August 2025.
The Fuji X-E5 was overdue for an update, The Fuji X-E4 camera was announced back in March 2021, and the Fuji X-E3 camera was announced in September 2017. The gap between the Fuji X-E3 and X-E4 announcements is approximately 3.5 years. But, this time Fuji took +1 year of time to bring the update of Fuji X-E series camera.
Fuji X-E5 Expected core specification
- 40MP APS-C X-Trans CMOS 5 HR Sensor
- 4K Video Recording at 60p, 6.2K at 30p (4:2:2 10-Bit)
- 7-Stop In-Body Image Stabilization (IBIS)
- 425-Point Intelligent Hybrid Autofocus System
- 3.69m-Dot OLED Electronic Viewfinder
- 3″ 1.84m-Dot Tilting Touchscreen LCD
- 20 fps Electronic Shutter, 15 fps Mechanical Shutter
- 160MP Pixel Shift Multi-Shot
- Bluetooth and Wi-Fi Connectivity
- ProRes & Blackmagic RAW via HDMI
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source Fujirumor.com
By admin, on December 1st, 2024
After the phenomenal success of the Fuji X100 VI series cameras, Fuji will soon release a medium-format compact camera. The name of the upcoming Fuji Medium format compact camera Fuji is about to announce its medium format compact camera soon, so this will be the world’s first medium format compact camera ever announced by a camera maker.
Rumored Specs and Details of Fujifilm GFX100RF
- Camera Name: Fujifilm GFX100RF.
- Sensor: 100MP medium format sensor.
- Lens: Fixed GF35mm F4 lens (28mm equivalent in full-frame terms).
- Size: Compact for a medium-format camera, almost the size of the Fujifilm X-Pro3.
- No IBIS: Lack of in-body image stabilization to maintain compact size.
- Aperture Depth of Field: F3.2 equivalent depth of field in full-frame terms (actual aperture is F4 for the GFX sensor).
- Design Philosophy: Retro style and compact as loved by Fuji users
Arrival Date of the GFX100RF Camera
Expected in March 2025 (announcement or shipping date not confirmed).
One thing is for sure, Fuji is pushing the limits, and we should appreciate the effort made by them.
Stay tuned; we will post more updates as they become available to us!
Also, look at – Fuji Cinema Camera A Closer Look
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source – Fujirumors
By admin, on November 13th, 2024
Fuji FIRST Cinema Camera A Closer Look, Fuji finally showcased the FUJIFILM GFX ETERNA, a camera for professional cinematography and short film makers production, the camera is being displayed at the Fujifilm booth (booth number 7204) and INTER BEE CINEMA (Hall 3) on the first day of Inter BEE 2024 (Japan). We will bring more updates to you very soon
The Fuji Cinema camera uses the 102MP GFX CMOS II HS sensor, previously seen in the GFX 100S II and GFX 100. With this sensor, the new cinema camera is able to produce oversampled 4K, 6K, and 8K recordings that will capture stunning detail, ideal for high-end productions. The sensor also supports Multi-Aspect ratio recording, so for professionals it will become super easy to select their recording style in a single click with the best sensor available in the industry.
A G-to-PL mount adapter is also in development, opening compatibility with PL-mount lenses—the industry standard for cinema work.
A new series of power zoom GF lens coming, and one of them is the 32-90mm focal length lens, dedicated to the GFX mount, which should offer filmmakers flexibility across wide to mid-telephoto ranges and offers fulltime AF support as well as optical image stabilization. A perfect camera for single-handed shooting.
Release Date: Set to launch sometime in 2025, this camera represents Fujifilm’s dedication to evolving video production tools for professional filmmakers.
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By admin, on October 15th, 2024
Let’s compare the Fuji X-M5 versus the Sony A6700 camera. We have compared the photographic & videography features in a separate table, so you can easily understand which camera is best for you.
If you are a photographer, which camera should you buy? Again, if you are a content creator, videographer, or wedding filmmaker, which camera should you choose?
Take a look at the specification comparison table below, where we have highlighted the major differences between the two cameras. They also have some similarities, but the good thing is that the Fuji X-M5 camera is able not only to compete but also to uplift the competition bar by upscaling the core specifications.
Fuji X-M5 vs Sony A6700 – 15 Major Differences for Photographers
| Feature |
Fuji X-M5 |
Sony A6700 |
| Sensor Resolution |
26.1 MP APS-C CMOS |
26 MP APS-C Exmor R BSI CMOS |
| Image Processor |
X-Processor 5 |
BIONZ XR |
| ISO Range (Photography) |
160 to 12,800 (Extended: 80 to 51,200) |
100 to 32,000 (Extended: 50 to 102,400) |
| Autofocus Points (Photo) |
425 Phase Detection Points |
759 Phase Detection Points |
| Autofocus Sensitivity |
-7 EV |
-3 EV |
| Continuous Shooting |
Up to 30 fps (Electronic, cropped) |
Up to 11 fps (Mechanical & Electronic) |
| Viewfinder |
No Viewfinder |
2.36M-dot OLED Viewfinder |
| Shutter Speed (Mechanical) |
1/4000 to 30 seconds |
1/8000 to 30 seconds |
| Mechanical Shutter |
Yes |
Yes |
| Image Stabilization |
NA |
5-Axis In-Body Image Stabilization (IBIS) |
| Sensor Type |
Standard CMOS |
Backside Illuminated (BSI) CMOS |
| Weather Sealing |
Yes (Dust & Water Resistant) |
Yes (Dust & Moisture Resistant) |
| Battery Life (Stills) |
Approx. 460 shots |
Approx. 570 shots |
| Weight |
355g (Body Only) |
493g (Body Only) |
| Memory Card Slot |
Single SD UHS-I Slot |
Single SD UHS-II Slot + CFexpress Type A |
Quick Analysis of Specification Differences between the two
The core specifications of the Fuji X-M5 camera look very impressive when compared with the Sony A6700 camera.
If you are a photographer, then of course you will miss the sensor-shift image stabilization in the Fuji X-M5, which is present in the Sony A6700.
Having image stabilization in your camera is really important if you shoot images in low-light environments. The image sensor compensates for hand movements even when you are using a slow shutter speed, resulting in neat and clean images.
Another feature that will help the Sony A6700 camera is the high ISO range, which is expandable from 50 up to 102400.
But wait, we still have some significant differences that might affect your choice. Another big difference for photographers to consider is the continuous shooting speed. If you don’t want any rolling shutter effect visible in your images, you have to use the mechanical shutter, as the electronic shutter can cause rolling shutter effects, especially with non-stacked sensors.
Autofocus Sensitivity and Tracking
Finally, let’s talk about the autofocusing systems of both cameras. We have seen the autofocus sensitivity difference between the two. If you compare them, the Fuji X-M5 camera looks very impressive with -7 EV autofocus sensitivity against the A6700 camera, which has -3 EV autofocus sensitivity. But this autofocus sensitivity only works once to acquire the autofocus point in extremely low-light situations.
Now, let’s consider a situation where quick moment-to-moment focus is needed. In this case, the Fuji X-M5 may focus more quickly compared to the A6700, due to its AF sensitivity. However, when we talk about autofocus tracking performance, due to the higher number of phase-detect autofocus points present in the Sony sensor—approximately 759 compared to Fuji’s 425—the tracking performance of the Sony A6700 sensor will be better than the X-M5.
So, we have two differences here. First, autofocus acquisition is better in the Fuji, but at the same time, the autofocus tracking performance is better in the Sony. Generally, most autofocus modes rely on the tracking performance of the camera, not on the acquisition part, so I would give a slight advantage to Sony in terms of tracking performance.
Design and Battery Life
Finally, let’s talk about the design part of both cameras. The Sony A6700 camera hand grip is deeper and much better compared to the Fuji X-M5. At the same time, we have a dedicated OLED viewfinder in the body of the Sony A6700 camera, which helps photographers who are used to using optical viewfinders from DSLRs. So, more or less, if we talk about ease of use and digital body design, the A6700 camera is more user-friendly.
At the same time, if we talk about battery backup, the Sony offers a bigger battery, resulting in more shots per charge—approximately 570+, whereas in Fuji, you are getting around 460. So yes, we do have some differences.
Conclusion: The best camera for photographer
should you go with the Fuji X-M5 or the Sony A6700? We get some extra features from inside to out with the Sony A6700 camera. Have a look:
The positive features of the Sony A6700 include the presence of a sensor-shift image stabilization system, which helps capture clear images in low-light environments. At the same time, the wide ISO range, starting from 50, is completely absent in the Fuji X-M5. Additionally, the A6700 offers a bigger battery life, which makes it a better option for professional photographers.
Not only that, but we also have a very large range of E-mount lenses from Sigma, Tamron, and many other brands. Although the Fuji X-mount is also open, it is not as big or broad as the E-mount at the moment, even though there are many options in X-mount.
Compared to the X-M5, we do see some advantages like autofocus sensitivity and continuous shooting speed. So, if you really want a camera with fast continuous shooting speed and don’t care much about the ISO range, image stabilization system, battery grip, or battery life, then the X-M5 might be a good option. However, for a photographer, we highly recommend the Sony A6700.
Fuji X-M5 vs Sony A6700 – 15 Major Video-Related Differences
| Feature |
Fuji X-M5 |
Sony A6700 |
| MAX Video Resolution |
6.2K up to 30 fps |
4K up to 120 fps |
| Slow-Motion Video |
1080p at 240 fps |
4K at 120 fps, FHD at 240 fps |
| Video Codec |
H.264/H.265 (HEVC) |
H.264/H.265 (HEVC), XAVC S-I |
| Video Bitrate |
400 Mb/s |
600 Mb/s |
| Video Recording Limit |
50 minutes in 4K |
No Recording Limit |
| Log Profiles |
F-Log, F-Log 2 |
S-Log 3, S-Cinetone |
| Autofocus Points (Video) |
425 Phase Detection Points |
759 Phase Detection Points |
| Autofocus Features |
Face/Eye Detection |
Real-time Tracking, Eye AF for Video, AI framing |
| External Recording |
4:2:2 10-bit via HDMI |
4:2:2 10-bit via HDMI |
| Viewfinder for Video |
No EVF |
Yes, 2.36M-dot OLED Viewfinder |
| Display Type |
3-Way Tilting LCD |
Fully Articulating LCD |
| Video Stabilization |
Electronic |
5-Axis IBIS + Active Mode for Video + Gyro |
| Audio Inputs |
3.5mm Mic Jack, 3.5mm Headphone Jack |
3.5mm Mic Jack, 3.5mm Headphone Jack |
| Mobile Streaming |
No |
Yes (IP Streaming 4K) |
video core specifications
Let’s compare the video core specifications between the Fuji X-M5 and the Sony A6700 cameras.
We have an open gate option in the Fuji X-M5, which videographers will love, especially for professional filmmaking, allowing them to decide the format and ratio for an entire scene. It’s better to record in open gate. In addition, we have options like Full HD mode at 240 frames per second for capturing slow-motion videos.
However, if you compare the X-M5’s features against the Sony A6700, you will miss the higher-resolution open gate mode. But aside from that, the Sony A6700 offers 4K @ 120 frames per second and can also record Full HD videos at 240 frames per second. The bitrate is approximately 600 Mbps, which is better than the X-M5’s 400 Mbps, even though Fuji offers a 6.2K open gate recording option.
A higher bitrate means more color information, and this will definitely help Sony users a bit more. In addition, we have a dedicated AI chip in the Sony A6700, which enhances autofocus tracking performance in video mode, including AI-based auto framing.
The good news is that Fuji is also improving their autofocus modes in the new X-M5 camera. Similar to Sony, they have introduced a product feature mode in the X-M5, showing Fuji is slowly trying to compete with Sony’s features in the A6700 camera.
Aside from all these features, the Sony A6700 has a 2.36-million-dot electronic viewfinder, which may not directly help with filmmaking, but is still a useful feature. However, the biggest factor is the presence of a sensor-shift image stabilization system.
With sensor-shift image stabilization, we can use active mode in video on the Sony camera to achieve smooth and stable footage. Sony also offers a gyro-based image stabilization system, which can smooth out footage like a GoPro when processed with special software.
Conclusion – Best Camera for Video
When you compare all these features, the Sony A6700 looks more appealing. However, if you are a Filmmakers (Independent or Short Films) prefer the open-gate recording format, you can go with the Fuji X-M5. But if you’re asking which one is more usable and practical camera, for
- For Wedding Cinematographers
- For Traditional Videographers (Corporate, Documentaries):
- For Content Creators
The Sony A6700 is more usable, with its 4K 120 FPS mode, advanced autofocus tracking with a dedicated AI chip, and hybrid image stabilization, which is the better option. The Sony A6700 simply offers a more advanced set of features.
Final Recommendations:
- Fuji X-M5 is recommended for filmmakers who need open gate recording and prefer high-resolution control.
- Sony A6700 is a all-in-one all-rounder for content creators, wedding cinematographers, and traditional videographers, features advanced autofocus, 4K 120 FPS, and Excellent stabilization features.
Fuji X-M5 Price
Fujifilm X-M5 Body: £799 / €899- B&H Store
Fujifilm X-M5 + XC 15-45 Kit: £899 / €999 – B&H Store
Sony A6700 Price
Sony A6700 Body: $1398 B&H Store | Amazon.com
Sony A6700 with Kit Lens: $1498 – B&H Store and Amazon.com
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By admin, on October 12th, 2024
So finally, we have the Fuji X-M5 camera’s full details coming straight from Fujifilm X-M5 official press release. From the available set of details, we can clearly see the specs that are about to arrive inside the Fuji X-M5 camera. We will only miss the mechanical image stabilization, although the Fuji processor delivers very effective images. Take look at the Makor specification of the camera
Fuji X-M5 Price
Fujifilm X-M5 Body: £799 / €899- B&H Store
Fujifilm X-M5 + XC 15-45 Kit: £899 / €999 – B&H Store
Fujifilm XF 500mmF5.6 Lens: £2,899 / €3,399
Fujifilm XF 16-55mmF2.8 II: £1,149 / €1,349
Fuji X-M5 Specification
- Weight: Approximately 355g (including battery and memory card).
- Dimensions: 111.9mm width, 66.6mm height, 38.0mm depth.
- Sensor: 26.1 MP back-illuminated X-Trans CMOS 4 sensor.
- Processor: X-Processor 5 for high-speed image processing.
- Film Simulation: 20 Film Simulation modes.
- Autofocus (AF): AI-based subject detection AF (animals, cars, etc.).
- Face/Eye Detection: Supports face and eye AF.
- AF Algorithm: Predictive AF algorithm for moving subjects.
- Video Recording: 6.2K/30P 4:2:2 10-bit internal recording.
- 4K Video: Supports 4K/60P recording.
- High-Speed Video: 1080/240P recording.
- Stabilization: Powerful digital image stabilization for both minor and large shakes.
- Built-in Microphones: Three microphones with selectable directivity (surround, front, back, front & back).
- Noise Reduction: Steady-state noise reduction for continuous frequency noise.
- Vlog Mode: Touch-based intuitive control for shooting.
- 9:16 Short Movie Mode: Easy vertical video capture for social media.
- Bit Rates: Supports 8 Mbps and 25 Mbps bit rates for video.
- Card Slot: SD card storage for internal recording.
- Design: Symmetrical dials with a compact X-series aesthetic.
- Auto Mode: Auto scene recognition for first-time users.
- Low Power Consumption: Optimized for long shooting times.
- Bird & Insect Detection: Special AF setting to detect birds and insects.
- Drone Detection: Detects drones under the “Airplane” setting.
- Display: Touch-sensitive LCD with improved icon placement.
- High AF Precision: Improved precision even in low-contrast environments.
Fuji X-M5 Full Press Release and Images
These specs highlight the Fuji X-M5’s compact design, high-quality video recording
FUJIFILM X-M5 Mirrorless Digital Camera
The lightest model in the current X series
Equipped with advanced features for both stills and video. Enjoy shooting every day with ease
October 14, 2024
TOKYO, October 14, 2024 – FUJIFILM Corporation (President & CEO, Representative Director: Teiichi Goto) announces the launch of the latest model of the mirrorless digital camera the “FUJIFILM X-M5” (X-M5). It is a new addition to the X Series of mirrorless digital cameras known for their compact and lightweight body and superior image quality based on the company ’s proprietary color reproduction technology.
The X-M5 is a mirrorless digital camera with a compact and lightweight body weighing approximately 355g*1 making it the lightest*2 camera in the X series. The X-M5 is equipped with a full range of functions, including subject detection AF that can detect moving objects such as animals and cars using AI and a 6.2K/30P movie recording function, making it possible to shoot both still images and movies with a single camera. Additionally, the design features the high-quality appearance characteristic of the X series. The X-M5 is the perfect camera for a wide range of users, from first-time digital camera users to photography enthusiasts, enhancing the joy of photography.
The X-M5 is a mirrorless digital camera equipped with the back-side illuminated 26.1-megapixel “X-Trans™ CMOS 4”*3 sensor and the “X-Processor 5” high-speed image processing engine, enabling high-quality image capture. A Film Simulation dial is located on the top surface of the warship to switch between “Film Simulation” modes, which allows users to enjoy various color tone expressions as if they were changing photographic film. The X-M5 is equipped with high-performance video recording functions such as 6.2K/30P 4:2:2 10-bit video onto an SD card inserted in the camera. In addition, its powerful digital image stabilizer and high-performance built-in microphone support comfortable video recording. As for the Vlog Mode, the newly introduced “9:16 Short Movie Mode” makes it easy to shoot vertical videos.
*1 Including battery and memory card.
*2 For current X series models.
*3 X-Trans is a trademark or registered trademark of FUJIFILM Corporation.
1. Product features
(1) Compact and lightweight body and product design that makes you want to enjoy shooting
▪ It weighs approximately 355g and measures approximately 111.9mm in width, 66.6mm in height, and 38.0mm in depth. The extremely lightweight and compact body for a mirrorless digital camera makes it easy to carry around and enjoy photography every day.
▪ Despite its compact size, the camera has the high-quality appearance of the “X series”. Symmetrically placed dials on the top surface of the warship section highlight the beauty of the camera.
▪The Film Simulation dial is conveniently placed on the lek shoulder of the top face. Users can easily switch between a total of 20 Film Simulation modes according to the subjects and scenes, making it easier to enjoy a variety of color tones in both still and moving images.
▪ The top right features a mode dial. In AUTO mode, the camera automatically recognizes the optimal shooting mode for the scene, allowing even first-time digital camera users to easily capture high-quality stills and videos.
(2) Equipped with a high-performance sensor and high-speed image processing engine to achieve high image quality and high-performance AF
▪ The X-M5 is equipped with the back-illuminated “X-Trans™ CMOS 4” sensor with approximately 26.1 megapixels and the latest high-speed image processing engine “X-Processor 5”. This allows for high image quality photography with low power consumption.
▪ The camera features the subject detection AF, developed with deep learning technology, in addition to the existing Face / Eye AF. AI is used to add the ability to detect animals, birds, cars, motorcycles, bicycles,
airplanes, trains, insects and drones*4
▪ The latest AF predictive algorithm provides high tracking performance for moving subjects and high precision AF in low-contrast environments.
*4 Set the Subject Detection Selng to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.
(3) 6.2K/30P video recording and other extensive video func^ons
▪ The X-M5 can record 6.2K/30P 4:2:2 10-bit video onto an SD card inserted in the camera, and also supports extensive video functions including 4K/60P and 1080/240P capability.
▪ The camera is equipped with powerful digital image stabilization. It is effective not only for minor camera shake but also for large shaking that occurs when shooting video while walking.
▪ For the first time in our digital camera lineup, three built-in microphones are equipped. You can choose from four microphone directivity options: surround, front, back, or front & back, depending on the situation. The camera is also the first to feature a steady-state noise reduction function, which reduces noise that continues to ring at a certain frequency, such as air conditioning noise.
▪ Vlog mode allows users to change shoo^ng conditions intuitively by touching the LCD. Improvements in the number and placement of icons make video recording even more intuitive. In addition, the new “9:16 short movie mode” allows users to easily shoot vertical videos popular on various social media and smoothly share the captured content.
▪ New bit rates of 8 Mbps and 25 Mbps have been added to the bit rates that can be selected in the “Media Recording Settings” when shooting video. This shortens the transfer time to external devices such as
smartphones, and contributes to shortening the ^me required to upload captured video directly to social media.
2. optional accessories
Cooling Fan “FAN-001″*5 (already on sale)
▪ This cooling fan can be attached to the rear panel of the camera body without a cable, supporting long hour shooting and video recording in a high-temperature condition. The power can be supplied to the fan from the camera body
Tripod Grip “TG-BT1″*6 (already on sale)
▪ This grip enhances mobility and camera’s hold while adding tripod functionality. Users can comfortably take self-portraits and low angle shots, where it is normally difficult to hold the camera in position. As a tripod, the TG-BT1 can be used for a wide range of love fujiru mors applications from group shots to tabletop still.
*5 Compatible models are FUJIFILM X-M5, FUJIFILM X-H2S, FUJIFILM X-H2, and FUJIFILM X-S20.
*6 Compatible models are FUJIFILM X-H2S (Ver.3.00 or later), FUJIFILM X-H2 (Ver.1.2 or later), FUJIFILM X-T5 (Ver.1.00 or later), FUJIFILM X-T4 (Ver.1.70 or later), FUJIFILM X-T3 (Ver.4.50 or later), FUJIFILM X-S20, FUJIFILM X-S10 (Ver. 2.60 or later), FUJIFILM X-T30 II (Ver. 1.20 or later), FUJIFILM X-T30 (Ver. 1.50 or later).
source of the press release and images credit FR.com
By admin, on October 4th, 2024
 Fuji’s next full-frame compact can become a spiritual successor of the Sony RX1R camera According to the latest rumors, Fuji will introduce a new sensor size. The Fuji rumor mill very clearly writes it, they are talking about a new sensor size. After that post, many speculations started, but the most trusted rumor mill right now, Sony Alpha Rumor, believes that Fuji will announce a full-frame camera. The big reason behind this is the popularity of the Fuji X-100 VI camera. Now, they want to move further and expand the consumer base of compact mirrorless lovers by introducing a full-frame compact mirrorless camera.
Since this very moment, we don’t know what exactly is coming in the next, It may not be an interchangeable-lens mirrorless camera, as none of Fuji’s lenses are compatible with full-frame cameras. But again, there is a huge scope for a compact FF camera.
Also, see – 80MP in the Fuji X-H3? Fuji Fans Think It’s Within Reach
The other piece of information we received a few days ago, and published on our website, is that if Fuji adopts EXR technology instead of X-TRANS in their existing sensors, there is a huge potential to approximately double the resolution and enable single-click HDR capture with their existing sensors, just by taking out the color filter array as they did with the EXR sensor-based cameras in the past. That’s the news we received from a Chinese source, indicating they may alter the sensor’s color filter array shortly to upscale the existing APS-C technology. So, that’s another set of information to consider when talking about the arrival of a brand-new sensor, unless they rework the existing color filter technology in their cameras.
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SRC – FR.com Via – SARYT
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