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Firmware Update

Fuji X-H2 Records 8K Video, Features New Sensor and Price...

Fuji X-H2 Records 8K Video, Features New Sensor and Price is less than $2,500.  So, the upcoming Fuji X-H2 camera will raise the market competition to the next level, Take a look at the rumored specification of the upcoming Fuji X-Sh2 camera

Fuji X-H2 Specification

–X-H2 will be available in 2020-X-H2 will
support 8K DCI / UHD
-X-H2 will cost less than $ 2500
-X-H2 is the first to use a new sensor and image processing engine

As we all know the upcoming Panasonic GH6 camera doesn’t record 8k video, and if Fuji manages to introduce the Fuji X-H2 camera for under $2500 then for sure the camera will become a market sensation among cinematographers.

We will post more update as soon as I get it

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source FR.com

Fuji X-T40 Camera Not So Soon [Rumor]

According to the latest rumors, the Fuji X-T40 announcement will also get delayed just like the X-H2 camera (as we have told you earlier post) due to the absence of advanced technology (new sensor and image processor).

Fuji doesn’t want to let down the Fuji X-S10 Sales number

According to the latest rumors we are getting if Fuji X-T40 arrives with the IBIS unit it will eat up the Fuji X-S10 sales which are available at a bit higher price point compared to X-30 / X-T40 series cameras.

This is just a reference table to let you know based on the current set of information we have on May 2021. That announcement pattern of Fuji’s upcoming camera will look like this. (camera names in chronological order)

Camera Name Arrival Time Major Specs if Any
Fuji X-H2 2022 32 or 43 MP sensor More details here
Fuji X-T40  2nd half of 2022 (Same sensor as of X-H2 no IBIS)
Fuji X-T5 Early 2023 or late 2022 (Same sensor as of X-H2 + IBIS)
Fuji X-S20 Late 2023 or Early 2024 2023 / 24 (Affordable X-T5)
Fuji X-Pro 4
Fuji X-E5

We will post more update as soon as I get it

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source FR.com

Fuji X-H2 to Feature New Sensor and more...

Fuji X-H line created for dedicated cinema cameras. Fuji X-H1 cameras were one of the most popular APS-C cameras of Fuji.. And it was the first model to introduce IBIS in the Fuji Mirrorless system. As usual, we know Fuji never does incremental updates in their flagship APS-C cameras. That’s why due to lack of proper technology they have delayed the update of the Fuji X-H2 Mirrorless camera. Earlier, the Fuji X-H2 mirrorless camera was expected to arrive in 2021.

Before we discuss further, the possible set of specifications of the upcoming camera. Take a look at what did Fujifilm managers said during an interview about the Fuji X-H2 camera

Fujifilm X-H2 not so soon

  • Fujifilm continues to “investigate future X-H cameras”
  • X-T and X-H are two clearly different lines. What is the difference? “Difficult to say now; we need some sort of the breakthrough, probably.”
  • it’s not enough for the X-H2 to be an X-T4 with a bigger grip, “we have to have something more revolutionary.”
  • X-H2 is where new technology will enter the product line

It’s very clear from the interview they are talking about breakthrough technologies, They don’t want to put a regular update on the X-H line. Possibly once they have a supply of new High-Resolution APS-C Sensor from Sony, after that they will update the new X-H line..

Sony 43 and 32MP APS-C CMOS Sensor

We are one of the first websites in the world to publish a Sony list of Sensors that may get used in upcoming APS-C and FF cameras. Right now Sony has 32MP and 43 MP high-resolution APS-C CMOS sensors. it will be interesting to see which sensor does Fuji picks up for their X-H2 Camera. If they select the 32MP sensor then the X-H2 camera will remain limited to 6K and if they select the 43MP Sensor then we do have a high possibility of the presence of 8k video mode inside Fuji X-H2. Only time will tell.

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via FR.com

Fuji X-T40 to have IBIS [Rumor]

As per the latest rumors surfaced over the web,  Fuji X-T40 one of the prototypes does have an IBIS of 5.5 Stops (The same IBIS unit as we have seen in the Fuji X-S10 camera). Not sure about the final production line model will have it or not.  We will post an update soon as we get detailed specs and images of the upcoming camera.

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Fuji Registers a New Camera FF 210001 - Fuji X-H2 or Something Else?

Fuji recently registers a new camera FF 210001. As per rumors we have received in the past Fuji may push the X-H2 camera before X-T5.  Although, we have to wait for further confirmations from trusted sources.

Initial details

Model code name – FF210001
WiFi – 802.11b/g/n @ 2.4 GHz

For those who think Fuji X-H2 is discontinued or dead – Fuji X-H series isn’t dead yet, Fujifilm UK Manager Andreas Georghiades denied the reports that Fuji X-H series is dead more details here

Other possibilities…

PS: If Fuji announces Fuji X-T40 with 26MP BSI CMOS sensor and IBIS it will eat up the Fuji X-S10 sales. But, it will surely get more market coverage/share and will grab the limelight before the Sony A6400 official upgrade arrives (with IBIS).

Fuji X-T5? We do know Fuji will be getting Sony 32MP OR 43MP sensors for their future cameras from Sony soon. Both of them are commercially un-available at the Sony sensor website. Take a look at the list of Sony sensors to be used in upcoming wolrdwide cameras

So, we have to wait and we will soon post an update as soon as it becomes available to us.

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Fuji X-E4 vs Fuji X-T30

Fuji X-E4 vs Fuji X-T30 – Fuji X-T30 is one of the most popular cameras in the int’s price segment. After the announcement of the Fuji X-E4 camera I am getting lots of queries but uses that Should I buy Fuji F-Xt30 camera or wait for the Fuji X-E4 camera. We have compared the Fuji X-E4 versus Fuji X-T30 now let’s find out the best camera for you.

Fuji X E4 camera features almost identical core specifications as we have in the Fuji X-t30 camera. Even though there are a lot of similarities between the two, but we do some significant differences also. In this comparison review, we will be going to find out the major differences at why you should pick Fuji X-E4 camera instead of using xt30

1. Image sensor

The image sensor of both the camera is exactly the same, both cameras are using a future ultra popular and reliable 26 megapixels BSI CMOS X-Trans sensor. the sensor was first introduced in the Fuji X-T3 camera. After that, the 26-megapixel sensor used widely in Fuji flagship, midrange, and entry-level mirrorless camera systems. And finally, the X-E series of Fuji also got updated with the same sensor.

Fuji X-T30 offers more manual control than of Fuji X-E4 camera. Fuji better choice for still shooters.

Fuji X-E4  Fuji X-T30
Lens Mount FUJIFILM X FUJIFILM X
Camera Format APS-C (1.5x Crop Factor) APS-C (1.5x Crop Factor)
Sensor Resolution Effective: 26.1 Megapixel (6240 x 4160) Effective: 26.1 Megapixel
Aspect Ratio 1:1, 3:2, 16:9 1:1, 3:2, 16:9
Sensor Type CMOS CMOS
Sensor Size 23.5 x 15.6 mm 23.5 x 15.6 mm
Image File Format JPEG, Raw JPEG, Raw
Bit Depth 14-Bit 14-Bit
Image Stabilization None None

2. Iso settings and more

Since the sensor is the same, and the image processor used inside both the camera is exactly the same so the ISO range of both Fuji xt30 and Fuji X-E4 camera remains exactly the same.

Fuji introduced a new mechanical shutter inside the Fuji X-E4 camera as you can see in the specs table below the range of the mechanical sector is increased.

Continuous shooting speed of both the camera or you can say the burst speed of both cameras is also exactly the same as of each other.  Metering modes, exposure modes, and even the exposure compensation. each and every value of both the camera is exactly the same.

Fuji X-E4 features vlogging friendly screen and X-T30 viewfinder in the center,  As a still shooter one should pick the X-T30, and for bloggers X-E4 is more recommended.

  Fuji X-E4   Fuji X-T30
ISO Sensitivity Auto, 160 to 12800 (Extended: 80 to 51200) Auto, 160 to 12800 (Extended: 80 to 51200)
Shutter Speed Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
0 to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1 to 1 Second in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Mechanical Shutter
1/4000 to 900 Seconds
Electronic Shutter
1/32000 to 900 Seconds
Electronic Front Curtain Shutter
0 to 60 Minutes in Bulb Mode
Metering Method Average, Center-Weighted Average, Multi-Zone, Spot Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
White Balance Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Mechanical Shutter
Up to 8 fps at 26.1 MP for up to 105 Frames (JPEG) / 18 Frames (Raw)
Up to 5 fps at 26.1 MP for up to 458 Frames (JPEG) / 24 Frames (Raw)
Up to 4 fps at 26.1 MP for Unlimited Frames (JPEG) / 28 Frames (Raw)
Up to 3 fps at 26.1 MP for Unlimited Frames (JPEG) / 34 Frames (Raw)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 18 Frames (Raw)
Electronic Shutter
Up to 30 fps at 16.6 MP for up to 29 Frames (JPEG) / 17 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 79 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 153 Frames (JPEG) / 18 Frames (Raw)
Up to 8 fps at 26.1 MP for up to 90 Frames (JPEG) / 18 Frames (Raw)
Up to 5 fps at 26.1 MP
Up to 4 fps at 26.1 MP
Up to 3 fps at 26.1 MP
Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 17 Frames (Raw)
Up to 30 fps at 16.6 MP for up to 26 Frames (JPEG) / 17 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 53 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 95 Frames (JPEG) / 18 Frames (Raw)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

3. Fuji X-E4 Recording Time Limit

The Fuji X-E4 camera features a full HD video recording option of 240 frames per, the Fuji X-T30 camera remains limited to 120FPS Full HD video mode.

One of the major differences between these two camera video modes is the recording time limit. As you can see in the specification table below, the Fuji X-T30 recording time limit of 4K and Full HD is variable. On the other side, we have the Fuji X-E4 Recording time limit is 30 Minutes in Full HD and 4k video modes.

Introduction of 240FPS @ Full HD in Fuji X-E4 camera. With the new 240FPS frame rates you can create super Slo-Mo Full HD videos. The Fuji X-T3 camera remains limited to 120FPS in Ful HD.

Fuji X-E4   Fuji X-T30
Recording Modes H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [100 to 200 Mb/s]
MOV/H.264
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [200 Mb/s]
External Recording Modes 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/120p
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 100p/120p
Recording Limit Up to 30 Minutes Up to 10 Minutes for DCI 4K (4096 x 2160)
Up to 10 Minutes for UHD 4K (3840 x 2160)
Up to 15 Minutes for DCI 2K (2048 x 1080)
Up to 15 Minutes for Full HD (1920 x 1080)
240p / 200p 200Mbps(recording) up to approx. 3min.
120p / 100p 200Mbps(recording) up to approx. 6min.
[Full HD(1920×1080) High speed rec.]
120p/100p 200Mbps(recording) up to approx. 6min.
Recording Time Limit Details [DCI 4K(4096 x 2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.
[4K(3840 x 2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.
[Full HD(2048 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080) High speed rec.]
[DCI 4K(4096×2160)]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 10min[4K(3840×2160)]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 10min[Full HD(2048 ×1080)]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min.[Full HD(1920×1080)]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min.
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format Linear PCM (Stereo) Linear PCM (Stereo)

4. Autofocus Modes

The Fuji X-E4 camera arrived with upscaled AF algorithms, which includes enhanced object tracking in video mode and AF lock speed, just like we have in the Fuji X-T4 Mirrorless camera.

Fuji X-E4   Fuji X-T30
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 425 Phase Detection: 425

4. Size and weight

Size-wise we have very little difference between the two and the same with the weight of both the camera.s

Fuji X-E4   Fuji X-T30
Battery 1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh (Approx. 380 Shots) 1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh
Dimensions (W x H x D) 4.8 x 2.9 x 1.3″ / 121.3 x 72.9 x 32.7 mm 4.7 x 3.3 x 1.8″ / 118.4 x 82.8 x 46.8 mm
Weight 12.8 oz / 364 g (Body with Battery and Memory) 13.51 oz / 383 g (Body with Battery and Memory)

Verdict: For Photographers the Fuji X-T30 camera will be more suitable since the still specification is almost the same, but the X-T30 has a bit better design and viewfinder placement. For VLoggers and videographers/cinematographers Fuji X-E4 is an excellent choice.

Fuji GFX 100S Press Release, Full Specification and Images

Fuji finally announced the long-rumored Fuji GFX100s camera. The new camera features the same sensor as of Fuji GFX 100, a 100 MP Medium format sensor. Btw, you also use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. The camera also features IBIS units, so you can get hand-help sharp 100MP images.  The five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction.

The AutoFocus system is also completely re-worked and the newly announced camera features an updated autofocus algorithm that brings subjects into focus as quickly as 0.16 sec, even in light levels as low as -5.5EV. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.

Buy Fuji GFX100S Camera from  B&H Store

Fuji GFX 100S Press Release

Ultimate Resolution, Dependable Processing
Powered by Fujifilm’s high-performance X-Processor 4 quadcore CPU, GFX 100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.

Small, But Steady
Sitting at the heart of GFX 100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the camera’s 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX 100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX 100S frees you from a tripod and lets you keep creating even when the light is low.

The Sharp End of AF Technology
With an advanced phase detection autofocus (AF) system, GFX 100S spearhead a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.16 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase-detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX 100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.

Large Format Has Never Felt Like This
The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX 100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as -10ÅãC and to be dust- and weather-resistant for those off-road moments. At less than 900g, its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX 100S will truly let you harness the extreme power of large format.

Iconic Color Made For You
Fujifilm’s expertise in color science is legendary among image-makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX 100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, straight out of the camera. With a new Film Simulation mode to explore – Nostalgic Neg. – it may just be worth it to spend a little more time here than you originally thought.

Fuji GFX100S Full Specifications