Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.
Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks
Memory Card Slot
Single SD/SDHC/SDXC (UHS-II)
Single SD/SDHC/SDXC (UHS-II)
Wireless
Wi-Fi 5, Bluetooth 5.0
Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2
GPS
Via Connected Smartphone
Via Connected Smartphone
In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.
Resolution Advantage of Sony A6700:
Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).
Table 2: Imaging Comparison
Feature
Nikon Z50 II
Sony A6700
Sensor Resolution
Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712)
Actual: 27 MP, Effective: 26 MP (6192 x 4128)
Sensor Type
APS-C CMOS, 23.5 x 15.7 mm
APS-C CMOS, 23.3 x 15.5 mm
Sensor Pixel Area
4.22µ
3.76µ
Low pass Fiter
No
Yes
Sensor Crop Factor
1.5x, 1.2x in some video modes
1.5x, 1.6x in some video modes
Image Stabilization
Digital (Video Only)
Sensor-Shift, 5-Axis
ISO Range (Photo)
100 to 51,200 (Expandable: 100 to 204,800)
100 to 32,000 (Extended: 50 to 102,400)
ISO Range (Video)
100 to 25,600
100 to 32,000
Continuous Shooting Speed
Up to 11 fps (Raw) / 30 fps (JPEG)
Up to 11 fps (26 MP)
Pre- burst
Yes
No
White Balance Range
2500 to 10,000K
2500 to 9900K
Autofocus Points
231 Phase & Contrast Detection
759 Phase Detection (Photo), 495 (Video)
AF Sensitivity
-9 to +19 EV
-3 to +20 EV
Image File Format
HEIF, JPEG, Raw
HEIF, JPEG, Raw
Aspect Ratio Options
3:2, 1:1, 16:9
3:2, 4:3, 16:9, 1:1
Bit Depth
14-Bit
14-Bit
Continuous Shooting Speed:
Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.
Buffer Memory and Pre-Burst Capture Mode:
Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.
Low-Light Autofocus Sensitivity:
Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.
Autofocus System:
The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.
Image Stabilization
Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.
Best Camera for Different Environments:
So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.
Table 3: Video Comparison
Feature
Nikon Z50 II
Sony A6700
Internal Recording Modes
H.264/H.265 8/10-Bit
XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit
Max Resolution & Frame Rate
UHD 4K 30p Uncropped
UHD 4K 30p Uncropped
UHD 4K 60p 1.5X Crop
UHD 4K 60p 1.04X Crop
NA
UHD 4k 120p 1.58x crop
High-Speed Recording
1920 x 1080 up to 120 fps
1080p up to 240 fps
External Recording
HDMI 4K (Unspecified Frame Rate)
HDMI 4K at up to 59.94 fps, HD up to 59.94 fps
Slow/Fast Motion
Slow Motion Only
Yes
Recording Limit
Up to 125 Minutes
Unlimited
Gamma Curve
HDR-HLG, Nikon N-Log
HDR-HLG, S Cinetone, S-Log 3
Waveform
Yes
No
Product showcase Mode
Yes
Yes
Auto Framing
No
Yes
Built-In Microphone
Stereo
Stereo
Image Stabilization
VR
IBIS / GYRO
Audio Recording Format
MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC
XAVC: 2-Channel 16-Bit 48 kHz LPCM
Headphone & Mic Jacks
Yes (3.5 mm)
Yes (3.5 mm)
Video I/O
Micro-HDMI
Micro-HDMI
This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation
Sony A6700: Higher Frame Rates and Minimal Crop in 4K
In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K.Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.
Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting
Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.
Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation
Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.
Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features
Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes,then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.
Let’s compare the Fuji X-M5 versus the Sony A6700 camera. We have compared the photographic & videography features in a separate table, so you can easily understand which camera is best for you.
If you are a photographer, which camera should you buy? Again, if you are a content creator, videographer, or wedding filmmaker, which camera should you choose?
Take a look at the specification comparison table below, where we have highlighted the major differences between the two cameras. They also have some similarities, but the good thing is that the Fuji X-M5 camera is able not only to compete but also to uplift the competition bar by upscaling the core specifications.
Fuji X-M5 vs Sony A6700 – 15 Major Differences for Photographers
Feature
Fuji X-M5
Sony A6700
Sensor Resolution
26.1 MP APS-C CMOS
26 MP APS-C Exmor R BSI CMOS
Image Processor
X-Processor 5
BIONZ XR
ISO Range (Photography)
160 to 12,800 (Extended: 80 to 51,200)
100 to 32,000 (Extended: 50 to 102,400)
Autofocus Points (Photo)
425 Phase Detection Points
759 Phase Detection Points
Autofocus Sensitivity
-7 EV
-3 EV
Continuous Shooting
Up to 30 fps (Electronic, cropped)
Up to 11 fps (Mechanical & Electronic)
Viewfinder
No Viewfinder
2.36M-dot OLED Viewfinder
Shutter Speed (Mechanical)
1/4000 to 30 seconds
1/8000 to 30 seconds
Mechanical Shutter
Yes
Yes
Image Stabilization
NA
5-Axis In-Body Image Stabilization (IBIS)
Sensor Type
Standard CMOS
Backside Illuminated (BSI) CMOS
Weather Sealing
Yes (Dust & Water Resistant)
Yes (Dust & Moisture Resistant)
Battery Life (Stills)
Approx. 460 shots
Approx. 570 shots
Weight
355g (Body Only)
493g (Body Only)
Memory Card Slot
Single SD UHS-I Slot
Single SD UHS-II Slot + CFexpress Type A
Quick Analysis of Specification Differences between the two
The core specifications of the Fuji X-M5 camera look very impressive when compared with the Sony A6700 camera.
If you are a photographer, then of course you will miss the sensor-shift image stabilization in the Fuji X-M5, which is present in the Sony A6700.
Having image stabilization in your camera is really important if you shoot images in low-light environments. The image sensor compensates for hand movements even when you are using a slow shutter speed, resulting in neat and clean images.
Another feature that will help the Sony A6700 camera is the high ISO range, which is expandable from 50 up to 102400.
But wait, we still have some significant differences that might affect your choice. Another big difference for photographers to consider is the continuous shooting speed. If you don’t want any rolling shutter effect visible in your images, you have to use the mechanical shutter, as the electronic shutter can cause rolling shutter effects, especially with non-stacked sensors.
Autofocus Sensitivity and Tracking
Finally, let’s talk about the autofocusing systems of both cameras. We have seen the autofocus sensitivity difference between the two. If you compare them, the Fuji X-M5 camera looks very impressive with -7 EV autofocus sensitivity against the A6700 camera, which has -3 EV autofocus sensitivity. But this autofocus sensitivity only works once to acquire the autofocus point in extremely low-light situations.
Now, let’s consider a situation where quick moment-to-moment focus is needed. In this case, the Fuji X-M5 may focus more quickly compared to the A6700, due to its AF sensitivity. However, when we talk about autofocus tracking performance, due to the higher number of phase-detect autofocus points present in the Sony sensor—approximately 759 compared to Fuji’s 425—the tracking performance of the Sony A6700 sensor will be better than the X-M5.
So, we have two differences here. First, autofocus acquisition is better in the Fuji, but at the same time, the autofocus tracking performance is better in the Sony. Generally, most autofocus modes rely on the tracking performance of the camera, not on the acquisition part, so I would give a slight advantage to Sony in terms of tracking performance.
Design and Battery Life
Finally, let’s talk about the design part of both cameras. The Sony A6700 camera hand grip is deeper and much better compared to the Fuji X-M5. At the same time, we have a dedicated OLED viewfinder in the body of the Sony A6700 camera, which helps photographers who are used to using optical viewfinders from DSLRs. So, more or less, if we talk about ease of use and digital body design, the A6700 camera is more user-friendly.
At the same time, if we talk about battery backup, the Sony offers a bigger battery, resulting in more shots per charge—approximately 570+, whereas in Fuji, you are getting around 460. So yes, we do have some differences.
Conclusion: The best camera for photographer
should you go with the Fuji X-M5 or the Sony A6700? We get some extra features from inside to out with the Sony A6700 camera. Have a look:
The positive features of the Sony A6700 include the presence of a sensor-shift image stabilization system, which helps capture clear images in low-light environments. At the same time, the wide ISO range, starting from 50, is completely absent in the Fuji X-M5. Additionally, the A6700 offers a bigger battery life, which makes it a better option for professional photographers.
Not only that, but we also have a very large range of E-mount lenses from Sigma, Tamron, and many other brands. Although the Fuji X-mount is also open, it is not as big or broad as the E-mount at the moment, even though there are many options in X-mount.
Compared to the X-M5, we do see some advantages like autofocus sensitivity and continuous shooting speed. So, if you really want a camera with fast continuous shooting speed and don’t care much about the ISO range, image stabilization system, battery grip, or battery life, then the X-M5 might be a good option. However, for a photographer, we highly recommend the Sony A6700.
Fuji X-M5 vs Sony A6700 – 15 Major Video-Related Differences
Feature
Fuji X-M5
Sony A6700
MAX Video Resolution
6.2K up to 30 fps
4K up to 120 fps
Slow-Motion Video
1080p at 240 fps
4K at 120 fps, FHD at 240 fps
Video Codec
H.264/H.265 (HEVC)
H.264/H.265 (HEVC), XAVC S-I
Video Bitrate
400 Mb/s
600 Mb/s
Video Recording Limit
50 minutes in 4K
No Recording Limit
Log Profiles
F-Log, F-Log 2
S-Log 3, S-Cinetone
Autofocus Points (Video)
425 Phase Detection Points
759 Phase Detection Points
Autofocus Features
Face/Eye Detection
Real-time Tracking, Eye AF for Video, AI framing
External Recording
4:2:2 10-bit via HDMI
4:2:2 10-bit via HDMI
Viewfinder for Video
No EVF
Yes, 2.36M-dot OLED Viewfinder
Display Type
3-Way Tilting LCD
Fully Articulating LCD
Video Stabilization
Electronic
5-Axis IBIS + Active Mode for Video + Gyro
Audio Inputs
3.5mm Mic Jack, 3.5mm Headphone Jack
3.5mm Mic Jack, 3.5mm Headphone Jack
Mobile Streaming
No
Yes (IP Streaming 4K)
video core specifications
Let’s compare the video core specifications between the Fuji X-M5 and the Sony A6700 cameras.
We have an open gate option in the Fuji X-M5, which videographers will love, especially for professional filmmaking, allowing them to decide the format and ratio for an entire scene. It’s better to record in open gate. In addition, we have options like Full HD mode at 240 frames per second for capturing slow-motion videos.
However, if you compare the X-M5’s features against the Sony A6700, you will miss the higher-resolution open gate mode. But aside from that, the Sony A6700 offers 4K @ 120 frames per second and can also record Full HD videos at 240 frames per second. The bitrate is approximately 600 Mbps, which is better than the X-M5’s 400 Mbps, even though Fuji offers a 6.2K open gate recording option.
A higher bitrate means more color information, and this will definitely help Sony users a bit more. In addition, we have a dedicated AI chip in the Sony A6700, which enhances autofocus tracking performance in video mode, including AI-based auto framing.
The good news is that Fuji is also improving their autofocus modes in the new X-M5 camera. Similar to Sony, they have introduced a product feature mode in the X-M5, showing Fuji is slowly trying to compete with Sony’s features in the A6700 camera.
Aside from all these features, the Sony A6700 has a 2.36-million-dot electronic viewfinder, which may not directly help with filmmaking, but is still a useful feature. However, the biggest factor is the presence of a sensor-shift image stabilization system.
With sensor-shift image stabilization, we can use active mode in video on the Sony camera to achieve smooth and stable footage. Sony also offers a gyro-based image stabilization system, which can smooth out footage like a GoPro when processed with special software.
Conclusion – Best Camera for Video
When you compare all these features, the Sony A6700 looks more appealing. However, if you are a Filmmakers (Independent or Short Films) prefer the open-gate recording format, you can go with the Fuji X-M5. But if you’re asking which one is more usable and practical camera, for
For Wedding Cinematographers
For Traditional Videographers (Corporate, Documentaries):
For Content Creators
The Sony A6700 is more usable, with its 4K 120 FPS mode, advanced autofocus tracking with a dedicated AI chip, and hybrid image stabilization, which is the better option. The Sony A6700 simply offers a more advanced set of features.
Final Recommendations:
Fuji X-M5 is recommended for filmmakers who need open gate recording and prefer high-resolution control.
Sony A6700 is a all-in-one all-rounder for content creators, wedding cinematographers, and traditional videographers, features advanced autofocus, 4K 120 FPS, and Excellent stabilization features.
Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.
We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.
1. Panasonic G9 Mark II, has a large body but is useful for Photographers
Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs 493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.
When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor
17.3 x 13 mm (Four Thirds) MOS
23.3 x 15.5 mm (APS-C) CMOS
Crop Factor
2x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
2. More Customizable Controls and Dial in Panasonic G9 Mark II
The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.
3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II
Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.
4. APS-C vs M4/3 Format Sensor
When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.
5. Pixel Shift Hand Held High Resolution Mode in Sony
High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.
Standard Shooting Condition
Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]
In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld
High-Resolution Sample 2
ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 25,600 (Extended: 50 to 25,600) Video
100 to 12,800 (Extended: 50 to 12,800)
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter
Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
6. The burst speed and Pre-Shooting Buffer
The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for. When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 779
Photo
Phase Detection: 759 Video
Phase Detection: 495
Autofocus Sensitivity
-4 to +18 EV
-3 to +20 EV
7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable
One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.
While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.
Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers
Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.
However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.
H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s] ProRes 422/ProRes 422 HQ
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via USB
5728 x 3024 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
The Sony A6700 comes with a host of impressive features:
Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
AI Autoframing for content creators.
The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.
Panasonic G9 Mark II Features
DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
Real Time LUT video recording to streamline your workflow and color grading.
Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
Larger Body the same heatsink unit as of the Panasonic S5 Mark II.
Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700
The Panasonic G9 Mark II camera is highly usable for professional cinematography work.These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.
For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.
The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.
One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input)
1 x USB-C (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
GPS
*Via Connected Smartphone
Battery Type
1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions)
4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight
1.4 lb / 658 g (With Battery, Recording Media)
1.3 lb / 575 g (Body Only)
1.1 lb / 493 g (With Battery, Recording Media)
0.9 lb / 411 g (Body Only)
When we have the dynamic range test score of the Sony a6700 camera from the photons to photos website the overall score of the Sony a6700 camera looks very very impressive
Model name
Maximum dynamic range
low light ISO
Low light EV
α6700
10.95
2643
9.72
α6600
10.97
2929
9.87
α6400
10.51
2470
9.63
Canon EOS R7
10.49
2213
9.47
EOS R10
10.54
1810
9.18
Z50
10.53
2406
9.59
X-T5
10.43
2230
9.48
X-T4
10.45
3298
10.04
One thing you will notice is that the test score of the Fuji X-T4 camera in terms of low light is better than the Sony a6700 camera, although the dynamic range score is limited a bit. Right now, we do not have any test scores for the Fuji X-S20 camera on the Photos to Photos website, but we can relate what the outcome will be since we already have the test scores for the Fuji XT4 camera that uses the exact same 26-megapixel sensor.
Now the B&H | amazon.com store has started shipping the Sony a6700 camera and it’s now reaching the hands of real reviewers who are paying with their hard-earned money to buy the camera, so we are getting clear and honest reviews from Sony a6700 camera owners.
Recently, one of my subscribers sent me this video and in this video, you can clearly see the camera gets overheated in 4K 24p mode after 18 minutes, and even after an hour of waiting, the camera gets overheated again after shooting 18 minutes of 4K 24p video. The camera was being used on a beach in Florida during the daytime.
So for those who want to shoot outdoors during sunny days or for those who are living near the equator or in Asian countries, where summers are really hot and temperatures go beyond 30 degrees Celsius, then they should be more careful
Jump to 0:54 sec to quickly know about Sony A6700 overheating
So let’s compare Fuji X S20 camera against the Sony a6700, and find out the best camera for you. Take a look at the detailed specification comparison below.
1. Design Comparison
Overall the weight of the camera is approximately the same, we have only a 3-gram difference in body weight. The design is different as you can notice, Fuji film has a centered viewfinder loaded with more dials and customizable buttons on the top end of the camera.
One additional advantage we have in the Fuji X S20 camera is the presence of a joystick on the rear side of the camera that helps a photographer to jump over the menus or the autofocus points quickly, that is to quickly alter the settings during the shoot. The Sony is weather-sealed so you don’t have to worry while taking it out in outdoor locations.
If you talk about ports then both of them feature a micro HDMI output port, 3.5 mm microphone input port, a 3.5 mm headphone jack, and a USB-C type connection port. The transfer speed of the Sony a6700 camera is 10 Gbps whereas with the Fuji X S20, we are limited to 5 Gbps.
The location of EVF is also a very important thing if you consider it, but it’s completely subjective. On Sony, we have it on the extreme left side, and on Fuji, we have it in the center like we have in traditional DSLRs so it depends if you are already a user of a DSLR or Mirrorless camera that features a viewfinder in the center then you have to think twice before buying the Sony a6700 camera but if you are someone who is completely new then you can start with either Sony or Fuji.
The resolution of the electronic viewfinder of both cameras is exactly the same but the refresh rate of Sony is 120 fps and the higher magnification is 0.70x whereas the refresh rate of Fuji X S20 is 100 fps and magnification of 0.62x, so they are almost identical. None of them have a big difference between them in terms of EVF.
Both cameras feature Vari-angle display screens that can be used for content creation as well as low and high-angle shots but with Fuji, we have a higher resolution screen of 1.84 million dots whereas Sony remains limited to its previous generation displays of 1.04 million dots. The good news is now we have an updated menu in the Sony camera so we don’t have to struggle while setting up our shot.
One of the most noticeable things about the Fuji X S20 camera is a dedicated V-Log menu on the top end dial of the camera and when a content creator switches to that menu, the camera opens up a customized menu interface for content creators which is extremely simplified and features product showcase modes.
Both cameras feature a single card slot. Although, for the Sony a6700 camera, you have to use a V90 card to avoid overheating and with the Fuji, since it supports an external fan, you can work with a bit slower card too.
2. The internal core difference between the two cameras
The one has a huge trusted 26-megapixel APS-C sensor of the X-Trans pattern and the other is Sony’s newly developed 26-megapixel CMOS BAYER Pattern sensor. If you are going to compare the two against each other then what we will find is that the Fuji X S20 is able to perform better in low light environments compared to Sony’s a6700 camera.
As you can see, we are comparing the two cameras, Fuji X-T4 against the Fuji X S20 camera. We have picked the X-T4 since the X S20 camera samples are not available yet and as the X-T4 uses the same 26 MP APS-C X-Trans CMOS sensor as of Fuji’s X S20, that’s why we have used it here.
3. IMAGE QUALITY TEST (HIGH ISO vs BASE ISO Test)
credit dpreview.com
HIGH ISO TEST – (above) clearly visible that the color block of Fuji is well more preserved at ISO 51200 compared to Sony A6700 at ISO 51200. Now if you clearly look at the different sets of image samples captured by both paired with best-of-the-class lenses, you will notice that the Fuji X S20 camera sensor (X-T4 also uses the same 26MP X-Trans sensor) is able to preserve a bit more details when compared to the Fuji X-T4 camera at HIGH ISO TEST.
4. BASE ISO TEST (ISO 100)
credit dpreview.com
And things become completely wild when you compare the base ISO, then you will find that the Sony a6700 camera is able to capture a bit more detail at several positions of the sample image when compared to the Fuji X S20 camera. Okay, from the tests, it’s obvious that at a higher ISO range, Fuji is better, and at base ISO, possibly the range from 100 to 800 or 1600 ISO, Sony’s new a6700 camera is better.
So from the image quality test, it is very clear that if you are an outdoor photographer or street shooter photographer that does most of his or her work, probably 90% in natural light, then it’s more recommended to buy a Fuji X S20 camera and have better low light performance with 26 MP X-Trans CMOS Sensor. And for those who work in controlled light environments like wedding photographers or portrait shooters who work 90% under controlled light environments, for them, the a6700 is highly recommended based on the initial tests results of both the camera
It’s not recommended to focus on the ISO range of both cameras, as we have already mentioned the higher ISO test. Even though the Sony a6700 has a higher expandable ISO range on paper, it doesn’t perform as well during actual tests. Therefore, it’s better to consider the image samples rather than just the ISO numbers.
Sony A6700
FUJIFILM X-S20
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Effective: 26.1 Megapixel
Image Sensor
23.3 x 15.5 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Crop Factor
1.5x
1.5x
Image Stabilization
Sensor-Shift, 5-Stops
Sensor-Shift, 7-Stops
5. IMAGE STABILIZATION (5 Stops vs 7 Stops IBIS)
We have two different image stabilization modes here, one is for stills and the other is for video. For now, let’s begin with the stills part. If you are a photographer, then you will find that the Fuji X S20 camera is able to give you 7 stops of sensor-shift image stabilization feature compared to Sony’s a6700 camera which remains limited to 5 stops of image stabilization. It has been years after the announcement of Sony a6600 camera which also had the same 5 stops of IBIS inside the camera body, so we were hoping for some scaling in the IBIS part of the camera.
In the video, we have gyro-based image stabilization support inside the Sony a6700 camera, so having gyro-based image stabilization in a camera means a lot to a person who is mostly shooting videos @outdoors. And on the other side, we do not have any gyroscopic image stabilization in Fuji. So, if you move too much and create daily content for your channel better to have a camera with gyroscopic data.
Now, one more thing to be noted before we end this discussion is that Sony has introduced a new blur correction feature that works at the pixel level and delivers exceptional-quality of details. And to show that, I have tested it against the Fuji X-T4 camera and a few more. This blur correction algorithm is already running inside the Sony a6700 camera and that’s why possibly your images are able to resolve more details at the base ISO range. Best AutoFocus – Sony A6700 vs Fuji X-S20
Sony A6700
Fuji X-S20
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo
Phase Detection: 759 Video
Phase Detection: 495
Contrast Detection, Phase Detection: 117
6. AUTOFOCUS
The A6700 and X-S20 both have hybrid autofocus systems that use a combination of contrast and phase detection points to focus quickly and accurately. The Sony has 759 phase-detection points that cover 93% of the sensor area, while the Fuji has up to 425 points that cover 99% of the sensor surface. Both cameras are great at recognizing and tracking subjects, including people, animals, birds, insects, and vehicles. Sony goes even further with its dedicated processing chip for deep learning subject detection capabilities, at least in theory.
7. AI AF is a Clear Advantage – Sony A6700
Yes, the new AI processor does help with autofocus. It uses a movement prediction algorithm to calculate human body movements and easily track moving subjects, particularly organic movements. This is an improvement over the previous a6600 camera and even its latest competitors, as none of them have an AI chip like Sony in this price range.
8. Tracking the face of a butterfly – Sony A6700
That’s the biggest advantage that I see in the new update of the chip. The camera is able to track the face of butterflies, insects, as well as moving cars and planes very easily. So that’s the biggest advantage associated with the new AI chip. Although the burst speed is locked, the continuous shooting of the camera is limited to 11 FPS, that’s another issue. But yes, the camera is able to track 3D objects at the next level, which is an amazing thing and we should appreciate that. Exposure Control – Sony A6700 vs Fuji X-S20
2500 to 10,000K Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 256 Frames (JPEG) / 28 Frames (Raw) Mechanical Shutter
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / 35 Frames (Raw)
9. Continuous shooting speed (11 vs 30 fps)
The biggest drawback of the recently announced Sony a6700 camera is its limited continuous shooting speed of 11 FPS. Approximately 10 years ago, Sony announced the a6000 camera which was also limited to 11 frames per second. After 10 years of gap, we have the flagship APS-C Sony mirrorless camera which is again limited to 11 frames per second. So, I am not able to understand the concept behind this. If anyone from Sony can explain why they are locking the burst speed of the camera, it would be a great thing for us.
Despite being the world’s best artificial intelligence APS-C mirrorless camera, the burst speed remains limited to 11 FPS. And that’s why we are not able to directly recommend this camera to wildlife and sports photographers.
The Fuji X S20 camera is able to shoot 8 frames per second with the help of a mechanical shutter and up to 30 frames per second with the help of an electronic shutter. While shooting at 30 frames per second, you are limited to a 1.25x crop. If you want to enjoy the full resolution, you have to shift your burst speed to 20 frames per second. At 20 fps, the camera doesn’t crop.
Furthermore, the X-S20 is equipped with a Pre-Shot mode that enables the capture of fast and unpredictable action even before the shutter button is fully pressed.
10. VERDICT: Which camera should have photographer buy?
The Fuji X-S20 camera features more customized dials on the body as well as a joystick controller for quickly changing the settings. Moreover, inside we have a 7-stop sensor-shift image stabilization unit, a sensor that performs better in low-light environments, as well as a burst speed with continuous shooting up to 30 frames per second. If you combine all these features together, then undoubtedly for outdoor usage like street photography, shooting landscapes, or shooting shots outdoors without using external lights, it is highly recommended that one should use the Fuji X S20 camera. And for sports and wildlife photographers, we highly recommend getting the Fuji X S20 camera for getting proper results.
For those who work in controlled light environments and don’t require a body that allows them to quickly alter the settings Sony A6700 camera is te best choice. Also note that, Sony a6700 camera’s sensor-shift image stabilization is also weak compared to X-S20 as well its continuous shooting speed is also very limited. Considering all these factors together, it is highly recommended to use the Sony a6700 camera in controlled light environments to get the proper output.
On one side, the camera is not able to shoot 11 fps and beyond, and on the other side, the camera is able to shoot 4K up to 120 frames per second, which not even the Fuji X S20 camera can do. Video Specification comparison between Sony A6700 vs Fuji X-S20 Camera
Sony A6700
Fuji X-S20
Internal Recording Modes
XAVC HS 4:2:2/4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 280 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 280 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
H.264 ALL-Intra/H.264 Long GOP/H.265/H.265 Long GOP/MOV/MP4/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 360 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 360 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [50 to 360 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [360 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Raw/ProResRAW 12-Bit via HDMI
6240 x 4160 up to 29.97 fps
The Sony a6700 camera is able to shoot up to 4K at 120 FPS with a 1.58x crop, which Fuji is not able to do. On the other hand, Fuji is able to record 6.2K open-gate video at 3:2 format and 5.2K videos at 30 frames per second in 16:9 format. Again, the Sony a6600 camera is not able to shoot resolutions higher than 4K. So these are the initial resolution limitations and frame rate limitations we have with these two cameras.
When it comes to video profiles and gamma curves, the A6700 really stands out with its Picture Profiles, which it inherited from Sony’s cinema cameras. These include HLG, S-Log2, S-Log3, and S-Cinetone, giving you tons of options for customization. You can even load custom Look-Up-Table (LUT) profiles onto the camera. The X-S20 has the F-Log2 profile and the Eterna film simulation mode, which gives your footage a unique cinematic look.
Both cameras can record internally in 10-bit 4:2:2, but the Sony A6700 has a higher bitrate of 600Mbps compared to the X-S20’s 360Mbps when using All-Intra compression.
Plus, the X-S20 has the added bonus of being able to output 12-Bit RAW via HDMI. This means that if you pair it with an external recorder, you can get an even wider dynamic range and more color data.
12. VERDICT: Which one Should you buy for the video?
One of the key features of the Fuji camera is its ability to cool down by itself. You can even add an external fan to the camera, which doubles the recording time of the Fuji X-S20. This makes it an ideal choice for recording long podcasts or for wedding cinematography and videography. On the other hand, the Sony A6700 camera has a magnesium alloy body that helps dissipate heat, but it does not have an active cooling mechanism. If you live near the equator and plan to use your camera for longer video recordings, you should be aware of potential overheating issues. However, if you plan to use your camera in an air-conditioned environment, either of these two cameras would be a good choice.
Physical Interface Compared
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Single Slot: SD/SDHC/SDXC (UHS-I) [2 TB Maximum]
Video I/O
1 x Micro-HDMI Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July, 2023: Check with manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: FUJIFILM XApp
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed *As of May, 2023: Check with manufacturer for the most up-to-date compatibility
Camera with Best Display Screen
Size
3.0″
3″
Resolution
1,030,000 Dot
3 x 2 (1,840,000 Dot)
Display Type
Articulating Touchscreen LCD
Free-Angle Tilting Touchscreen LCD
13. Battery Life
When it comes to battery life, the X-S20 has the upper hand over the A6700. While the A6700 can take around 570 photos per charge using the LCD screen and about 550 with the viewfinder, the X-S20 can snap around 750 shots in normal mode and even up to 800 in Economy mode. So, if you’re looking for a camera that can keep up with you on a long day of shooting, the X-S20 might be the way to go.
Sony has announced the a6700 camera, which features the same sensor as seen in Sony’s FX30 camera. The most interesting part of this announcement is that it will have the same AI processing unit as seen in the Sony A7R V camera, paired with the Bionz XR image processor.
The camera is able to record uncropped 4K 60 frames per second video and also has the ability to record 4K videos up to 120 frames per second with a crop.
You are able to record all frame rates in all resolutions at 10-bit internally. You also get support for Hybrid Log Gamma (HLG), S-Log2, and S-Log3 in the Sony a6700 camera.
This is one of the best APS-C cameras that Sony has ever announced. We will bring more updates soon, including comparisons against the Canon R7, Fuji X-T5, and Fuji X-S20.
Sony A6700 Press Release
FOR IMMEDIATE RELEASE
Sony Introduces the α6700 Mirrorless Camera: Unleashing the Power of Creativity
[New Delhi, 12 JULY 2023] – Sony, a leading innovator in the world of imaging technology, proudly presents the Sony α6700 Mirrorless Camera, a remarkable synthesis of Sony’s acclaimed Cinema Line innovations, α-series still-image rendering quality, and groundbreaking advancements in AI-based recognition technology. Crafted exclusively for ambitious content creators, the α6700 combines powerful and versatile imaging capabilities with a compact and lightweight design, making it the ultimate tool for the multi-hyphenate creative.
Unleash Your Vision with the Latest Innovations
At the core of the Sony α6700 lies the combination of the state-of-the-art 26.0MP back-illuminated Exmor R CMOS sensor and the revolutionary BIONZ XR processor. This advanced imaging system, previously introduced in the FX30 Digital Cinema Camera, enables the α6700 to deliver stunning 10-bit UHD 4K imagery at up to 120 frames per second (fps) and achieve an impressive continuous shooting rate of 11 fps with autofocus and auto exposure. With the ability to capture up to 59 compressed raw still images in bursts, photographers can seize every moment with unrivaled speed and precision.
Immerse Yourself in Cinematic Video
The Sony α6700 brings the best of Sony’s Cinema Line series to everyday content creators and aspiring filmmakers. Its powerful sensor and processor combination enables:
Full pixel readout from the 6K sensor, resulting in high-quality UHD 4K video with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing.
UHD 4K recording at frame rates up to 120p and full HD recording up to 240p, utilizing full 1:1 pixel readout without binning.
Recording in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats, ensuring consistent performance and exceptional quality at bitrates up to 600 Mb/s.
Extended recording times of more than two hours in 4K 30p or over 40 minutes at 4K 60p on a 128GB card.
Slow & Quick (S&Q) mode, allowing users to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, providing unparalleled flexibility in controlling motion.
S-Cinetone, a feature inherited from Sony’s professional Cinema Line cameras such as the VENICE, delivers distinct colors and natural-looking skin tone rendering, providing visually stunning results.
The S-Log3 and S-Gamut3.Cine Gamma Curves expand the dynamic range to more than 14 stops, offering increased post-production flexibility and seamless integration with other Sony Cinema Line cameras.
Creative Looks that can be applied during recording, minimizing the need for extensive editing and allowing content creators to establish a specific mood effortlessly.
User-created LUTs and presets, enabling accurate monitoring and previewing of footage with customizable looks directly on the camera’s monitor, EVF, or HDMI output.
Instant time-lapse settings with framerate, recording, light, and interval customization, empowering users to capture captivating time-lapse sequences effortlessly.
Revolutionary AI-Powered Autofocus and Image Stabilization
The Sony α6700 sets a new standard for autofocus and image stabilization, thanks to its innovative AI Processing Unit. Leveraging the power of AI, the camera’s autofocus system features 759 phase detection points, covering an impressive 93% of the image area. Combined with AI-powered subject recognition and real-time tracking, the autofocus system ensures seamless handling and exceptional clarity in any shooting conditions. Additional autofocus features include focus bracketing, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.
The AI Processing Unit also enhances framing capabilities, recognizing and tracking subjects during video recording. This allows users to adjust tracking speed and sensitivity, perform auto-cropping to focus on a subject, make touch-adjustments to the tracked subject, and customize framing location.
When it comes to image stabilization, the α6700’s pixel-level 5-axis optical image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video. With precision detection and control down to a single pixel, this algorithmically optimized system ensures sharp and blur-free images. The AI Processing Unit further enhances communication between the camera body and the lens, resulting in stable framing even with adapted lenses, offering photographers the freedom to explore their creativity without limitations.
Unleash Your Creativity with Advanced Rendering
The Sony α6700 provides a wide range of color renderings and compressions, allowing stills photographers to achieve optimal image quality and storage management. With the introduction of the High Efficiency Image File format, available in 4:2:0 and 4:2:2 options, and the choice between Compressed and Lossless Compressed options when shooting raw, photographers have greater control over their final results. The AI Processing Unit aids in achieving better exposure results in Auto mode, improving reliability by 20% compared to the previous generation, and making algorithmic adjustments for skin tone, backlit situations, and white balance. Moreover, photographers can utilize the same Creative Looks presets available in video mode and create their own configurations with eight adjustable parameters. The α6700 also introduces the stills-designed Hybrid Log-Gamma mode, offering accurate dynamic range when tethered to select monitors and televisions for optimal viewing of still images.
Crafted for Creativity and Connectivity
The Sony α6700 boasts a thoughtfully designed body that not only enhances handling and stability but also offers a range of connectivity options:
USB output function with UVC/UAC control via a computer enables seamless streaming applications and broadcasts with 4K video at 15 or 30 fps or full HD at 30 or 60 fps.
Built-in 802.11a/b/g/n/ac Wi-Fi facilitates instant sharing of imagery to mobile devices for direct online sharing to social networks, email, and cloud storage sites, supporting both 2.4 GHz and 5 GHz bands.
Connection to the Creators’ Cloud central cloud platform via a smartphone app allows easy sharing, media storage, cloud-based editing, and collaboration.
Integrated 3.5mm headphone and microphone ports provide greater control over audio during video recording, while the Multi-Interface Shoe functions as a digital audio interface.
The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright and high-resolution means for eye-level monitoring, featuring a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
The side-opening, vari-angle 3.0″ 1.03m-dot LCD touchscreen allows shooting from high, low, and front-facing angles, expanding creative possibilities.
The camera accepts the high-capacity Z battery rechargeable lithium-ion battery, providing approximately 570 stills or 120 minutes of video recording per charge when using the LCD screen.
In addition to the battery, the α6700 can also be powered via a USB connection to a computer or mobile battery, offering added convenience and flexibility.
The robust magnesium alloy body ensures durability and is sealed against dust and moisture, protecting the camera in challenging shooting environments.
A redesigned grip enhances handling and stability, making long shooting sessions comfortable and facilitating quick access to main control buttons and dials.
Price and Availability
The Sony a6700 will be available from the end of July 2023 with a list price of $1399 B&H Store, body only, $1499 with the 16-50mm F3.5-5.6 OSS power zoom or $1799 with the 18-135mm F3.5-5.6 OSS.
About Sony
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