Sony ZV-1F vs Sony ZV1 – The Sony ZV1F camera is $250 cheaper than the Sony ZV1. The biggest noticeable difference is the lens of the and the HYBRID AF SENSOR inside the ZV1 camera. With the Sony ZV1F, we are getting a 20mm prime lens and with the Sony ZV1, we are getting a 24-70 eg zoom lens. So, of course, you will lose some flexibility u have in the Sony ZV1 camera, but at the same time, you will gain a little bit more wide-angle coverage which is highly important when you are creating content with the camera, for which it is made. For the first time in a Sony vlogging camera, we are about to witness a cold shoe, it can only act as an external mic holder but it doesn’t have any active contacts inside it.
1. Sensor Details
Sony ZV-1F
Sony ZV1
Sensor Resolution
Effective: 20.1 Megapixel (5472 x 3648)
Effective: 20.1 Megapixel (5472 x 3648)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
1:1, 3:2, 4:3, 16:9
Sensor Type
13.2 x 8.6 mm (1″-Type) CMOS
1″-Type CMOS
Image File Format
JPEG
JPEG, Raw
Image Stabilization
Digital
Digital, Optical
we have two different variations of Sony’s 1-inch sensor being used in Sony ZV-series compact cameras, the first one of the CDAF sensor being used in the ZV-1F camera, and the other variation of Sony compact the ZV-1, which uses HYBRID CMOS AF sensor, comes at a higher price.
Recommendation
So, the autofocusing performance of the camera upscales the video recording performance to the next level, so if ur able to upscale your budget and get the Sony ZV1 camera you must get that.
Yes, we do have all the fancy Auto Focus modes we have witnessed in the ZV1. But as usual, the hardware is missing (no active Hybrid AF points). Despite all the -ve things, we do have some good news in the AF department. At least the Eye AF mode of the camera works well and tracks AF all the time.
2. Optical Zoom / Prime Lens
Sony ZV-1F
Sony ZV1
Focal Length
7.6mm (35mm Equivalent Focal Length: 20mm)
9.4 to 25.7mm (35mm Equivalent Focal Length: 24 to 70mm)
Digital Zoom
4x Maximum digital
2.7x (16.3x digital)
Maximum Aperture
f/2
f/1.8 to 2.8
Minimum Aperture
f/8
f/11
Focus Range
2″ to Infinity / 5 cm to Infinity
f/11
Optical Design
6 Elements in 6 Groups
10 Elements in 9 Groups
3. Missing Mechanical Image Stabilization
Sony ZV1-F camera doesn’t have any kind of Mechanical IS, which includes Sensor shift IS and OSS [Lens based]. Not only that Gyro IS is also missing, but the good news is we are getting at least EIS [electronic Image stabilization] from the camera. And when you implement it you have to face a 1.25X crop which turns your 20mm lens into a 25mm lens. That’s the only major positive thing I like inside ZV1-F is even after implementing EIS feature the widest coverage is similar to the ZV1 24mm focal length.
4. Exposure Control
Sony ZV-1F
Sony ZV1
ISO Sensitivity
Auto, 125 to 12800 (Extended: 80 to 12800)
Auto, 100 to 12800 (Extended: 64 to 25600)
Shutter Speed
Electronic Shutter
32,000 to 1/4 Seconds in Program Mode
32,000 to 1/4 Seconds in Manual Mode
32,000 to 1/4 Seconds in Aperture Priority Mode
32,000 to 1/4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/2000 to 30 Seconds
1/2000 to 30 Seconds in Bulb Mode
1/2000 to 4 Seconds in Auto Mode Electronic Shutter
1/32000 to 30 Seconds
1/32000 to 4 Seconds in Auto Mode
As you can see the Sony ZV1-F camera is limited to 29 Min recording timeline and the frame rates are also limited, it a clear indication that Sony not only wants to increase its consumer base they also want to save the ZV1 sales, by cutting down some basic features from the camera.
Sony ZV-1F
Sony ZV1
Recording Modes
XAVC
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p [60 to 100 MB/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 MB/s]
MP4/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] AVCHD/MP4
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
(ASIA PACIFIC, 14 October 2022) – Sony today announced the new vlog camera ZV-1F. Packed with creative power, easy-to-use vlogging functions, advanced connectivity, and eco-friendly features, it is the new go-to camera for vloggers and creators who want to capture stunning stills and video. The pocket-size camera has been optimised for vlogging with Sony’s latest technology to make content stand out.
ZV-1F key features:
Fixed ultra wide-angle 20 mm[1]0 prime lens for selfie shooting
Background bokeh and Face priority AE to ensure subjects standout
Skin tone optimisation including Soft Skin Effect option
High precision focusing and Eye AF for both humans and animals[2]
Active Mode (electronic) image stabilisation when shooting video[3]
Creative Look presets for ultimate visual expression
Slow motion and quick motion options to enhance creativity
Product Showcase Setting for product reviews
Enhanced touchscreen features with Touch Zoom and Step Zoom[4] functionality
Clear voice recording with 3-capsule mic and wind screen
4K 30p /FHD 120p
Easy smartphone connection to transfer content for social platforms
Eco-friendly features for reduced environmental impact
“We have designed the pocket-size vlog camera ZV-1F with creators front of mind,” said Yasufumi Machitani, Director, Digital Imaging Division, Sony Electronics Asia Pacific. “As audiences drive the demand for high-quality content, creators need an all-in-one camera solution that delivers superior quality with creative options whilst being easy to use and designed for wireless content sharing. We are also proud to have incorporated eco-friendly features in the ZV-1F as sustainability remains a key focus for Sony.”
Boost Your Creative Power The ZV-1F has been designed to let the subject shine in any scene with an ultra-wide 20mm prime lens for optimum selfie shooting and wide field of view to capture more background. The vlog camera also offers background bokeh in both stills and video to further highlight the subject or create a softer look.
Skin tone is optimised for both video and stills with a ‘Soft Skin Effect’ option that smooths and reduces wrinkles when shooting video and creates a natural skin tone effect for stills. Face Priority AE automatically adjusts the brightness when shooting so that faces can be captured with optimal brightness, even in situations where the light changes. The ZV-1F also boasts high precision focusing and Eye AF for both humans and animals which allows the autofocus to fix tenaciously on the face and eyes without getting diverted by other subjects. Users can easily change subjects via the camera’s touchscreen.
What’s more, when shooting video, image stabilisation is available in Active Mode[5] (electronic) to ensure footage is steady and smooth when walking.
The newly available Creative Look function gives users several preset options to create desired atmospheres in both stills and video with differences in tone, brightness, colour depth and more. A total of 10 modes are available to enhance creativity and allows users to share content immediately with no need for editing.
The ZV-1F also features S&Q mode[6] to shoot in both slow motion at 5 x slower speed[7] and quick motion at 60 x faster[8] hyper lapse speed to achieve a desired effect.
In addition to stills and video, high-quality sound is vital to capture perfect content. A Directional 3-Capsule Mic and wind screen provide clear voice recording and reduced noise in windy outdoor conditions.
A Simple Compact Vlogging Device The ZV-1F has been designed for total ease of use, so that vloggers can focus on content capture and intuitively use the camera without difficulty. Weighing only approx. 229g[9] it is compact and lightweight enough for everyday use and can be carried everywhere. It also features a Vari-Angle LCD touch screen with features and settings changed by touch, including the ability to zoom[10], so operation is instinctive.
The new vlog camera includes a Bokeh Switch button to allow users to quickly switch between background bokeh when they want to highlight the face and without, even whilst recording video. It also features a Product Showcase setting to allow users to seamlessly shift focus between face and products – perfect for reviews.
The ZV-1F also features a self-timer[11] and recording lamp to make video content even easier to capture.
Connectivity and Accessories The new vlog camera, ZV-1F, has been optimised for use with a smartphone. Sony’s new smartphone app Imaging Edge Mobile Plus™ [12] allows users to connect to the camera via Bluetooth or Wi-Fi and transfer images and video. Content captured can be easily transferred to a smartphone and then uploaded to social platforms. Users can even mark shots for posting on social using shot marks[13] during shooting or on the camera. Additionally, users can cut out and transfer specific 15, 30, or 60 second[14] marked clips to their smartphone and post directly to social without the need to edit the length to suit the platform.
The Imaging Edge Mobile Plus™ app also allows users to control many of the camera’s settings like date, time and area as well as software updates and support guides. It can also operate the ZV-1F remotely and display battery level and remaining storage capacity.
Users can even use the ZV-1F as a high-quality live-streaming device. With an appropriate video conference application or similar software, the ZV-1F can function as a high-performance web camera when connected to a computer or smartphone via USB[16].
The ZV-1F is compatible with the GP-VPT2BT[17] Shooting Grip with Wireless Remote Commander which offers cable-free control of zoom, recording and more, and expands into a mini-tripod for stable hands-free shots. An external microphone can also be easily attached to the accessory shoe[18] for clear sound recording.
Supporting a Sustainable Future The ZV-1F was designed with environmentally friendly features and technology to ensure a sustainable future. Recycled materials[19] including SORPLASTM[20] are used in both the camera body and bundled accessories like the newly developed wind screen[21] that have been adapted to maintain performance. Plant-based non-woven fabrics are used for product bags to reduce plastic packaging.
According to the latest rumors surfaced over the web the Sony A7R V camera is expected to arrive on October 26, 2022, with a 63 MP sensor. We also have several fake images floating over the web, but we will post more details here when authentic photos and detailed specs become available.
The Best Video Camera 2023 – Sony FX30 vs Canon R7 – The Canon R7 is a Mirrorless Hybrid Camera made for Photographers and cinematographers, the Sony FX30 is also a Mirrorless camera but made for cinematographers. In this comparison, we will find out the best camera to record videos.
In this comparison, we will keep our comparison limited to the Videographer.
1. Body and Controls
Battery Type
Sony Z-Series
1 x LP-E6NH Rechargeable Lithium-Ion
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.6 x 3.6″ / 132 x 90.4 x 91.7 mm
Weight
1.2 lb / 562 g (Body Only)
1.2 lb / 530 g (Body Only)
1.3 lb / 612 g (With Battery, Recording Media)
Interface
Media/Memory Card Slot
Dual Slot: CFexpress Type A / SD
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI 2.0 Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Input 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Output
Power I/O
1 x USB-C Input
1 x USB-C (USB 3.2 / 3.1 Gen 2) Input/Output
Other I/O
1 x Sony Multi/Micro-USB (Camera Interface, Timecode) 1 x USB-C
multi-function shoe is a hot shoe
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac) Control
Bluetooth
2.4 GHz Wi-Fi (802.11b/g)
Bluetooth
2. Sensor
The Canon R7 sensor is a 32.5MP FSI CMOS sensor, There are two variants of CMOS: Front-side illuminated (FSI) and back-side illuminated (BSI). What makes a BSI CMOS sensor better than a conventional CMOS sensor? The simple answer is that the design makes it easier for light to reach the photo diodes on the sensor, BSI CMOS sensor ups readout speed and improves low-light imaging. And the Sony FX30 Camera features 26 MP BSI CMOS Sensor. So, sensor architecture says the Sony is better.
3. Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p HQ (1.8x Crop) / 4K Fine uncropped
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
As you can see the Sony FX30 camera is able to shoot videos up to 4k 120 fps and Full HD videos up to 240 FPS. The crop factor of the Sony FX30 camera is negligible in 4k 60FPS mode and we do have an excessive crop in 4K video of the canon R7 camera if we are not using the “FINE” video mode. If we select the 4k 60fps full sensor readout mode in the Canon R7 then the camera goes into line-skipping algo and does record 4k videos with less details.
4. Video Codec
The Sony FX30 Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats. But, in Canon, we are missing the ALL-I intra format and so the MAX BIT RATE Speed. I don’t know why Canon always keep out the ALL-I intra format from their Mirrorless cameras. The S-Log3, the FX30 can capture 14+ stops of dynamic range. in Canon R7 we have the Clog3.
The FX30 camera is capable of producing RAW video data up to 16 BIT from the HDMI port. the Canon R7 remains limited to 10 BIT.
Additional features include S-Cinetone uses the same color science as Sony’s advanced cinema cameras, including the VENICE line, with natural mid tones, soft colors, and smooth highlight roll-off. And the most important part is Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor or EVF as well as the HDMI output.
5. Low-Light performance
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Std. Video ISO Range
Canon R7
200
25600
Sony FX30
100
32000
Dual Native ISO range a in RAW video is available in Sony FX30 camera.
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded. Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
6. Image Stabilization
Sony FX30 features Mechanical Image stabilization / 5-axis in-body image stabilization, as well as FX30, which can also record gyro movement when the optical + Mech. stabilizers are turned off. Canon R7 camera features an excellent mechanical IBIS unit that corrects up to 7 stops of unwanted camera shake when shooting handheld.
7. Verdict
Sony FX30 is the best camera for recording videos when compared to the Canon R7 camera.
Recommendation
Recommended Lenses Tamron 28-75mm F2.8 Lens Amazon | B&H Store
Best lenses for Sony FX30
18-105mm Lens for Video Buy this Lens from Amazon.com | B&H Store
Body design wise both the cameras are completely different, the one is a Hybrid Mirrorless camera and the other one is a Cinema camera with excessive mount threads over it. So, they are very different from each other specifically if we talk about the design difference of both cameras.
But, does the Price difference: We have a good price difference between the two cameras. the Sony FX30 is more affordable, but the big question us does the Sony A7S 3 camera deserve the high price we are paying off
Perspective: Our perspective is to find out the Bets video | Cinema camera OR camera for content creators. We are not considering the photographic features of any of these two cameras.
Sony FX30
Sony A7S III
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Actual: 12.9 Megapixel
Effective: 12.1 Megapixel (4240 x 2832)
Sensor Type
23.3 x 15.5 mm (APS-C) CMOS
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
1. Sensor
The Sony A7S 3 camera features a full-size sensor made to record 4k high-quality videos. During the time time of the A7S series camera development, the only intention of the Sony R&D team member was to create such a camera that neither goes into sub-sampling nor oversampling so the heat dissipation will be very less and users will get a high-quality 4k video.
The Sony FX30 camera features a newly developed 26 MP BSI CMOS sensor., the sensor does oversample to create 4K files and of course, due to its APS-C size we have to face some limited low -Light performance
2. Video Resolution
Sony FX30
Sony A7S 3
4k 120fps [1.6x crop]
4k 120 fps [1.1 X crop]
4k 60 FPS [1.04x crop]
4k 60 FPS
Full HD 240 FPS
Full HD 240 FPS
16-BIT RAW OUPUT VIA HDMI
16-BIT RAW OUPUT VIA HDMI
As you can see the video resolution of the Sony A7s3 camera is more than perfect compared to the video resolution of the Sony FX30 camera. The FX30 camera does have a significant amount of crop when ur recording videos at the 4K 60dfps mode. The Sony A7S 3 also has a 1.1 X crop factor that remains mostly unnoticeable.
Sony FX3 will capture more details in Studio Light
While working with the base ISO range in FX3, we will surely have the extra resolution advantage of the FX3 camera. So, if you are working with lights u will have more details in the 26 MP oversampled 4k file compared to a 12MP 4k file. At the same time, the advantage is limited to its base ISO range.
3. Low-Light Performance
Sony FX30
Sony A7S 3
Dual Native ISO Range [Log3]
Dual Native ISO Range [Log3]
800-2500
640-12800
Standard and expandable ISO range
80 to 102,400 (Extended: 40 to 409,600)
100 to 32,000 (Extended: 50 to 102,400)
80 to 102,400 (Extended: 40 to 409,600)
Sony A7s3 with its massive DUal Native ISO range (as well std and expandable) will give you more clean and more neat video output in a low-light situation compared to the Sony FX30 camera.
Frame Rates
Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p/100p/119.88p [50 to 280 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p/100p/119.88p [30 to 200 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s] H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]
Both of these Sony cameras feature a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system. Additionally, we also have gyro-based image stabilization.
5. Video Codecs
Video codecs are similar, the good thing is being a Sony camera we are allowed to record videos in IPB format and ALL-I Intra format [XAVC-S, XAVC-HS, and XAVC S-I]. Both of them record 10 BIT 4:2:2 videos internally either you are recording it in 4K 120fps mode or in 4K 24fps mode.
When You should buy Sony FX30 camera
We can clearly see the Sony A7S 3 camera’s low-light performance is better, but it is not a cinema camera hence missing our features like the Timecode functionality, Custom user LUT upload function, Focus MAP, and Breathing compensation. These are the extra set of features we have in our FX30 camera. If ur looking for a true cinema camera under budget then FX30 is the best option in front of you.
When You should buy Sony A7S3 camera
If budget isn’t an issue neither is the type of device or use, undoubtedly the Sony A7S3 will give you cleaner output in low light. If you want to have an excellent low-light performing cinema camera like Sony A7S 3 then you have to invest in Sony FX3.
If you are looking for The Best and ONLY ONE LENS for Sony A7C or Sony A7 IV, or have come to the right place. After so much wait finally, Tamron announced a TRUE all-in-one lens, that covers wide as well also touches the tele-part.
Tamron 20-40mm F2.8 VXD – BEST VLOGGING LENS OF 2023
Tamron 20-40mm F2.8 RXD B&H Store | amazon.com This is the most versatile lens Tamron ever announced. It covers 20mm wide, so you can easily do vlogging with your full-frame camera. As well as you create your videos in your room and office while using a 30mm or 40 mm focal length of your choice.
BEST VLOGGING LENS OF 2023 FOR SONY A7C | Sony A7 IV | Best SONY Lens for Youtube Content Creators
The best all-in-one lens for Youtube Content Creators
Before the arrival of the Tamron 20-40mm F2.8 Lens. If anyone asks me for a perfect lens for creating a vlog with Sony A7C or A7 IV camera, most of the time I recommend Tamron 17-28mm F2.8, but at the same time when you want to create an office or room vlog with the same lens. The 28mm feel a bit wider due to the limited 28mm tele reach. Now we have the perfect solution, if anyone wants to
Best Lens for Wedding Photographers
Not only for content creators if you are a Wedding photographer too then this is the best lens made for you. With the help of a Tamron 20-40mm lens, you can capture ultra-wide shots to portrait. If you want to have any other lens after 20-40 then the best lens is Tamron 35-150mm Lens.
Sony finally used its own 26MP APS-C BSI CMOS sensor for its flagship APS-C Cinema camera. The camera features all the basic core specifications that a cinema camera must have to get Netflix approval and all of these are under the $1800 price range.
The camera also features newly designed tiles like a menu interface just like we have seen in FX9, a customizable LUT upload option for the first time in a cinema camera, and new Exposure Index modes for capturing the MAX quality possible from the FX30 camera.
The camera is so small and compact you can also do handheld vlogging with this cinema camera, the camera features Mech IBIS Mode, Gyro-based IS and now you have an option to use the catalyst browse plugin which can be integrated into Premier PRO and after that, you can easily fix camera shake.
The Sony FX30 is set for an October 2022 release at $1799, body-only.
Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers
LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand’s prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.
In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.
“The new FX30 is a great fit for a wide range of filmmakers,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets.”
Creating a Cinematic Look
The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.
The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.
Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony’s S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.
Designed to Support Creators’ Needs
The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:
Real-time Eye AF (human, animal or bird5)
Real-time Tracking
Detailed AF settings
AF Assist6
Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.
The FX30 incorporates other features that retain the spirit of the Cinema Line, including:
New customizable list-style main menu screen for quick access to frequently used items
New standby movie screen that provides an unobstructed view of the subject
Buttons and dials dedicated to movie shooting
The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new “Catalyst Prepare Plugin” for Adobe Premiere Pro was released in August.
Easy Operation and a Compact Form Factor
Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.
The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14
The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.
Sony Future Filmmaker Awards
The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com.
Pricing and Availability
The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.
The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $ 2,400 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
A product video on the new FX30 can be viewed HERE.
A product launch video focused on the FX30 can be viewed HERE and the behind the scenes can be viewed HERE.
The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.
CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T
The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17
These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee “VPG400”, which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.
The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments.
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Tamron 20-40mm F2.8 RXD 
