The Sony G Master series lenses are known for their sharpness due to the advanced optical design and construction of the lenses, but at the same time, they are costly also that’s why people prefer more third-party lenses instead of the Sony G series. But, Sony has announced an affordable (better to say reasonably ) G Master series lens with the most demanding focal length of 20-70 with a constant F4 aperture. It also features a dust and moisture-resistant design, an internal focusing mechanism, and optical image stabilization. The lens is also relatively lightweight, making it easy to carry around. This lens will be a good option for photographers looking for a versatile and affordable lens for general photography, landscapes, portraits, and videography.
Sony Electronics Introduces New Standard Zoom with Launch of the Ultra-Wide FE 20-70mm F4 G Lens New Addition to Sony’s E-mount G Lens Line-Up Offers Versatile Zoom Range, Outstanding Image Quality, and Supreme Autofocus Performance
SAN DIEGO, CA – Jan. 17, 2023 –Sony Electronics is redefining its standard zoom category of lenses with the introduction of the full-frame E-mount 20-70mm F4 G (model: SEL2070G) that boasts a versatile zoom range, a remarkably compact and lightweight form-factor, and a constant F4 aperture throughout the zoom range. With impressive Sony G LensTM image quality, high speed accuracy and tracking autofocus (AF), and a smart design for maximum mobility and operability, this new lens is designed for a wide range of creators. The FE 20-70mm F4 G is the perfect choice for a variety of content capturing scenarios including vlogging, video production, portraits, and landscapes.
“The FE 20-70mm F4 G is our 71st E-mount lens and is redefining the standard zoom in our G Lens category to meet the needs to today’s content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Having tools that creators can utilize to create both still and video content is ever more important. The FE 20-70mm F4 G ranges from 20mm to 70mm in a compact form-factor – this is an excellent lens option for hybrid content creators and those seeking versatility in a standard zoom.”
Compact with a Standard Zoom Range Ideal for Hybrid Creation
With an unprecedentedly¹ wide 20mm to 70mm zoom range and constant F4 aperture, the FE 20-70mm F4 G offers outstanding optical performance in a compact and lightweight form-factor. Combined with a compact Sony AlphaTM brand mirrorless body, this lens can deliver superb image quality in just about any situation at all focal lengths. The versatility of this lens makes it an ideal selection for still, video, and hybrid content creation.
A key benefit of a zoom lens that includes a 20mm offering is its ability to maintain a wide-angle-of-view when shooting video with a 16:9 or 2.35:1 aspect ratio. This allows content creators to capture more within a single frame, which is critical when vlogging or selfie-style shooting. The wide-angle also provides content creators with additional flexibility to crop their frames in the post-production process to increase the effectiveness of image stabilization. This is an increasingly popular editing technique that benefits creators who are filming without the stabilization support of a gimbal.
Image Quality Consistent with the G Lens Line-Up
With Sony’s latest technology, the new lens boasts unique G Lens image quality in a surprisingly compact and lightweight package. With two AA (advanced aspherical) elements, one aspherical element, three ED (Extra-low Dispersion) glass elements, and one ED aspherical element, this lens simultaneously corrects chromatic and spherical aberration for extremely high optical performance across the whole zoom range. Optimized coatings add high flare and ghost resistance for extraordinary contrast and clarity.
Beautiful bokeh is achieved with full-frame image sensors and is further enhanced by a 9-blade circular aperture and optimally controlled spherical aberration. This combination supports the naturally rendered bokeh, offering impressive, memorable imagery.
The FE 20-70mm F4 G has a minimum focus distance of up to 11.8” (30 cm) at the wide end and up to 9.8” (25 cm) at the telephoto end of the zoom range when using AF², making it easy to maneuver around subjects to find the ideal angle.
Maximizes Camera AF Performance for Stills and Video
The lens’s focus group is driven by two of Sony’s latest XD (extreme dynamic) linear motors, providing a fast, quiet, low-vibration focus drive. Thrust efficiency has been significantly improved over previous models³, resulting in up to a 60% increase in AF speed4. Because tracking performance has been improved by about two times compared to previous models5, moving subjects are tracked with consistent reliability and precision. Reliable tracking is achieved when shooting continuous stills of fast-moving subjects at up to 30 frames per second with the Alpha 1 camera6 and can smoothly record when shooting video at a high frame rate.
Video Performance Designed for Refined Imagery
The FE 20-70mm F4 G features the latest lens technology to reduce focus breathing, as well as focus and axial shift when zooming. This lens has also been carefully designed for quiet operation when shooting movies, with advanced XD linear motors and a newly developed aperture unit that dramatically reduces noise and vibration.
The Alpha brand series cameras’ Active Mode7 image stabilization is highly effective at the wide 20mm end of the FE 20-70mm F4 G zoom range. This can be particularly useful for shooting smooth, stable handheld footage while walking.
Focus is especially critical when shooting high-resolution 4K or 8K movies. The FE 20-70mm F4 G’s compact design and XD linear motors work with Alpha series camera bodies to easily acquire accurate focus and smoothly track fast-moving subjects. The ability to leave focusing to the camera when solo shooting can be a huge advantage.
In addition, the Linear Response MF8 ensures that the focus ring responds directly and linearly to subtle control when focusing manually and an independent aperture ring offers direct, intuitive aperture control.
High-Level Operability and Reliability for Any Environment
The new FE 20-70mm F4 G’s independent focus, zoom, and aperture rings feature optimized diameter, width, and positioning for full control when shooting stills as well as maximum versatility when recording video.
Customizable focus hold buttons are provided in two locations for easy access and convenient control. A focus mode switch on the side of the lens makes it possible to switch between autofocus and manual focus to quickly adapt to changing shooting conditions. To offer additional creative control, the FE 20-70mm F4 G is compatible with circular polarizing filters despite being a wide-angle zoom lens. It also includes an Iris Lock switch to prevent unwanted changes while shooting.
Lastly, the FE 20-70mm F4 G has a dust and moisture resistant design9 and the front lens element features a fluorine coating that repels fingerprints, dust, water, oil, and other contaminants10.
Pricing and Availability
The new FE 20-70mm F4 G will be available in March 2023 for approximately $1,099 USD and $1,499 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
Sony A7R V camera image quality compared to Canon R5. Take a look at the image quality test between both cameras. Let’s do two HIGH ISO tests first then we will compare the details-capturing ability, its clearly visible that the Canon R5 is able to preserve more details compares to the Sony A7R V. We know that a professional will never use ISO 51200 in their camera. We are using such a high ISO range to show up the difference between the two.
So, from an initial set of comparison of the images of the two we can say that the Canon R5 camera is more recommended for uncontrolled light environments.
Sony A7R V is able to grab more details at base ISO, but the difference is only visible when viewed at 100%. The difference is quite logical since the Canon R5 camera features a 45MP Full-Frame CMOS Sensor and the Sony A7R 5 camera uses 61MP Full-Frame Exmor R BSI CMOS Sensor. So, here we are witnessing the difference in the details capturing ability of both cameras.
Sony A7R V Pixel shift mode 240.8MP
When you will use the Pixel shift mode 240.8MP, of ur Sony A7R V camera, you get an enormous amount of details . As you can see in the image below. The file size is also incredible jpeg is approx 150MB and the RAW is approx 1 GB.
Who Will use this mode?
If you are a studiographer or working with lights, then undoubtedly the Sony A7 R V is an amazing option for you.
Best Camera for Photographers
If you are into Wildlife and sports then you should get the Canon R5 Camera. Since as you know the Sony A7R V is limited to 10FPS mode at the same time the Sony third-party lenses are also limited to a 15FPS limit. So, if you are into sports and wildlife then the only option is Canon R5 (yes Canon RF mount is locked, but the Canon old L Series DSLR lenses support burst speed up to 30 to 4 Fps.)
Feeling of ecstasy with A7R V possible
If you are not connected to Sports and Wildlife. The most recommended camera will satisfy pixel craving and if you use the pixel shift mode then the result will give you goosebumps and u will feel a state of complete ecstasy within yourself. That’s the most perfect camera sony ever created for pixel peepers like us.
We have created a list of possible Sony Upcoming Cameras 2023. The list is based on the scheduled announcement timeline of the cameras as well as the latest rumors we have on the web.
Sony A9 III was scheduled to arrive in Q3 of 2021, but the camera was delayed due to a chip shortage. Even in 2022, the A9 III was not able to make its space on Sony’s list. And now its announcement is overdue, and we are expecting that Sony A9 III camera is expected to arrive in Q2/Q3 of 2023.
As usual, the name of the camera isn’t that confirmed but we are expecting the arrival of the Sony A6600 successor.
Sony A7000 Rumored Specification
26.1MP APS-C BSI CMOS Sensor
BIONZ XR & AI Processing Unit
AI-Based Real-Time Tracking AF System
UHD 4K up to 60p (uncropped)
S-Cinetone
S-Log3, 4:2:2 10 Bit internal
8-Stop 5-Axis Image Stabilization
updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail
3. Sony A6400 Sucessor
The Sony A6400 camera was announced back on Jan 2019, almost +2 years and we are expecting an update from Sony. Although we have received the Sony A6400 successor’s rumored specs in the past, as usual, take it with a grain of salt
Just like the Sony A7 IV, we will have the same 33MP Sensor inside the Sony A7 C mark II camera, but unfortunately just like the Sony A7 IV the Sony A7C Mark II camera will arrive at a higher price tag.
As per the latest rumors we have the Sony A7S IV Camera will arrive in Q4 of 2023. Based on the rumored specs we have we can expect a introduction of a 24.2 MP CMOS Sensor with enhanced video core specification.
Sony A7S IV Rumored Specification
24.2 MP Full-Frame Exmor CMOS Sensor
BIONZ XR & AI Processing Unit
Dual Gain ISO / Timecode Support
Internal UHD 4K60 & 1080p 240 Recording
S-Log4 Gamma and Display Assist Function
5-Axis SteadyShot INSIDE Stabilization
3.68m-Dot EVF with 120 fps Refresh Rate
3.0″ 1,228,800-Dot Tilting LCD Monitor
Up to 10 fps Shooting, ISO 100 – 204800 [with firmware 0.0]
Built-In Wi-Fi with NFC
Dual UHS-II SD Card Slots
These are the set of Mirrorless cameras expected to arrive in the year of 2023. We will update this list regularly as per the set of information we get via online websites or sources of rumor mills.
Sony A7R V Teaser – Finally we have the Sony A7R V teaser. The official announcement is expected on October 26, 2022.
Sony A7R V Rumored Specification
Same 61MP sensor because all the power goes to the new processor.
TOTALLY New Autofocus system with AI deep learning
8k 24p (cropped)
4k60p 4k24p (full readout)
heat sink design of the Sony A7sIII (up to 30min 8K recording without overheating)
S cinetone is available
8 stop IBIS
Fully articulating LCD screen
The body looks like a mix between the Sony A7sIII and Sony A7IV.
Announcement October 26
First, we will see the 8k video recording capability in the A7R series camera. And not only that the camera also features a newly developed mechanical Image stabilization unit that compensates for camera shakes up to 8 Stops.
According to the latest rumors we have Sony A7R V is rumored to arrive on Oct 26, 2022. The sensor is said to be the same sensor as we have seen in the Sony A7R IV camera.
Sony A7R V Rumored Specification
Same 61MP sensor because all the power goes to the new processor.
TOTALLY New Autofocus system with AI deep learning
8k 24p (cropped)
4k60p 4k24p (full readout)
heat sink design of the Sony A7sIII (up to 30min 8K recording without overheating)
S cinetone is available
8 stop IBIS
Fully articulating LCD screen
Body looks like a mix between the Sony A7sIII and Sony A7IV.
Announcement October 26
First, we will see the 8k video recording capability in the A7R series camera. And not only that the camera also features a newly developed mechanical Image stabilization unit that compensates for camera shakes up to 8 Stops.
Sony ZV-1F vs Sony ZV1 – Best Compact Vlogging Camera of 2022 – The Sony ZV1F camera is $250 cheaper than the Sony ZV1. The biggest noticeable difference is the lens of the camera. With the Sony ZV1F, we are getting a 20mm prime lens and with the Sony ZV1, we are getting a 24-70 eg zoom lens. So, of course, you will lose some flexibility u have in the Sony ZV1 camera, but at the same time, you will gain a little bit more wide-angle coverage which is highly important when you are creating content with the camera, for which it is made. For the first time in a Sony vlogging camera, we are about to witness a cold shoe, it can only act as an external mic holder but it doesn’t have any active contacts inside it.
1. Sensor Details
Sony ZV-1F
Sony ZV1
Sensor Resolution
Effective: 20.1 Megapixel (5472 x 3648)
Effective: 20.1 Megapixel (5472 x 3648)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
1:1, 3:2, 4:3, 16:9
Sensor Type
13.2 x 8.6 mm (1″-Type) CMOS
1″-Type CMOS
Image File Format
JPEG
JPEG, Raw
Image Stabilization
Digital
Digital, Optical
Image quality & Video is expected to remain the same as the Sony ZV1 camera since both of the have the same sensor, But the major disappointment is despite having the same type of sensor. We do not have any Hybrid AF support in the newly announced camera. The New Sony ZV-1F camera uses CDAF [Contrast detection AF system] which is slow and sluggish.
We also miss the built-in ND filter of the Sony ZV1 camera, now u have to buy a 40mm thread ND variable filter for your camera.
Yes, we do have all the fancy Auto Focus modes we have witnessed in the ZV1. But as usual, the hardware is missing (no active Hybrid AF points). Despite all the -ve things, we do have some good news in the AF department. At least the Eye AF mode of the camera works well and tracks AF all the time.
2. Optical Zoom / Prime Lens
Sony ZV-1F
Sony ZV1
Focal Length
7.6mm (35mm Equivalent Focal Length: 20mm)
9.4 to 25.7mm (35mm Equivalent Focal Length: 24 to 70mm)
Digital Zoom
4x Maximum digital
2.7x (16.3x digital)
Maximum Aperture
f/2
f/1.8 to 2.8
Minimum Aperture
f/8
f/11
Focus Range
2″ to Infinity / 5 cm to Infinity
f/11
Optical Design
6 Elements in 6 Groups
10 Elements in 9 Groups
3. Missing Mechanical Image Stabilization
Sony ZV1-F camera doesn’t have any kind of Mechanical IS, which includes Sensor shift IS and OSS [Lens based]. Not only that Gyro IS is also missing, but the good news is we are getting at least EIS [electronic Image stabilization] from the camera. And when you implement it you have to face a 1.25X crop which turns your 20mm lens into a 25mm lens. That’s the only major positive thing I like inside ZV1-F is even after implementing EIS feature the widest coverage is similar to the ZV1 24mm focal length.
4. Exposure Control
Sony ZV-1F
Sony ZV1
ISO Sensitivity
Auto, 125 to 12800 (Extended: 80 to 12800)
Auto, 100 to 12800 (Extended: 64 to 25600)
Shutter Speed
Electronic Shutter
32,000 to 1/4 Seconds in Program Mode
32,000 to 1/4 Seconds in Manual Mode
32,000 to 1/4 Seconds in Aperture Priority Mode
32,000 to 1/4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/2000 to 30 Seconds
1/2000 to 30 Seconds in Bulb Mode
1/2000 to 4 Seconds in Auto Mode Electronic Shutter
1/32000 to 30 Seconds
1/32000 to 4 Seconds in Auto Mode
As you can see the Sony ZV1-F camera is limited to 29 Min recording timeline and the frame rates are also limited, it a clear indication that Sony not only wants to increase its consumer base they also want to save the ZV1 sales, by cutting down some basic features from the camera.
Sony ZV-1F
Sony ZV1
Recording Modes
XAVC
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p [60 to 100 MB/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 MB/s]
MP4/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] AVCHD/MP4
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Its a plastic cold shoe mount means no active contact. Its made up of plastic to support your external mic units that’s all.
Flash
Sony ZV1-F
Sony ZV1
Built-In Flash
No
No
External Flash Connection
None
Hot Shoe
Interface
Sony ZV-1F
Sony ZV1
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC [128 GB Maximum]
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
Connectivity
USB-C (USB 2.0), HDMI D (Micro), 1/8″ / 3.5 mm Microphone
1/8″ / 3.5 mm Microphone, HDMI D (Micro), Micro-USB (USB 2.0)
Wireless
Wi-Fi
Bluetooth
Bluetooth
Wi-Fi
GPS
No
No
Physical
Sony ZV-1F
Sony ZV1
Battery Type
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 360 Shots)
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 260 Shots)
Dimensions (W x H x D)
4.2 x 2.4 x 1.8″ / 105.6 x 60 x 46.4 mm
4.15 x 2.36 x 1.71″ / 10.54 x 5.99 x 4.34 cm
Weight
9.0 oz / 256 g (With Battery)
10.37 oz / 294 g (With Battery, Recording Media)
6. Sony ZV-1F vs Sony ZV1 Verdict
Sony ZV1 is better, undoubtedly. We have no competition here. And if you will say, Buddy, I don’t have that budget of ZV1, so what I can do now?
Hey, You can do one good thing, you can buy the Panasonic G7 Camera at the same price range with an M4/3 format sensor. Although the G7 uses the DFD AF system which is slow, believe me, the specs of the G7 are far superior to those of the ZV1-F
16 MP Live MOS Sensor
Venus Engine 9 Image Processor
Micro Four Thirds System
2.36m-Dot OLED Viewfinder
3.0″ 1.04m-Dot Free-Angle Touchscreen
4K UHD Video Recording at 30/24 fps
Built-In Wi-Fi Connectivity
Up to 8 fps Shooting with AF & ISO 25600
DFD AF System, 4K Photo Modes
14-42mm f/3.5-5.6 II MEGA O.I.S. Lens
(ASIA PACIFIC, 14 October 2022) – Sony today announced the new vlog camera ZV-1F. Packed with creative power, easy-to-use vlogging functions, advanced connectivity, and eco-friendly features, it is the new go-to camera for vloggers and creators who want to capture stunning stills and video. The pocket-size camera has been optimised for vlogging with Sony’s latest technology to make content stand out.
ZV-1F key features:
Fixed ultra wide-angle 20 mm[1]0 prime lens for selfie shooting
Background bokeh and Face priority AE to ensure subjects standout
Skin tone optimisation including Soft Skin Effect option
High precision focusing and Eye AF for both humans and animals[2]
Active Mode (electronic) image stabilisation when shooting video[3]
Creative Look presets for ultimate visual expression
Slow motion and quick motion options to enhance creativity
Product Showcase Setting for product reviews
Enhanced touchscreen features with Touch Zoom and Step Zoom[4] functionality
Clear voice recording with 3-capsule mic and wind screen
4K 30p /FHD 120p
Easy smartphone connection to transfer content for social platforms
Eco-friendly features for reduced environmental impact
“We have designed the pocket-size vlog camera ZV-1F with creators front of mind,” said Yasufumi Machitani, Director, Digital Imaging Division, Sony Electronics Asia Pacific. “As audiences drive the demand for high-quality content, creators need an all-in-one camera solution that delivers superior quality with creative options whilst being easy to use and designed for wireless content sharing. We are also proud to have incorporated eco-friendly features in the ZV-1F as sustainability remains a key focus for Sony.”
Boost Your Creative Power The ZV-1F has been designed to let the subject shine in any scene with an ultra-wide 20mm prime lens for optimum selfie shooting and wide field of view to capture more background. The vlog camera also offers background bokeh in both stills and video to further highlight the subject or create a softer look.
Skin tone is optimised for both video and stills with a ‘Soft Skin Effect’ option that smooths and reduces wrinkles when shooting video and creates a natural skin tone effect for stills. Face Priority AE automatically adjusts the brightness when shooting so that faces can be captured with optimal brightness, even in situations where the light changes. The ZV-1F also boasts high precision focusing and Eye AF for both humans and animals which allows the autofocus to fix tenaciously on the face and eyes without getting diverted by other subjects. Users can easily change subjects via the camera’s touchscreen.
What’s more, when shooting video, image stabilisation is available in Active Mode[5] (electronic) to ensure footage is steady and smooth when walking.
The newly available Creative Look function gives users several preset options to create desired atmospheres in both stills and video with differences in tone, brightness, colour depth and more. A total of 10 modes are available to enhance creativity and allows users to share content immediately with no need for editing.
The ZV-1F also features S&Q mode[6] to shoot in both slow motion at 5 x slower speed[7] and quick motion at 60 x faster[8] hyper lapse speed to achieve a desired effect.
In addition to stills and video, high-quality sound is vital to capture perfect content. A Directional 3-Capsule Mic and wind screen provide clear voice recording and reduced noise in windy outdoor conditions.
A Simple Compact Vlogging Device The ZV-1F has been designed for total ease of use, so that vloggers can focus on content capture and intuitively use the camera without difficulty. Weighing only approx. 229g[9] it is compact and lightweight enough for everyday use and can be carried everywhere. It also features a Vari-Angle LCD touch screen with features and settings changed by touch, including the ability to zoom[10], so operation is instinctive.
The new vlog camera includes a Bokeh Switch button to allow users to quickly switch between background bokeh when they want to highlight the face and without, even whilst recording video. It also features a Product Showcase setting to allow users to seamlessly shift focus between face and products – perfect for reviews.
The ZV-1F also features a self-timer[11] and recording lamp to make video content even easier to capture.
Connectivity and Accessories The new vlog camera, ZV-1F, has been optimised for use with a smartphone. Sony’s new smartphone app Imaging Edge Mobile Plus™ [12] allows users to connect to the camera via Bluetooth or Wi-Fi and transfer images and video. Content captured can be easily transferred to a smartphone and then uploaded to social platforms. Users can even mark shots for posting on social using shot marks[13] during shooting or on the camera. Additionally, users can cut out and transfer specific 15, 30, or 60 second[14] marked clips to their smartphone and post directly to social without the need to edit the length to suit the platform.
The Imaging Edge Mobile Plus™ app also allows users to control many of the camera’s settings like date, time and area as well as software updates and support guides. It can also operate the ZV-1F remotely and display battery level and remaining storage capacity.
Users can even use the ZV-1F as a high-quality live-streaming device. With an appropriate video conference application or similar software, the ZV-1F can function as a high-performance web camera when connected to a computer or smartphone via USB[16].
The ZV-1F is compatible with the GP-VPT2BT[17] Shooting Grip with Wireless Remote Commander which offers cable-free control of zoom, recording and more, and expands into a mini-tripod for stable hands-free shots. An external microphone can also be easily attached to the accessory shoe[18] for clear sound recording.
Supporting a Sustainable Future The ZV-1F was designed with environmentally friendly features and technology to ensure a sustainable future. Recycled materials[19] including SORPLASTM[20] are used in both the camera body and bundled accessories like the newly developed wind screen[21] that have been adapted to maintain performance. Plant-based non-woven fabrics are used for product bags to reduce plastic packaging.
Buy Canon Lenses, Buy Music CD or Digital Camera at amazon it helps this site, and you do not pay anything extra, it is just a way to help support this site.
New Camera Website, we list all type of new camera information, price review and all type camera rumors, subscribe us or follow us via twitter or facebook.
Disclaimer: We have attempted to select useful information to include on New Camera, and to ensure that the resources we have included on the site -- as well as the way we have described them -- are accurate, fair, and balanced. However, we make no claims, warranties, or other representations concerning the accuracy, completeness, or utility of the information provided, or concerning the abilities or performance of the organizations, agencies, companies, and other resources presented through New Camera
