After the latest firmware update of the FX3 camera, users could not find the old Slog2 option in the menu. But, why this happened? The reason is very simple, the Slog 2 is limited to 8bit and Sony is no more interested in keeping the old recording 8bity format inside their camera.
Sony Slog 2 vs Slog 3
See, we have to understand this, S-LOG2 and S-LOG3 are both color spaces developed by Sony for use in their camera systems. But, S-LOG2 is the previous generation of the color profile and has some limitations,
One of the main differences is the dynamic range that each color space can capture. S-LOG3 has a dynamic range of approximately 14 stops, which is wider than S-LOG2 which has a dynamic range of approximately 12 stops. This wider dynamic range allows for greater flexibility when grading and editing footage. Additionally, S-LOG3 has improved color accuracy and less noise in the shadows, which makes it a better option for professional videographers and photographers looking for the highest image quality.
Another Major difference between the two is the bit depth. S-LOG2 is an 8-bit color space, while S-LOG3 is a 10-bit color space.
S-LOG2 also has a gamma curve of 2.4, while S-LOG3 has a gamma curve of 2.8. A higher gamma curve like 2.8 of S-LOG3 allows for more room to work with in the highlights and shadows, less chance of clipping, more tonal gradations and subtle color variations, more precise representation of the scene’s brightness, and more control over the final look of the image or footage.
Latest Genrations of Slog 3
The first Sony camera to feature S-LOG3 was the Sony Alpha 7S II. It was announced in September 2015, but you also have to note that the Sony A7S II was using the first generation of Slog3, after that, we have two major updates over the original one and those are S-LOG3C, and S-LOG3G.
So, the S-LOG3C (sometimes written as SG3C ) is an updated version of S-LOG3, it’s a color space that is used in consumer cameras, a wider color gamut than S-LOG3 and it also includes a color matrix that is optimized for consumer cameras. The S-LOG3G is the latest version of S-LOG3, it’s a color space that is used in professional cameras and it’s been optimized for 8k resolution and high-frame-rate recording.
Sony FX3 Latest Fimrware Update
Before installing the update, please note and check the following:
Precautions when updating from Ver. 2.00 and Ver. 2.01 Updating to version 2.02 will delete the LUT (Look-Up Table) settings in the camera. Re-register the LUT settings after the update is complete.
Precautions when updating from Ver. 1.01 or earlier
After updating to Ver. 2.00 or later, the camera settings will be reset to the default values. Note: Since this update adds functions and makes major specification changes, the camera settings will be initialized as part of the update process. It is recommended that you make note of all the camera settings before proceeding. Even if you have saved the settings using the various save features available (such as Save/Load Settings and Save/Load FTP Settings) the settings before Ver. 1.01 cannot be read by the camera after the upgrade to Ver. 2.00 or later.
With the addition of the log shooting mode, the picture profiles were reviewed and the gamma setting S-Log2 is no longer included. After the update, you will need to use the gamma setting S-Log3.
You will be able to connect to the Imaging Edge Mobile app more easily. After pairing the app with the camera, you can transfer images and shoot remotely just by operating the app. Refer to Pairing the camera with a smartphone (Smartphone Regist.) in the Help Guide for detail. Along with this, the NFC one-touch connection function used up to Ver. 1.01 of the camera will no longer be available. Note: You will also need to update the Imaging Edge Mobile app to Ver. 7.7 or later, and register as a new camera after the update.
Sony A7R V camera image quality compared to Canon R5. Take a look at the image quality test between both cameras. Let’s do two HIGH ISO tests first then we will compare the details-capturing ability, its clearly visible that the Canon R5 is able to preserve more details compares to the Sony A7R V. We know that a professional will never use ISO 51200 in their camera. We are using such a high ISO range to show up the difference between the two.
So, from an initial set of comparison of the images of the two we can say that the Canon R5 camera is more recommended for uncontrolled light environments.
Sony A7R V is able to grab more details at base ISO, but the difference is only visible when viewed at 100%. The difference is quite logical since the Canon R5 camera features a 45MP Full-Frame CMOS Sensor and the Sony A7R 5 camera uses 61MP Full-Frame Exmor R BSI CMOS Sensor. So, here we are witnessing the difference in the details capturing ability of both cameras.
Sony A7R V Pixel shift mode 240.8MP
When you will use the Pixel shift mode 240.8MP, of ur Sony A7R V camera, you get an enormous amount of details . As you can see in the image below. The file size is also incredible jpeg is approx 150MB and the RAW is approx 1 GB.
Who Will use this mode?
If you are a studiographer or working with lights, then undoubtedly the Sony A7 R V is an amazing option for you.
Best Camera for Photographers
If you are into Wildlife and sports then you should get the Canon R5 Camera. Since as you know the Sony A7R V is limited to 10FPS mode at the same time the Sony third-party lenses are also limited to a 15FPS limit. So, if you are into sports and wildlife then the only option is Canon R5 (yes Canon RF mount is locked, but the Canon old L Series DSLR lenses support burst speed up to 30 to 4 Fps.)
Feeling of ecstasy with A7R V possible
If you are not connected to Sports and Wildlife. The most recommended camera will satisfy pixel craving and if you use the pixel shift mode then the result will give you goosebumps and u will feel a state of complete ecstasy within yourself. That’s the most perfect camera sony ever created for pixel peepers like us.
We have created a list of possible Sony Upcoming Cameras 2023. The list is based on the scheduled announcement timeline of the cameras as well as the latest rumors we have on the web.
Sony A9 III was scheduled to arrive in Q3 of 2021, but the camera was delayed due to a chip shortage. Even in 2022, the A9 III was not able to make its space on Sony’s list. And now its announcement is overdue, and we are expecting that Sony A9 III camera is expected to arrive in Q2/Q3 of 2023.
As usual, the name of the camera isn’t that confirmed but we are expecting the arrival of the Sony A6600 successor.
Sony A7000 Rumored Specification
26.1MP APS-C BSI CMOS Sensor
BIONZ XR & AI Processing Unit
AI-Based Real-Time Tracking AF System
UHD 4K up to 60p (uncropped)
S-Cinetone
S-Log3, 4:2:2 10 Bit internal
8-Stop 5-Axis Image Stabilization
updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail
3. Sony A6400 Sucessor
The Sony A6400 camera was announced back on Jan 2019, almost +2 years and we are expecting an update from Sony. Although we have received the Sony A6400 successor’s rumored specs in the past, as usual, take it with a grain of salt
Just like the Sony A7 IV, we will have the same 33MP Sensor inside the Sony A7 C mark II camera, but unfortunately just like the Sony A7 IV the Sony A7C Mark II camera will arrive at a higher price tag.
As per the latest rumors we have the Sony A7S IV Camera will arrive in Q4 of 2023. Based on the rumored specs we have we can expect a introduction of a 24.2 MP CMOS Sensor with enhanced video core specification.
Sony A7S IV Rumored Specification
24.2 MP Full-Frame Exmor CMOS Sensor
BIONZ XR & AI Processing Unit
Dual Gain ISO / Timecode Support
Internal UHD 4K60 & 1080p 240 Recording
S-Log4 Gamma and Display Assist Function
5-Axis SteadyShot INSIDE Stabilization
3.68m-Dot EVF with 120 fps Refresh Rate
3.0″ 1,228,800-Dot Tilting LCD Monitor
Up to 10 fps Shooting, ISO 100 – 204800 [with firmware 0.0]
Built-In Wi-Fi with NFC
Dual UHS-II SD Card Slots
These are the set of Mirrorless cameras expected to arrive in the year of 2023. We will update this list regularly as per the set of information we get via online websites or sources of rumor mills.
Sony A7R V Teaser – Finally we have the Sony A7R V teaser. The official announcement is expected on October 26, 2022.
Sony A7R V Rumored Specification
Same 61MP sensor because all the power goes to the new processor.
TOTALLY New Autofocus system with AI deep learning
8k 24p (cropped)
4k60p 4k24p (full readout)
heat sink design of the Sony A7sIII (up to 30min 8K recording without overheating)
S cinetone is available
8 stop IBIS
Fully articulating LCD screen
The body looks like a mix between the Sony A7sIII and Sony A7IV.
Announcement October 26
First, we will see the 8k video recording capability in the A7R series camera. And not only that the camera also features a newly developed mechanical Image stabilization unit that compensates for camera shakes up to 8 Stops.
Sony ZV-1F vs Sony ZV1 – Best Compact Vlogging Camera of 2022 – The Sony ZV1F camera is $250 cheaper than the Sony ZV1. The biggest noticeable difference is the lens of the camera. With the Sony ZV1F, we are getting a 20mm prime lens and with the Sony ZV1, we are getting a 24-70 eg zoom lens. So, of course, you will lose some flexibility u have in the Sony ZV1 camera, but at the same time, you will gain a little bit more wide-angle coverage which is highly important when you are creating content with the camera, for which it is made. For the first time in a Sony vlogging camera, we are about to witness a cold shoe, it can only act as an external mic holder but it doesn’t have any active contacts inside it.
1. Sensor Details
Sony ZV-1F
Sony ZV1
Sensor Resolution
Effective: 20.1 Megapixel (5472 x 3648)
Effective: 20.1 Megapixel (5472 x 3648)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
1:1, 3:2, 4:3, 16:9
Sensor Type
13.2 x 8.6 mm (1″-Type) CMOS
1″-Type CMOS
Image File Format
JPEG
JPEG, Raw
Image Stabilization
Digital
Digital, Optical
Image quality & Video is expected to remain the same as the Sony ZV1 camera since both of the have the same sensor, But the major disappointment is despite having the same type of sensor. We do not have any Hybrid AF support in the newly announced camera. The New Sony ZV-1F camera uses CDAF [Contrast detection AF system] which is slow and sluggish.
We also miss the built-in ND filter of the Sony ZV1 camera, now u have to buy a 40mm thread ND variable filter for your camera.
Yes, we do have all the fancy Auto Focus modes we have witnessed in the ZV1. But as usual, the hardware is missing (no active Hybrid AF points). Despite all the -ve things, we do have some good news in the AF department. At least the Eye AF mode of the camera works well and tracks AF all the time.
2. Optical Zoom / Prime Lens
Sony ZV-1F
Sony ZV1
Focal Length
7.6mm (35mm Equivalent Focal Length: 20mm)
9.4 to 25.7mm (35mm Equivalent Focal Length: 24 to 70mm)
Digital Zoom
4x Maximum digital
2.7x (16.3x digital)
Maximum Aperture
f/2
f/1.8 to 2.8
Minimum Aperture
f/8
f/11
Focus Range
2″ to Infinity / 5 cm to Infinity
f/11
Optical Design
6 Elements in 6 Groups
10 Elements in 9 Groups
3. Missing Mechanical Image Stabilization
Sony ZV1-F camera doesn’t have any kind of Mechanical IS, which includes Sensor shift IS and OSS [Lens based]. Not only that Gyro IS is also missing, but the good news is we are getting at least EIS [electronic Image stabilization] from the camera. And when you implement it you have to face a 1.25X crop which turns your 20mm lens into a 25mm lens. That’s the only major positive thing I like inside ZV1-F is even after implementing EIS feature the widest coverage is similar to the ZV1 24mm focal length.
4. Exposure Control
Sony ZV-1F
Sony ZV1
ISO Sensitivity
Auto, 125 to 12800 (Extended: 80 to 12800)
Auto, 100 to 12800 (Extended: 64 to 25600)
Shutter Speed
Electronic Shutter
32,000 to 1/4 Seconds in Program Mode
32,000 to 1/4 Seconds in Manual Mode
32,000 to 1/4 Seconds in Aperture Priority Mode
32,000 to 1/4 Seconds in Shutter Priority Mode
Mechanical Shutter
1/2000 to 30 Seconds
1/2000 to 30 Seconds in Bulb Mode
1/2000 to 4 Seconds in Auto Mode Electronic Shutter
1/32000 to 30 Seconds
1/32000 to 4 Seconds in Auto Mode
As you can see the Sony ZV1-F camera is limited to 29 Min recording timeline and the frame rates are also limited, it a clear indication that Sony not only wants to increase its consumer base they also want to save the ZV1 sales, by cutting down some basic features from the camera.
Sony ZV-1F
Sony ZV1
Recording Modes
XAVC
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p [60 to 100 MB/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 MB/s]
MP4/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] AVCHD/MP4
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Its a plastic cold shoe mount means no active contact. Its made up of plastic to support your external mic units that’s all.
Flash
Sony ZV1-F
Sony ZV1
Built-In Flash
No
No
External Flash Connection
None
Hot Shoe
Interface
Sony ZV-1F
Sony ZV1
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC [128 GB Maximum]
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
Connectivity
USB-C (USB 2.0), HDMI D (Micro), 1/8″ / 3.5 mm Microphone
1/8″ / 3.5 mm Microphone, HDMI D (Micro), Micro-USB (USB 2.0)
Wireless
Wi-Fi
Bluetooth
Bluetooth
Wi-Fi
GPS
No
No
Physical
Sony ZV-1F
Sony ZV1
Battery Type
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 360 Shots)
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 260 Shots)
Dimensions (W x H x D)
4.2 x 2.4 x 1.8″ / 105.6 x 60 x 46.4 mm
4.15 x 2.36 x 1.71″ / 10.54 x 5.99 x 4.34 cm
Weight
9.0 oz / 256 g (With Battery)
10.37 oz / 294 g (With Battery, Recording Media)
6. Sony ZV-1F vs Sony ZV1 Verdict
Sony ZV1 is better, undoubtedly. We have no competition here. And if you will say, Buddy, I don’t have that budget of ZV1, so what I can do now?
Hey, You can do one good thing, you can buy the Panasonic G7 Camera at the same price range with an M4/3 format sensor. Although the G7 uses the DFD AF system which is slow, believe me, the specs of the G7 are far superior to those of the ZV1-F
16 MP Live MOS Sensor
Venus Engine 9 Image Processor
Micro Four Thirds System
2.36m-Dot OLED Viewfinder
3.0″ 1.04m-Dot Free-Angle Touchscreen
4K UHD Video Recording at 30/24 fps
Built-In Wi-Fi Connectivity
Up to 8 fps Shooting with AF & ISO 25600
DFD AF System, 4K Photo Modes
14-42mm f/3.5-5.6 II MEGA O.I.S. Lens
According to the latest rumors surfaced over the web the Sony A7R V camera is expected to arrive on October 26, 2022, with a 63 MP sensor. We also have several fake images floating over the web, but we will post more details here when authentic photos and detailed specs become available.
The Best Video Camera 2023 – Sony FX30 vs Canon R7 – The Canon R7 is a Mirrorless Hybrid Camera made for Photographers and cinematographers, the Sony FX30 is also a Mirrorless camera but made for cinematographers. In this comparison, we will find out the best camera to record videos.
In this comparison, we will keep our comparison limited to the Videographer.
1. Body and Controls
Battery Type
Sony Z-Series
1 x LP-E6NH Rechargeable Lithium-Ion
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.6 x 3.6″ / 132 x 90.4 x 91.7 mm
Weight
1.2 lb / 562 g (Body Only)
1.2 lb / 530 g (Body Only)
1.3 lb / 612 g (With Battery, Recording Media)
Interface
Media/Memory Card Slot
Dual Slot: CFexpress Type A / SD
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI 2.0 Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Input 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Output
Power I/O
1 x USB-C Input
1 x USB-C (USB 3.2 / 3.1 Gen 2) Input/Output
Other I/O
1 x Sony Multi/Micro-USB (Camera Interface, Timecode) 1 x USB-C
multi-function shoe is a hot shoe
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac) Control
Bluetooth
2.4 GHz Wi-Fi (802.11b/g)
Bluetooth
2. Sensor
The Canon R7 sensor is a 32.5MP FSI CMOS sensor, There are two variants of CMOS: Front-side illuminated (FSI) and back-side illuminated (BSI). What makes a BSI CMOS sensor better than a conventional CMOS sensor? The simple answer is that the design makes it easier for light to reach the photo diodes on the sensor, BSI CMOS sensor ups readout speed and improves low-light imaging. And the Sony FX30 Camera features 26 MP BSI CMOS Sensor. So, sensor architecture says the Sony is better.
3. Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p HQ (1.8x Crop) / 4K Fine uncropped
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
As you can see the Sony FX30 camera is able to shoot videos up to 4k 120 fps and Full HD videos up to 240 FPS. The crop factor of the Sony FX30 camera is negligible in 4k 60FPS mode and we do have an excessive crop in 4K video of the canon R7 camera if we are not using the “FINE” video mode. If we select the 4k 60fps full sensor readout mode in the Canon R7 then the camera goes into line-skipping algo and does record 4k videos with less details.
4. Video Codec
The Sony FX30 Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats. But, in Canon, we are missing the ALL-I intra format and so the MAX BIT RATE Speed. I don’t know why Canon always keep out the ALL-I intra format from their Mirrorless cameras. The S-Log3, the FX30 can capture 14+ stops of dynamic range. in Canon R7 we have the Clog3.
The FX30 camera is capable of producing RAW video data up to 16 BIT from the HDMI port. the Canon R7 remains limited to 10 BIT.
Additional features include S-Cinetone uses the same color science as Sony’s advanced cinema cameras, including the VENICE line, with natural mid tones, soft colors, and smooth highlight roll-off. And the most important part is Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor or EVF as well as the HDMI output.
5. Low-Light performance
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Std. Video ISO Range
Canon R7
200
25600
Sony FX30
100
32000
Dual Native ISO range a in RAW video is available in Sony FX30 camera.
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded. Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
6. Image Stabilization
Sony FX30 features Mechanical Image stabilization / 5-axis in-body image stabilization, as well as FX30, which can also record gyro movement when the optical + Mech. stabilizers are turned off. Canon R7 camera features an excellent mechanical IBIS unit that corrects up to 7 stops of unwanted camera shake when shooting handheld.
7. Verdict
Sony FX30 is the best camera for recording videos when compared to the Canon R7 camera.
Recommendation
Recommended Lenses Tamron 28-75mm F2.8 Lens Amazon | B&H Store
Best lenses for Sony FX30
18-105mm Lens for Video Buy this Lens from Amazon.com | B&H Store
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