Olympus E-P3 canon shoot Full HD and HD videos @ 60fps, If we compare from E-P2 the focusing speed increased upto 40%, New features also include OLED Touch display and 10 amazing Art filters.
Magnum photographer Alex Majoli took the new Leica M9-P on a journey through Venice. Alex Majoli accompanied one of the around 700 gondolieri for several days and captured a sensitive portrait of the gondolier and his city. Here is a behind the scenes view of Alex’s journey through Venice.
True High Dynamic Range (HDR) video is here. Several years of research at Contrast Optical Design & Engineering have resulted in a working, commercially viable, HDR video system and the publication of a technical paper in the very prestigious SIGGRAPH 2011 conference.
What is HDRI ?
High Dynamic Range Imaging (HDRI) is a technique that photographers can use to extend the range of light intensity, or dynamic range, that can be captured in a single photograph. The camera is placed on a tripod, and a series of photographs (typically three of them) are snapped in quick succession. Each photograph is taken using a different exposure setting on the camera, providing a dark, medium, and bright picture of the scene. These three images are then combined in software to produce a single HDRI photograph.
The Problem with HDRI
One key problem exists with the current state- of- the- art in HDR images: nothing in the scene can move. Since the photos are taken sequentially, any movement causes the combined HDR image to be blurry.
The AMP™ Camera Solution
Contrast Optical’s AMP camera technology solves this key problem by capturing truly simultaneous, pixel- forpixel identical images. AMP is the first camera to use commercially- viable technology to deliver real- time, high dynamic range, high- definition imaging.
Contrast’s in- house developed AMP camera technology uses specialized optics to split the light from a single camera lens onto three camera sensors simultaneously. Image- splitting is performed optically, at the speed of light, guaranteeing perfect motion registration between images. A new image- combining algorithm was developed specifically for this AMP camera system to transform the data from the three camera sensors into a true HDR video stream in real time. Contrast, being a custom optical design firm, approached the problem from a purely optical standpoint, avoiding electronic tricks such as alternating exposure frames (bright/dark) or double- mosaic pixel arrays (red/green/blue and light/medium/dark). Their background in high- end optical system design gave them a unique perspective from which to solve this problem, and the results look impressive.
A fun video that introduces the AMP Camera Technology and gives a sneak preview of the GEN II camera features. AMP captures three images with the exact same exposure time, at the exact same moment in time. A custom blending algorithm is used to combine the images to produce a true HDR image for each frame in the video. Of course, we can’t display true HDR images (yet) so tonemapping is left to the user. For this video, we chose a wide variety of commercially-available tonemappers, just to get the idea across that all the HDR data really is there for every frame. AMP is a trademark of Contrast Optical Design & Engineering, Inc.
For more on tonemapping see our video “AMP Melting Snow”.
the Panasonic G3’s dramatic improvement in image quality that truly impresses us. Micro Four Thirds sensors have long been discounted because of their smaller overall sensor area when compared to APS-C cameras, but the quality we see in the Panasonic G3 turns that criticism on its head.
The Lumix DMC-G3 is the most well-rounded Panasonic compact system camera to date, offering a great mix of cutting-edge features, improved image quality, intuitive and customisable handling, and a very competitive price. It’s also a genuine contender to the likes of the Nikon D5100 and Canon EOS 600D, not quite matching them in terms of image quality but certainly giving them a run for their money in most other departments,
We start off with normal timelapse and then go into the 3 and 7 bracket tone mapped HDR timelapses.
I wanted to create a sense of colour and insanity that Las Vegas gives you. All from one view point. My balcony. With that restriction can you do it? Well I did it before in my two previous timelapses…
This was harder in a way as there was no single focal point like in the Sydney Harbour piece or the Space Needle piece.
I made a virtue of the HDR tone mapping with the change of pace in the music and also my use of bookends which I love.
There is a very detailed commentary on my website which goes into each shot in detail. It’s worth a listen. http://philipbloom.net/?p=13307
Music is from “Moon” by the brilliant Clint Mansell
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