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Panasonic Lumix FZ100 24X optical Zoom and 14.1-Megapixel MOS Sensor, Enjoy high quality photos and movie of wild birds taken by Bence Máté with DMC-FZ100. Click on the image below to see movie and images of wild birds taken by Bence Máté with DMC-FZ100 Read More about FZ100 Features A short clip shot with the Panasonic Lumix FZ100 Cinevate’s Small Camera / iPhone Stabilizer with GoPro from Cinevate on Vimeo. This piece was shot during The Photographic, Video & Digital Imaging Show by Cinevate CEO Dennis Wood. In the clip Dennis steps out for a quick walk to the GoPro booth. They liked what they saw! Cinevate’s “yet-to-be-named” small camera / iPhone stabilizer is set to drop soon. Stay tuned for dates and product shots.
Nikon has spent many years contributing to NASA’s study of space through the development and manufacture of advanced and extremely durable cameras as well as of NIKKOR lenses that make the most of Nikon’s optical technologies, and of which production has recently reached fifty million units. To date, NASA has captured more than 700,000 images using Nikon equipment carried into space. Space, however, is not the only extreme environment in which Nikon equipment is used. Nikon also provides official observation equipment used in exploring the Antarctic. Nikon equipment contributes to observation and research of these little explored regions with durability, reliability and technical capabilities that stand up to even the most severe environments. New Video by Nikon – Nikon Cameras Chosen for use in outer space Nikon’s history with NASA
This is an independent evaluation by members of CREWS.TV of the Panasonic AG AF 101/102 micro 4/3 camera. This test was done purely as an experiment to evaluate its performance as a Film making /Television production tool. We did not test it against charts or other cameras, we simply took it for a test drive in what we thought would be its optimal conditions. Our goal was not to find its faults or decide its place in the market nor was it to choose sides in the ever political best camera debates. We are cinematographers who love their craft and love the tools that give us this ability. We only had the camera for a few hours so we decided to keep it simple. The camera is capable of 35mm lenses, so we used a PL adapter and Zeiss Ultra Primes , choosing from our set as we saw fit on the day. We chose to record on the on-board SD cards with the AVCHD codec at 24 mbs but we also opted to use the HDSDI output, recording at 100 mbs on the AVC Intra HD codec to P2 cards. We opted to do this rather than recording to Nanoflash simply to keep it all Panasonic native. We chose this work-flow as we simply wanted to see this camera in the very best light possible. We also had a sound recordist on location who used a dual channel radio link to the camera via its standard XLR inputs. This is a prototype, so there were some technical issues, Panasonic assured us that it would be rectified in the production model. Our test scenes had to be limited to indoor locations as a consequence. It was a temperature related issue. This footage is edited from the 100mbs files, ingested and edited natively mainly because it was easy. This footage was not graded, altered or manipulated, straight off the files and exported to Vimeo for your viewing pleasure. In fact we even used the natural sound rather than using music so that you can evaluated the footage for yourself. A full report on our website www.crews.tv Read more about Panasonic AG-AF100 Our friend Steve Chase was kind enough to share this insane, behind the scenes piece and commercial with us. There were brave souls, as you’ll see, who stood just out of harms way to capture an amazing shot. In the bts you’ll see Steve using Cinevate’s DSLR Core Package and Medusa DSLR Cage. More information on the Core and Medusa available at http://www.cinevate.com/catalog/product_info.php?products_id=220 http://www.cinevate.com/catalog/product_info.php?products_id=193 |
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