Chiun-Kai Shih stopped by the Leica Studio in NYC during Photo Plus East and turned his camera on the visitors to the studio. Chiun-Kai shares his experience documenting his life in America when he first moved and his current experience as a professional photographer using the Leica S-System.
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Video found on the Sony style How to Video Site, Pro Photographer Nigel Barker gives great tips on capturing candid photos while on vacation. A little test film of my adorable mum cooking lunch for the three of us. Shot on a GH2 in 24p “Cinema Mode” using one single lens. The wonderful Voigtlander 25mm F.95. This lens and this camera are soul mates! Read more on my blog with a full review coming soon: http://philipbloom.net/2010/11/21/gh2 Music Cotton Candy by Rio Jeno Big thanks to mum for her patience whilst I shot this! Before and After shots using a Canon 5D Mark II, Nikon 100mm f2.8 lens and various 2x Anamorphic Lens attachments. Kowa 2x Anamorphic Lens Isco 2x Anamorphic Lens Nothing special or scientific here. We were recently asked by a few people “Whats the difference in shooting anamorphic or not”. In some shots the difference is obvious, in other shots…not so much. Obviously the flares are a big difference, but it also has an overall look and feel that is a bit softer (which is a plus when dealing with these super sharp DSLRs like the 5D Mark II). The other big characteristic, that we’ve seen our entire lives in hollywood movies that use Anamorphics, is the oblong or oval bokeh. More before and after shots on the way! Let us know if you’d like to see anything specific… For more info email us at info@vid-atlantic.com twitter @vidatlantic or visit www.vid-atlantic.com Camera Used: Rebel XT 8 Megapixel Canon DSLR Video Credit: Tutvid Camera Test with Sony’s new F3 Camera. See more on the camera here: http://www.stargatestudios.net/channel/?p=948 This is a teaser for a short shot entirely with the Sony PMW-F3. It will form part of Sea Pool. http://vimeo.com/channels/seapool A documentary currently in production on the Australian ocean pool culture in Sydney and shot early morning at North Narrabeen on Sydney’s northern beaches. Lenses were Zeiss 40mm UltraPrime, Super Speeds, & 135mm prime. I’ve done a subtle preliminary grade using Red Giant’s Magic Bullet Looks but we can already see the footage has great possibilities in the grade. For more on the shoot & our experiences with the camera go to www.fxguide.com and listen to our podcast, Red Centre. www.fxguide.com/redcentre The full version can be seen at Sony live events in Australia & NZ very soon, go to www.sony.com.au/pmwf3 to register. Thanks for dropping by. Director/Cinematographer: Jason Wingrove Cinematographer: Tom Gleeson www.gleeson.net.au/ Talent: Bel Delia www.deliafilms.com.au/ Sound: Mario Pellegrino Music: Jozef Vilk Freelance TVC /Film Director, Cinematographer. www.jasonwingrove.com twitter.com/​wingrove |
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