The confirmation arrived from Yamane-san from Panasonic recently mentioned in an interview that they will adopt the best autofocus method (obviously they are talking about the PDAF) depending on the target users and customer benefits, and they will consider installing PDAF on the camera based on its characteristics (means starting from the pro-MFT like GH series and then moving downwards). This particular piece of information adds more credibility to the set of information we have shared with u guys a while ago.
Actual Parts of the interview
As for future cameras, we will adopt the optimal autofocus method each time, while assessing the target users and customer benefits. We will consider installing PDAF depending on the characteristics of the model, not only for full size but also for MFTs, so please look forward to it.
About future 2023 products:
We will continue to support creators and develop products that creators want. And we will also consider the need for higher-end products to meet the future needs of creators. I can’t give you details about future products, but Johnnie’s high-end model for video production professionals may take a little more time. Anyway, please look forward to that day.
A part of the Text from our article published on January 22nd, 2023
One of the most highly-anticipated features of the GH7 is its hybrid AF sensor, yes we do believe this time we will have a Hybrid CMOS AF inside. This sensor will be a combination of both contrast-detection and phase-detection autofocus technologies just like we have seen in the recently announced Panasonic’s S5 Mark II camera and has received positive feedback from users. The inclusion of this technology in the GH7 camera will allow for faster and more accurate autofocus, making it a more attractive option for professional photographers and videographers who require high-performance cameras. The only Major Upgrade I Wish for inside the upcoming GH7 camera.
However, it is important to note that while Yamane-san’s comments provide some support for the speculations in the article, it is still important to wait for official announcements from Panasonic regarding their upcoming GH7 camera
Panasonic S5 Mark II Body Price is $1997 | Finally, we have the price of the Panasonic S5 mark II camera. And the price of Panasonic S5 Mark IIX is $2197. The only difference between the S5 Mark II and S5X Mark II is
Panasonic S5x Mark II vs S5 Mk II – Major difference
Panasonic S5 mark II official teaser is now available on Panasonic’s official social media handles. The S5 Mark II official announcement will happen on Jan 4th, 2023.
Leaked Specification
24.2 megapixels full-size CMOS sensor, AR coating
dust reduction is sensor-shift type
Video is 6K30p 4:2:0 10-bit, C4K 60p 4:2:2 10-bit, Full HD 120fps 4: 2:0 10-bit, full HD 60fps 4:2:2 10-bit
3.68 million dots organic EL EVF, magnification 0.78x, eyepoint 21mm, refresh rate 120fps/60fps
3-inch 1.84 million dots free-angle monitor, touch panel, aspect ratio 3:2
AF method phase-detection AF/contrast AF, DFD, EV -6 – 18, AF assist light
1728 zone multi-pattern metering, metering range EV0-18
ISO range 100-51200 (50-204800 with extension)
dual native ISO, Normal ISO 100 and 640, V-log 640 and 4000, HLG 400 and 2500
5-axis image stabilization, 5 steps effect (6.5 steps effect with dual IS 2)
Shutter 1/8000-60 seconds (mechanical), 1/ 2000-60 seconds (electronic front curtain), 1/8000-60 seconds (electronic)
, 1/250
second continuous shooting, 9 fps for AFS/MF, 7 fps for AFC
(electronic Shutter) is AFS/AFC/MF and up to 30 frames per second.
Buffer is 200 or more for RAW+JPEG, 200 or more for RAW, 300 or more for JPEG.
USB Type-C port (USB3.2 Gen2)
HDMI Type-A dual SD
card slot
Fan Auto/Auto 2/High speed/Normal/Slow/OFF
Wi-Fi, Bluetooth v5.0 Battery
life: 370 shots ), 657g (body only)
More Leaked Images.
The rear side of the camera
And we have one more camera coming with very little difference in the core specification (Support Apple ProRes)
Panasonic S5 Mark II X
DC-S5M2X
24.2-megapixel full-size sensor
6K30P video (full size) / 4K60P video (APS-C size)
Supports Apple ProRes recording
IP streaming function (Wi-Fi, USB, wired LAN)
It looks like Panasonic have updated their compacts, make note of the extra letters in the model name. They show up as new models on the Panasonic Australia website when sorted by latest:
Panasonic DC-TZ95DGN-S
Panasonic DC-TZ220DGNK
The previous versions of these cameras are listed at the bottom of the second page, so they are different. Not sure about the all minor changes made inside, but yes the display of both cameras was updated in the specs list.
Panasonic DC-TZ95DGN-S
Brand Panasonic
DC-TZ95DGN-S
DC-TZ95
Display
3.0″ (7.6cm) TFT Screen LCD Display (1840k dots)
3.0″ (7.5cm) TFT Screen LCD Display (1040k dots)
Panasonic DC-TZ220DGNK
Brand Panasonic
DC-TZ220DGNK
DC-TZ220
Display
3.0″ (7.6cm) TFT Screen LCD Display (1840k dots)
3.0″ (7.5cm) TFT Screen LCD Display (1240k dots)
Stay tuned we will bring more updates to you as they become available to us
Panasonic taking a step back in the development of Mirrorless cameras. With the above decision, they have made, we may see No further announcement in the GF and GM line of cameras.
The company (Panasonic HD) said, “We have stopped developing new models that can be replaced by smartphones.” Production of existing products will continue for the time being, but in the future, the company plans to concentrate on developing high-end mirrorless machines mainly for enthusiasts and professional video creators. We are planning to release a mirrorless machine jointly developed with Leica Camera, which we formed a comprehensive partnership with at the end of May, in about a year.
As per the tipster’s note, we have already published an article on July 2022, which still look feasible, but at the same time, this report raises the question of whether will Panasonic will continue the G100 series line of camera. Since we had tip its G100 successor coming on Q4 of 2022. it’s a matter of time before everything becomes clear.
Stay with us we will post updates soon as we get any
Let’s talk about some of the best accessories available for the Panasonic gh6 camera. Panasonic gh6 camera announced recently and its features excellent go specification at and very attractive price range. The camera is made for cinematographers who are looking for a budget solution. In this article, we will discuss some of the best accessories available for the Panasonic gh6 camera all these accessories are genuine, and yes these accessories are fully compatible with the gG6.
Also, let me you if you have any questions or queries related to the Z6 camera but also let me know that we have already done the specification comparison review of the Panasonic gh6 camera along with the Panasonic gh5 mark 2..
Panasonic GH6 v Panasonic GH5 specification comparison, let’s talk about the major difference between the two cameras.
Panasonic GH6 v Panasonic GH5, new 25.2-megapixel Live MOS Sensor boasts high-resolution, high-speed signal readout and wide dynamic range.
The LUMIX GH6 contains V-Log/V-Gamut – a first for LUMIX G Micro Four Thirds cameras – and provides 12+ stops and even 13+ stops of wide dynamic range using Dynamic Range Boost mode
Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336)
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Sensor Type
17.3 x 13 mm (Four Thirds) MOS
17.3 x 13 mm (Four Thirds) MOS
Crop Factor
2x
2x
Image Stabilization
Sensor-Shift, 5-Axis (Improved)
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
New Major Features in Panasonic GH6 camera
The GH6 is based around a completely new sensor: the highest resolution chip we’ve yet seen in the Four Thirds sensor size.
New to the GH6 is the option to shoot in Apple ProRes 422 HQ and 422 formats. At first the camera’s ProRes modes will only be available for 5.7K capture, but DCI 4K and FullHD support will be added in firmware, due later in 2022.
Camera’s 8-shot high-resolution mode, which delivers 50 or 100MP images,
GH6’s noise reduction has been updated
DFD is Updated and does very well in still mode, works best in Full HD 60p mode.
Magnified live view while recording video
Fan to extend the recording time limit of 4:2:2 10-bit 4K at up to 60p.
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Shutter
1/32000 to 1 Second
to 60 Seconds in Bulb Mode
1/25,000 to 1/8 Second in Movie Mode
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode Electronic Shutter
1/16000 to 1 Second
Bulb/Time Mode
Bulb Mode, Time Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 256,000 in Auto Mode (Extended: 50) Video
100 to 12,800 (Extended: 50)
Photo
200 to 25,600 in Auto Mode (Extended: 100 to 25,600) Video
200 to 12,800 in Auto Mode (Extended: 100 to 12,800)
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting
Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG) Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval Recording
Yes
Yes
Self-Timer
2/3/10-Second Delay
2/10-Second Delay
The full sensor region of the GH6 is very similar to what you’d get by taking a 4:3 crop from a Super35 (APS-C) camera’s 16:9 video. However, while this should deliver comparable noise performance,
Internal Video Capture
Recording Modes
H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 29.97p [1900 Mb/s]
5728 x 3024 at 23.98p/24.00p [1500 Mb/s]
5728 x 3024 at 25p [1600 Mb/s] H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-Bit
5728 x 3024 at 29.97p [1300 Mb/s]
5728 x 3024 at 25p [1100 Mb/s]
5728 x 3024 at 23.98p/24.00p [1000 Mb/s] H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
1920 x 1080 at 200p/239.76p [800 Mb/s]
1920 x 1080 at 100p/119.88p [400 Mb/s]
1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s]
1920 x 1080 at 50i/59.94i [100 Mb/s] H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 at 50p/59.94p [200 Mb/s]
4096 x 2160 at 47.95p [200 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
1920 x 1080 at 200p/239.76p [200 Mb/s]
1920 x 1080 at 100p/119.88p [150 Mb/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s]
1920 x 1080 at 59.94i [50 Mb/s]
H.265/MOV 4:2:0 10-Bit
6K Anamorphic (4992 x 3774) at 23.98p/24.00p/25p/29.97p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s] H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s] H.264/MOV 4:2:0 8-Bit
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/29.97p/50p/59.94p [100 to 150 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s] H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s] H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50/59.94p [20 to 28 Mb/s]
Variable Frame Rates
5.7K: to 60 fps
DCI 4K: to 119.88 fps
3.8K: to 119.88 fps
1080p: to 300 fps
Gamma Curve
Panasonic V-Gamut, Panasonic V-Log
Recording Limit
Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-Bit)
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 50p/59.94p
UHD 4K (3840 x 2160) at 50p/59.94p
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 24.00p
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p
IP Streaming
None
None
Interace
Media/Memory Card Slot
Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI Output
1 x HDMI Output
Audio I/O
1 x 3.5 mm TRRS Headphone/Microphone Microphone Input 1 x 3.5 mm TRRS Headphone/Microphone Headphone Output
1 x 3.5 mm TRS Stereo Headphone Output 1 x 3.5 mm TRS Stereo Microphone Input
Other I/O
1 x USB Type-C
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input
Power I/O
1 x USB Type-C Input/Output
1 x USB Type-C Input/Output
Wireless
5 GHz Wi-Fi 5 (802.11ac) Video Output, Audio Output, Control
Bluetooth, Wi-Fi
Global Positioning (GPS, GLONASS, etc.)
None
None
Focus
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection: 315
Contrast Detection: 225
Autofocus Sensitivity
-4 to +18 EV
-4 to +18 EV
Interface
Type
Built-In Electronic (OLED)
Built-In Electronic
Resolution
3,680,000 Dot
3,686,000 Dot
Eye Point
21 mm
21 mm
Coverage
100%
100%
Magnification
Approx. 0.76x
Approx. 0.76x
Diopter Adjustment
-4 to +3
-4 to +3
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
14 to 104°F / -10 to 40°C
Storage Humidity
10 to 80%
10 to 80%
Promised via future firmware:
Direct recording to SSD over USB
ProRes recording for DCI 4K and Full HD
HDMI interface to v2.1 standard
4K/120 over HDMI with live view and 4K/120 Raw stream over HDMI
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