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By admin, on August 7th, 2022
Panasonic taking a step back in the development of Mirrorless cameras. With the above decision, they have made, we may see No further announcement in the GF and GM line of cameras.
The company (Panasonic HD) said, “We have stopped developing new models that can be replaced by smartphones.” Production of existing products will continue for the time being, but in the future, the company plans to concentrate on developing high-end mirrorless machines mainly for enthusiasts and professional video creators. We are planning to release a mirrorless machine jointly developed with Leica Camera, which we formed a comprehensive partnership with at the end of May, in about a year.
As per the tipster’s note, we have already published an article on July 2022, which still look feasible, but at the same time, this report raises the question of whether will Panasonic will continue the G100 series line of camera. Since we had tip its G100 successor coming on Q4 of 2022. it’s a matter of time before everything becomes clear.
Stay with us we will post updates soon as we get any
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source digicame-info
By admin, on July 2nd, 2022
According to the latest rumors that surfaced over the web, we have a list of possible cameras that are expected to arrive in the years 2022 and 2023. Keep in mind the information is coming out from un-Reliable sources so take it with a grain of salt
Panasonic Upcoming cameras 2022-2023 Rumor
1. Panasonic S1H Mark II
- As per the latest rumors, Panasonic S1H mark II prototypes are capable to record DCI 8K30 10bit 4:2:2 videos internally, UHD 8k60fps 10 bit 4:2:2 internal. The AF performance of the S1H Mark II camera is at its peak at 4K 30fps.
- V-Log (Version 2.0)
- No word about the presence of Mechanical ND filters inside the camera as rumored earlier.
- The announcement at the end of 2022 or at the beginning of 2023
2. Panasonic S5 Mark II
The camera will have a new image processor, enhanced video mode and updated 3d AI AF tracking performance.
3. Panasonic G200 / G100 Mark II
Updated Video mode and new image processor to improve AF performance of the camera. Also, we may see a surprise along with G200’s arrival.
If everything goes on schedule then we will have S5 Mark II and G200 on or before Q4 of 2022
Also, see some older rumors – Panasonic S1H mark II rumored specification published on May 2021.
Stay with us we will post updates soon as we get any
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By admin, on March 5th, 2022
Take a look at the dynamic range measurement results of the recently announced Olympus OM-1 camera. The dynamic range of the camera was tested by photons to photos website.
The dynamic range test score of the camera is really pretty good although many of the M4/3 format users may get disappointed to see the low light score less than the Panasonic GH5 mark II.
Although we have to keep in mind that the Camera sensor uses a quad pixel phase difference autofocusing system. Due to its nature of construction, the camera sensor uses a high number phase detect autofocusing point inside the sensor for blazing-fast AF performance, which directly affects the low-light performance of the sensor. And maybe that’s Panasonic still uses the DFD AF system to protect the low-light performance of the camera.
Olympus OM-1 Becomes Top Seller at B&H Store
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source asobinet.com
By admin, on February 27th, 2022
Let’s talk about some of the best accessories available for the Panasonic gh6 camera. Panasonic gh6 camera announced recently and its features excellent go specification at and very attractive price range. The camera is made for cinematographers who are looking for a budget solution. In this article, we will discuss some of the best accessories available for the Panasonic gh6 camera all these accessories are genuine, and yes these accessories are fully compatible with the gG6.
Also, let me you if you have any questions or queries related to the Z6 camera but also let me know that we have already done the specification comparison review of the Panasonic gh6 camera along with the Panasonic gh5 mark 2..
Table of Content
- Battery pack DMW-BLK22
- Battery charger (DC charge type) DMW-BTC15
- AC adapter DMW-AC10
- DC coupler DMW-DCC17
- Tripod Grip DMW-SHGR1
- Panasonic DMW XLR1 XLR
- Shotgun Microphone for Panasonic GH6
1. Battery pack DMW-BLK22
2. Battery charger (DC charge type) DMW-BTC15
3. AC adapter DMW-AC10
4. DC coupler DMW-DCC17
5. Tripod Grip DMW-SHGR1
6. Panasonic DMW XLR1 XLR
DMW-XLR1 XLR Microphone Adapter from Panasonic
7. Shotgun Microphone for Panasonic GH6
Also, see Panasonic GH6 v Panasonic GH5 II
Panasonic GH6 B&H Store
8. Pro Mirrorless Lens (All in one lens) –
Best Budget Lenses for Panasonic GH6 under budget
Tamron 14-150mm f/3.5-5.8 Di III Lens
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
By admin, on February 23rd, 2022
Panasonic GH6 v Panasonic GH5 specification comparison, let’s talk about the major difference between the two cameras.
Panasonic GH6 v Panasonic GH5, new 25.2-megapixel Live MOS Sensor boasts high-resolution, high-speed signal readout and wide dynamic range.
The LUMIX GH6 contains V-Log/V-Gamut – a first for LUMIX G Micro Four Thirds cameras – and provides 12+ stops and even 13+ stops of wide dynamic range using Dynamic Range Boost mode
Panasonic GH6 B&H Store
Pro Mirrorless Lens (All in one lens) –
Best Budget Lenses for Panasonic GH6 under budget
Tamron 14-150mm f/3.5-5.8 Di III Lens
Lens Mount |
Panasonic GH6 |
Panasonic GH5 II |
Sensor Resolution |
Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336) |
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888) |
Sensor Type |
17.3 x 13 mm (Four Thirds) MOS |
17.3 x 13 mm (Four Thirds) MOS |
Crop Factor |
2x |
2x |
Image Stabilization |
Sensor-Shift, 5-Axis (Improved) |
Sensor-Shift, 5-Axis |
Built-In ND Filter |
None |
None |
Capture Type |
Stills & Video |
Stills & Video |
New Major Features in Panasonic GH6 camera
- The GH6 is based around a completely new sensor: the highest resolution chip we’ve yet seen in the Four Thirds sensor size.
- New to the GH6 is the option to shoot in Apple ProRes 422 HQ and 422 formats. At first the camera’s ProRes modes will only be available for 5.7K capture, but DCI 4K and FullHD support will be added in firmware, due later in 2022.
- Camera’s 8-shot high-resolution mode, which delivers 50 or 100MP images,
- GH6’s noise reduction has been updated
- DFD is Updated and does very well in still mode, works best in Full HD 60p mode.
- Magnified live view while recording video
- Fan to extend the recording time limit of 4:2:2 10-bit 4K at up to 60p.
Exposure those
Shutter Type |
Mech & Electronic Shutter |
Mechanical Focal Plane Shutter, Electronic Shutter |
Shutter Speed |
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 1 Second
to 60 Seconds in Bulb Mode
1/25,000 to 1/8 Second in Movie Mode |
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second |
Bulb/Time Mode |
Bulb Mode, Time Mode |
Bulb Mode |
ISO Sensitivity |
Photo
100 to 256,000 in Auto Mode (Extended: 50)
Video
100 to 12,800 (Extended: 50) |
Photo
200 to 25,600 in Auto Mode (Extended: 100 to 25,600)
Video
200 to 12,800 in Auto Mode (Extended: 100 to 12,800) |
Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot |
Center-Weighted Average, Multiple, Spot |
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps) |
-5 to +5 EV (1/3 EV Steps) |
Metering Range |
0 to 18 EV |
0 to 18 EV |
White Balance |
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
Continuous Shooting |
Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) |
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP |
Interval Recording |
Yes |
Yes |
Self-Timer |
2/3/10-Second Delay |
2/10-Second Delay |
The full sensor region of the GH6 is very similar to what you’d get by taking a 4:3 crop from a Super35 (APS-C) camera’s 16:9 video. However, while this should deliver comparable noise performance,
Internal Video Capture
Recording Modes |
H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 29.97p [1900 Mb/s]
5728 x 3024 at 23.98p/24.00p [1500 Mb/s]
5728 x 3024 at 25p [1600 Mb/s]
H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-Bit
5728 x 3024 at 29.97p [1300 Mb/s]
5728 x 3024 at 25p [1100 Mb/s]
5728 x 3024 at 23.98p/24.00p [1000 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
1920 x 1080 at 200p/239.76p [800 Mb/s]
1920 x 1080 at 100p/119.88p [400 Mb/s]
1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s]
1920 x 1080 at 50i/59.94i [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 at 50p/59.94p [200 Mb/s]
4096 x 2160 at 47.95p [200 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
1920 x 1080 at 200p/239.76p [200 Mb/s]
1920 x 1080 at 100p/119.88p [150 Mb/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s]
1920 x 1080 at 59.94i [50 Mb/s] |
H.265/MOV 4:2:0 10-Bit
6K Anamorphic (4992 x 3774) at 23.98p/24.00p/25p/29.97p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/29.97p/50p/59.94p [100 to 150 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50/59.94p [20 to 28 Mb/s] |
Variable Frame Rates |
5.7K: to 60 fps
DCI 4K: to 119.88 fps
3.8K: to 119.88 fps
1080p: to 300 fps |
|
Gamma Curve |
Panasonic V-Gamut, Panasonic V-Log |
|
Recording Limit |
Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-Bit) |
|
Video System |
NTSC/PAL |
Built-In Microphone Type |
Stereo |
Audio Recording |
MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio |
External Video Capture
External Recording Modes |
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 50p/59.94p
UHD 4K (3840 x 2160) at 50p/59.94p |
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 24.00p
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p |
IP Streaming |
None |
None |
Interace
Media/Memory Card Slot |
Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended] |
Dual Slot: SD/SDHC/SDXC (UHS-II) |
Video I/O |
1 x HDMI Output |
1 x HDMI Output |
Audio I/O |
1 x 3.5 mm TRRS Headphone/Microphone Microphone Input
1 x 3.5 mm TRRS Headphone/Microphone Headphone Output |
1 x 3.5 mm TRS Stereo Headphone Output
1 x 3.5 mm TRS Stereo Microphone Input |
Other I/O |
1 x USB Type-C |
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input |
Power I/O |
1 x USB Type-C Input/Output |
1 x USB Type-C Input/Output |
Wireless |
5 GHz Wi-Fi 5 (802.11ac) Video Output, Audio Output, Control |
Bluetooth, Wi-Fi |
Global Positioning (GPS, GLONASS, etc.) |
None |
None |
Focus
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter |
Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF |
Autofocus Points |
Photo, Video
Contrast Detection: 315 |
Contrast Detection: 225 |
Autofocus Sensitivity |
-4 to +18 EV |
-4 to +18 EV |
Interface
Type |
Built-In Electronic (OLED) |
Built-In Electronic |
Resolution |
3,680,000 Dot |
3,686,000 Dot |
Eye Point |
21 mm |
21 mm |
Coverage |
100% |
100% |
Magnification |
Approx. 0.76x |
Approx. 0.76x |
Diopter Adjustment |
-4 to +3 |
-4 to +3 |
Environmental
Operating Temperature |
14 to 104°F / -10 to 40°C |
14 to 104°F / -10 to 40°C |
Storage Humidity |
10 to 80% |
10 to 80% |
Promised via future firmware:
- Direct recording to SSD over USB
- ProRes recording for DCI 4K and Full HD
- HDMI interface to v2.1 standard
- 4K/120 over HDMI with live view and 4K/120 Raw stream over HDMI
By admin, on February 8th, 2022
Panasonic officially announced that the Panasonic GH6 Camera will arrive on Feb 21, 2022. Take a look at the specification of the camera we have right now
Panasonic GH6 Specification
- New Micro Four Thirds Sensor
- Updated Venus Engine Image Processor
- 7K 60p Video, 10-Bit Sampling
- DCI 4K 10-Bit 4:2:2, Unlimited Recording
- UHD 4K 120p with 10-Bit HFR
- Approximately $2500
Stay tuned we will soon publish images and full specifications.
Combining the high-speed sensor and Venus Engine image processor, the new GH6 realizes next-generation video expression. Providing 4:2:2 10-bit DCI 4K/60p recording capability, the Lumix GH6 achieves unlimited video recording when the camera is used under the certified operating temperature.
Panasonic GH6 at B&H Website
See at Panasonic official website
more updates about Panasonic GH6
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By admin, on November 24th, 2021
A few weeks ago Panasonic China leaked the washed-out lens image to be announced 18mm F1.8 lens. You can also notice the newly announced S 35mm F1.8 lens in the bundle. Now, recently the roadmap of Panasonic 2022 leaked and you can notice the special appearance of S 18mm F1.8 Lens. Sadly, we only have one prime lens set for the 2022 announcement in the S-Line of lenses. Maybe they will put more attention to the announcement and development of the Panasonic GH6 camera and new 4/3 format lenses.
Stay with us, as soon as we get the detailed specification and life-size images of the upcoming camera we will publish it soon.
more updates about Panasonic GH6
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
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