Sony’s new F65 CineAlta 8K 20Mpix CMOS sensor capable to deliver 4K2K videos as well as our HD up to 120fps with 16Bit linear RAW output.
Press Release
LAS VEGAS, April 10, 2011 – Sony is revolutionizing digital cinematography with the official unveiling of its much-anticipated next-generation CineAlta camera. The F65 raises the bar in the quest for the “look” of 65mm film, and delivers on its promise to derive true 4K resolution and beyond – at the point of image capture.
Sony’s unique 8K image sensor, with approximately 20 megapixels, offers higher image fidelity than any other camera. With 16-bit RAW output, the F65 establishes the gateway to a complete, end-to-end 4K mastering workflow.
“Sony’s new F65 digital motion picture camera combines true 4K resolution with an expansive dynamic range that enables a more nuanced reproduction of fine textural and tonal details,” said Curtis Clark, ASC. “Along with excellent contrast and exceptional color reproduction the F65 produces images that have a rich filmic look and feel, providing filmmakers with significantly enhanced creative photographic possibilities.”
At the heart of the F65 camera is Sony’s newly developed 8K sensor, which will deliver pristine HD, 2K, and true 4K resolution today — and will go far beyond 4K in the future, as industry needs evolve. The Sony imager is also the first to provide a dedicated green photosite for each pixel in the 4K output image. This is twice the amount of green resolution compared with traditional 4K Bayer pattern sensors, providing a significant improvement in image resolution that is ideal for VFX processing.
“Sony already has a successful track record in developing 4K technology, with our 4K digital cinema projection system re-defining the movie-going experience,” said Alec Shapiro, senior vice president, Professional Solutions of America, Sony Electronics. “However, Sony is committed to driving every aspect of a 4K workflow – starting with acquisition. This camera is the pinnacle of 30-plus years of research, experience and engineering breakthroughs and is the latest example of Sony’s ongoing pursuit of the highest quality content creation and production.”
The 8K CMOS sensor can run up to maximum 120Fps. This sensor performance combined with 16-bit RAW output makes the F65 the first image capture system designed from the ground up to support the Academy IIF-ACES, Image Interchange Framework, Academy Color Encoding Specification.
The F65 has also been designed for multiple production applications, including 3D rigs and Steadicam, and will offer a compact and lightweight detachable camera T-head for these configurations. In addition, an optional mechanical rotary shutter will be available for eliminating motion artifacts that are inherent with other CMOS sensor technology.
A dockable SR memory recorder – model SR-R4 – attaches to the camera to record directly on to an SR memory card of 256 GB, 512 GB or 1TB capacity with data security and sustained throughput of 5 Gbps. The recorder will enable ultra high speed recording of16-bit RAW data.
A 1TB memory card recording at 24 fps will store 50 minutes of footage in 4K 16 bit RAW. As with previous generations of CineAlta systems, Sony continues to work closely with the industry to develop this next generation digital motion picture camera technology and storage, workflow system.
Sony’s PMW-TD300 is the latest Pro shoulder mounted 3D Camera with XDCAM EX support. With its shoulder-mount design, this camcorder has a highly compact body, and it provides a stable shooting style that is crucial to creating good 3D images. Affordable and fully integrated, this 3D camcorder reduces the burden of complicated user adjustments before shooting, such as left- and right-lens alignment. This is a powerful tool to support rapidly expanding 3D video production – with an ideal combination of mobility, stability, and affordability.
Dual three 1/2-inch type Exmor Full-HD CMOS sensors
Dual lens system
XDCAM EX recording
SxS card slots (L/R x 2)
3D/2D recording modes
Intuitive convergence control with a dedicated dial feature
Viewfinder with 3.5-inch type color LCD
HD-SDI out (L/R dual stream, audio and TC embedded)
HDMI out (3D/2D) for viewing on consumer 3D displays
Genlock in & TC in/out for integration with multi-camera systems
3D HDR-TD10 introduced for the first time at CES 2011, Like its consumer version the HXRNX 3D1U comes with 96GB of internal Flash memory, comes with 3.5” 3D LCD, SD Card memory support and record 3D Video in AVCHD at 28MBps.
• 3D Worldcam 50i/60i compatible
• 3D Recording Mode: 50i/60i/24P (28Mbps)
• 2D Recording Mode: 1920×1080/60p, 50p, 60i, 50i, 24p, 25p
• SD Recording Mode: 720×480 60i, 720×576 50i
• Double HD lenses, 10x optical zoom in 3D
• Automatic or manual parallax correction
• Active SteadyShot™ in 3D
• Glassless 3.5-inch LCD
• Removable Audio Pod with XLR connectors
• Time Code recording
• 28Mbps AVCHD with AC3/LPCM 3D recording
• Side by Side or Frame Packing output via HDMI
• One card slot accepts SD or Memory Stick
• Built-in 96GB flash memory
Canon’s new firmware upgrades the XF300-series camcorders to include Canon’s 3D Assist Function that allows two units to be easily set up for 3D HD video, as well as an updated Scan Reverse function, Double Slot Recording for instantaneous backup, and the option to disable Relay Recording.
Canon will be demonstrating a range of professional applications for the Canon XF305 and XF300, including the new prototype firmware, at the company’s booth C4325, at the 2011 National Association of Broadcasters (NAB) Show in the Las Vegas Convention Centre, 11th-14th April 2011.
The JVC GS-TD1 features fast F1.2 lens and pair of 3.32 megapixel CMOS sensors that processes the two Full HD images – left and right images at 1920 x 1080i resolution provides the GS-TD1 outstanding low light performance, other features include 64GB of built-in flash memory, SDXC card slot, 3D optical 5x zoom, Optical Axis Automatic Stabilization System for disparity control to give depth to 3D images
Press Release WAYNE, NJ, March 7, 2011 －JVC today announced the availability of a new 3D consumer camcorder, the first on the consumer market that offers 3D video recording in Full High Definition. The new JVC GS-TD1 uses two camera lenses and two imaging sensors – one for each lens – to capture three-dimensional images in much same way that human eyes work.
3D video shot using the GS-TD1 can be viewed in 3D on any 3D TV. What’s more, the camcorder can shoot 3D video that can be burned to a Blu-ray disc or DVD-R for 3D playback on a compatible Blu-ray player.
“With more commercially-produced 3D content coming along this year, sales of 3D TVs are expected to be strong,” observed Dave Owen, Vice President, Consumer Video, JVC U.S.A. “But what could be better than creating your own home videos in 3D? We think there will be plenty of 3D TV buyers eager to do just that. Furthermore, we think they’ll appreciate that our new camcorder offers both Full HD 3D recording and several options for archiving and playing back their 3D footage.”
The JVC GS-TD1 features a pair of 3.32 megapixel CMOS sensors and a new JVC-developed high-speed imaging engine that processes the two Full HD images – left and right images at 1920 x 1080i resolution. Three shooting modes are offered, a key feature that provides several options for HD resolution and archiving of 3D footage. These three shooting modes are: a new “LR Independent” format (MP4 MVC) that records in Full HD, the widely used “Side-by-Side” format (960 x 1080 X 2) for AVCHD 3D recording, and 2D AVCHD shooting.
The camcorder uses a F1.2 JVC 3D Twin HD GT Lens that sets a new standard in high-resolution lenses, with extra-low-dispersion glass for crisp, high-contrast images, as well as multiple aspherical lenses for fine image reproduction. The combination of the fast F1.2 lens and the back-illuminated CMOS sensors provides the GS-TD1 with outstanding low light performance. The GS-TD1 also features round iris diaphragms that enable beautiful bokeh effect (background blurring) shooting of video and stills alike.
Additional highlights include 64GB of built-in flash memory, SDXC card slot, 3D optical 5x zoom, Optical Axis Automatic Stabilization System for disparity control to give depth to 3D images, JVC’s BIPHONIC technology for dynamic 3D sound and Automatic Parallax Adjustment to optimize the 3D-video comfort zone.
The GS-TD1 operates like other consumer JVC camcorders, with easy-to-use, intuitive controls. A 3.5” 3D touch panel LCD monitor displays 3D images without any need for 3D glasses, making it easy to check 3D images while shooting and watch 3D playback in the field.
The GS-TD1 comes with new Everio MediaBrowser 3D software (for Windows®) for full management, editing and sharing of content. In addition to full-fledged video and still image editing, files can be uploaded effortlessly to social media sites such as YouTube™ or Facebook, and the software allows 3D video to be shared on YouTube.
For archiving and playing back 3D recordings, there are several options depending on the shooting mode used.
Full HD 3D video, shot using the MP4 MVC mode, can be archived to a computer hard drive or Blu-ray disc drive. This Full HD material can be played back in 3D by running the footage back through the camcorder.
AVCHD 3D (Side-by-Side mode) video can be burned to a DVD-R disc and played back in 3D on any AVCHD-compatible Blu-ray player – including non-3D AVCHD-compatible Blu-ray players – when the disc was created with a PC or JVC Share Station.
The JVC GZ-TD1 Full HD 3D camcorder is available now for $1,699.95.
According to Film and Digital times Sony is planning to show the prototype of a new >4K motion picture camera at NAB 2011.
It doesn’t have a name yet, but instead of calling it the Next CineAlta Camera, let’s give it the working title of Cine Altissima. She is not a mere 4K motion picture camera. Behind the PL mount, there’s an 8K sensor: 8768 x 2324 pixel single CMOS sensor (that’s 20.4 Megapixels) — Super35 3-perf size, 16-bit RAW output, 16:8:8.
In normal mode, Sony 4K camera will shoot from 1-72 fps. In High Frame Rate mode 1-120 fps.
Samyang announced a new f/3.5 Fish-eye lens for Sony NEX-VG10 camcorder, the new 8mm f/3.5 Fish-Eye CS VG10 Manual Focus lens features the same Build Quality / optical construction as the still photography version, but in this lens the aperture can be easily and smoothly adjusted.
Press Release
“Kraków, February 28 2011 – Delta company, the sole distributor of Samyang Optics for Poland and Europe, wishes to inform about the release of the manual Samyang 8mm f/3.5 FISH-EYE CS VG10 lens. The new lens comes with the bayonet mount and has been designed especially for Sony NEX-VG10 digital camcorder.
Due to its unique construction, the bayonet mount has been adjusted to ensure possibly wide field of vision without producing the vignetting effect. Just like in other lenses manufactured for filming purposes, aperture can be easily and smoothly adjusted.
New Samyang 8mm f/3.5 FISH-EYE CS VG10 lens will be officially introduced during the forthcoming Focus on Imaging fairs held in Birmingham. Exact date of the release as well as the product’s retail price will be given later. We are also about to introduce Samyang lens with Sony E mount for NEX system cameras.”
New Waterproof Full-HD Camcorder HX-WA10 enables users to shoot both photos and videos in high quality. Along with the WA10, Panasonic will also be releasing the HX-DC10 and the HX-DC1. The HX-DC10 features bright and stunning Full-HD11 video shooting with BSI Sensor, 16-Megapixel still picture recording12 and the highest class resolution among compact digital cameras. With the iA (Intelligent Auto) Mode13/14 optimal settings can be always in use. The HX-DC1 features Full HD Recording in MP4 Format, 14-megapixel Still Picture Recording15 and a 3.0-inch Wide TFT LCD Monitor.
Press Release
Panasonic today announced the release of the new waterproof Full-HD Camcorder HX-WA10, which allows easy, effortless photo and video shooting. The WA10 is also optimized for shooting outdoors and in rainy weather. It captures stunning, detailed images with Full-HD 1920 x 1080 resolution, thanks to Backside Illumination (BSI) technology for shooting in dimly lit conditions, and 16-megapixel still image recording with top-class digital camera quality. This lets users easily enjoy authentic HD shooting in a wide range of situations.
The MPEG-4 AVC file format (MP4) is convenient for uploading and editing images with a PC or the Internet. Blog and SNS handles are also easily used. Operation of the WA10 is very very easy thanks to the included HD Writer VE 1.0 software, which is compatible with both YouTube and Facebook, With the release of this new multi functional camcorder, Panasonic offers users the ability to shoot Full-HD videos and high-resolution photos, even during rugged outdoor, recreational and everyday activities.
Some of the new video features of the new HX-WA10 include:
Waterproof for Active Shooting The WA10 can be used to a depth of 3 meters underwater for up to 60 minutes4/5 complying with IPX8 standards.
4. Must be placed in dry conditions for more than 10 minutes after being used in water for 60 minutes.
5. This doesn’t guarantee no destruction, no malfunction, or waterproofing in all conditions.
Bright and Stunning Full-HD Video Shooting with BSI Sensor
The BSI (Backside Illumination) sensor technology has improved the sensitivity of the CMOS sensor, making it possible to shoot images with high-resolution Full-HD quality even in dimly lit areas. Full-HD video (1920 x 1080 pixels) can also be captured in all kinds of year-round outdoor conditions, not only in the rain or while swimming in a pool or the ocean, but also during marine sports6 such as snorkelling and surfing, and winter sports like skiing and snowboarding. The PC-friendly MPEG-4 AVC file format (MP4) makes it super easy to load and edit data with a PC. It’s also hassle-free to directly upload video clips to YouTube or Facebook with the included application after editing.
16-Megapixel Still Image Recording – Highest Class Resolution among Compact Digital Cameras
The WA10 captures 16-megapixel photos, in addition to Full-HD video shooting. By separating photo and video capture buttons: images can be captured by using only the thumb to press the desired button, without having to change modes. By pressing the still image button, even while shooting a movie will produce a photo with resolution of up to 2 megapixels.7
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Sony’s new F65 CineAlta 8K 20Mpix CMOS sensor capable to deliver 4K2K videos as well as our HD up to 120fps with 16Bit linear RAW output.
