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Canon R50V vs Sony ZV-E10 Mark II

Canon R50V vs Sony Z10 Mark II. Let’s discuss the major differences between the two, then we will do some deep core specification analysis so you can understand very clearly which camera you should buy.

Canon R50 V Specifications and Pricing

Initially, the Canon R50 V camera is available with a 24-megapixel DPAF CMOS sensor, the same sensor that is being used by entry-level cameras such as Canon R50 and Canon R10. If you buy it with a kit lens, you have to pay approximately $849, and when you are buying the body only, you have to pay approximately $649.

Sony Z10 Mark II Specifications and Pricing

Now, the Sony Z10 Mark II camera was released on July 10, 2024, and uses a 26-megapixel APS-C BSI CMOS sensor from FX30 or Sony A6700 camera, meaning it’s a flagship sensor. With a kit lens, you have to pay $1,099, and without a kit lens, you have to pay only $999.

So, the Canon body is a lot more affordable compared to the Sony Z10 Mark II camera. Now, let’s dive deep into the detailed core specifications of both cameras.

Key Differences in Sensor Technologies

So, initially, we have some basic differences between the two. The Canon uses an FSI CMOS sensor with a resolution from entry-level models, and the Sony Z10 Mark II uses a BSI CMOS sensor from higher-end models. Along with that, we also have a price difference between the two.


Best Camera for Recording 4K 60p Video

Crop Factor Comparison

If you compare both the Canon R50 V and Sony ZV-E10 Mark II, the advantage of the Sony ZV-E10 Mark II camera is clearly visible as it does only a 1.1x crop while recording 4K 60p video. On the other side, we have the Canon R50 V camera, which does a 1.5x crop while recording 4K 60p video. Both cameras allow you to record 10-bit videos at 4K 60p, but at the same time, you have to face a crop in Canon.

Usability and Stabilization

Usability-wise, the Sony ZV-E10 Mark II camera is more usable since, even while recording 4K 60fps with a crop, we can utilize the Active SteadyShot mode as well as the gyro-based image stabilization mode. If you are shooting handheld videos, that will, in turn, help you get stable footage without a gimbal. The electronic image stabilization (EIS) is very effective when you are using it at 30fps or 24fps recording. However, since it already has a very significant 1.5x crop, it doesn’t work that well.

Final Recommendation Best Camera for high-speed 4k videos

So, overall, for 4K 60fps recording, we highly recommend you to get the Sony ZV-E10 Mark II camera. Codec and Color Depth in Both Cameras


Video Codecs

Canon R50 V Video Capabilities

Now, with a 24-megapixel FSI CMOS sensor, our recently announced Canon R50 V camera is able to record 10-bit 4:2:2 videos in H.265 or H.264 codec. You can also record your videos in Canon Log 3 as well as in HLG HDR modes—all these features are available in this entry-level model.

Sony Z10 Mark II Video Capabilities

With a 26-megapixel BSI CMOS sensor, Sony does the same. It also records 10-bit 4:2:2 videos in XAVC HS (H.265) and XAVC S (H.264). Additionally, it supports S-Log2, S-Log3, and Hybrid Log Gamma (HLG), offering up to 14 stops of dynamic range.

Video codec – Comparison and Conclusion

So, in terms of video codec, both cameras record the same 10-bit videos, and neither of them has any limitations over log profiles or any other video codec restrictions. In terms of usability for beginners, videographers, and content creators, both cameras perform well. We are not discussing professional use at this moment.


Detailed Video Specifications Comparison Table

Feature Canon R50V Sony ZV-E10 Mark II
Max Video Resolution 4K 60p (cropped, crop factor unspecified), 4K 23.98p (assumed uncropped based on preview) 4K 60p (1.1x crop), 4K 30p/24p (uncropped, oversampled from 5.6K)
Full HD Capabilities 1080p up to 120p (implied from slow-motion options) 1080p up to 120p
Video Codecs H.265, H.264 (10-bit 4:2:2 internal with log) XAVC HS (H.265), XAVC S (H.264) (10-bit 4:2:2 internal)
Color Profiles C-Log, custom picture profiles from Canon cinema series S-Log2, S-Log3, HLG, Creative Looks (e.g., cinematic presets)
Bit Depth 10-bit internal recording 10-bit internal recording
Dynamic Range Not specified (likely ~12-14 stops with C-Log, based on Canon APS-C trends) Up to 14 stops with S-Log3
Streaming 4K 60p via USB-C (dedicated quick streaming button) 4K 30p via USB-C (UVC/UAC support, improved from original’s 720p)
Slow Motion Supported with option to bake in or exclude audio (specific frame rates not detailed) 1080p 120p, 4K 60p slo-mo with 2x playback (no audio baking options specified)
Recording Limit Not specified (likely no limit based on Canon trends) No recording time limit (improved thermal management over original)
Overheating Not specified (DIGIC X typically manages heat well, no issues noted in preview) Improved over ZV-E10 but can overheat after ~20-30 mins in 4K 60p at high ambient temps
Autofocus in Video Dual Pixel AF II (fast, reliable tracking, eye/face detection) Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode (495 phase-detect points)
Stabilization No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further) No IBIS, Active SteadyShot (digital, ~1.1x crop), lens OSS support
Cinematic Features “Peter McKinnon mode” (baked-in cinematic bars), power zoom lens support Background Defocus button, vertical shooting metadata, Cinematic Vlog mode
Crop Factor in 4K Cropped in 4K 60p (extent unspecified), uncropped in 4K 23.98p (assumed) 1.1x crop in 4K 60p, uncropped in 4K 30p/24p

Best Camera for Live Streaming

Canon R50 V Live Streaming Capabilities

The recently announced Canon R50 V supports streaming up to 4K 60fps via USB-C, but at the same time, you have to consider the fact that it still has a 1.5x crop. This means you need to use ultra-wide-angle lenses when placing the camera in front of you.

Sony ZV-E10 Mark II Live Streaming Capabilities

On the other hand, in the Sony ZV-E10 Mark II, video streaming or USB streaming remains limited to 4K 30fps via UVC/USC.

Best Camera for Live Streaming

So, you can consider the Canon R50 V as a clear winner in terms of streaming capability, but it also suffers from a crop limitation, which you need to keep in mind while choosing between these two cameras.


Canon R50V Autofocus Capabilities

Canon R50V camera uses a Dual Pixel CMOS autofocus sensor paired with DIGIC X image processor, and according to Canon’s official press release, they are using the same autofocus AF algorithm as they have used in the Canon R5 Mark II camera. The camera also includes subject tracking modes, which include birds, animals, airplanes, moving vehicles, as well as one of the most important modes that has been added to this camera—face registration. Here, you can technically register one, two, or multiple faces, and even in a crowd when you are creating a video sequence, like when you’re doing wedding cinematography. Then, even in a crowd, if you have already registered the bride and groom’s faces in the camera, it will track only those two.

Sony ZV-E10 Mark II Autofocus Capabilities

Now, in the Sony ZV-E10 Mark II camera, we have an advanced video autofocus tracking mode, which is directly coming from the Sony A7R V. It does have predictive AI tracking, just as we have seen in higher-end Sony models, so it is also very good at predicting human faces, human bodies, animals, birds, and eyes. Moreover, the camera also has a built-in AI auto-framing mode, which, in turn, the Canon R50 V doesn’t have. This particular AI auto-framing mode helps content creators, especially solo content creators—those who create cooking videos in a single room. The camera will automatically track them and crop them in a frame, like the way a professional cinematographer shoots their movement.

Best Camera with Usable AF in Video

So, each of these cameras does have brilliant autofocus tracking capability and some specialized modes. The Canon R50 V is more suitable for wedding cinematography, where you can register people’s faces for autofocus tracking, whereas in the Sony ZV-E10 Mark II camera, we have AI auto-framing mode, which is more useful for content creators.


Canon R50 V Image Stabilization

Canon R50 V camera is a base model, and we are not able to expect too much out of it. Since the absence of sensor-shift image stabilization looks a bit logical to me, any camera maker out there is not offering any sort of IBIS mechanism in that price range. Although the camera does have EIS (Electronic Image Stabilization), which is effective for video, you have to use ultra-wide-angle lenses when you are using EIS in the camera for creating content or shooting any sort of videos. But keep in mind that EIS is only effective in shooting videos, not in still photography.

Sony ZV-E10 Mark II Image Stabilization

Sony ZV-E10 Mark II camera comes at a higher price, and at least we were expecting the presence of some sort of IBIS feature inside it. But for video recording purposes, we do get Active I.S. inside this camera, supported with a gyro-based image stabilization system. So, specifically, when you are using gyro, you get very stable footage with minimal crop, but you have to post-process it on your laptop or PC using Sony Catalyst Browse software. Other than that, we have Active I.S. mode, where Sony does crop significantly, but we do get gimbal-like stable footage from the camera.

Best camera for Handheld Video

So overall, none of the cameras feature sensor-shift image stabilization systems, but in the Sony ZV-E10 Mark II camera, we do have gyro-based image stabilization as well as Active Mode, which is very effective. Price-wise, what we are getting in Canon R50 V also looks very logical to me, specifically if you are into content creation. So, it’s very obvious that if you are paying a bit higher price for a camera body like the Sony ZV-E10 Mark II, you will get better image stabilization performance, which is specifically made for videographers and cinematographers.


Audio Specifications

Feature Canon R50V Sony ZV-E10 Mark II
Microphone Port Yes (3.5mm) Yes (3.5mm)
Headphone Port Yes (3.5mm) Yes (3.5mm)
Onboard Microphone Standard stereo mic (not emphasized as vlogging-specific) Directional 3-capsule mic with windscreen (optimized for vlogging, improved over original)
Digital Audio Support Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics) Multi-interface shoe (digital audio with compatible Sony mics, e.g., ECM-W2BT)

 


Body Design & Battery Life

Body design-wise, both cameras are the same, and even the weight is almost equal, at under 400 grams. However, in the Sony ZV-E10 Mark II camera, we get a deeper hand grip as well as a battery life similar to that of a full-frame camera. The NP-FZ100 battery is capable of giving you approximately 610 shots and more than 2 hours of continuous 4K 30p video recording.

Body Design

Feature Canon R50V Sony ZV-E10 Mark II
Dimensions 116 x 86 x 69 mm 121 x 68 x 54 mm
Weight Not specified (likely ~375g with battery, based on R50) 377g (with battery and SD card)
Viewfinder None (EVF omitted to reduce cost) None
Screen 3-inch vari-angle LCD (lower resolution than R50, exact dots unspecified) 3-inch fully articulated LCD (1.04M dots, touch-capacitive)
Tally Light Yes (front-facing, with red box on screen) Yes (front-facing, improved visibility over original)
Vertical Video Support Quarter-20 mount on side for vertical tripod/gimbal use Vertical shooting metadata (no physical mount, relies on software orientation)
Weather Sealing None None
Ergonomics Not detailed (likely similar to R50 with deep grip) Larger grip than original ZV-E10, two control dials (top and rear)
Buttons/Dials Quick streaming button, standard Canon layout Background Defocus, Photo/Video/S&Q toggle, customizable Fn button

Ports and Connectivity

Feature Canon R50V Sony ZV-E10 Mark II
USB USB-C (supports streaming and charging) USB-C 3.2 Gen 1 (supports streaming and charging)
HDMI Not specified (likely micro HDMI based on R50) Micro HDMI (Type D)
Microphone Port Yes (3.5mm) Yes (3.5mm)
Headphone Port Yes (3.5mm) Yes (3.5mm)
Remote Port Yes (2.5mm) No (remote via Bluetooth or USB)
Hot Shoe Digital hot shoe (24-bit, 4-channel audio support) Multi-interface shoe (digital audio support)
Wireless Wi-Fi (version not specified), Bluetooth (assumed based on R50) Wi-Fi (2.4 GHz), Bluetooth 5.0

Battery and Storage

Feature Canon R50V Sony ZV-E10 Mark II
Battery Type LP-E17 (same as R50) NP-FZ100 (larger capacity than original ZV-E10’s NP-FW50)
Battery Life (CIPA) Not specified (likely ~230 shots based on R50) 610 shots (significant improvement over ZV-E10’s 440 shots)
Charging USB-C charging supported USB-C charging supported (faster charging with PD support)
Storage Single SD slot (UHS-II) Single SD slot (UHS-II support, faster than ZV-E10’s UHS-I)

In contrast, the Canon R50 V camera uses the regular LP-E17 battery, which offers approximately 230 shots and around 1 hour and 20 minutes of 4K 30p video recording.


Still Photography & Sensor Comparison

For still photography, the Canon R50 V camera uses a 24-megapixel FSI CMOS sensor and supports up to 12 FPS with an Electronic First Curtain Shutter (EFCS) and approximately 15 FPS with an electronic shutter.

Whereas in the Sony ZV-E10 Mark II camera, we have a 26MP BSI CMOS sensor with a maximum continuous shooting speed of 11 FPS, limited to an electronic shutter only. Technically, having an EFCS sensor-based camera is a better option if you’re planning to shoot sports or wildlife photography.

As we all know, Canon’s 100-400mm lens is also available at a budget-friendly price, making it a great pair for those into sports and wildlife photography, as well as content creation. However, at the same time, we must consider the advantage of a 26MP BSI CMOS sensor.

Feature Canon R50V Sony ZV-E10 Mark II
Resolution 24MP 26MP
Burst Shooting 15 fps (electronic), 12 fps (electronic first curtain) 11 fps (mechanical/electronic)
RAW Support Yes Yes (Compressed/Uncompressed)
Image Stabilization None (lens-based only) None (lens-based only)

Best Camera for Still Shooters

If you are not into sports and wildlife photography and are looking for higher detail, better low-light performance, and enhanced dynamic range, then getting a 26MP sensor will be a better decision.


Final Conclusion: Which Camera is Best for You—Canon R50 V or Sony ZV-E10 Mark II?

Tailored for Videographers & Content Creators

Both of them are custom-tailored for videographers or content creators, and the best part is Canon is offering us a 10-bit video recording mode in a budget body. But at the same time, we do have some limitations, like having a 1.5x crop in 4K 60 FPS mode. Other than that, we also have limitations in the Canon RF mount, which actually limits us in selecting budget lenses.

Canon Lens Availability & Limitations

So even if you have purchased a budget body from Canon, then it will be a bit hard to find a usable prime lens within budget. Specifically, if you have purchased the Sony ZV-E10 Mark II camera by paying a bit higher price, you can use lenses like Viltrox Air series, which come at a very low price with usable high-grade optics.

Choosing Based on Personal Requirement

But again, it all depends upon your own personal requirement and usage. If you have already sorted out the best lenses that you are going to use for the Canon R50 V camera and having a crop in 4K 60 FPS mode doesn’t bother you, then without a doubt, the R50 V is much more usable for you.

Advantages of Sony ZV-E10 Mark II

Similarly, in the Sony ZV-E10 Mark II camera, we are getting uncropped 4K 60 FPS mode, we are getting active image stabilization as well as AI autofocus and ZV-E10’s in-body stabilization, plus some extra features and extra battery life in the Sony camera. The most important factor is the range of lenses available for the ZV-E10 Mark II.

Final Verdict

So for me, the best budget camera is the Canon R50 V, but if you consider lens availability, then you have to spend a lot more to get perfect Canon lenses for your camera.

Decision-Making Pros and Cons Table: Canon R50V vs Sony ZV-E10 Mark II

Sony ZV-E10 Mark II B&H   |  Amazon.com

Canon R50V Camera available at B&H Store | Adorama.com | amazon.com

Category Canon R50V Sony ZV-E10 Mark II
Price

✅ Lower cost at $649 body-only or $849 with kit lens – excellent value for features.

❌ Limited native RF-S lens options can increase long-term costs.

✅ Reasonable at $999 body-only or $1,099 with kit lens for upgraded specs.

❌ Significantly more expensive than R50V, less budget-friendly.

Video Resolution & Frame Rates

✅ 4K 60p (1.5x crop) for smooth motion, great for action or dynamic vlogging.

✅ Uncropped 4K 23.98p for cinematic wide shots.

✅ 1080p 120fps for slow motion.

❌ 1.5x crop in 4K 60p narrows field of view, requiring wider lenses.

✅ 4K 60p (1.1x crop) with less restrictive crop than R50V.

✅ Uncropped 4K 30p/24p (oversampled from 5.6K) for detailed wide-angle shots.

✅ 1080p 120fps for slow motion.

❌ None.

Battery Life

✅ LP-E17 battery, USB-C charging – decent for short shoots.

❌ Likely ~60-90 mins 4K recording – shorter than Sony.

✅ NP-FZ100 battery – ~130 mins 4K recording, significantly longer runtime.

✅ USB-C charging with PD support.

Lens Ecosystem

✅ RF-S mount with RF compatibility – access to high-quality lenses.

❌ Limited native APS-C lenses – fewer affordable options.

✅ E-mount – vast range of APS-C and full-frame lenses, including third-party.

❌ Kit lens (16-50mm) less versatile for video than Canon’s PZ lens.

Also see Canon R50V vs Sony ZV-E10

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