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By admin, on March 18th, 2010
 Panasonic G2k
LUMIX DMC-G2, WORLD’S FIRST* INTERCHANGEABLE LENS SYSTEM CAMERA WITH TOUCH-CONTROL MOVABLE LCD
Panasonic LUMIX G2 Features a 3-Inch Touch-Screen, Allowing for Quick and Intuitive Setting Changes, such as Focus, with a Single Touch
Panasonic announces the LUMIX DMC-G2, the world’s first* digital interchangeable lens system camera with a movable LCD that allows for touch-control, and the successor to the award-winning and revolutionary LUMIX G1, which was the world’s first Micro Four Thirds digital camera. The intuitive touch-control shooting elevates the camera’s operability, letting the user adjust auto focus (AF) simply by touching the subject on the large 3.0-inch 460,000-dot high- resolution LCD. The LUMIX G2, also shoots 720p High Definition video using the AVCHD Lite format, and joins the LUMIX G10, also introduced today, as the latest models in the LUMIX G Micro System.
With the touch-screen operation, users can even snap a photo by touching the LUMIX G2’s screen. Additionally, the touch-screen operation excels not only for shooting but also during playback. Users can touch one thumbnail viewed among many to quickly and easily see the full size of the desired photo. Also, to view images one-by-one, photos can be dragged across the screen to browse as though flipping the pages of a book.
“With the LUMIX G2, Panasonic is pleased to continue to lead the evolution of the Micro Four Thirds platform and also be the first in the industry to offer a touch-screen interchangeable lens system camera,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “Touch-operation is a user interface with which many consumers are both familiar and expect, and we think the LUMIX G2’s touch-operation makes it easier and quicker to take photos and videos that have professional-like effects.”
Using the touch-screen operation, once a user locks onto a subject, the LUMIX G2 enables AF Tracking and will track the subject as it moves within the frame. Then, with a touch on the screen, users can select the part and the size of AF area with the 1-area AF. The Multi-area AF sets a group of AF points according to the composition. While using the manual focus, users can enlarge a subject by touching it and then choosing to enlarge it by 1x, 5x or 10x and then smoothly moving the part by dragging it on the screen. With this touch operation, menu settings can be changed quickly; cutting the time it takes to navigate using standard cursors. However, all setting changes can still be done using the control pad, if preferred.
The LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format, which increases recording capacity and is highly compatible with audio-visual equipment. With a dedicated video record button, users can easily start recording a video. To complement its high-quality video capabilities, the LUMIX G2 features advanced audio options, as sound is recorded with Dolby Digital Creator and an optional accessory stereo microphone can be attached. A Wind Cut function further enhances the sound as it helps reduce noise caused from background wind.
The 3.0-inch touch-operation LCD has a wide-viewing angle and rotates 180° from side to side and tilts 270° up and down, providing approximately 100% of field of view. This free-angle LCD with a touch-screen operation makes it possible to both view and touch the screen from any angle. The double Live-View function offered by the high-resolution, 460,000-dot free-angle Intelligent LCD and 1,440,000-dot 1.4x (0.7x) Live View Finder allows users to see the settings’ results before pressing the shutter.
The 12.1-megapixel Live MOS sensor featured in the LUMIX G2 offers the best of both worlds – the outstanding image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. Advanced technology enables it to read four channels of data simultaneously, helping the LUMIX G2 to deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation. Plus, with the high-speed, high-performance Venus Engine HD II, which has been re-engineered to further improve image quality.
The new high-speed, high-performance Venus Engine HD II supports the new image processing technology Intelligent Resolution, which enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation – are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achieve a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear.
For users looking for additional creative options for both photos and videos, the LUMIX G2 delivers. While shooting HD video, users can set the camera in “P” mode – to change the aperture for professional-like movie effects where the images blur into focus. For still photos, the LUMIX G2 features the My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while also keeping the Custom mode, which lets users manually set the color, brightness and saturation levels and save their favorite settings into memory.
On the other hand, for beginner users not yet ready for manual modes – the LUMIX G2 features iA (Intelligent Auto), a popular setting in the LUMIX point-and-shoots that automatically engages features and settings for optimal image quality by detecting the shooting environment. Panasonic iA is available in both still photo and video recording settings and a new dedicated iA button, which illuminates in blue when engaged, makes it even easier to use this handy feature.
Other features of the LUMIX G2 include:
- Dust Reduction System: If dust or other foreign matter gets inside the camera when you’re changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the G2 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively.
- Included Software: PHOTOfunSTUDIO 5.0 HD Edition makes it possible to sort and organize photos. Videos can be uploaded directly to YouTube using the built-in YouTube uploader – even in HD quality. It also lets you create a 360-degree rotation panorama file in .MOV files. The software is compatible with the Windows 7.
The Panasonic LUMIX G2 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. Additionally, the LUMIX G2is compatible with all Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera.
The LUMIX DMC-G2 and other LUMIX G Micro System digital cameras can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R. Other accessories include external flashes, filters, a remote shutter, HDMI mini cables and a variety of stylish straps and bags. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix. The Panasonic LUMIX G2 will be available in red, blue and black models and pricing and availability will be announced 30 days prior to shipping date.

*As of March 7, 2010.
- Design and specifications are subject to change without notice.
- Some functions may not be available depending on the lens that is mounted.
- Use a card with SD Speed Class with “Class 4” or higher when recording motion pictures in [AVCHD Lite]. Also, use a card with SD Speed Class with “Class 6” or higher when recording motion pictures in [MOTION JPEG].
- The “AVCHD Lite” and the “AVCHD Lite” logo are trademarks of Panasonic Corporation and Sony Corporation.
- Dolby and the double-D symbol are trademarks of Dolby Laboratories.
- YouTube is a trademark of Google Inc.
- Windows and the Windows logo are trademarks of the Microsoft group of companies.
By admin, on March 18th, 2010
 Panasonic
SECAUCUS, NJ (March 7, 2010) – Panasonic today introduces a new interchangeable lens for its LUMIX G Micro System, the ultra-compact and lightweight LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens offers versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. The LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens will be part of the kit lens for the latest additions to the LUMIX G Series of digital cameras: the LUMIX DMC-G10 and LUMIX DMC-G2, also introduced today.
The new LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens incorporates Panasonic’s MEGA O.I.S. (Optical Image Stabilizer), which makes it easy to shoot clear photographs, even in low-lit situations, by suppressing the blur caused by a shaky hand. Adopting an inner-focus system driven by a stepping motor, the superior optical design realizes outstanding smoothness to support the high-speed AF (Auto Focus) system of LUMIX G cameras. When mounted on any of these cameras, this new lens allows users to maximize all of the AF system’s functions.
With its minimum focus distance of 30cm even at full zoom, this lens provides a maximum photographic magnification of 0.32x (35mm equivalent). Seven aperture blades make up a circular aperture diaphragm to produce an attractive smoothness in out-of-focus areas even when shooting at a large aperture. The LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens system uses multi-coated lens elements that reduce blur, helping to deliver superior performance. This new lens system also features excellent contrast even at its highest zoom level. The inclusion of an aspherical lens improves optical performance by minimizing distortion, even at the 28mm wide end. For more information on the Panasonic LUMIX G Series digital cameras, lenses and accessories, please visit www.panasonic.com/lumix.
By admin, on March 18th, 2010
A900 allows you to perfectly capture the moment, a dual-cross, 9-point 24.6-megapixel full resolution AF sensor which provides fast, accurate focus
Click here to see Sony Alpha DSLR A900 Sample Images
By admin, on March 17th, 2010
 PowerShot SX210 IS
Canon strengthens its PowerShot range with the launch of a compact super-zoom that raises the bar in high-zoom, wide-angle photography. Replacing the highly-acclaimed PowerShot SX200 IS, the new PowerShot SX210 IS is aimed at users seeking powerful performance in a highly compact body, and features a broad range of advanced technologies and customisable controls suited to mastering any photographic challenge.
Boasting a genuine Canon wide-angle 14x zoom lens, 14.1 Megapixel resolution and DIGIC 4 processing, the POWER SHOT SX210 IS is a superbly versatile compact camera that offers flexibility for use on any occasion. Ideal for shooting everything in incredible detail, the stunning stills are also complemented by high-quality 720p HD video with a huge zoom and stereo sound – all in a sleek, pocket-friendly metal body.
Capture the bigger picture
Available in black, purple and gold, the PowerShot SX210 IS truly stands out from the crowd. Its 14.1 Megapixel sensor and 28mm wide-angle lens make it great for capturing sweeping landscapes in high resolution, while its powerful 14x optical zoom provides a 392mm maximum equivalent focal length, allowing users to frame distant subjects with ease. Canon’s advanced optical Image Stabilizer (IS) also accurately compensates for camera shake, delivering blur-free images at all focal lengths and in low light.
A new 7.6 cm (3.0”) widescreen PureColor II G LCD features a 230,000-dot resolution, displaying images with pin-sharp clarity. Using a tempered glass design, the PureColor II G LCD offers increased strength, and its thin construction provides higher contrast and improved visibility in shooting and playback. Wide viewing angles make it easy to share images with friends immediately after capture, while the 16:9 aspect ratio is ideal for capturing and viewing HD video.
Smart Auto, Face Detection and much more – the power of DIGIC 4
The PowerShot SX210 IS utilises the latest DIGIC 4 processing, providing superb image quality and fast operation. Employing a number of powerful, intelligent technologies, DIGIC 4 empowers users to capture their best memories exactly as they experienced them.
Smart Auto with Scene Detection Technology makes it easy for users to get outstanding pictures in all conditions, intelligently detecting the scene and selecting the optimum settings from 22 variables. i-Contrast maximises brightness gradation every time a shot is taken, revealing detail in dark areas of pictures while preventing blow out in highlights – a tool that can also be used to correct photos in playback mode. New Smart Flash Exposure also controls flash levels according to shooting conditions, providing the right amount of flash for all situations, from brightly backlit scenes to macro shots.
Motion Detection Technology combats image blur by monitoring camera shake, brightness and subject movement, before setting the optimal shutter speed and ISO level. Servo AF mode now includes Servo AE, tracking moving subjects and continuously correcting focus and exposure to ensure that pictures are correctly captured when the shutter button is pressed.
Canon’s advanced Face Detection Technology identifies up to 35 faces in each frame, ensuring that portraits and group shots are always in focus and well exposed. Smart Shutter mode also uses Face Detection Technology to remotely control the shutter, allowing users to take a picture with a simple smile or a wink. FaceSelf-Timer makes it easy for the photographer to join group photos, analysing the scene and waiting until an additional face has entered the frame before taking the shot.
Complete creative control
The PowerShot SX210 IS offers full manual control over camera settings, allowing users to get more creative with their pictures. Aperture, shutter speed, ISO and focusing can all be controlled manually, enabling users to experiment with their images and develop their photographic skills.
New and creative shooting modes also make photography fun for beginners. A new Fish-eye Effect mimics the distortion of a fish-eye lens, while a Miniature Effect can make subjects look like miniature-scale models. For users that just want to point and shoot, Easy Mode is a truly automatic feature – disabling access to advanced settings and removing screen icons so users can concentrate solely on the subject they want to shoot.
HD movies with stereo sound
Users can capture quality HD video on demand, thanks to a dedicated movie record button that allows them to immediately start shooting movies, even if the camera is not set to Movie mode. For the first time in any Canon compact camera, Smart Auto technology has been extended to movies, intelligently detecting shooting conditions and selecting optimum settings from 18 variables.
720p HD footage is recorded at 30 frames per second, with stereo sound included to provide high quality audio, while the quiet 14x zoom lens offers the capacity to zoom close up to subjects that would normally be out of the reach.
For smooth movie capture, the PowerShot SX210 IS also features a new Dynamic Image Stabilizer. A technology inherited from Canon video cameras, Dynamic IS further reduces the shake caused by a user’s movement, such as walking. When movies have been captured, the integrated HDMI mini connection offers a lossless way to share video – and images – on HDMI-compatible devices including HDTV screens.
Never stop shooting with SDXC memory
The PowerShot SX210 IS is compatible with SDHC and SDXC memory cards offering up to 2TB (SDXC only) of storage capacity, providing users with enough space to shoot thousands of high quality images or hours of video without needing to change cards. Smart Shuffle function offers a new and enjoyable way to browse photos stored on memory cards, presenting suggestions of pictures similar to the one that is being viewed.
For users who want to transfer content wirelessly, the PowerShot SX210 IS includes Eye-Fi connected functions. The camera features a dedicated Eye-Fi section in the User Interface, on-screen icons, and will disable the automatic power-down function when an Eye-Fi card is detected – allowing users to transfer content easily and without interruption.
YouTube™ upload – share videos online in minutes
The CameraWindow software supplied with the PowerShot SX210 features an integrated YouTube™ upload function, providing the capacity to log-in and upload video directly from the camera to the Internet via a computer.
CANON iMAGE GATEWAY – share your stories
Owners of the new PowerShot SX210 IS are entitled to free membership of CANON iMAGE GATEWAY, an online facility for sharing photos and video. Users can take advantage of up to 2GB of personal storage capacity, creating enough room for hundreds of high-quality images. Mobile browsing is also supported, making it easy for friends and family to view photos on the move.
PowerShot SX210 IS – key features:
- 14x zoom, 28mm wide-angle genuine Canon lens
- 14.1 Megapixels with compact, metal body in three colour options*
- Canon 4-stop optical Image Stabilizer with Dynamic IS
- Wide 7.6cm (3.0″) PureColor II G LCD with enhanced strength and visibility
- HD Movies (720p) with optical zoom, stereo sound and HDMI
- Easy to use with Smart Auto, Face Detection and on-screen Hints & Tips
- Smart Flash Exposure and i-Contrast for best results in all situations
- DIGIC 4 and Servo AF/AE for ultra-fast response and high image quality
- Manual, Av and Tv modes for full creative control
- Shooting modes including Smart Shutter, Low Light, Fish-eye and Miniature Effect
Pricing & Availability
The PowerShot SX210 IS is available from March 2010 priced at £359.00/ €399.00 RRP inc. VAT, and Approx 20k in INR
By admin, on March 17th, 2010
The D3S’s D-Movie function holds the most creative and operational potential of any Nikon D-SLR yet, Click on the link below to see sample video
http://imaging.nikon.com/
By admin, on March 17th, 2010
Click on the below to see Nikon D3S Sample images
http://imaging.nikon.com/
By admin, on March 17th, 2010

Professional digital SLR with the newly designed FX-format CMOS image sensor and HD movie capability, delivering improved ultra-high sensitivity, image quality and response speed.
TOKYO – Nikon Corporation is pleased to announce the introduction of its newest FX-format digital SLR flagship for fast response and high light sensitivity: the Nikon D3S.
Standing on the shoulders of the world-renowned D3, the D3S takes the potential of Nikon’s proprietary FX format to incredible new levels designed to meet or exceed a professional’s high standards. The D3S delivers ISO 200 to ISO 12800 as standard, with the excellent noise control and wide dynamic range that the D3 is famous for. This provides photographers of any discipline with additional latitude to achieve quality images in most lighting situations. When needed, ISO sensitivity can be expanded from Lo 1 (ISO 100 equivalent) up to Hi 3 (ISO 102400 equivalent), making a significant difference in extremely low-lit shooting scenarios and other situations where faster shutter speeds or more depth of field is required.
In a first for an FX-format flagship, the D3S incorporates the HD-quality D-Movie function, letting users take full advantage of the wide dynamic range and high ISO performance, including the breakthrough High-Sensitivity Movie mode. The D3S’s D-Movie also offers compatibility with an external stereo recording microphone, as well as convenient in-camera editing functions such as the ability to select the starting or ending points in order to trim D-Movie footage, as well as the option to save selected movie frames as JPEGs. The D3S shoots approximately 9-frames-per-second high-speed continuous shooting in FX format and 11 fps in DX format, with a buffer twice the size of the D3’s. These features, along with a 0.04-second* shutter release time lag and improved AF accuracy work seamlessly for lightning-fast responses. Various improvements in ergonomics, operation, and reliability, such as image sensor cleaning, will help photographers focus on shooting under any conditions. When combined with state-of-the-art NIKKOR lenses and the Nikon Total Imaging System, which includes Nikon Speedlights, wireless transmitters and various software, the D3S delivers exceptional quality and versatility for an unprecedented variety of professional and personal assignments.
* Based on CIPA Guidelines.
Nikon D3S Feature Highlights
ISO performance: ISO 12800 as standard, expandable to ISO equivalent of 102400 (Hi 3)
Professional photographers can now rely on ISO 200 to ISO 12800 as the professional standard of image quality for their assignments — an incredible advantage when shooting indoor sports, stadium events at night, dimly lit spot news or any other shooting situation where light is limited and Speedlights are not applicable. Shooting at ISOs as high as 12800, the D3S can take commercial-quality, tack-sharp images in low light at action-freezing shutter speeds — a capability that will open a new world of photographic opportunities. When needed, the D3S expands to the amazing ISO equivalent of 102400, still revealing colors and details even in extremely low-lit places where human eyes may find it difficult to discern objects. This exceptional low-noise performance also applies to D-Movie capture, which creates new potential for multimedia projects and assignments.
Large pixel pitch: the 12.1-megapixel FX-format advantage
The D3S’s image sensor has been completely redesigned from the one utilized in the D3. This new sensor’s inner structure has been further optimized, with the pixel count and large pixel pitch maintained for even greater latitude in high ISO performance. As a result, the D3S captures and renders light in ways that no other ordinary digital SLR cameras have yet achieved, with a significantly higher signal-to-noise ratio and a wide dynamic range for unmatched image quality for both still images and movies throughout the broadened ISO sensitivity capabilities.
New and improved D-Movie function
From well-lit scenes to extremely low-lit situations, the D3S’s D-Movie mode delivers unique versatility. The newly refined D-Movie offers HD quality (1,280 x 720 pixels) Motion-JPEG movies at 24 fps. By controlling the aperture from the widest f-stop to the smallest, the large FX-format sensor renders low-noise images with beautiful bokeh effects from a large selection of NIKKOR lenses. High-Sensitivity Movie mode allows users to shoot at up to ISO equivalent of 102400 in places too dark to see clearly with their own eyes. D-Movie footage is easy to trim in-camera by simply selecting the starting or ending point. An extra bonus for sports and spot news photographers is the ability to save selected movie frames as JPEGs for immediate print and web publishing needs. The D3S has both an internal monaural microphone and an external stereo microphone input, enabling higher fidelity audio recording.
Image sensor cleaning: assured protection
Another important improvement from the D3 is the employment of the Image Sensor Cleaning function, which generates vibrations at four specific frequencies to optimize dust removal. This function can be set to operate automatically when the camera is turned on and off, or manually.
EXPEED: Nikon’s comprehensive approach to quality digital images
Nikon’s fast, comprehensive, and energy-efficient approach to in-camera image processing maintains the rich initial data’s integrity through 14-bit A/D conversion and a 16-bit image-processing pipeline, which shows the enormous creative potential inherent in the NEF (Nikon Electronic Image Format). Combined with Nikon’s FX-format sensor, the D3S produces an exceptional tonal range and minimized tone jumps. Users can expect more accuracy with difficult color combinations such as skin tones and strong reds in the same frame without over-saturation, plus finer tonal gradation in highlights, even with extremely bright subject matter.
Lateral chromatic aberration reduction: edge-to-edge sharpness
The D3S corrects color fringes caused by chromatic aberrations that, in some instances, can appear at the edges between differing subject elements. Because lateral chromatic aberrations are corrected regardless of lens type — whether telephoto, wide-angle, non-CPU and other types of NIKKOR lenses — this important aspect of the D3S contributes substantially to the highly refined, edge-to-edge image integrity that professionals demand.
Active D-Lighting: rescuing tone in highlights and shadows
Nikon’s Active D-Lighting automatically regulates the dynamic range of high-contrast scenes, pulling out shadow details and preserving highlights while maintaining proper contrast. The D3S allows photographers to choose from six Active D-Lighting settings, including the newly added Auto and Extra high, as well as High, Normal, Low and Off. You can also bracket Active D-Lighting strength levels up to five frames and select the best rendition afterwards.
Picture Control: custom-tailored tone and color
Picture Control helps you define the look and feel of your images by custom-tailoring sharpness, saturation and other parameters to match your creative intentions. The D3S comes with four pre-installed Picture Control profiles, which can be fine-tuned and saved as new custom Picture Control profiles that match your personal shooting style or particular shooting conditions. These profiles can easily be copied to additional cameras.
Speed and readiness throughout the workflow
The D3S optimizes workflow speed and fluidity throughout the entire shooting process. Start-up time is approx. 0.12 seconds* and release time lag is minimized to approx. 0.04 seconds*, exactly as fast as the D3, but the D3S’s increased buffer memory is twice as large as that of the D3’s. In addition, the D3S’s autofocusing, image processing, memory card access and recording, USB interface and optional wireless transmitter all work together to keep professional photographers focused and moving forward. And for sport and spot news photographers, many of the D3S’s JPEG files are print-ready with little or no post-production: an extra edge when time is short. * Based on CIPA Guidelines.
9-frames-per-second* shooting rate in FX format, 11 fps* in DX crop
The D3S’s continuous shooting rates are impressive, but what makes them truly unique is that the D3S’s powerful stepping motor allows for a steadier delivery of fast continuous shooting speeds at a wider range of aperture settings than lesser cameras can achieve. Professionals will now have greater control and fewer limitations when creating the images they desire. With the DX crop, photographers can also add a 1.5x picture angle and a faster frame rate to their arsenal. Furthermore, the factory-installed buffer memory is twice the capacity of the D3, dramatically increasing the power of continuous shooting.
* Based on CIPA Guidelines.
Scene Recognition System: enlightened accuracy and intelligence
Nikon’s exclusive 1,005-pixel RGB sensor precisely reads brightness and color information to raise the overall accuracy of AF, AE, i-TTL flash control and auto white balance to new heights, thanks to the Scene Recognition System. The D3S’s AF delivers superb subject tracking and subject identification performance. Highlight analysis used for AE reproduces brightness faithful to what your eyes see, and light source identification makes auto white balance uniquely precise and reliable.
51-point AF: fast and accurate subject acquisition
The D3S’s strategically positioned 51 AF points deliver faster focus, even with quick and/or erratic subject movement. The 15 cross-type sensors in the center of the frame maintain the same outstanding performance with any AF NIKKOR lens f/5.6 or faster. There are four Dynamic-area AF options, including 51 points (3D-tracking), which accurately follows your subject by shifting focus points using color and brightness information from the Scene Recognition System. This gives users an extra advantage when composition is important but your subject’s movement is extremely erratic. Single-point and Auto-area AF modes are also available.
Sophisticated AE with highlight analysis
Nikon’s exclusive 3D color matrix metering II is highly praised for its outstanding performance and faithful exposure results — even in complex, unforgiving lighting conditions. The D3S takes accurate exposure further, using highlight analysis from the Scene Recognition System and then carefully selecting from a database containing information from over 30,000 actual shooting situations.
Informed auto white balance
Leading professionals often note that Nikon’s auto white balance exhibits remarkable results, even in challenging conditions with mixed light sources. With the D3S, auto white balance makes even further progress. Professionals can expect white as truly white in a wider variety of settings.
Approx. 100% frame coverage
The D3S’s large prism gives you the FX-format visual advantage when you shoot. Not only is the viewfinder image larger and brighter, the focusing screen is also carefully designed to help you more intuitively sense sharp focus, be it manual or autofocus.
Superior durability
For the reliability professionals demand, the shutter of the D3S has been tested for up to 300,000 cycles in fully assembled cameras under rigorous conditions. The ruggedly constructed D3S employs a strong yet lightweight magnesium alloy for its body, exterior cover, chassis and mirror box. Furthermore, a comprehensive series of O-rings and other specialized seals, combined with additional Nikon engineering, protect the D3S against invasive moisture, dust and even electromagnetic interference.
Twin CF card slots
The D3S lets you designate each card slot for certain tasks: record two full CF cards of data sequentially for a large amount of storage, record the same data onto two cards (backup), record RAW and JPEG simultaneously onto separate cards, and transfer data from one card to another. You can also designate the slot for data-heavy D-Movie recording.
Long-life battery
The D3S uses an EN-EL4a rechargeable battery. Power consumption and power management systems have been engineered for greater operating efficiency, so you can expect long battery life, shooting up to 4,200 images* per charge.
* Based on CIPA Standards.
Easy-to-access Live View mode
The dedicated Live View button gives you instant access to two Live View modes: Tripod mode for accurate AF operation and Hand-held mode for more versatile shooting angles. The speed for Contrast-detect AF in Tripod mode has also been improved for enhanced practicality.
Quiet Shutter-release mode for nonintrusive shooting
Photographers can select “Q” on the release mode dial to substantially reduce the sound of the camera’s mirror-down during shooting. This is particularly useful when shooting in restrictive conditions such as when photographing theatrical performances or wildlife.
3-in., approx. 921k-dot color, 170° viewing angle LCD monitor
The D3S’s large, high-resolution LCD monitor delivers bright, crisp image playback with up to 27x enlargement for immediate and precise image confirmation. Each LCD is covered with scratch-resistant tempered glass and individually calibrated and fine-tuned at the factory to ensure consistent performance.
Additional Nikon D3S Features
- Newly added image area of 1.2x crop (30 x 20) format with approx. 8.4 megapixels
- Multiple exposure operation that can be repeated by designating the function to the bracketing button
- Electronic virtual horizon that is available in Live View shooting
- Extended menu banks that store up to four combinations of exposure mode, shutter speed and aperture value
- Versatile in-camera Retouch Menus, including RAW processing to enhance your images without using a computer
- Compatible with HDMI (High-Definition Multimedia Interface) output. Type C connector (mini size) is employed.
- With the optional GPS Unit GP-1, location information such as latitude, longitude, altitude and time are automatically recorded to each image’s EXIF data. The Time Adjustment feature, which adjusts your camera’s time zone, is also available using the GP-1. Especially useful for group assignments that require several D3S cameras to be synchronized.
- Exclusive Nikon Software — Nikon Transfer and ViewNX software packages (supplied) for a range of basic photo browsing and editing operations; Capture NX 2, Camera Control Pro 2, and Image Authentication Software (all optional) enable more advanced operation and image editing.
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