Join More Than 50,000+ Subscribers and get latest camera news and rumors

NEW CAMERA VIDEOS ON YOUTUBE

NEW CAMERA LINKS
NEWS News about new camera
Hot at New Camera Hot Picks by New Camera

Camera Rumors List of all latest Camera Rumors on Web.
Canon Rumors Latest Canon Rumors.
Nikon Rumors Latest Nikon Rumors.
Sony Rumors Latest Sony Rumors.

Sample Images Click here to see New Camera Sample Images.
Sample Video Click here to see New Camera Sample Video.
Firmware Update

Sony A7 IV vs Canon R6

Sony A7 IV vs Canon R6 – Take a look at the specification comparison between the two

Lens Mount Sony E Canon RF
Sensor Type 35.9 x 23.9 mm (Full-Frame) CMOS 36 x 24 mm (Full-Frame) CMOS
Sensor Resolution Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 21.4 Megapixel
Effective: 20.1 Megapixel (5472 x 3648)
Crop Factor None None
Aspect Ratio 1:1, 3:2, 4:3, 16:9 1:1, 4:3, 16:9
Image File Format JPEG, Raw, HEIF JPEG, Raw, HEIF
Bit Depth 14-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis, 5 Stops of IS Sensor-Shift, 5-Axis,  8 Stops of IS

Exposure Image

Sony A7 IV Canon EOS R6
ISO Sensitivity Auto, 100 to 51200 (Extended: 50 to 204800) Auto, 100 to 102400 (Extended: 100 to 204800)
Shutter Speed 1/8000 to 30 Second
Bulb Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range -3 to 20 EV -3 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG) Mechanical Shutter
Up to 12 fps at 20 MP for up to 1000 Frames (JPEG) / 240 Frames (Raw)
Electronic Shutter
Up to 20 fps at 20 MP for up to 1000 Frames (JPEG) / 240 Frames (Raw)
Interval Recording Yes Yes
Self-Timer 2/5/10-Second Delay 2/10-Second Delay

Video modes of both the camera

Sony A7 IV Canon EOS R6
Recording Modes H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [50 to 200 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [30 to 150 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s]
XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
H.265 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/29.97p/59.94p [170 to 340 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p/59.94p/119.88p [28 to 180 Mb/s]
H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/29.97p/59.94p [120 to 230 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p/59.94p/119.88p [12 to 120 Mb/s]
External Recording Modes 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:2 10-Bit
UHD 4K (3840 x 2160) up to 59.94p
Recording Limit Unlimited Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Linear PCM (Stereo) AAC, Linear PCM
Live Streaming Yes
Webcam Functionality Yes

AutoFocus Types

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 759
Contrast Detection: 425
Phase Detection: 1053
Autofocus Sensitivity -4 to +20 EV -6.5 to +20 EV

Viewfinder

Viewfinder Type Electronic (OLED) Electronic (OLED)
Viewfinder Size 0.5″ 0.5″
Viewfinder Resolution 3,680,000 Dot 3,690,000 Dot
Viewfinder Eye Point 23 mm 23 mm
Viewfinder Coverage 100% 100%
Viewfinder Magnification Approx. 0.78x Approx. 0.76x
Diopter Adjustment -4 to +3 -4 to +2

Display

Sony A7 IV Canon R6
Size 3.0″ 3.0″
Resolution 1,036,800 Dot 1,620,000 Dot
Display Type Free-Angle Tilting Touchscreen LCD Free-Angle Tilting Touchscreen LCD

Card Slots

Sony A7 IV Canon R6
Media/Memory Card Slot Slot 1: CFexpress Type A / SD (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Dual Slot: SD/SDHC/SDXC (UHS-II)
Connectivity HDMI A (Full Size), USB Type-C (USB 3.2 Gen 2), USB Micro-B (USB 2.0), 3.5mm Microphone, 3.5mm Headphone USB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Headphone, 3.5mm Microphone
Wireless Wi-Fi
Bluetooth
Wi-Fi
Bluetooth
GPS No No

Sony A7 IV Officially Announced - Press Release, Full Specification and More..

Sony finally announced the new Sony A7 IV camera today. the camera features a newly developed 33 MP  Exmor R BSI CMOS Sensor. Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7 IV raises the bar for what a full-frame mirrorless camera is capable of. The new A7 IV uses a BIONZ XR processor, the same image processor we have seen in the Sony in the A7S III camera, which offers a whopping 15+ stops of dynamic range as well as the new A7 IV processor is 8x more processing power than the BIONZ X processor found in the A7 III.

Buy Sony A7 IV Camera at Amazon.com 

Buy Sony A7 IV Camera at B&H Store

Both cameras feature the same High ISO range up to 204800, but due to the new image processor with a new image decoding algorithm as well as a new higher-resolution sensor on the board we will get more details with less noise in the new Sony A7 IV camera compared to the Sony A7 III.

10 Bit internal recording is one of the key eye-catching features of the new Sony A7 IV camera, and that is why it becomes a perfect companion for a filmmaker too looking for a perfect Mid-range Mirrorless camera. 4K/30p video is oversampled from 7K, but unfortunately 4K/60p is oversampled from 4.8K in the APS-C Super 35 mode. So when shooting in 4K at 30p, the camera utilizes the full width of the image sensor to oversample from 7K’s worth of data, but at 60p, a 1.5x crop is applied.

Sony has done a lot of work in improving the AF mechanism of the camera, although the number of Hybrid AF points is slightly improved but we do have a major change in Sony A7 IV It also has the recent focusing algorithm that’s the same as the one used by the recently released A7S III, we also have a major upgrade in the buffer memory of the Sony A7 IV camera when shooting Raw files, being able to shoot at 10fps for up to 830 JPG+RAW images in one high-speed burst.

The Sony A7 IV is a very impressive camera and we do hope and expect it will create a major impact on the Fullframe mirrorless market.

Press Release Sony A7 IV

Sony Electronics’ Alpha 7 IV Goes Beyond ‘Basic’ with 33-Megapixel Full-frame Image Sensor and Outstanding Photo and Video Operability

San Diego, CA – October 21, 2021 – Sony Electronics Inc. today announced three new additions to its imaging line-up: the Alpha 7 IV interchangeable-lens camera (model ILCE-7M4) with a newly developed 33-megapixel (approx.,effective) full-frame image sensor, as well as two new flashes – the HVL-F60RM2 and HVL-F46RM.

The Alpha 7 IV takes “basic” to the next level for full-frame cameras with excellent image quality and performance, redefining the lofty standards set by the acclaimed Alpha 7 III. The new model features many of Sony’s most advanced imaging technologies, including the latest BIONZ XR™ processing engine and advanced AF (autofocus) capabilities from the flagship Alpha 1 combined with streamlined operability and enhanced reliability for photos and movies, making it the perfect all-around camera for today’s imaging enthusiasts and professionals. The Alpha 7 IV also boasts a 33MP (approx., effective) image resolution, rich movie expression and various features to support the growing demand for remote communication, bringing new meaning to what a “basic” camera can accomplish.

“Since its introduction over three years ago, the Alpha 7 III has made tremendous impact in our industry, completely redefining the expectations for what can be accomplished with a ‘basic’, or entry-level full-frame camera,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Now, it’s time to break through all existing boundaries again. The Alpha 7 IV brings together the best of Sony imaging technologies in both photo and video to deliver a high-end experience to a wider range of customers. This gives today’s creators a new level of freedom to capture, create and share in ways that they’ve never been able to before, no matter the situation in which they find themselves.”

Alpha 7 IV: Innovation Never Ends

The new Alpha 7 IV is an exceptional hybrid camera packed with outstanding still image quality and evolved video technology with advanced autofocus, enhanced operability and improved workflow capability. The model was developed with the environment in mind by using Sony’s original recycled plastic SORPLAS™ for the camera body and packaging with recyclable  materials and less plastic.

Outstanding Image Quality

Thanks to a newly developed 33MP (approx., effective) full-frame back-illuminated Exmor R™ CMOS image sensor, superior image quality and Wide ISO sensitivity range expandable to ISO 50 – 204,800 is achieved. The high resolution enables the Alpha 7 IV to express smooth gradation, fine details and textures of the subject while reducing noise, and its 15-stop dynamic range allows a wide expressive range while Creative Look settings can help create original looks effortlessly for both stills and video.

Next-Level AF performance

The latest BIONZ XR™ processing engine is the same that is used in Sony’s flagship Alpha 1, delivering high-speed AF, uninterrupted continuous shooting up to 10fps with AF/AE tracking and a large buffer for a prolonged shooting experience. The Alpha 7 IV tracks subjects with tenacious Real-time Tracking and 759 phase-detection AF points in a high-density focal plane phase-detection AF system that covers approximately 94% of the image area. Additionally, for the first time, Real-time Eye AF can now track birds’ and animals’ eye for both still images and movies, in addition to humans. The Alpha 7 IV also has face and eye detection accuracy for humans that is improved by approximately 30% compared to the Alpha 7 III.

Evolved Movie Technology

The Alpha 7 IV inherits technology taken from real-world movie production, including the S-Cinetone™ picture profile adopted from Sony’s highly regarded Cinema Line cameras. This delivers a rich, cinematic look that has become popularized by a broad range of cinematographers and filmmakers who are shooting on Sony. High quality movie is achieved with 4K 60p recording in Super 35mm mode and up to 4K 30p recording with 7K oversampling is available in full-frame mode. The new camera also features 10-bit depth 4:2:2 color sampling to enable natural gradation, XAVC S-I™ intra-frame encoding for more efficient editing workflows and XAVC HS™ H.265 long-GOP for doubled compression efficiency.

To meet the growing need for precise autofocus performance when shooting videos, unique AF features are achieved when using the Alpha 7 IV with a Sony E-mount lens, including AF Assist that supports focus transitions when using AF, and Focus Map that visualizes depth of field. For the first time in the Alpha series, the new camera features Breathing Compensation to combat focus breathing and maintain a consistent angle of view throughout focus changes and can be switched on or off.

Advanced Operability as a Genuine Hybrid Model

The Alpha 7 IV is a hybrid still and video camera with outstanding operability and reliability that easily allows the user to switch from photo to video and back at their convenience. New to Sony’s lineup of Alpha cameras is a dual-layer mode dial, with a lower layer for selecting Still/Movie/S&Q and a top layer for Auto/P/A/S/M and MR (Memory Recall), enabling users to quickly select and switch between the dedicated settings. It also has 5-axis optical in-body image stabilization for a 5.5-step[v] shutter speed advantage, an improved grip for greater comfort, and a CFexpress Type A compatible media slot to support media with faster writing and clearance. Additionally, the 3.68 million-dot (approx.) OLED Quad-VGA viewfinder is 1.6 times the resolution of the Alpha 7 III viewfinder, benefiting users with an upgraded live-view image quality that minimizes false color and increases resolution.

Videographers can record 4K 60p 10-bit 4:2:2 video continuously for more than an hour thanks to the camera’s heat-dissipating structure. Optical ‘Active Mode image stabilization further stabilizes movie shooting. They can also benefit from the 3-inch (3.0-type) 1.03 million-dot (approx.) side-opening vari-angle touch-panel rear LCD monitor, top-panel REC button and high-capacity Z-series battery.

The Alpha 7 IV body is built with magnesium alloy to achieve a robustness while minimizing its weight. In addition, the redesigned structure and lens lock button contribute to enhanced dust and moisture resistance.

Enhanced Workflow Capabilities

By offering a variety of connectivity options, the Alpha 7 IV enables on-the-spot streaming and sharing of high-quality content to meet the growing need for remote communication in real-time without sacrificing excellent image and sound quality. The connection between the camera and Imaging EdgeMobile™ application[viii] is simplified via Bluetooth, and fast data transfer is possible by 5GHz/2.4.GHz Wi-Fi.

The camera also has a new feature called “Shot Mark” to enable easy access to the marked scenes in a video clip, within camera and on Sony’s Catalyst Browse/Prepare applications.[ix]

Moreover, the camera has a range of new features to support live streaming and remote communication without needing dedicated software. UVC (USB Video Class) and UAC (USB Audio Class) turn the Alpha 7 IV into a high-performance live streaming camera when connected to a computer or smartphone[x]. High image quality such as 4K 15p and 1080 FHD 60p deliver realistic video for remote sharing and the Alpha 7 IV’s digital audio interface can be paired with a range of mics and accessories to deliver high quality sound.

Finally, Sony plans to offer a new cloud service next year, “AI Video Editing Studio”, for automated editing with AI technology. To allow creators to focus on more creative tasks, “AI Video Editing Studio” automatically performs initial editing in the cloud, using AI technology. Sony will continue to strive to offer a wide variety of imaging experiences and services through the active integration and advancement of cameras, cloud and AI.

Designed with the Environment in Mind

In line with Sony’s environmental efforts based on the “Road to Zero” initiative, environment was an important factor in the development of the Alpha 7 IV’s design, production and packaging. The camera uses recycled plastic, SORPLAS™, which does not depend on non-renewable resources and is produced at the sites by using renewable energy such as solar power generation. The product packaging also adopts recyclable plastic-reduced materials.

HVL-F60RM2 and HVL-F46RM: Powerful Flashes to Evolve Alpha Lighting System

The HVL-F60RM2 with GN 60 and 20-200mm coverage and HVL-F46RM with GN 46 and 24-105mm are powerful wireless flashes to offer precise control, enhanced high-speed and intuitive operability. They are designed to meet the needs of both professional and advanced content creators when shooting with a Sony Alpha camera, including the Alpha 7 IV, to offer the ultimate Alpha Lighting System by the detailed communication between cameras and external flash.

Both flashes have upgraded continuous shooting flash performance, up to 200 consecutive flashes at 10 frames per second for the HVL-F60RM2 and 60 times for the HVL-F46RM. The optimized flash algorithm ensures both flashes are overheat-resistant, and a set of four Ni-MH (Nickel-metal hydride) batteries can power up to 240 flashes with a 1.7 second recycle time for the HVL-F60RM2 and up to 320 flashes with a 2.0 second recycle time for the HVL-F46RM .

When used in combination with an Alpha camera, they allow users to experience the unique communication and system benefits of the Alpha Lighting System that sets a new standard for mirrorless camera lighting systems. For example, with the Alpha 7 IV, P-TTL flash control metering for every frame in Mid, and Hi continuous mode has become possible in addition to Lo continuous mode. The flash release time lag is also shortened to capture momentary facial expressions and movements of the subject.

With the Alpha 1, the HVL-F60RM2 achieves a phenomenal up to 20fps of continuous shooting and approximately 20 flashes per second can be produced for more than 10 seconds with the external flash battery adapter FA-EBA1 (sold separately). When the Alpha 1 is used with Sony’s flashes, including HVL-F60RM2 and HVL-F46RM, users can sync up to 1/400 second shutter speed to expand expressive capabilities when shooting in full-frame mode. In addition, with the silent electronic shutter of the camera, silent flash shooting is possible when absolute silence is required.

Other system benefits of HVL-F60RM2 and HVL-F46RM with an Alpha camera include:

  • Flash parameters controlled directly from the menu of a compatible camera
  • Flash control linked to camera face detectionxv
  • Automatic correction of white balance based on the color temperature information from the flash

Both flashes also feature improved robustness and operability. The Multi Interface shoe with Sony’s unique metal shoe foot with rugged side frame significantly increases strength and reliability. Shoe sealing helps the flashes to be more dust and moisture resistant[xvi]. The HVL-F60RM2’s original rotating head mechanism, “Quick Shift Bounce,” that enables flexible positioning and optimum lighting control has also been improved to prevent unintended change in the bounce angle.

They support wireless radio communication and can control up to 15 flashes and/or receiver units in 5 groups via wireless radio communication for enhanced lighting control versatility.

Visual Story is now Supported on Android

“Visual Story” is a mobile application for professional event photographers and video creators to enable immediate and automatic delivery of photos and movies  to their clients after an event through gallery creation, utilize AI (artificial intelligence) assistance for easy image selection, upload assets online and more. While the Visual Story app is already available to iOS users, Android user can now also take advantage of the benefits Visual Story provides to professional photographers and videographers.

When using the Alpha 7 IV, “Shot Mark” is also supported by Visual Story on iOS Version 2.1.

Pricing and Availability

The new Alpha 7 IV will be available in December 2021 for approximately $2,500.00 USD and $3,200.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America. The PCK-LG2 Screen Protect Glass Sheet accessory for the Alpha 7 IV will be available at the same time.

A kit version with Sony’s FE 28-70mm F3.5-5.6 OSS zoom lens will also be available for approximately $2,700.00 USD and $3,400.00 CAD.

The new HVL-F46RM will be available in November 2021 for approximately $400.00 USD and $550.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The new HVL-F60RM2 will be available in November 2021 for approximately $550.00 USD and $750.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

 

 

Nikon Z9 3rd Teaser Video

Nikon Z9 3rd Teaser Video – This shows us the AF capability of the camera. I really like how smooth the eye AF / subject tracking is done in the Nikon Z9 camera.

See more on Nikon Z9

Sony A7 IV Review Posted by TonyNorthup Before Official Announcement - Now Removed

Just prior to the announcement TonyNorthup accidentally posted the full review of the Sony A7 IV Camera on their youtube channel. I have received notification that Tony posted a new video (Yes I am a subscriber ) and when I went to see the Full video, unfortunately, the video was removed.

Sony A7 IV Comparison and review video notification

Later on, the video was removed from the channel.

Link to the deleted video

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

Sigma 18-50mm F2.8 Lens Officially Announced

Sigma finally announced the 18-50mm F2.8 Lens, the lens features constant F2.8 aperture and 18-50mm focal length.  The lens doesn’t have a built-in OIS like Tamron 17-70mm F2.8 Lens as well as coverage. But, we do have a good price difference between them. So, if you want to have an affordable F2.8 zoom lens for your ZV-E10 or A6400 camera you can go with the Sigma 18-50mm.

Sigma 18-50mm F2.8 Lens B&H Store | Amazon.com

Tamron 17-70mm F2.8 OIS Lens B&H Store | AMazon.com

Sigma 18-50mm F2.8 Lens Press Release

SIGMA Announces 18-50mm F2.8 DC DN | Contemporary, the Smallest and Lightest F2.8 Zoom Lens for APS-C Format Mirrorless Cameras

Ronkonkoma, NY – October 19, 2021 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is excited to announce the upcoming release of the SIGMA 18-50mm F2.8 DC DN | Contemporary lens. Ideal for travel and day-to-day shooting, this remarkable new lens offers a high-quality, versatile, extremely compact option for crop-sensor mirrorless camera users. Less than 3 inches (74.5mm) long and weighing just over 10 ounces (290g), it is the smallest and lightest F2.8 standard zoom for crop-sensor mirrorless cameras (as of October 2021).

The SIGMA 18-50mm F2.8 DC DN | Contemporary lens will be available in the U.S. at SIGMA Authorized Dealers for a retail price of $549 near the end of October 2021.

Learn more about the SIGMA 18-50mm F2.8 DC DN | C at:
https://www.sigmaphoto.com/18-50mm-f2-8-dc-dn-c

Exclusively for mirrorless cameras|Compatible with APS-C cameras

C | Contemporary

SIGMA 18-50mm F2.8 DC DN

Stunning versatility

  1. Large F2.8 aperture and superb image quality
  2. Exceptionally compact and lightweight body ideal for mirrorless cameras
  3. Supports various shooting situations

Supplied accessories: Petal Type Hood (LH582-02), Front Cap (LCF-55 III), Rear Cap (LCR II)

Available mounts: L-Mount, Sony E-mount

A large F2.8 aperture zoom lens that need never leave your camera

This exceptionally small, light and bright standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.

SIGMA’s first APS-C size mirrorless zoom lens has a versatile full-frame equivalent zoom range of 27-75mm, which makes it ideal for a wide range of photo and video applications including landscapes, portraits, street photography, architecture and events. It can also be used for macro-style close-up photography owing to its maximum magnification of 1:2.8*1 and minimum focusing distance of just 12.1cm. The bright F2.8 aperture makes for easier hand-held low-light shooting and provides a shallow depth-of-field for high-impact results.

Autofocus is exceptionally fast and quiet thanks to the stepping motor, which can be particularly useful when shooting video, or fast-moving subjects such as children and animals. The lens’ exceptionally small and light form factor that weighs less than 300g makes it perfect as a first interchangeable lens, as well as a sub-lens for full-frame bodies*2, as well as for various shooting situations.

*1 The minimum focusing distance and maximum magnification ratio are both values at the wide end.
*2 Please switch to APS-C crop mode when used on full-frame cameras.

1. Large F2.8 aperture and superb image quality

The SIGMA 18-50mm F2.8 DC DN | Contemporary covers 27mm to 75mm in the 35mm format, and has a wide aperture of F2.8 throughout the entire zoom range. This makes it easy to achieve blurry backgrounds, which is ideal for shooting attractive portraits and close-ups. The bokeh is smooth and attractive so doesn’t distract from the in-focus subject.

The lens’s three high-precision glass-molded aspherical elements coupled with the minimization of the total number of elements yields superb optical quality without excessive weight, and the use of in-camera aberration correction further eliminates optical imperfections such as distortion and vignetting. This has all been made possible by the latest optical design technology at SIGMA’s only production base in Aizu, where all SIGMA lenses are built.

2. Exceptionally compact and lightweight body ideal for mirrorless cameras

The SIGMA 18-50mm F2.8 DC DN | Contemporary is remarkably compact, matching the portability of APS-C mirrorless camera bodies. This makes it a perfect workhorse lens that is ideal for general day-to-day use. The lens is currently the smallest and lightest in its class*1, boasting a maximum diameter of φ65.4mm, a length of 74.5mm and weight of 290g*2, yet still maintains a constant aperture of F2.8.

To keep the lens as light as possible, SIGMA constructed the body from carefully selected materials. A polycarbonate called Thermally Stable Composite (TSC) was used for the construction of the barrel, which is sleek, robust, and importantly has a thermal conductivity close to that of aluminum. This ensures stable performance and good operability when used in changing temperatures. By deliberately using metal for some of the internal structure, the parts could be much thinner and have a higher rigidity, ensuring the lens can stand up to frequent, heavy use.

* 1 As an AF compatible, F2.8 constant aperture zoom lens for APS-C (as of October 2021, by SIGMA)
*2 The values are for L-Mount.

3. Supports various shooting situations

The SIGMA 18-50mm F2.8 DC DN | Contemporary has fast and near-silent AF that makes it perfectly suited to a range of photographic applications, including shooting in quiet environments, recording videos and capturing fast-moving subjects. This has been achieved by using a stepping motor as the AF actuator. Since it is small and lightweight, it can be used flexibly in situations such as handheld shooting, which requires high mobility, gimbal shooting, one-man operation video shooting and vlogging.

With an emphasis on making the lens as versatile as possible in a wide variety of shooting conditions, SIGMA designed the lens with a minimum focusing distance of 12.1 cm and maximum magnification of 1:2.8*, making it also ideal for close-ups.

* The minimum focusing distance and maximum magnification are both values at the wide end.

Combined with the “Pocketable Full-Frame” SIGMA fp, the total weight is only 712g, and it can also be useful as a sub lens for full-frame cameras (used in crop mode) to keep weight down.

The 18-50mm F2.8 DC DN | Contemporary, which combines compactness, light weight, high performance, and large aperture, supports a variety of shooting situations, from introductory single-lens mirrorless cameras to video shooting and combination with full-frame cameras.

[Additional Features]

  • Lens construction: 13 elements in 10 groups, with 1 SLD and 3 aspherical elements
  • Inner focus system
  • Compatible with high-speed autofocus
  • Stepping motor
  • Compatible with lens aberration correction*
  • Support DMF and AF+MF
  • Super Multi-Layer Coating
  • Petal type lens hood (LH582-02)
  • Mount with dust and splash resistant structure
  • Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
  • Designed to minimize flare and ghosting
  • Every single lens undergoes SIGMA’s proprietary MTF measuring system
  • 7-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • “Made in Japan” craftsmanship

 

Sony A7 IV Coming on Oct 21 Confirmed, Specification Leaked

Sony A7 IV Camera is finally coming,  And, surprisingly we got confirmation from Sony itself. Sony posted a teaser on youtube and in the tags you can clearly see the name of the upcoming product and the set of detailed specifications. We will have the official announcement of the Sony A7 IV camera on Oct 21, 2021.

Confirmed set Sony A7 IV specification

  • ILCE-7M4 – Model Code
  • 33MP  BSI CMOS Sensor
  • FTP for direct image transfer
  • 4K60p
  • Eye AF birds / Animal eye AF like Canon R6/ R5
  • 10fps Continuous shooting speed
  • BIONZ XR
  • 10-bit 4:2:2 HLG
  • All-I XAVC S-I
  • S-Cinetone / Finally S Cinetone arrive in A7 Series
  • S-log3 with 15+ Stops of DR
  • vari-angle / A perfect camera for bloggers as well as photographers too
  • gimbal-like IS / Same as we have seen tin the Sony A7C
  • 5GHz Wi-Fi
  • USB 10Gbps
  • live streaming
  • Creative Look

Stay tuned for more updates

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

Sony A7 IV Camera Announcement Soon ?

According to the latest rumors coming out from the Rumor mill, the Sony A7 IV camera teaser video is coming out tomorrow and the official announcement of the camera will be done on Oct 21, 2021, if everything goes on schedule. The sources of the rumor mill also added that the shipping of the camera will start from December 2021.

Although, despite the so close announcement date the highly trusted Japanese sources are completely silent on this. So, the only thing we can do is to wait.

We already posted a lot of details about the upcoming Sony A7 IV camera.

Sony A7IV rumored specs:

  • Newly developed 33MP sensor
  • 15 stops of DR
  • 3.69m dot EVF and LCD is improved too (1.44m dot???)
  • 4k30 video is oversampled from 7K
  • 4k 60p will be oversampled from 4.8k s35 mode and 10bit 4:2:2
  • 4k streaming (and FHD 60p streaming)
  • 5.5 stops of IBIS (+ AS)
  • Same A7sIII body design and same heatsink system.
  • Full size HDMi
  • Fully articulating LCD screen
  • Improved touchscreen functions
  • UHS-II SD-cards and CF Xpress cards
  • Same new Sony menu system of the A7sIII
  • Price $2,499 [aprrox]

We are still waiting for the final confirmation of the trusted sources.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

Source SAR