Panasonic S1 and S1R To Get 11 Sigma ART Lenses form sigma. Take a look at the list of lenses.
- 14mm F1.8 DG HSM | Art
- 20mm F1.4 DG HSM | Art
- 24mm F1.4 DG HSM | Art
- 28mm F1.4 DG HSM | Art
- 35mm F1.4 DG HSM | Art
- 40mm F1.4 DG HSM | Art
- 50mm F1.4 DG HSM | Art
- 70mm F2.8 DG Macro | Art
- 85mm F1.4 DG HSM | Art
- 105mm F1.4 DG HSM | Art
- 135mm F1.8 DG HSM | Art
These lenses are on Sigma Roadmap for SL Mount, so you can also these lenses for Leics SL systems too.
Pricing and availability for all of those lenses not available yet.
We will update you soon as we get any new information.
Click here to view images of Sigma Upcoming Lenses
Sigma L Mount Lenses Official Press Release
Sigma Announces Art Prime Lenses in L-Mount & Mount Converter MC-21
The new products include 11 Art prime lenses for full-frame cameras in L-Mount and a converter for Sigma’s SA mount and Canon EF mount lenses on L-Mount camera bodies.
Ronkonkoma, NY – February 26, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced 11 of its Art prime lenses will soon be available in L-Mount. Sigma also announced the launch of the Sigma Mount Converter MC-21, which will allow Sigma’s SA mount and Canon EF mount lenses to be used on the L-Mount camera bodies. The expansion of the beloved Sigma prime lens line along with the MC-21 converter will increase the extensibility of the L-Mount system and further Sigma’s role in the strategic L-Mount Alliance alongside Leica and Panasonic.
Sigma Art Prime Lenses in L-Mount
Features:
The L-Mount lineup consists of 11 Art prime lenses for full-frame cameras ranging from 14mm to 135mm, allowing Sigma’s award-winning high-performance lenses to be enjoyed by even more shooters on L-Mount cameras. The lineup features high-speed AF and is fully compatible with AF-C mode, in-camera stabilization and in-camera aberration correction. The native L-mount allows for a much more stable feel than using an adaptor. Additionally, the lenses are equipped with a surface treatment to enhance strength, a brass bayonet mount offering exceptional durability, and rubber sealing at the mount connection for dust- and splash-proof construction.
Product Lineup:
- Sigma 14mm F1.8 DG HSM Art ($1,599.00) – World’s First and Only Full-Frame F1.8 Ultra-Wide-Angle
- Sigma 20mm F1.4 DG HSM Art ($899.00) – Bright & Sharp Wide-Angle
- Sigma 24mm F1.4 DG HSM Art ($849.00) – Front Filter Compatible, Fast-Aperture Wide-Angle
- Sigma 28mm F1.4 DG HSM Art ($1,399.00) – Best in Class Performance
- Sigma 35mm F1.4 DG HSM Art ($899.00) – Groundbreaking Flagship Wide-Angle
- Sigma 40mm F1.4 DG HSM Art ($1,399.00) – Beyond Art Series Performance
- Sigma 50mm F1.4 DG HSM Art ($949.00) – Redesigned for High Megapixel DSLRs
- Sigma 70mm F2.8 DG Macro Art ($569.00) – First Macro to Join the Art Line
- Sigma 85mm F1.4 DG HSM Art ($1,199.00) – Award-Winning Ultimate Portrait Lens
- Sigma 105mm F1.4 DG HSM Art ($1,599.00) – The “Bokeh Master”
- Sigma 135mm F1.5 DG HSM Art ($1,399.00) – Award-Winning Prime with Reach
Pricing and availability will be announced later.
Sigma Mount Converter MC-21
Features:
The Sigma Mount Converter MC-21 allows Sigma’s SA mount and Canon EF mount lenses to be used on L-Mount camera bodies, allowing more freedom of choice for L-Mount cameras from Sigma, Leica and Panasonic. The MC-21 increases the number of interchangeable lenses manufactured by Sigma to be used with the L-Mount system by 29 lenses.
Pricing and availability will be announced later.
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Sigma makes some nice lenses. But it never seems to have been answered for the L-Mount system: what about DFD support? Since Panasonic made the Leica SL, they have included their proprietary DFD support in at least that body, as well as the S1/S1R, which is basically what they’re counting on for fast focus without PDAF. At least some of the Leica L-Mounse lenses also have the embedded DFD data needed for this.
But was Sigma invited to the DFD party? Once these are out, it’s immediately clear that L-Mount will be the second-best supported mirrorless system after Sony, which I’m sure was the intention. But what about DFD?