Discuss the best camera based on the specification comparison we have.
Let’s begin with the Canon R8. The R8 is a full-frame camera, and the major advantages we have with this camera are superior low-light performance as well as better dynamic range. Since we have a full-frame sensor, the background blur or the depth in the images will be greater when using the same aperture-based lenses.
In the Sony A6700 camera, the major advantage we have is a compact, ultralight body with a huge range of E-mount lenses, as well as Sony’s advanced AI autofocus and sensor-shift stabilization system.
Now, both of these cameras are excellent choices for any beginner or semi-professional photographer, but at the same time, it’s very important to know your requirements and budget before purchasing a camera. Since you also need to invest a good amount of money in lenses, choosing the right camera for your needs is essential.
Get Canon R8 from – Amazon.com | Adorama | B&H Store |
Get Sony A6700 from – Amazon.com | Adorama | B&H Store |
Portrait & Wedding Photography
For portrait and wedding photography, where skin tones, background blur, and low-light performance are crucial, a camera’s ability to perform well in dim environments is highly important.
For portrait and wedding photography, we highly recommend the Canon R8. The full-frame sensor produces excellent background blur, and at the same time, Canon sensors are known for producing high-quality skin tones. So, if you are into wedding or portrait photography, where you frequently work with skin tones, it is highly recommended to use a Canon camera.
Additionally, the Canon R8 has superior low-light performance. Despite not having an FSI sensor, this particular camera’s low-light performance is phenomenal, as the sensor comes directly from the Canon EOS R6 Mark II. Overall, this particular camera offers a professional-grade body at a reasonable price.
The Sony A6700, on the other hand, has an APS-C sensor, resulting in a smaller depth of field and less background blur compared to a full-frame sensor. That’s why we do not directly recommend it over the Canon R8 when working on portrait sessions or weddings.
Lens Recommendations for Portrait & Wedding Photography
One important thing to note is that the Canon R8 does not have sensor-shift image stabilization, so it becomes highly essential to use optically stabilized lenses.
- For weddings and events, we recommend the Canon RF 28-70mm f/2.8 IS STM.
- For portrait photography, the Canon RF 85mm f/1.8 STM is a great choice.
Landscape & Travel Photography
For landscape and travel photography, where dynamic range, portability, and battery life matter the most:
When it comes to travel or landscape photography, most of the shooting will be done handheld. Specifically, when traveling or capturing landscapes, you need sensor-shift image stabilization (IBIS) inside your camera body to ensure sharp images.
Verdict: Sony A6700 is More Recommended for Landscape and Travel Photography.
Wildlife & Sports Photography
For wildlife and sports photography, where autofocus speed, continuous shooting, and telephoto reach are crucial:
If we compare the continuous shooting speed of both cameras:
- Canon R8 is capable of capturing 40 frames per second in JPG mode and up to 30 frames per second in RAW mode, which is far superior to the Sony A6700, which is limited to 11 frames per second.
- For action photography, capturing fast-moving subjects like birds or animals, the Canon R8 has a clear advantage in burst shooting speed.
Another associated advantage of a full-frame sensor is its low-light performance and dynamic range. When you are shooting wildlife or animals, they are often found in uncontrolled lighting conditions. Having a full-frame sensor allows you to extract more details and recover highlights in post-processing.
However, despite all these advantages of the Canon R8, for sports and wildlife photography, we highly recommend the Sony A6700, and here’s why:
Why the Sony A6700 is Recommended for Wildlife & Sports
- Sensor-Shift Image Stabilization (IBIS)
- The Sony A6700 has IBIS, which is a huge advantage for wildlife and sports photographers.
- If you are using lenses like the Sony 200-600mm f/5.6-6.3 G OSS, the sensor-shift IBIS will pair with the lens’s optical stabilization, allowing for stable handheld shots of moving subjects.
- While a tripod or monopod is always recommended, IBIS helps tremendously in handheld shooting.
- APS-C Crop Factor for Extra Telephoto Reach
- The 1.5x crop factor of the APS-C sensor gives more reach with telephoto lenses.
- Even with a 200-600mm lens, the effective focal length increases, providing exceptional close-up shots of birds and animals.
- With a full-frame sensor, you are limited to native telephoto lenses, which are significantly more expensive.
- If you use a full-frame camera in crop mode, the resolution drops significantly (Canon R8 in APS-C mode drops to ~10MP). In contrast, the Sony A6700 maintains its full 26MP resolution.
Final Verdict
Based on the specifications:
- For Portrait & Wedding Photography → Canon R8 (Full-frame, superior skin tones, better background blur, low-light performance)
- For Landscape & Travel Photography → Sony A6700 (IBIS, compact, battery life, dynamic range for landscapes)
- For Wildlife & Sports Photography → Sony A6700 (IBIS, AI autofocus, crop factor for better telephoto reach, affordable telephoto lenses)
Would you like further lens recommendations or a budget breakdown for your needs?
Table 1: Differences Between Sony A6700 and Canon R8
Feature | Sony A6700 | Canon R8 |
---|---|---|
Lens Mount | Sony E-mount | Canon RF-mount |
Sensor Size | APS-C (23.3 x 15.5 mm) | Full-Frame (35.9 x 23.9 mm) |
Resolution | 26 MP | 24.2 MP |
Image Stabilization | 5-Axis Sensor-Shift | Digital (Video Only) |
ISO Range | 100–32,000 (Ext. 50–102,400) | 100–102,400 (Ext. 50–204,800) |
Continuous Shooting | 11 fps (59 RAW / 1000 JPEG) | 40 fps (56 RAW / 120 JPEG) |
Autofocus Points | 759 (Photo) / 495 (Video) | 4897 (Photo) / 4067 (Video) |
AF Sensitivity | -3 to +20 EV | -6.5 to +21 EV |
Video Modes | UHD 4K 120p / FHD 240p / 10-Bit 4:2:2 | UHD 4K 60p / FHD 180p / 10-Bit 4:2:2 |
External Video | 4K 60p 4:2:2 10-Bit via HDMI | 1080p 60p via HDMI |
Gamma/Log Profiles | S-Log3, HLG, S-Cinetone | Canon Log 3, HDR-PQ |
Recording Limit | Unlimited | 120 Minutes (4K/1080p HFR) |
Viewfinder Magnification | 1.07x | 0.70x |
Battery Life | 550 Shots (NP-FZ100) | 150 Shots (LP-E17) |
Weight | 493g (1.1 lb) | 461g (1.0 lb) |
Display Resolution | 1.03M Dots | 1.62M Dots |
Wireless | Wi-Fi 5 (802.11ac) | Wi-Fi 4 (802.11n) |
Exposure Compensation | -5 to +5 EV | -3 to +3 EV |
Shutter Speed (Electronic) | 1/8000s | 1/16000s |
Price | ~$1,398 (Body) | ~$1,299 (Body) |
Table 2: Similarities Between Sony A6700 and Canon R8
Feature | Sony A6700 | Canon R8 |
---|---|---|
Capture Type | Stills & Video | Stills & Video |
Shutter Type | Mechanical & Electronic Rolling Shutter | Mechanical & Electronic Rolling Shutter |
Bulb/Time Mode | Bulb Mode | Bulb Mode |
Metering Method | Center-Weighted, Multi-Zone, Spot | Center-Weighted, Evaluative, Partial, Spot |
White Balance | 2500–9900K, Multiple Presets | 2500–10,000K, Multiple Presets |
Interval Recording | Yes | Yes |
Self-Timer | 2/5/10-Second Delay | 2/10-Second Delay |
Aspect Ratio | 1:1, 3:2, 4:3, 16:9 | 1:1, 3:2, 4:3, 16:9 |
Image File Format | HEIF, JPEG, Raw | C-RAW, HEIF, JPEG, Raw |
Bit Depth | 14-Bit | 14-Bit |
Fast/Slow Motion | Yes | Yes |
Built-In Microphone | Stereo | Stereo |
Media Slot | Single SD/SDHC/SDXC (UHS-II) | Single SD/SDHC/SDXC (UHS-II) |
Video I/O | 1x Micro-HDMI Output | 1x Micro-HDMI Output |
Audio I/O | 1x 3.5mm Mic Input, 1x 3.5mm Headphone Output | 1x 3.5mm Mic Input, 1x 3.5mm Headphone Output |
Power I/O | 1x USB-C Input | 1x USB-C Input/Output |
Mobile App | Sony Creators’ App (Remote Control, File Access) | Canon Camera Connect (Remote Control, Settings, Live Feed, Firmware Update) |
GPS | Via Connected Smartphone | Via Connected Smartphone |
Display Size | 3.0″ Articulating Touchscreen LCD | 3.0″ Articulating Touchscreen LCD |
Viewfinder Type | 0.39″ OLED, 100% Coverage | 0.39″ OLED, 100% Coverage |
Diopter Adjustment | -4 to +3 | -4 to +1 |
Built-In Flash | No | No |
Flash Compensation | -3 to +3 EV | -3 to +3 EV |
Tripod Mount | 1/4″-20 Female | 1/4″-20 Female |
Operating Temperature | 0 to 40°C (32 to 104°F) | 0 to 40°C (32 to 104°F) |