Panasonic G6 features 16.1 megapixels M4/3 sensor same as GH2, ISO range upto 25600, Contrast based AF system, Full HD recording at 60fps, on the rear side we have Fully articulated 3″ inch high resolution Touch display.
Major Features
- 16MP Live MOS Sensor (Same as GH2)
- Venus Engine Image Processor
- Micro Four Thirds Standard
- 3.0″ 1,040k-Dot Tilting Touchscreen LCD
- Full HD 1080i Video Recording at 60fps
- 20fps Continuous Shooting Rate
- Built-In Wireless and NFC Connectivity
The Panasonic G6 also features WiFi connectivity with NFC (Near Field Communication) technology, G6 is available in black, white or silver to match the user’s preference. The Price of G6 is approx $749, available in stores from June 21, 2013.
Pre-order/Buy Panasonic DMC G6 Mirrorless Camera from Amazon || B&H
Panasonic DMC-G6 – Press Release
The New Generation Digital Single Lens Mirrorless Camera
with Stunning Mobility
LUMIX G6 for Even Higher Quality of Photo and Video
Panasonic is proud to announce a new addition of Digital Single Lens Mirrorless DMC-G6 that realizes real-to-life photo and video recording even in higher quality. The Digital Live MOS Sensor achieves high-resolution, high sensitivity image recording. The new Venus Engine is attains high-performance signal processing with the advanced noise reduction system. Combined with the high sensor performance, DMC-G6 minimizes noise and even achieves shooting at max. ISO25600 (Extended) high sensitivity image recording.
The DMC-G6 boasts quick response featuring high speed burst shooting at 7 fps in full resolution. Getting ready to shoot in only 0.5 sec* after start-up, the DMC-G6 never misses fleeting shooting opportunities together with its high speed, high precision Light Speed AF. Newly integrated Low Light AF enables accurate focusing on the target subject even in low-lit situations.
The DMC-G6 also features full HD 1920 x 1080, 60p (60 Hz) / 50p (50 Hz) smooth, high quality video recording in AVCHD Progressive and MP4 with stereo sound. The practical full-time AF and tracking AF is available in video recording, too. The cinema-like 24p video with the bit rate of max. 24 Mbps or P/A/S/M mode provide richly expressive afterimage with overwhelming image quality.
With the Wi-Fi® connectivity with NFC (Near Field Communication) technology, users can connect the camera to their smartphone/tablet anywhere at one-touch, which makes sharing images much easier. It is also possible to use a smartphone/tablet as a multi-capable remote shutter with a monitor. With the Instant Transfer function, photos are automatically sent to the smartphone/tablet right after shooting. On the other hand, both photo and video can be archived to the registered digital equipment such as PC automatically via the wireless access point (router) at home.
The DMC-G6 is not just an interchangeable lens camera but an advanced digital photographic tool full of wide-ranging attractive features for producing even more attractive artwork in camera. It incorporates Creative Panorama, Time Lapse Shot, Stop Motion Animation or Clear Retouch in addition to the popular Creative Control mode with a total of 19 fascinating filter effects. The Stop Motion Animation allows producing unique stop motion video and the Clear Retouch function enables to erase unwanted part of a picture after shooting – both operations completes with ease in camera.
The new, bright 1,440K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) boasts excellent color reproduction and high contrast ration of 10,000:1 while the renovated 3-inch large free-angle monitor adopts In-Cell Touch technology for outstanding viewability.
Offered in 3 stylish colors – black, white and silver, the DMC-G6 lets users experience high quality photo and video shooting with its stunning mobility.
* With H-FS1442A, based on the CIPA standard.
– Maximum time to record motion pictures continuously with [AVCHD] is 29 minutes 59 seconds in Europe and some Asian areas.
– Maximum time to record motion pictures continuously with [MP4] is 29 minutes 59 seconds or up to 4 GB.
– You can check the recordable time on the monitor. (For [FHD] in [MP4] format, the file size is large and so the recordable time will drop below 29 minutes 59 seconds.)
1. The 16.05-Megapixel Digital Live MOS Sensor and New Venus Engine
for Even Higher Picture Quality
The DMC-G6 integrates 16.05-megapixel Digital Live MOS which boasts high resolution and high sensitivity image recording with minimum noise. Panasonic adds its original pixel mix technology to the sensor to maximize the speed advantage native to the CMOS sensor. The current process is designed exclusively for the digital Live MOS sensor to minimize the noise generation. The fine wiring around the photodiode realizes high aperture ratio, which results in high resolution and excellent S/N ratio while high performance transistor encourages high speed signal processing.
The image processor Venus Engine is also newly developed to feature its advanced noise reduction systems. By extending the control level of noise, controllable area of noise is expanded by approx. 64x in size. This makes it possible to remove large block of noise which was formally hard to detect and helps produce clear, smooth image especially for the nighttime scenery. In addition, the Multi-process NR (Noise Reduction) works in two separate steps allowing even finer control over noise level. The texture of noise itself, regardless of the noise size, is improved with this deliberate control, which is resulting in the reproduction of smooth human skin even in high sensitivity recording.
Furthermore, the optimum design of newly adopted Detail Reproduction Filter Process enhances the limit resolution by max. 3% and the contrast of middle to high range by max. 5%. Plus, the advanced Intelligent D-range Control offers wider dynamic range while maintaining the smooth gradation thanks to the high-precision signal processing. Suppressing both blocked shadows and blown highlights, every part of an image – from dark to bright – is faithfully reproduced.
The combination of the digital Live MOS Sensor and the Venus Engine achieves ISO3200 (Auto) and max. ISO25600 (Extended). The Low Light AF in DMC-G6 gains higher performance in such as moonlight even without AF assist lamp to set focus on the subject more precisely.
2. High Speed Response with Advanced AF System for Fleeting Photo Opportunities
All cameras of LUMIX G adopt Contrast AF for its focus system. Compared with the Phase difference system AF, the Contrast AF boasts higher accuracy especially in shooting with bright lens with small F value. The DMC-G6 features high-speed Light Speed AF, making it possible to capture even the fast-moving subject clearly. Not only the accuracy but also the speed of AF in DMC-G6 surpasses the high-end DSLRs with Phase difference. The camera and the lens exchange the digital signal at max. 240 fps to minimize the time to focus. The DMC-G6 realizes the high speed burst shooting at 7 fps in 16.05-megapixel full resolution and max. 40 fps using an electronic shutter. Also, AF Tracking enables consecutive shooting to capture moving subject in sharp focus at 5 fps*.
Combined with the Full-area Touch AF, it is possible to set focus on any point in the field of view which realizes quick and intuitive focusing operation with free frame composition. In addition, the newly adopted Touch AE (Auto Exposure) function allows setting focus and exposure at a single touch on the subject displayed on the monitor. With DMC-G6, it is selectable to set focus and/or exposure according to the shooting situation. For more practical control over focusing, the DMC-G6 incorporates Focus Peaking function that shows the peak of focus in MF and AF+MF mode.
The DMC-G6 incorporates high speed response desired for the digital single lens mirrorless camera, taking only approx. 0.5 sec** to get ready to shoot after startup. The control on DMC-G6 is smooth and easy with optimum layout of operation devices. The function lever allows direct adjustment of allotted function – zoom***, exposure or aperture**** control, which works for magnification in playback mode and page flip in menu. The compatibility with the UHS-I (Ultra High Speed I) SDXC/SDHC Memory Card allows faster data writing even in RAW recording mode.
* In 1-area-focusing AF mode.
** With H-FS1442A, based on the CIPA standard.
*** When used with Power Zoom lenses H-PS14042 or H-PS45175.
**** In M (Manual) mode.
3. Highest Level in Class – Stunning Video Recording Performance Succeeded
from the LUMIX G Flagship
All LUMIX G cameras, especially the DMC-GH3, are renowned for their capability of high quality video recording. The DMC-G6 records stunningly smooth, high-resolution full-HD 1,920 x 1,080 60p (60 Hz) / 50p (50 Hz) videos in AVCHD Progressive (MPEG-4 / H.264) format. The DMC-G6 also supports 1080/24p native mode with 24 Mbps in AVCHD format bringing impressive afterimage to the footage. In addition, the P/A/S/M mode also lets users enjoy professional-like expressive video recording. The full-HD 1,920 x 1,080 60p (60 Hz) / 50p (50 Hz) video can also be recorded in MP4 at 28 Mbps, to play it back directly on the PC or other portable electronic devices without a need of conversion.
In addition to the practical full-time AF, the Touch AF in video recording also lets users enjoy professional-like rack focusing. Just by pointing the subject, the focus is shifted to it and let it stand out to attract attention. The AF Tracking locks on the subject with focus even it moves.
High quality sound can be recorded with Dolby® Digital. A Wind Cut function is also available to block out most of the noise from background wind. In addition to the built-in stereo microphone, the DMC-G6 is equipped with a 3.5mm terminal for external microphone to comply with serious sound recording. The Extra Tele Conversion function virtually extends the zoom range Max. 4.8x without deterioration of image quality in smaller resolution.
The Time Lapse Shot automatically starts recording photos at time lapse sequence once the start time, interval and the number of pictures to shoot are set. The Stop Motion Animation function enables producing a stop motion (stop frame) video in camera with the pictures that are sequentially shot while moving the object by degrees. This effect makes the object appear as if it is moving by itself.
– Maximum time to record motion pictures continuously with [AVCHD] is 29 minutes 59 seconds in Europe and some Asian areas.
– Maximum time to record motion pictures continuously with [MP4] is 29 minutes 59 seconds or up to 4 GB.
– You can check the recordable time on the monitor. (For [FHD] in [MP4] format, the file size is large and so the recordable time will drop below 29 minutes 59 seconds.)
4. Easy Wireless Connectivity via Wi-Fi® / NFC with Smartphones
The DMC-G6 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology camera to offer more flexible shooting experience and instant image sharing with easy operation. All these flexible shooting / browsing / sharing style are made possible with the DMC-G6 and the Panasonic’s dedicated application software Panasonic Image App for iOS / Android smartphones/tablets.
Users can connect the camera with a smartphone/tablet by just bringing them together. What is new is that the setup is extremely easy and finishes within a few seconds, making it possible to pair the camera directly to the smartphone/tablet without connection procedure of information input for authorization.
Remote shooting of both photo and video* is available by using the smartphone/tablet for a remote shutter with a monitor which displayed live at smooth 30 fps. Not only releasing a shutter, zooming**, focusing and settings of shutter speed, aperture, exposure compensation are all controllable with a smartphone/tablet.
The Instant Transfer function allows the camera to transfer the photo data to the designated electronic devices automatically whenever shutter is released. In playback mode, users can also touch the image displayed on the camera to transfer it directly to the smartphone/tablet right on the spot. In addition, it is possible to tag the location information to the image by utilizing the GPS (Global Positioning System) log of a smartphone/tablet.
Archiving images becomes easy. DMC-G6 transfers the data to PC or other compliant electronic devices automatically via the wireless access point (router) at home. Also, with Panasonic’s exclusive cloud service “LUMIX CLUB”, DMC-G6 can automatically synchronize images via internet with the designated devices and web services like Facebook™, Flickr™, Picasa™, Twitter™ or YouTube™.
The Wi-Fi Direct™ function allows direct playback of images on the DLNA (Digital Living Network Alliance) – compliant VIERA HDTV***.
* For remote shooting of video, start/stop recording is available over smartphone/tablet control.
** With LUMIX G Power Zoom Lens H-PS14042 or H-PS45175.
*** Using [Playback on TV] of the Wi-Fi function, you can display images on a TV that supports the Digital Media Renderer (DMR) function of the DLNA standard. Please check the following website about the compatible devices for details.
http://panasonic.jp/support/global/cs/dsc/
5. Other Attractive Features Completes DMC-G6
New 1,440K-dot OLED LVF
The large, bright 1,440K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) with approx.100% field of view in 4:3 aspect boasts excellent color reproduction and astonishingly high contrast at 10,000:1 for outstanding viewability. The display time lag is minimized dramatically compared with the predecessor DMC-G5. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF, which features options of sensitivity – high, low and off – to reduce false operation during touching on the rear monitor.
New 3-inch Free-angle In-Cell Touch Monitor
The new 3-inch large, approx.1036K-dot high resolution monitor rotates 180° to the side and tilts 270° up and down boasting approx. 100% of field of view. The front panel is directly attached to the new In Cell Touch LCD without containing air layer in between. The result is that the reflection of external light is dramatically suppressed. Together with the increased resolution by approx.13% and improved color reproduction by approx. 20%, the monitor for DMC-G6 secures higher visibility than ever. Plus, attenuation of transmitting backlight is minimized to achieve wide angle of view and by 25% of power saving.
The free-angle monitor with a touch-screen operation makes both monitoring and touching at any physical position. The touch-screen operation excels not only for shooting but also for playing back images with outstanding visibility. The Touch Pad function enables using both LVF and monitor simultaneously to encourage more intuitive shooting.
Creative Control / Creative Panorama
The popular Creative Control mode is upgraded by increasing its filter option from 14 (for DMC-G5) to 19 (for DMC-G6) adding new Old Days, Sunshine*, Bleach Bypass, Toy Pop, Fantasy in addition to the conventional Expressive, Retro, High Key, Sepia, High Dynamic, Soft Focus*, Dynamic Monochrome, Impressive Art, One Point Color, Cross Process, Low Key, Toy Effect and Star Filter* and Miniature Effect** mode. Effect parameter of each mode is also adjustable.
With the new Creative Panorama function, it is possible to shoot a horizontal / vertical panoramic image with consequent shots taken by overlaying the previous picture and to put on a filter effect of Creative Control***.
* For photo only.
** Sound will not be recorded with [MINIATURE EFFECT] in Creative Control Mode and approximately 1/10 of the time period is recorded. (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long.)
*** Some filters of Creative Control cannot be used in Creative Panorama mode.
Clear Retouch
The Clear Retouch makes it is possible to erase unwanted objects or figures in an image by just tracing over them on monitor with a fingertip. They naturally disappear without destroying the image.
Advanced iA+ (Intelligent Auto Plus Mode) and Scene Guide for Beginners
For beginners of digital interchangeable lens system cameras, iA (Intelligent Auto) mode supports taking beautiful pictures with a variety of shooting-assist functions including AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Recognition and Intelligent ISO Control. The Intelligent Scene Selector now integrates Food Recognition mode. It detects food on the dish and captures it to look delicious. The iA Plus mode lets users adjust defocusing area in the background, exposure compensation and white balance for more flexible control.
The Scene Guide* offers 23 sample pictures shot by professional photographers. Users can choose the one closer to the situation they are going to shoot and optimum parameters for shooting the scene will be automatically set. Furthermore, shooting procedure, technical advice and recommended interchangeable lens for the scene can be shown for users to learn photography.
* Video recording using Scene Guide is not possible in some scenes.
Compact, Easy-to-use Design with a Variety of Color Selection
The DMC-G6 features compact, easy-to-use design integrating useful built-in flash (GN 10 ISO160･m / GN 8 ISO100･m). Dispelling impression for conventional big, heavy and colorless DSLRs, the DMC-G6 is available in black, white or silver to match the user’s preference.
Panasonic DMC-G6 – Full Specification
| TYPE | Type | Digital Single Lens Mirrorless camera | |||||||||
| Recording Media | SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I standard SDHC / SDXC Memory Cards) | ||||||||||
| Image Sensor Size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||||||||||
| Lens Mount | Micro Four Thirds mount | ||||||||||
| IMAGE SENSOR | Type | Live MOS Sensor | |||||||||
| Total Pixels | 18.31 Megapixels | ||||||||||
| Camera Effective Pixels | 16.05 Megapixels | ||||||||||
| Color Filter | Primary color filter | ||||||||||
| Dust Reduction System | Supersonic wave filter | ||||||||||
| RECORDING SYSTEM | Recording File Format |
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| Aspect Ratio | 4:3, 3:2, 16:9, 1:1 | ||||||||||
| Image Quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard MPO+Fine, MPO+Standard (When attaching 3D lens in Micro Four Thirds System standard) |
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| Color Space | sRGB, Adobe RGB | ||||||||||
| File Size (Pixels) | Still Image | [4:3] 4,608 x 3,456 (L), 3,264 x 2,448 (M), 2,336 x 1,752 (S), 1,824 x 1,368 (When attaching 3D lens in Micro Four Thirds System standard) [3:2] 4,608 x 3,072 (L), 3,264 x 2,176 (M), 2,336 x 1,560 (S), 1,824 x 1,216 (When attaching 3D lens in Micro Four Thirds System standard) [16:9] 4,608 x 2,592 (L), 3,264 x 1,840 (M), 1,920 x 1,080 (S), 1,824 x 1,024 (When attaching 3D lens in Micro Four Thirds System standard) [1:1] 3,456 x 3,456 (L), 2,448 x 2,448 (M), 1,744 x 1,744 (S), 1,712 x 1,712 (When attaching 3D lens in Micro Four Thirds System standard) |
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| Motion Image | MP4 | NTSC Area | [Full HD] 1,920 x 1,080, 60fps (sensor output is 60p, 28Mbps) [Full HD] 1,920 x 1,080, 30fps (sensor output is 30p, 20Mbps) [HD] 1,280 x 720, 30fps (sensor output is 30p, 10Mbps) [VGA] 640 x 480, 30fps (sensor output is 30p, 4Mbps) |
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| PAL Area | [Full HD] 1,920 x 1,080, 50fps (sensor output is 50p, 28Mbps) [Full HD] 1,920 x 1,080, 25fps (sensor output is 25p, 20Mbps) [HD] 1,280 x 720, 25fps (sensor output is 25p, 10Mbps) [VGA] 640 x 480, 25fps (sensor output is 25p, 4Mbps) |
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| AVCHD Progressive | NTSC Area | [Full HD] 1,920 x 1,080, 60p (sensor output is 60p, 28 Mbps) | |||||||||
| PAL Area | [Full HD] 1,920 x 1,080, 50p (sensor output is 50p, 28 Mbps) | ||||||||||
| AVCHD | NTSC Area | [Full HD] 1,920 x 1,080, 60i (sensor output is 60p, 17Mbps) [Full HD] 1,920 x 1,080, 60i (sensor output is 30p, 24Mbps) [Full HD] 1,920 x 1,080, 24p (sensor output is 24p, 24Mbps) [HD] 1,280 x 720, 60p (sensor output is 60p, 17Mbps) |
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| PAL Area | [Full HD] 1,920 x 1,080, 50i (sensor output is 50p, 17Mbps) [Full HD] 1,920 x 1,080, 50i (sensor output is 25p, 24Mbps) [Full HD] 1,920 x 1,080, 24p (sensor output is 24p, 24Mbps) [HD] 1,280 x 720, 50p (sensor output is 50p, 17Mbps) |
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| Continuous Recordable Time (Motion Image)* | AVCHD: Approx. 150 min with H-PS14042, H-FS1442A, H-FS14140, H-FS45150 / Approx. 140 min with H-FS014042 | ||||||||||
| Actual Recordable Time (Motion Image)* |
AVCHD: Approx. 75 min with H-PS14042, H-FS1442A, H-FS14140, H-FS45150 / Approx. 70 min with H-FS014042 | ||||||||||
| Flicker Reduction | [1/50] [1/60] [1/100] [1/120] / OFF | ||||||||||
| Wi-Fi FUNCTION | Wi-Fi | IEEE 802.11b/g/n, 2412 MHz – 2462 MHz (11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode | |||||||||
| NFC | ISO/IEC 18092 (NFCIP-1) NFC-F | ||||||||||
| VIEWFINDER | Type | OLED Live View Finder (1,440,000 dots) | |||||||||
| Field of View | Approx. 100% | ||||||||||
| Magnification | Approx. 1.4x / 0.7x (35 mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 | ||||||||||
| Eye Point | Approx. 17.5 mm from eyepiece lens | ||||||||||
| Diopter Adjustment | -4.0 – +4.0 (dpt) | ||||||||||
| Eye Sensor | Yes | ||||||||||
| Eye Sensor Adjustment | High / Low | ||||||||||
| FOCUS | Type | Contrast AF system | |||||||||
| Focus Mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||||||||||
| AF Mode | Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint | ||||||||||
| AF Detective Range | EV -3 – 18 (ISO100 equivalent) | ||||||||||
| AF Assist Lamp | YES | ||||||||||
| AF Lock | Set the Fn button in custom menu to AF lock | ||||||||||
| Others | Quick AF, Continuous AF (during motion image recording), AF+MF, Eye Sensor AF, Touch AF/AE Function, Touch Pad AF, Touch shutter, Touch MF Assist | ||||||||||
| EXPOSURE CONTROL | Light Metering System | 1,728-zone multi-pattern sensing system | |||||||||
| Light Metering Mode | Intelligent Multiple / Center Weighted / Spot | ||||||||||
| Metering Range | EV 0 – 18 (F2.0 lens, ISO100 equivalent) | ||||||||||
| Exposure Mode | Program AE / Aperture Priority AE / Shutter Priority AE / Manual | ||||||||||
| ISO Sensitivity (Standard Output Sensitivity) |
Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Extended) (Changeable to 1/3 EV step) |
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| Exposure Compensation | 1/3 EV Step, ±5 EV | ||||||||||
| AE Lock | Set the Fn button in custom menu to AE lock | ||||||||||
| AE Bracket | 3, 5, 7 frames, in 1/3, 2/3 or 1 EV Step, ±3 EV | ||||||||||
| WHITE BALANCE | White Balance | Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2 / Color temperature setting | |||||||||
| White Balance Adjustment | Blue/amber bias, Magenta/green bias | ||||||||||
| Color Temperature Setting | 2,500 K – 10,000 K in 100 K | ||||||||||
| White Balance Bracket | 3 exposures in blue/amber axis or in magenta/green axis | ||||||||||
| SHUTTER | Type | Focal-plane shutter | |||||||||
| Shutter Speed | Still Images: Bulb (Max. 120 seconds), 1/4,000 – 60 Motion Images: 1/16,000 – 1/30 (NTSC area), 1/16,000 – 1/25 (PAL area) |
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| Self Timer | 10 sec, 3 images / 2 sec / 10 sec | ||||||||||
| SCENE GUIDE | Still Image | Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child’s Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow / Glistening Water / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome | |||||||||
| Motion Image | Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child’s Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome | ||||||||||
| BURST SHOOTING | Burst Speed | SH: 40 frames/sec, H: 7.0 frames/sec (with AFS), 5.0 frames/sec (with AFC, In 1-area-focusing AF mode), M: 4.0 frames/sec (with Live View), L: 2.0 frames/sec (with Live View) | |||||||||
| Number of Recordable Images | 9 images (when there are RAW files with the particular speed) Unlimited consecutive shooting (when there are no RAW files) (depending on memory card size, battery power, picture size, and compression) |
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| BUILT-IN-FLASH | Type | TTL Built-in-Flash, GN10.5 equivalent (ISO160 · m), GN8.3 equivalent (ISO100 · m), Built-in Pop-up | |||||||||
| Flash Mode | Auto, Auto / Red-eye Reduction, Forced On, Forced On / Red-eye Reduction, Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off | ||||||||||
| Synchronization Speed | Less than 1/160 second | ||||||||||
| Flash Synchronization | 1st Curtain Sync., 2nd Curtain Sync. | ||||||||||
| MONITOR | Type | TFT LCD with Touch monitor | |||||||||
| Monitor Size | Free-angle 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle | ||||||||||
| Pixels | 1,036K dots | ||||||||||
| Field of View | Approx. 100% | ||||||||||
| Monitor Adjustment | Brightness, Contrast and Saturation, Red tint, Blue tint | ||||||||||
| LIVE VIEW | Digital Zoom | 2x, 4x | |||||||||
| Extra Tele Conversion | Still Image: Max. 2x (Aspect ratio sets at 4:3. Not effective with L size recording. Magnification ratio depends on the recording pixels and aspect ratio.) Motion Image: 2.4x (FHD/60p, FHD/60i, FHD/30p, FHD/24p in NTSC area / FHD/50p, FHD/50i, FHD/25p, FHD/24p in PAL area), 3.6x (HD/60p, HD/30p in NTSC area / HD/50p, HD/25p in PAL area), 4.8x (VGA/30p in NTSC area / VGA/25p in PAL area) |
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| Other Functions | Guide Lines (3 patterns) Real-time Histogram |
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| LEVEL GAUGE | Yes (Built-in 3 shaft accelerometer sensor) | ||||||||||
| DIRECTION DETECTION FUNCTION | Yes | ||||||||||
| FUNCTION BUTTON | Fn1, Fn2, Fn3, Fn4, Fn5, Fn6, Fn7 | Wi-Fi / Q.MENU / AF/AE LOCK / LVF/Monitor Switch / One Push AE / Touch AE / Preview / Level Gauge / Focus Area Set / Photo Style / Aspect Ratio / Picture Size / Quality / Metering Mode / Focus Mode / i Dynamic / i Resolution / HDR / Electronic Shutter / Flash Mode / Flash Adjust. / Ex. Tele Conv. / Digital Zoom / Stabilizer / Motion Pic. Set / Picture Mode / Peaking / Histogram / Guide Line / Rec Area / Function Lever / Step Zoom / Zoom Speed / Sensitivity / White Balance / AF Mode / Drive Mode / Restore to Default | |||||||||
| FUNCTION LEVER | Yes (Auto / Zoom / Exp.) | ||||||||||
| CREATIVE CONTROL | Still Image | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus / Fantasy / Star Filter / One Point Color / Sunshine | |||||||||
| Motion Image | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Fantasy / One Point Color | ||||||||||
| CREATIVE VIDEO MODE | Exposure Mode | Program AE / Aperture-Priority / Sutter-Priority / Manual Exposure | |||||||||
| PHOTO STYLE | Still Image and Motion Image | Standard / Vivid / Natural / Monochrome / Scenery / Portrait / Custom | |||||||||
| PLAYBACK | Playback Mode | Normal playback, 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (duration & effect is selectable), Playback Mode (Normal / Picture / Video / 3D Play / Category / Favorite), Location Logging, Clear Retouch, Title Edit, Text Stamp, Video Divide, Time Lapse Video, Stop Motion Video, Resize, Cropping, Rotate, Favorite, Print Set, Protect, Face Recognition Edit | |||||||||
| IMAGE PROTECTION / ERASE | Protection | Single / Multi, Cancel | |||||||||
| Erase | Single / Multi / All / Except Favorite | ||||||||||
| Direct Print | PictBridge compatible (Print size, Layout and Date settings are selectable) | ||||||||||
| INTERFACE | USB | USB 2.0 High Speed Multi | |||||||||
| HDMI | mini HDMI TypeC Video: Auto / 1080p / 1080i / 480p (576p in PAL system) Audio: Stereo |
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| Audio Video Output | Monaural Type, NTSC / PAL, NTSC only for North America * Check the website of the Panasonic sales company in your country or region for details on the products that are available in your market. |
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| Remote Input | φ2.5mm for remote | ||||||||||
| External Microphone Input | φ3.5mm for external microphone | ||||||||||
| Microphone | Stereo, Wind-cut: AUTO / HIGH / STANDARD / LOW / OFF Microphone level adjustable: 19 levels |
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| Speaker | Monaural | ||||||||||
| LANGUAGE | OSD Language | English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Russian, Chinese (Traditional), Chinese (Simplified), Dutch, Thai, Korean, Turkish, Portuguese, Arabic, Persian, Japanese, Swedish, Danish, Finnish, Greek, Vietnamese * Check the website of Panasonic sales company in your country / region or ask customer support for details of the OSD language available on the products sold in your country / region. |
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| POWER | Battery | Li-ion Battery Pack (7.2V, 1,200mAh) (Included) Battery Charger |
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| Battery Life (CIPA Standard)** | Approx. 350 images with H-FS1442A, H-FS45150 Approx. 340 images with H-PS14042, H-FS14140 Approx. 330 images with H-FS014042 |
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| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 122.45 x 84.6 x 71.4 mm / 4.82 x 3.33 x 2.81 inch (excluding protrusions) | |||||||||
| Weight | Approx. 390 g / 0.86 lb (SD card, Battery, Body) Approx. 340 g / 0.75 lb (Body only) Approx. 485 g / 1.07 lb (SD card, Battery, H-PS14042 lens included) Approx. 500 g / 1.10 lb (SD card, Battery, H-FS1442A lens included) Approx. 555 g / 1.22 lb (SD card, Battery, H-FS014042 lens included) Approx. 590 g / 1.30 lb (SD card, Battery, H-FS45150 lens included) Approx. 655 g / 1.44 lb (SD card, Battery, H-FS14140 lens included) Approx. 700 g / 1.54 lb (SD card, Battery, H-FS1442A + H-FS45150 lenses included) Approx. 755 g / 1.66 lb (SD card, Battery, H-FS014042 + H-FS45150 lenses included) |
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| OPERATING ENVIRONMENT | Operating Temperature | 0 °C to 40 °C (32 °F to 104 °F) | |||||||||
| Operating Humidity | 10%RH to 80%RH | ||||||||||
| STANDARD ACCESSORIES | Software | PHOTOfunSTUDIO 9.2 PE, SILKYPIX® Developer Studio 3.1 SE, LoiLoScope (trial version), USB Driver |
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| Standard Accessories | |||||||||||
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* These are standard times taken at a temperature of 23°C (73.4°F) and a humidity of 50%RH.
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