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Firmware Update

Panasonic GH6 v Panasonic GH5 II

Panasonic GH6 v Panasonic GH5 specification comparison, let’s talk about the major difference between the two cameras.

Panasonic GH6 v Panasonic GH5, new 25.2-megapixel Live MOS Sensor boasts high-resolution, high-speed signal readout and wide dynamic range.
The LUMIX GH6 contains V-Log/V-Gamut – a first for LUMIX G Micro Four Thirds cameras – and provides 12+ stops and even 13+ stops of wide dynamic range using Dynamic Range Boost mode

Panasonic GH6 B&H Store

Pro Mirrorless Lens (All in one lens) –

Best Budget Lenses for Panasonic GH6 under budget
Tamron 14-150mm f/3.5-5.8 Di III Lens

Lens Mount Panasonic GH6 Panasonic GH5 II
Sensor Resolution Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336)
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Sensor Type 17.3 x 13 mm (Four Thirds) MOS 17.3 x 13 mm (Four Thirds) MOS
Crop Factor 2x 2x
Image Stabilization Sensor-Shift, 5-Axis (Improved) Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

New Major Features in Panasonic GH6 camera

  • The GH6 is based around a completely new sensor: the highest resolution chip we’ve yet seen in the Four Thirds sensor size.
  • New to the GH6 is the option to shoot in Apple ProRes 422 HQ and 422 formats. At first the camera’s ProRes modes will only be available for 5.7K capture, but DCI 4K and FullHD support will be added in firmware, due later in 2022.
  • Camera’s 8-shot high-resolution mode, which delivers 50 or 100MP images,
  • GH6’s noise reduction has been updated
  • DFD is Updated and does very well in still mode, works best in Full HD 60p mode.
  • Magnified live view while recording video
  • Fan to extend the recording time limit of 4:2:2 10-bit 4K at up to 60p.

Exposure those

Shutter Type Mech & Electronic Shutter Mechanical Focal Plane Shutter, Electronic Shutter
Shutter Speed Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 1 Second
to 60 Seconds in Bulb Mode
1/25,000 to 1/8 Second in Movie Mode
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second
Bulb/Time Mode Bulb Mode, Time Mode Bulb Mode
ISO Sensitivity Photo
100 to 256,000 in Auto Mode (Extended: 50)
Video
100 to 12,800 (Extended: 50)
Photo
200 to 25,600 in Auto Mode (Extended: 100 to 25,600)
Video
200 to 12,800 in Auto Mode (Extended: 100 to 12,800)
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV 0 to 18 EV
White Balance Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval Recording Yes Yes
Self-Timer 2/3/10-Second Delay 2/10-Second Delay

The full sensor region of the GH6 is very similar to what you’d get by taking a 4:3 crop from a Super35 (APS-C) camera’s 16:9 video. However, while this should deliver comparable noise performance,

Internal Video Capture

Recording Modes H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 29.97p [1900 Mb/s]
5728 x 3024 at 23.98p/24.00p [1500 Mb/s]
5728 x 3024 at 25p [1600 Mb/s]
H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-Bit
5728 x 3024 at 29.97p [1300 Mb/s]
5728 x 3024 at 25p [1100 Mb/s]
5728 x 3024 at 23.98p/24.00p [1000 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
1920 x 1080 at 200p/239.76p [800 Mb/s]
1920 x 1080 at 100p/119.88p [400 Mb/s]
1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s]
1920 x 1080 at 50i/59.94i [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 at 50p/59.94p [200 Mb/s]
4096 x 2160 at 47.95p [200 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
1920 x 1080 at 200p/239.76p [200 Mb/s]
1920 x 1080 at 100p/119.88p [150 Mb/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s]
1920 x 1080 at 59.94i [50 Mb/s]
H.265/MOV 4:2:0 10-Bit
6K Anamorphic (4992 x 3774) at 23.98p/24.00p/25p/29.97p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/29.97p/50p/59.94p [100 to 150 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50/59.94p [20 to 28 Mb/s]
Variable Frame Rates 5.7K: to 60 fps
DCI 4K: to 119.88 fps
3.8K: to 119.88 fps
1080p: to 300 fps
Gamma Curve Panasonic V-Gamut, Panasonic V-Log
Recording Limit Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-Bit)
Video System NTSC/PAL
Built-In Microphone Type Stereo
Audio Recording MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio

External Video Capture

External Recording Modes 4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 50p/59.94p
UHD 4K (3840 x 2160) at 50p/59.94p
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 24.00p
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p
IP Streaming None None

Interace

Media/Memory Card Slot Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI Output 1 x HDMI Output
Audio I/O 1 x 3.5 mm TRRS Headphone/Microphone Microphone Input
1 x 3.5 mm TRRS Headphone/Microphone Headphone Output
1 x 3.5 mm TRS Stereo Headphone Output
1 x 3.5 mm TRS Stereo Microphone Input
Other I/O 1 x USB Type-C 1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
Power I/O 1 x USB Type-C Input/Output 1 x USB Type-C Input/Output
Wireless 5 GHz Wi-Fi 5 (802.11ac) Video Output, Audio Output, Control Bluetooth, Wi-Fi
Global Positioning (GPS, GLONASS, etc.) None None

Focus

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video
Contrast Detection: 315
Contrast Detection: 225
Autofocus Sensitivity -4 to +18 EV -4 to +18 EV

Interface

Type Built-In Electronic (OLED) Built-In Electronic
Resolution 3,680,000 Dot 3,686,000 Dot
Eye Point 21 mm 21 mm
Coverage 100% 100%
Magnification Approx. 0.76x Approx. 0.76x
Diopter Adjustment -4 to +3 -4 to +3

Environmental

Operating Temperature 14 to 104°F / -10 to 40°C 14 to 104°F / -10 to 40°C
Storage Humidity 10 to 80% 10 to 80%

Promised via future firmware:

  • Direct recording to SSD over USB
  • ProRes recording for DCI 4K and Full HD
  • HDMI interface to v2.1 standard
  • 4K/120 over HDMI with live view and 4K/120 Raw stream over HDMI

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