The two cameras feature the latest X-Processor 5 engine and an APS-C sensor, but the specs of each are quite different from each other.
First, the X-H2 has 40.2MP, whereas the X-H2S has 26.1MP.
Finally, we have a Fuji X-T5 (XT series flagship camera) that uses the highest resolution sensor ever used in an APS-C Camera. Not only is it High resolution the sensor is made on BSI tech so you will also get a decent low-light performance from this sensor. The BEST part is, right now the X-T5 is the most affordable Fuji Camera to have a NEW 40MP BSI CMOS X-Trans APS-C sensor.
Now, the Fuji X-H2s is Fuji’s First model to feature a newly developed 26MP X-Trans STACKED sensor that is 3.6x faster than the single-layered BSI design in the X-T3 and 4. Now with the adoption of a Stacked CMOS sensor technology, the camera enjoys a significant speed boost sensor readout speed. The Major advantage we are getting in still part after having the new 26 MP Stacked CMOS sensor is it allows the camera to capture full-resolution images at up to 40 frames per second with full-time AF/AF support as well as you can capture 4K videos @ 120FPS.
Both of them use the new X-Processor PRO and the new X-Processor 5 is 65% faster than the previous generation of processors.
Fuji X-T5 a Best Budget 40MP Camera?
The Fuji X-T5 camera is the best budget camera with Fuji’s new 40MP sensor if ur limited to Wedding photography and fashion when you don’t need that much buffer and video. Then undoubtedly the best camera under budget is 40mp.
| Fuji X-T5 | Fuji X-H2S | |
| Sensor Resolution | FUJIFILM X | FUJIFILM X |
| Sensor Type | Effective: 40.2 Megapixel (6240 x 4160) | Effective: 26.16 Megapixel (6240 x 4160) |
| Crop Factor | 23.5 x 15.6 mm (APS-C) CMOS | 23.5 x 15.6 mm (APS-C) CMOS |
| Image Stabilization | 1.5x | 1.5x |
| Built-In ND Filter | Sensor-Shift, 5-Axis | Sensor-Shift, 5-Axis |
| Capture Type | None | None |
| Stills & Video | Stills & Video |
Best AutoFocus Camera ?
Both X-H2s and The X-T5 offer the same range of subject recognition autofocus modes as the X-H2S.
| Face/Eye | Animal | Car | Motorbike & Bike | Airplane | Birds | Trains |
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Faster sensor readout speed and Less resolution for better AF tracking
Fuji X-T5 uses a 40Mp non-stacked CMOS sensor, so sensor readout speed will be slow due to the absence of technology and also due to the higher resolution. So, if we talk about AF tracking and sensitivity despite having the same X-processor PRO inside them or maybe the same AI AF algorithms inside them, the Fuji X-H2s camera will do better object tracking compared to X-T5.
| Fuji X-T5 | Fuji X-H2s | |
| Focus Type | Auto and Manual Focus | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Photo, Video Contrast Detection, Phase Detection: 425 |
Photo, Video Contrast Detection, Phase Detection: 425 |
| Built-In Flash | No | No |
| Flash Modes | Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto | Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto |
| Maximum Sync Speed | 250 Second | 250 Second |
| External Flash Connection | Hot Shoe, PC Terminal | Hot Shoe, PC Terminal |
Fuji X-H2s Best Camera for wildlife and Sports Photography
AF speed may take a hit because the X-H2 can’t read out its sensor as fast as the ‘S’ model, though AF information usually comes from a faster, low-resolution readout, also the absence of Stacked tech.
Now, we have great news for those who love to do sports and wildlife, the camera is able to shoot up to 40FPS @ 26 MP [full resolution], yes we are talking about the Fuji X-H2s camera and not about the Fuji X-T5 with limited 15 FPS of burst mode and very limited buffer memory of 119 Jpeg.
Fuji X-H2s Buffer Memory Size
The Fuji X-H2s with the camera is able to shoot 184 JPEGs or 175 Raws at 40 fps and over 1000 JPEGs in 30fps or 15 fps modes, and 400 Raws at that lower speed.
| Fuji X-T5 | Fuji X-H2s | |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Mechanical Shutter 1/8000 to 900 Seconds in Manual Mode 1/8000 to 900 Seconds in Shutter Priority Mode Electronic Shutter 1/32000 to 900 Seconds in Manual Mode 1/32000 to 900 Seconds in Shutter Priority Mode Electronic Front Curtain Shutter 1/8000 to 900 Seconds in Manual Mode 1/8000 to 900 Seconds in Shutter Priority Mode 1/8000 to 30 Seconds in Aperture Priority Mode |
Mechanical Shutter 1/8000 to 900 Seconds 1/8000 to 4 Seconds in Program Mode Electronic Front Curtain Shutter 1/8000 to 900 Seconds 1/8000 to 4 Seconds in Program Mode Electronic Shutter 1/32000 to 900 Seconds 1/32000 to 4 Seconds in Program Mode 1/32000 to 30 Seconds in Aperture Priority Mode Fixed 1 Second in Bulb Mode 1/8000 to 1/4 Second in Movie Mode |
| Bulb/Time Mode | Bulb Mode | Bulb Mode |
| ISO Sensitivity | Photo 160 to 12,800 in Auto Mode (Extended: 80 to 51,200) Video 160 to 12,800 in Auto Mode (Extended: 160 to 25,600) |
Photo 160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200) Video 160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600) |
| Metering Method | Average, Center-Weighted Average, Multiple, Spot | Average, Center-Weighted Average, Multi-Zone, Multiple, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) | -5 to +5 EV (1/3 EV Steps) |
| White Balance | Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater | 2500 to 10,000K Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater |
| Continuous Shooting |
Mechanical Shutter Mechanical Shutter Approx. 15fps (JPEG: 119frames ,Compressed RAW:39 frames, Lossless Compressed RAW 22 frames, Uncompressed RAW: 19frames, Compressed RAW + JPEG 27 frames) Mechanical Shutter Approx. 10fps (JPEG: 1000+ frames ,Compressed RAW: 56 frames, Lossless Compressed RAW 29 frames, Uncompressed RAW: 19 frames, Compressed RAW + JPEG: 34 frames) Electronic Shutter Approx. 13fps (1.29x Crop) (JPEG: 1000+ frames ,Compressed RAW: 104, Lossless Compressed RAW: 53, Uncompressed RAW: 23 frames, Compressed RAW + JPEG: 56, Lossless compressed RAW + JPEG: 44, Uncompressed RAW + JPEG: 23) |
Mechanical Shutter Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw) Up to 10 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw) Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw) Electronic Shutter Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw) Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw) Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw) Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw) |
No option to add an external fan to the new Fuji X-T5 camera
Best Cinema Camera the Fuji X-H2s
Why is Fuji X-H2s Considered to be a better cinema or video camera when both X-T5 and Z-H2S record MAX videos Res of 6.2K?
. The X-H2S can shoot 6.2K or 4K at up to 30p from 14-bit readout in its F-Log2 mode, the X-H2S uses an entire 26 MP sensor and u don’t have to face any crop till 4k 60fps mode. Additionally, the Fuji X-H2 supports external Fan input, so whenever you need an extra cooling mechanism for your camera you can use the external cooling fan.
In Fuji X-T5 we use a slower sensor that in turn will generate more heat and no option to cool down the camera, we don’t have any option to use an external fan with X-T5. Other than that if we talk about the video core specs, then the Fuji X-T5 camera does 4k, 24 & 30 fps oversampled readout with 1.22 x crop, and the camera uses pixel binning or line skipping algorithm while recording 4k 60fps.
In addition to internal H.264, H.265, and ProRes (422 HQ, 422 or 422 LT) capture, the X-H2S via its HDMI port can output a 6.2K or 4.8K Raw which can be further encoded as ProRes RAW by the Atomos Ninja V+ recorder or BRaw using a Blackmagic Video Assist 12G HDR.
Dual-Base ISO in Fuji X-H2s: We have high-gain and low-gain ISO circuits active while shooting a Flog2, with the help of Dual base ISO we will get more cleaner output compared to the conventional way of capturing videos.
The camera’s full-sized HDMI port conforms to v2.1 of the standard, meaning it can also output 4K/120p video in up to 10-bit 4:2:2.
| Fuji X-T5 | Fuji X-H2s | |
| Internal Recording Modes | H.264/H.265/MOV 10-Bit 6.2K (16:9) – 6240 x3150: 29.97p/ 25p/ 24p/ 23.98p 360Mbps/ 200Mbps/ 100Mbps/ 50MbpsDCI 4K (17:9) 4096 x2160: 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 360Mbps/ 200Mbps/100Mbps/50Mbps4K (16:9) – 3840 x2160: 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps Full HD (17:9) -2048 x1080: 59.94p/ 50p/ 29.97p/ 25p/ 24p/23.98p 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps |
H.265 Long GOP/MOV 4:2:2 10-Bit 6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s] MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT 4:2:2 10-Bit 6240 x 4160 at 23.98/24.00/25/29.97 fps [1277 to 2754 Mb/s] |
| Video ISO Range | 125-12800 |
Flog 640-12800 Flog 1250 – 12800 |
| Recording Limit | No recording limit | No limit |
No express type B Card option in the Fuji X-T5 camera, and the entire read-write process slows down that’s why the camera isn’t able to do full sensor readout or record images of more than 119 in a single burst, yes not only buffer memory the absence of CF Express card is also the reason behind these limitations.
| Fuji X-T5 | Fuji X-H2s | |
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) | Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x Micro-HDMI Output | 1 x HDMI Output |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input | 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body |
| Power I/O | 1 x USB-C Input/Output | 1 x USB-C Input/Output |
| Other I/O | 1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket Output |
1 x USB-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket (Sync) FlashSync Output |
| Wireless | Wi-Fi, Bluetooth | 2.4 / 5 GHz Wi-Fi 5 (802.11ac) Bluetooth |
| Global Positioning (GPS, GLONASS, etc.) | None | None |
Viewfinder
| Type | Built-In Electronic (OLED) | Built-In Electronic (OLED) |
| Size | 0.5″ | 0.5″ |
| Resolution | 3.69m DOT OLED | 5.76 m DOT OLED |
| Coverage | 100% | 100% |
Conclusion: If you only care about shooting still images under budget and don’t want to take ur self into wildlife or sports when u need a faster frame rate or more buffer then its better to settle with X-T5, if you are into professional cinema then undoubtedly the best camera is Fuji X-H2s camera.
We have already done a specification comparison of the Fuji X-T5 vs Fuji X-H2 vs fuji X-T4 vs Fuji X-T5
Get Fuji X-T5 Camera from B&H Store | Amazon.com
